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Borealis
by Juan Carlos Garay"Garay ha escrito una fantasía sobre asuntos muy serios. Borealis parece traída de otras tradiciones, pero enriquece y refresca la nuestra". Juan Gabriel Vásquez Akiralia es un lugar legendario, hogar de avestruces, hombrespájaros, tiranos y revolucionarios; una tierra de arquitectura monumental, gloria pasada y decadencia. Allí llegarán un compositor y un intérprete en épocas distintas: el primero, en busca del éxito, y el segundo, en la madurez de su carrera. Ambos presenciarán eventos cósmicos sorprendentes, que cambiarán no solo el rumbo de sus vidas, sino también el destino del universo. Borealis es una novela que seduce con una trama fascinante, en la que se unen elementos distópicos, la observación de los astros y, por supuesto, una de las mayores pasiones de Juan Carlos Garay: la música. Ese mundo imaginario le permite al autor dialogar con la realidad de nuestro tiempo, determinada en gran medida por la lucha social contra regímenes autoritarios y el futuro incierto que se cierne sobre nuestro planeta. Sobre el autor y su obra se ha dicho: "Garay escribe sobre la vida de nosotros, los músicos, como si fuera la cosa más importante del mundo". Mintcho Badev, violonchelista de la Orquesta Sinfónica Nacional de Colombia Sobre La nostalgia del melómano: "Juan Carlos Garay ha dedicado todo su interés, sus lecturas y estudios a la buena música. Es un melómano universal". Bernardo Hoyos, Ciudad Viva Sobre La canción de la luna: "Si llegara a ser cierto que "el estilo es el hombre", en pocos casos encaja tan bien el aforismo como en el de Garay, […] que en esta, su segunda novela, no pretende cosa distinta a plasmar su pasión por la música". Rafael Baena, Revista Credencial Sobre Balsa de Fuego: "Este es un libro apasionado, intenso, erudito, donde Juan Carlos Garay homenajea a los músicos colombianos [y] reivindica el folklor urbano de las músicas inquietas y transgresoras de las fronteras que trazan los géneros". Harold Pardey, Bizarromesa.com "Garay consigue fundir la historia musical colombiana de las últimas décadas […] con su propósito final: universalizar el folklor colombiano". Mateo Navia, Revista Música
Bored Bella Learns About Fiction And Nonfiction
by Sandy DonovanBored Bella thinks books are boring. When her class takes a trip to the library, Bella isn't thrilled. Join Ms. Paige Turner as she introduces fiction and nonfiction books to Bella and her class.
Bored Gay Werewolf: An Ungodly Joy Attitude Magazine
by Tony SantorellaJuno Dawson's Her Majesty's Royal Coven meets a Jim Jarmusch movie. A directionless college-dropout deals with sexuality, minimum-wage jobs, lunar cycles, toxic masculinity and the everyday perils of life as a modern werewolf. Brian, an aimless slacker, works doubles at his shift job, forgets to clean his room and lays about with his friends Nik and Darby. He's been struggling to manage his transition to adulthood almost as much as his monthly transitions to a werewolf. Really, he is not great at the whole werewolf thing, and his recent murderous slip-ups have caught the attention of Tyler, a Millennial were-mentor determined to take the mythological world by storm. Tyler has got a plan, and weirdly his self-help punditry actually encourages Brian to shape up and to stop accidentally marking out guys who ghosted him on Grindr as potential monthly victims. But as Brian gets closer to Tyler's pack, and alienated from Nik and Darby, he realizes that Tyler's expansion plans are much more nefarious than a little lupine enlightenment... Big-hearted, goofy, anarchic and funny, Bored Gay Werewolf is a smart take on the doomsday logic of late capitalism and the complicated meeting point of masculinity and sexuality. More than that, though, and like Scooby Doo with Grindr or Stranger Things with sex and ennui, it's a buddy novel about finding your pack, the power of friendship, and learning how to be comfortable in your own, shaggy werewolf pelt.
Bored Of The Rings (GOLLANCZ S.F.)
by The Harvard Lampoon50th anniversary edition of the ultimate Tolkien Parody !Sometimes childish, sometimes rude, always clever and always very, very funny, this book has delighted most, and outraged a few, Tolkien fans in the US for more than 40 years.Pulling in references to popular culture and fantasy literature as a whole, this is a killingly effective parody of THE LORD OF THE RINGS. From the dreary Goddamn (Gollum) to the feckless Arrowroot (Aragorn), the bungling Goodgulf (Gandalf) to the timid, mean-minded boggies Frito (Frodo) and Dildo (Bilbo), no character is safe. Fleeing the Nozdrul, bored by acid-casualty Tim Benzedrine and harassed throughout by the minions of Sorhed, the fellowship move through a Middle Earth like no other. Short, sharp and very much to the point, even Tolkien would be hard-pressed to surpress a giggle at BORED OF THE RINGS.
Bored Of The Rings (GOLLANCZ S.F.)
by The Harvard LampoonSometimes childish, sometimes rude, always clever and always very, very funny, this book has delighted most, and outraged a few, Tolkien fans in the US for more than40 years.Pulling in references to popular culture and fantasy literature as a whole, this is a killingly effective parody of THE LORD OF THE RINGS. From the dreary Goddamn (Gollum) to the feckless Arrowroot (Aragorn), the bungling Goodgulf (Gandalf) to the timid, mean-minded boggies Frito (Frodo) and Dildo (Bilbo), no character is safe. Fleeing the Nozdrul, bored by acid-casualty Tim Benzedrine and harassed throughout by the minions of Sorhed, the fellowship move through a Middle Earth like no other. Short, sharp and very much to the point, even Tolkien would be hard-pressed to surpress a giggle at BORED OF THE RINGS.Read by Rupert Degas. Rupert Degas has narrated over 100 audiobooks. He has recorded a diverse range of authors, from Andy McNab, James Patterson, Wilbur Smith, and Chris Ryan to children's authors such as Derek Landy, Darren Shan, Jamie Rix, and Philip Pullman. He has narrated books by Patrick Rothfuss, Haruki Murakami, Mervyn Peake, Rose Tremain, and Cormac McCarthy as well as recording classics from Kafka, Conan Doyle, Lovecraft, and Wilde. Rupert has lent his voice to numerous cartoons, including Mr Bean, Robotboy, Gumball, Thomas & Friends,and Bob the Builder and has performed in over 50 radio productions for BBC Radio 4, includingThe Brightonomicon and The Hitchhiker's Guide to the Galaxy. He spent 18 months in the West End performing in Stones in his Pockets and was in the original London cast of the smash-hit comedyThe 39 Steps.Produced by Peter Rinne(p) 2013 Orion Publishing Group
Bored Panda
by Mike BenderCome along with a tech-obsessed Panda as he goes from having a "boring" no-screens day to a joyful, out-and-about day. The New York Times bestselling creator of Awkward Family Photos wants you to know: being bored is not boring!For Panda, there is NOTHING worse than being bored. It's just so...boring.But what's a tech-loving panda to do when there's no electricity? Skeptical that the great outdoors will cure his boredom, Panda nonetheless sets out on a day full of surprises. They might even turn out to be fun surprises!From the duo behind The Most Serious Fart comes a very not boring tale about how boredom is never really boredom--it's a chance to discover all the fun waiting to be had!
Bored in Space (Fountas & Pinnell Classroom, Guided Reading)
by Eugene Smith Lisa Adams Riley RoamNIMAC-sourced textbook. News from Outer Space. Marv just won't believe that Jannali is on a space station. Can she convince him … without getting hurt?
Bored to Death
by Jonathan AmesNow an HBO original series starring Jason Schwartzman (Rushmore), Zach Galifianakis (The Hangover), and Ted Danson, "Bored to Death" is a Raymond Chandleresque tale of a struggling Brooklyn writer curiously named Jonathan Ames who, in a moment of odd whimsy and boredom, becomes a private detective after spontaneously posting an ad on Craigslist. As a rank amateur who just thinks he can help, this Ames alter ego quickly becomes embroiled in the search for a missing NYU coed. He moves from one scrape to the next, all while trying to escape a life of periodic alcoholism, dead-end relationships, writer's block, and hours of Internet backgammon.
Boredom
by William Weaver Alberto Moravia Angus DavidsonThe novels that the great Italian writer Alberto Moravia wrote in the years following the World War II represent an extraordinary survey of the range of human behavior in a fragmented modern society. Boredom, the story of a failed artist and pampered son of a rich family who becomes dangerously attached to a young model, examines the complex relations between money, sex, and imperiled masculinity. This powerful and disturbing study in the pathology of modern life is one of the masterworks of a writer whom as Anthony Burgess once remarked, was "always trying to get to the bottom of the human imbroglio. "
Borgata: A History of the American Mafia
by Louis FerranteThe first hundred years of the American Mafia's existence would come to be seen as a golden age. From small-town Sicily to glittering Las Vegas, the mob had carefully expanded and consolidated their power until their influence touched almost every aspect of American society. But in the 1960s, everything changed.In CLASH OF TITANS, the second volume of former Mafia associate Louis Ferrante's groundbreaking Borgata trilogy, we discover for the first time the true scale of the conflicts that rocked the organisation between 1960 and 1985. From Robert F. Kennedy's personal crusade against the unexpecting mob to covert assassinations, betrayal by government informants and full-blown insurrections, we follow the Mafia from the apex of their power to their descent into civil war.This story takes place against the backdrop of a changing America, where shadowy CIA conspiracies, brutal Justice Department battles and J Edgar Hoover's FBI all leave their mark on the Mafia tale.Ferrante's insider history sheds new light on men so powerful they have since become household names: Jimmy Hoffa, Crazy Joe Gallo, Carlo Gambino and more. And, as ruthless infighting leads to rebellion, we watch as a bitter power struggle between Paul Castellano and the young John Gotti begins.
Borgata: A History of the American Mafia
by Louis FerranteThe first hundred years of the American Mafia's existence would come to be seen as a golden age. From small-town Sicily to glittering Las Vegas, the mob had carefully expanded and consolidated their power until their influence touched almost every aspect of American society. But in the 1960s, everything changed.In CLASH OF TITANS, the second volume of former Mafia associate Louis Ferrante's groundbreaking Borgata trilogy, we discover for the first time the true scale of the conflicts that rocked the organisation between 1960 and 1985. From Robert F. Kennedy's personal crusade against the unexpecting mob to covert assassinations, betrayal by government informants and full-blown insurrections, we follow the Mafia from the apex of their power to their descent into civil war.This story takes place against the backdrop of a changing America, where shadowy CIA conspiracies, brutal Justice Department battles and J Edgar Hoover's FBI all leave their mark on the Mafia tale.Ferrante's insider history sheds new light on men so powerful they have since become household names: Jimmy Hoffa, Crazy Joe Gallo, Carlo Gambino and more. And, as ruthless infighting leads to rebellion, we watch as a bitter power struggle between Paul Castellano and the young John Gotti begins.
Borgata: A History of the American Mafia
by Louis FerranteThe first hundred years of the American Mafia's existence would come to be seen as a golden age. From small-town Sicily to glittering Las Vegas, the mob had carefully expanded and consolidated their power until their influence touched almost every aspect of American society. But in the 1960s, everything changed.In CLASH OF TITANS, the second volume of former Mafia associate Louis Ferrante's groundbreaking Borgata trilogy, we discover for the first time the true scale of the conflicts that rocked the organisation between 1960 and 1985. From Robert F. Kennedy's personal crusade against the unexpecting mob to covert assassinations, betrayal by government informants and full-blown insurrections, we follow the Mafia from the apex of their power to their descent into civil war.This story takes place against the backdrop of a changing America, where shadowy CIA conspiracies, brutal Justice Department battles and J Edgar Hoover's FBI all leave their mark on the Mafia tale.Ferrante's insider history sheds new light on men so powerful they have since become household names: Jimmy Hoffa, Crazy Joe Gallo, Carlo Gambino and more. And, as ruthless infighting leads to rebellion, we watch as a bitter power struggle between Paul Castellano and the young John Gotti begins.
Borges Beyond the Visible
by Max Ubelaker AndradeBorges Beyond the Visible presents radically new readings of some of Jorge Luis Borges’s most celebrated stories. Max Ubelaker Andrade shows how Borges employed intertextual puzzles to transform his personal experiences with blindness, sexuality, and suicide while allowing readers to sense the transformative power of their own literary imaginations.In readings of "Tlön, Uqbar, Orbis Tertius," "El Aleph," and "El Zahir," Ubelaker Andrade argues that Borges, considering his own impending blindness, borrowed from Islam’s prohibitions on visual representation to create a "literary theology"—a religion focused on the contradictions of literary existence and the unstable complexities of a visual world perceived without everyday sight. Embracing these contradictions allowed Borges to transform his relationships with sex, sexuality, and family in multilayered stories such as "Emma Zunz," "La intrusa," and "El jardín de senderos que se bifurcan." Yet these liberating transformations, sometimes offered to the reader as a paradoxical "gift of death," are complicated by "La salvación por las obras," a story built around Borges’s relationship with a suicidal reader and the woman to whom they were both connected. The epilogue presents "Místicos del Islam," an unpublished essay draft by Borges, as a key source of insight into an irreverent, iconoclastic writing practice based on a profound faith in fiction.Compelling and clear, Borges Beyond the Visible is a revelatory examination of the work of one of the most influential authors of the twentieth century. It opens up exciting areas of inquiry for scholars, students, and readers of Borges.
Borges Beyond the Visible
by Max Ubelaker AndradeBorges Beyond the Visible presents radically new readings of some of Jorge Luis Borges’s most celebrated stories. Max Ubelaker Andrade shows how Borges employed intertextual puzzles to transform his personal experiences with blindness, sexuality, and suicide while allowing readers to sense the transformative power of their own literary imaginations.In readings of “Tlön, Uqbar, Orbis Tertius,” “El Aleph,” and “El Zahir,” Ubelaker Andrade argues that Borges, considering his own impending blindness, borrowed from Islam’s prohibitions on visual representation to create a “literary theology”—a religion focused on the contradictions of literary existence and the unstable complexities of a visual world perceived without everyday sight. Embracing these contradictions allowed Borges to transform his relationships with sex, sexuality, and family in multilayered stories such as “Emma Zunz,” “La intrusa,” and “El jardín de senderos que se bifurcan.” Yet these liberating transformations, sometimes offered to the reader as a paradoxical “gift of death,” are complicated by “La salvación por las obras,” a story built around Borges’s relationship with a suicidal reader and the woman to whom they were both connected. The epilogue presents “Místicos del Islam,” an unpublished essay draft by Borges, as a key source of insight into an irreverent, iconoclastic writing practice based on a profound faith in fiction.Compelling and clear, Borges Beyond the Visible is a revelatory examination of the work of one of the most influential authors of the twentieth century. It opens up exciting areas of inquiry for scholars, students, and readers of Borges.
Borges Buenos Aires: La noche, las calles, el periodismo, la amistad y los sueños: Borges antes de la celebridad
by Ulyses Petit de MuratCrónica de la amistad más antigua y más larga que tuvo Borges (nace en los años veinte y se prolonga por más de medio siglo) y fresco de la Buenos Aires de los años treinta y cuarenta. Biografía de primera mano del Borges joven y aún desconocido. Antes de ser consagrado mundialmente como uno de los escritores más importantes del siglo XX, hubo un Borges joven, apodado familiarmente Georgie, que trajinó la noche de Buenos Aires en extensas caminatas junto a un compañero de ruta con el que cultivaba el hábito de la ciudad, el dominio del verso y ciertas perplejidades metafísicas: Ulyses Petit de Murat, "compartidor de calles y de versos", y tal vez su amistad más antigua y más larga. Poco antes de morir, al escribir este, su último libro, Ulyses deja el único testimonio sobre los años en que su amigo, que todavía es joven y goza de la vista, se alimenta fruitivamente del material que será sustrato de las obsesiones que cristalizarán posteriormente en su obra de hombre de letras famoso, maduro y ciego. A pesar de que no hay otra crónica tan de primera mano sobre el Borges de las décadas del veinte al cuarenta (los diarios de Bioy registran lo que va de los cincuenta en adelante), la felicidad de estas páginas va mucho más allá de lo meramente biográfico: está cifrada en la celebración de la amistad entre dos hombres y su ciudad.
Borges and Black Mirror (Literatures of the Americas)
by David LarawayBorges and Black Mirror convenes a dialogue between one of the most influential writers of the twentieth century, the philosophical fabulist Jorge Luis Borges, and one of the most important writers and producers of the twenty-first century, Charlie Brooker, whose Black Mirror series has become a milestone in an age of “post-television” programming. The book’s introduction provides a detailed examination of the terms of engagement of Borges and Brooker and each of the chapters explores in a sustained way the resonances and affinities between one particular story by Borges and one particular episode of Black Mirror. The result is a series of essays that locate Brooker’s work with respect to a rich literary and philosophical tradition on the one hand and, on the other, demonstrate the relevance of Borges’s work for anyone who wishes to understand one of our most emblematic cultural artifacts in the age of Netflix.
Borges and His Fiction: A Guide to His Mind and Art (Texas Pan American Series)
by Gene H. Bell-VilladaFrom reviews of the first edition: "A compulsively readable account of the life and works of our greatest. . . writer of fantasy. With a keen appreciation of Borges himself and a pleasant disregard for the critical cliches, Bell-Villada tells us all we really want to know about the modern master-from pronouncing his name to understanding the stories. " --New York Daily News "Of the scores of Borges studies by now published in English, Bell-Villada's excellent book stands out as one of the freshest and most generally helpful. . . . Lay readers and specialists alike will find his book a valuable and highly readable companion to Ficciones and El Aleph. " --Choice Since its first publication in 1981, Borges and His Fiction has introduced the life and works of this Argentinian master-writer to an entire generation of students, high school and college teachers, and general readers. Responding to a steady demand for an updated edition, Gene H. Bell-Villada has significantly revised and expanded the book to incorporate new information that has become available since Borges' death in 1986. In particular, he offers a more complete look at Borges and Peronism and Borges' personal experiences of love and mysticism, as well as revised interpretations of some of Borges' stories. As before, the book is divided into three sections that examine Borges' life, his stories in Ficciones and El Aleph, and his place in world literature.
Borges and His Fiction: A Guide to His Mind and Art (Texas Pan American Series)
by Gene H. Bell-VilladaThe acclaimed author of García Márquez delivers &“a compulsively readable account of the life and works of our greatest . . . writer of fantasy&” (New York Daily News). Since its first publication in 1981, Borges and His Fiction has introduced the life and works of this Argentinian master-writer to an entire generation of students, high school and college teachers, and general readers. Responding to a steady demand for an updated edition, Gene H. Bell-Villada has significantly revised and expanded the book to incorporate new information that has become available since Borges&’ death in 1986. In particular, he offers a more complete look at Borges and Peronism and Borges&’ personal experiences of love and mysticism, as well as revised interpretations of some of Borges&’ stories. As before, the book is divided into three sections that examine Borges&’ life, his stories in Ficciones and El Aleph, and his place in world literature. &“Of the scores of Borges studies by now published in English, Bell-Villada&’s excellent book stands out as one of the freshest and most generally helpful . . . Lay readers and specialists alike will find his book a valuable and highly readable companion to Ficciones and El Aleph.&” —Choice
Borges and Joyce: An Infinite Conversation
by Patricia Novillo-Corvalan"Borges and Joyce stand as two of the most revolutionary writers of the twentieth-century. Both are renowned for their polyglot abilities, prodigious memories, cyclical conception of time, labyrinthine creations, and for their shared condition as European emigres and blind bards of Dublin and Buenos Aires. Yet at the same time, Borges and Joyce differ in relation to the central aesthetic of their creative projects: the epic scale of the Irishman contrasts with the compressed fictions of the Argentine. In this comprehensive and engaging study, Patricia Novillo-Corvalan demonstrates that Borges created a version of Joyce refracted through the prism of his art, thus encapsulating the colossal magnitude of Ulysses and Finnegans Wake within the confines of a nutshell. Separate chapters triangulate Borges and Joyce with the canonical legacy of Homer, Dante, and Shakespeare using as a point of departure Walter Benjamin's notion of the afterlife of a text. This ambitious, interdisciplinary study offers a model for Comparative Literature in the twenty-first century."
Borges and Kafka, Bolaño and Bloom: Latin American Authors and the Western Canon
by Juan E. De CastroAt a time in which many in the United States see Spanish America as a distinct and, for some, threatening culture clearly differentiated from that of Europe and the US, it may be of use to look at the works of some of the most representative and celebrated writers from the region to see how they imagined their relationship to Western culture and literature. In fact, while authors across stylistic and political divides—like Gabriela Mistral, Jorge Luis Borges, or Gabriel García Márquez—see their work as being framed within the confines of a globalized Western literary tradition, their relationship, rather than epigonal, is often subversive.Borges and Kafka, Bolaño and Bloom is a parsing not simply of these authors' reactions to a canon, but of the notion of canon writ large and the inequities and erasures therein. It concludes with a look at the testimonial and autobiographical writings of Rigoberta Menchú and Lurgio Gavilán, who arguably represent the trajectory of Indigenous testimonial and autobiographical writing during the last forty years, noting how their texts represent alternative ways of relating to national and, on occasion, Western cultures. This study is a new attempt to map writers' diverse ways of thinking about locality and universality from within and without what is known as the canon.
Borges and Memory
by Rodrigo Quian Quiroga Juan Pablo FernándezImagine the astonishment felt by neuroscientist Rodrigo Quian Quiroga when he found a fantastically precise interpretation of his research findings in a story written by the great Argentinian fabulist Jorge Luis Borges fifty years earlier. Quian Quiroga studies the workings of the brain--in particular how memory works--one of the most complex and elusive mysteries of science. He and his fellow neuroscientists have at their disposal sophisticated imaging equipment and access to information not available just twenty years ago. And yet Borges seemed to have imagined the gist of Quian Quiroga's discoveries decades before he made them. The title character of Borges's "Funes the Memorious" remembers everything in excruciatingly particular detail but is unable to grasp abstract ideas. Quian Quiroga found neurons in the human brain that respond to abstract concepts but ignore particular details, and, spurred by the way Borges imagined the consequences of remembering every detail but being incapable of abstraction, he began a search for the origins of Funes. Borges's widow, María Kodama, gave him access to her husband's personal library, and Borges's books led Quian Quiroga to reread earlier thinkers in philosophy and psychology. He found that just as Borges had perhaps dreamed the results of Quian Quiroga's discoveries, other thinkers--William James, Gustav Spiller, John Stuart Mill--had perhaps also dreamed a story like "Funes. " With Borges and Memory, Quian Quiroga has given us a fascinating and accessible story about the workings of the brain that the great creator of Funes would appreciate.
Borges and Memory: Encounters with the Human Brain
by Rodrigo Quian QuirogaA scientist's exploration of the working of memory begins with a story by Borges about a man who could not forget. Imagine the astonishment felt by neuroscientist Rodrigo Quian Quiroga when he found a fantastically precise interpretation of his research findings in a story written by the great Argentinian fabulist Jorge Luis Borges fifty years earlier. Quian Quiroga studies the workings of the brain—in particular how memory works—one of the most complex and elusive mysteries of science. He and his fellow neuroscientists have at their disposal sophisticated imaging equipment and access to information not available just twenty years ago. And yet Borges seemed to have imagined the gist of Quian Quiroga's discoveries decades before he made them.The title character of Borges's "Funes the Memorious" remembers everything in excruciatingly particular detail but is unable to grasp abstract ideas. Quian Quiroga found neurons in the human brain that respond to abstract concepts but ignore particular details, and, spurred by the way Borges imagined the consequences of remembering every detail but being incapable of abstraction, he began a search for the origins of Funes. Borges's widow, María Kodama, gave him access to her husband's personal library, and Borges's books led Quian Quiroga to reread earlier thinkers in philosophy and psychology. He found that just as Borges had perhaps dreamed the results of Quian Quiroga's discoveries, other thinkers—William James, Gustav Spiller, John Stuart Mill—had perhaps also dreamed a story like "Funes."With Borges and Memory, Quian Quiroga has given us a fascinating and accessible story about the workings of the brain that the great creator of Funes would appreciate.
Borges and the Eternal Orangutans
by Luis Fernando Verissimo Jull CostaJorge Luis Borges is the hero of this literary whodunit by one of Brazil's most celebrated writers. Vogelstein is a loner who has always lived among books. Suddenly, fate grabs hold of his insignificant life and carries him off to Buenos Aires, to a conference on Edgar Allan Poe, the inventor of the modern detective story. There Vogelstein meets his idol, Jorge Luis Borges, and for reasons that a mere passion for literature cannot explain, he finds himself at the center of a murder investigation that involves arcane demons, the mysteries of the Kaballah, the possible destruction of the world, and the Elizabethan magus John Dee's theory of the "Eternal Orangutan," which, given all the time in the world, would end up writing all the known books in the cosmos. Verissimo's small masterpiece is at once a literary tour de force and a brilliant mystery novel.
Borges and the Literary Marketplace: How Editorial Practices Shaped Cosmopolitan Reading
by Nora C. BenedictA fascinating history of Jorge Luis Borges&’s efforts to revolutionize and revitalize literature in Latin America Jorge Luis Borges (1899–1986) stands out as one of the most widely regarded and inventive authors in world literature. Yet the details of his employment history throughout the early part of the twentieth century, which foreground his efforts to develop a worldly reading public, have received scant critical attention. From librarian and cataloguer to editor and publisher, this writer emerges as entrenched in the physical minutiae and social implications of the international book world. Drawing on years of archival research coupled with bibliographical analysis, this book explains how Borges&’s more general involvement in the publishing industry influenced not only his formation as a writer, but also global book markets and reading practices in world literature. In this way it tells the story of Borges&’s profound efforts to revolutionize and revitalize literature in Latin America through his varying jobs in the publishing industry.
Borges and the Politics of Form
by Jose Eduardo GonzalezJorge Luis Borges-one of the most important Latin American writers-has also attained considerable international stature, and his work is commonly cited in a wide array of scholarship on contemporary fiction. Partly as a consequence of Borges' international identity, and partly because of a long-standing view in Borges criticism that his writing is principally concerned with abstract ideas, critics have been reluctant to address the question of politics in his writingFilling this critical gap, Gonzalez begins by rejecting the proposition that Borges withdraws from the "real," and provides a detailed analysis of the various political issues that Borges takes up in his essays and short stories. The author places particular emphasis on the turbulent questions that shaped Argentine social history during the period of Borges' output.