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The Garland Encyclopedia of World Music: The World's Music: General Perspectives and Reference Tools (Garland Encyclopedia of World Music #10)
by Ruth M. StoneThe Garland Encyclopedia of World Music is a ten-volume reference work, organized geographically by continent to represent the musics of the world in nine volumes. The tenth volume houses reference tools and descriptive information about the encyclopedia’s structure, criteria for inclusion and other information specific to the field of ethnomusicology. An award-winning reference, its contributions are from top researchers around the world who were active in fieldwork and from key institutions with programs in ethnomusicology. GEWM has become a familiar acronym, and it remains highly revered for its scholarship, uncontested in being the sole encompassing reference work with a broad survey of world music. More than 9,000 pages, with musical illustrations, photographs and drawings, it is accompanied by 300+ audio examples.
The Garland Handbook of African Music
by Ruth M. StoneThe Garland Handbook of African Music is comprised of essays from The Garland Encyclopedia of World Music: Volume 1, Africa, (1997). Revised and updated, the essays offer detailed, regional studies of the different musical cultures of Africa and examine the ways in which music helps to define the identity of this particular area. Part One provides an in-depth introduction to Africa. Part Two focuses on issues and processes, such as notation and oral tradition, dance in communal life, and intellectual property. Part Three focuses on the different regions, countries, and cultures of Africa with selected regional case studies. The second edition has been expanded to include exciting new scholarship that has been conducted since the first edition was published. Questions for Critical Thinking at the end of each major section guide and focus attention on what musical and cultural issues arise when one studies the music of Africa -- issues that might not occur in the study of other musics of the world. An accompanying audio compact disc offers musical examples of some of the music of Africa.
The Garland Handbook of Latin American Music
by Dale A. Olsen; Daniel E. SheehyFirst Published in 2000. The Garland Handbook of Latin American Music is comprised of essays from The Garland Encyclopedia of World Music: Volume 2, South America, Mexico, Central America, and the Carribean, (1998). Revised and updated, the essays offer detailed, regional studies of the different musical cultures of Latin America and examine the ways in which music helps to define the identity of this particular area. Part One provides an in-depth introduction to the area of Latin America and describes the history, geography, demography, and cultural settings of the regions that comprise Latin America. It also explores the many ways to research Latin American music, including archaeology, iconography, mythology, history, ethnography, and practice. Part Two focuses on issues and processes, such as history, politics, geography, and immigration, which are responsible for the similarities and the differences of each region's uniqueness and individuality. Part Three focuses on the different regions, countries, and cultures of Caribbean Latin America, Middle Latin America, and South America with selected regional case studies. The second edition has been expanded to cover Haiti, Panama, several more Amerindian musical cultures, and Afro-Peru. Questions for Critical Thinking at the end of each major section guide focus attention on what musical and cultural issues arise when one studies the music of Latin America -- issues that might not occur in the study of other musics of the world. Two audio compact discs offer musical examples of some of the music of Latin America.
The Garland Handbook of Latin American Music (Reference Library Of The Humanities)
by Dale A. Olsen and Daniel E. SheehyThe Garland Handbook of Latin American Music is comprised of essays from The Garland Encyclopedia of World Music: Volume 2, South America, Mexico, Central America, and the Carribean, (1998). Revised and updated, the essays offer detailed, regional studies of the different musical cultures of Latin America and examine the ways in which music helps to define the identity of this particular area. Part One provides an in-depth introduction to the area of Latin America and describes the history, geography, demography, and cultural settings of the regions that comprise Latin America. It also explores the many ways to research Latin American music, including archaeology, iconography, mythology, history, ethnography, and practice. Part Two focuses on issues and processes, such as history, politics, geography, and immigration, which are responsible for the similarities and the differences of each region’s uniqueness and individuality. Part Three focuses on the different regions, countries, and cultures of Caribbean Latin America, Middle Latin America, and South America with selected regional case studies. The second edition has been expanded to cover Haiti, Panama, several more Amerindian musical cultures, and Afro-Peru. Questions for Critical Thinking at the end of each major section guide focus attention on what musical and cultural issues arise when one studies the music of Latin America -- issues that might not occur in the study of other musics of the world. Two audio compact discs offer musical examples of some of the music of Latin America.
The Garland Handbook of Southeast Asian Music
by Sean Williams Terry E. MillerThe Garland Handbook of Southeast Asian Music is comprised of essays from The Garland Encyclopedia of World Music: Volume 4, Southeast Asia (1998). Largely revised and updated, the essays offer detailed, regional studies of the different musical cultures of Southeast Asia and examine the ways in which music helps to define the identity of this particular area. Part one provides an in-depth introduction to the area of Southeast Asia and explores a series of issues and processes, such as colonialism, mass media, spirituality, and war. The articles in this section are important in gaining historical, political, and social perspective. Part two focuses on mainland Southeast Asia, with essays representing Cambodia, Thailand, Laos, Burma, Peninsular Malaysia, Vietnam, Singapore, and the minority peoples of mainland Southeast Asia. Part three focuses on island Southeast Asia, dividing the area into three sections: Indonesia, the Philippines, and Borneo. In addition to offering a detailed study of the music of each area, it also offers recent perspectives on the gamelan and theater traditions of Indonesia. Questions for Critical Thinking at the end of each major section guide and focus attention on what issues – musical and cultural – arise when one studies the music of Southeast Asia – issues that might not occur in the study of other musics of the world. An accompanying compact disc offers musical examples from Southeast Asia.
The Garth Factor: The Career Behind Country's Big Boom
by Patsi Bale CoxGarth Brooks is certified by the RIAA as the #1 selling solo artist in US history. Since his debut in 1990, he has sold over 128 million albums. But success rarely comes without controversy, and Garth has had more than a share. Is he a media and market manipulator, a country music poseur, and a megalomaniac, or is he simply a brilliant businessman and marketing strategist? Industry insider Patsi Bale Cox, who generated all label material on Brooks throughout his career, examines the meteoric rise of the country star. Examining his career within the context of country music history, she takes readers behind closed doors at the labels, and delves into the inner sanctum of the Nashville music community. The Garth Factor will paint a portrait of how Brooks's friendship with Trisha Yearwood developed into love and marriage, explore the truth behind his "alter-ego" Chris Gaines, and update readers on what he has been up to since retirement.
The Gei of Geisha: Music, Identity and Meaning (Soas Studies In Music Ser.)
by KellyM. ForemanThe Japanese geisha is an international icon, known almost universally as a symbol of traditional Japan. Numerous books exist on the topic, yet this is the first to focus on the 'gei' of geisha - the art that constitutes their title (gei translates as fine art, sha refers to person). Kelly M. Foreman brings together ethnomusicological field research, including studying and performing the shamisen among geisha in Tokyo, with historical research. The book elaborates how musical art is an essential part of the identity of the Japanese geisha rather than a secondary feature, and locates current practice within a tradition of two and half centuries. The book opens by deconstructing the idea of 'geisha' as it functions in Western societies in order to understand why gei has been, and continues to be, neglected in geisha studies. Subsequent chapters detail the myriad musical genres and traditions with which geisha have been involved during their artistic history, as well as their position within the traditional arts society. Considering the current situation more closely, the final chapters explore actual dedication to art today by geisha, and analyse how they create impromptu performances at evening banquets. An important issue here is geisha-patron artistic collaboration, which leads to consideration of what Foreman argues to be the unique and essential nexus of identity, eroticism and aesthetics within the geisha world.
The Gendered Score: Music in 1940s Melodrama and the Woman's Film (Ashgate Popular And Folk Music Ser.)
by Heather LaingHeather Laing examines, for the first time, the issues of gender and emotion that underpin the classical style of film scoring, but that have until now remained unquestioned and untheorized, thus providing a benchmark for thinking on more recent and alternative styles of scoring. Many theorists have discussed this type of music in film as a signifier of emotion and 'the feminine', a capacity in which it is frequently associated with female characters. The full effect of such an association on either female or male characterization, however, has not been examined. This book considers the effects of this association by progress through three stages: cultural-historical precedents, the generic parameters of melodrama and the woman's film, and the narrativization of music in film through diegetic performance and the presence of musicians as characters. Case studies of specific films provide textual and musical analyses, and the genres of melodrama and the woman's film have been chosen as representative not only of the epitome of the Hollywood scoring style, but also of the narrative association of women, emotion and music. Laing leads to the conclusion that music functions as more than merely a signifier of emotion. Rather, it takes a crucial role in both indicating and determining how emotion is actually understood as part of the construction of gender and its representation in film.
The Genesis and Development of an English Organ Sonata (Royal Musical Association Monographs)
by Iain QuinnThis volume considers the influences and development of the English organ sonata tradition that began in the 1850s with compositions by W. T. Best and William Spark. With the expansion of the instrument’s capabilities came an opportunity for organist-composers to consider the repertoire anew with many factors reinforcing a desire to elevate the literature to new heights. This study begins by examining the legacy of the keyboard sonata in Britain and especially the pedagogical lineage that was to be seen through Mendelssohn and ultimately the early organ sonatas. The abiding influence of William Crotch’s lectures are studied to illuminate how a culture of conservatism emboldened the organist-composers towards compositions that were seen to represent the ideals of the Classical era but in a contemporary vein. The veneration of Bach, Mozart and Beethoven is then examined as composers wrote "portfolio" sonatas, each with a movement in a contrasting style to exhibit their compositional prowess while providing repertoire for the novice and connoisseur alike. Finally the volume considers how the British organist-composers who studied at the Leipzig Conservatorium had a direct bearing on the furtherance of an organ culture at home that in turn set the ground for the seminal work in the genre, Elgar’s Sonata of 1895.
The Genesis and Structure of the Hungarian Jazz Diaspora (Ashgate Popular and Folk Music Series)
by Ádám HavasIn Hungary, jazz was at the forefront of heated debates sparked by the racialised tensions between national music traditions and newly emerging forms of popular culture that challenged the prevailing status quo within the cultural hierarchies of different historical eras. Drawing on an extensive, four-year field research project, including ethnographic observations and 29 in-depth interviews, this book is the first to explore the hidden diasporic narrative(s) of Hungarian jazz through the system of historically formed distinctions linked to the social practices of assimilated Jews and Romani musicians. The chapters illustrate how different concepts of authenticity and conflicting definitions of jazz as the "sound of Western modernity" have resulted in a unique hierarchical setting. The book's account of the fundamental opposition between US-centric mainstream jazz (bebop) and Bartók-inspired free jazz camps not only reveals the extent to which traditionalism and modernism were linked to class- and race-based cultural distinctions, but offers critical insights about the social logic of Hungary’s geocultural positioning in the ‘twilight zone’ between East and West to use the words of Maria Todorova. Following a historical overview that incorporates comparisons with other Central European jazz cultures, the book offers a rigorous analysis of how the transition from playing ‘caféhouse music’ to bebop became a significant element in the status claims of Hungary’s ‘significant others’, i.e. Romani musicians. By combining the innovative application of Pierre Bourdieu’s cultural sociology with popular music studies and postcolonial scholarship, this work offers a forceful demonstration of the manifold connections of this particular jazz scene to global networks of cultural production, which also continue to shape it.
The Geometry of Musical Rhythm: What Makes a "Good" Rhythm Good?, Second Edition
by Godfried T. ToussaintThe original edition of The Geometry of Musical Rhythm was the first book to provide a systematic and accessible computational geometric analysis of the musical rhythms of the world. It explained how the study of the mathematical properties of musical rhythm generates common mathematical problems that arise in a variety of seemingly disparate fields. The book also introduced the distance approach to phylogenetic analysis and illustrated its application to the study of musical rhythm. The new edition retains all of this, while also adding 100 pages, 93 figures, 225 new references, and six new chapters covering topics such as meter and metric complexity, rhythmic grouping, expressive timbre and timing in rhythmic performance, and evolution phylogenetic analysis of ancient Greek paeonic rhythms. In addition, further context is provided to give the reader a fuller and richer insight into the historical connections between music and mathematics.
The German Symphony between Beethoven and Brahms: The Fall and Rise of a Genre
by Christopher FifieldIt was Carl Dahlhaus who coined the phrase ’dead time’ to describe the state of the symphony between Schumann and Brahms. Christopher Fifield argues that many of the symphonies dismissed by Dahlhaus made worthy contributions to the genre. He traces the root of the problem further back to Beethoven’s ninth symphony, a work which then proceeded to intimidate symphonists who followed in its composer's footsteps, including Schubert, Mendelssohn and Schumann. In 1824 Beethoven set a standard that then had to rise in response to more demanding expectations from both audiences and the musical press. Christopher Fifield, who has a conductor’s intimacy with the repertory, looks in turn at the five decades between the mid-1820s and mid-1870s. He deals only with non-programmatic works, leaving the programme symphony to travel its own route to the symphonic poem. Composers who lead to Brahms (himself a reluctant symphonist until the age of 43 in 1876) are frequently dismissed as epigones of Beethoven, Mendelssohn and Schumann but by investigating their symphonies, Fifield reveals their respective brands of originality, even their own possible influence upon Brahms himself and in so doing, shines a light into a half-century of neglected nineteenth century German symphonic music.
The Gershwins and Me
by Michael FeinsteinFrom celebrated entertainer Michael Feinstein comes a beautifully illustrated account of the lives and legacies of the Gershwins--told through stories of twelve of their greatest songs. In addition to a CD, this special edition has a slip cover and comes with removable sheet music.The "Ambassador of the Great American Songbook" Michael Feinstein was just twenty years old when he got the chance of a lifetime: a job with his hero, Ira Gershwin. During their six-year partnership, the two became close friends. Feinstein blossomed under Gershwin's mentorship and Gershwin was reinvigorated by the younger man's zeal for his and his brother George's legacy. Now, in The Gershwins and Me, the only book of its kind, Michael Feinstein shares unforgettable stories and reminiscences from the music that defined American popular song, along with rare Gershwin memorabilia he's collected through the years. From "Strike Up the Band" to "Love Is Here to Stay," each of the twelve chapters highlights one of the Gershwins' classic songs, exploring the brothers' lives, illuminating what the music meant to them, and telling the stories of how their iconic tunes came to life. Throughout the star-studded narrative, Feinstein unfolds the moving chronicle of his own life with the Gershwins, describing his vision for their enduring presence today. No other writer could give us such an authoritative inside perspective on these titans of American culture--and no other writer could include such a soulful collection of music as the accompanying CD packed with Feinstein's original recordings of the twelve songs. A timeless classic and the definitive account of the Gershwins and their legacy, The Gershwins and Me will having you humming with every turn of the page.
The Gershwins and Me: A Personal History in Twelve Songs
by Michael FeinsteinFrom celebrated entertainer Michael Feinstein comes a beautifully illustrated account of the lives and legacies of the Gershwins--told through stories of twelve of their greatest songs.The "Ambassador of the Great American Songbook" Michael Feinstein was just twenty years old when he got the chance of a lifetime: a job with his hero, Ira Gershwin. During their six-year partnership, the two became close friends. Feinstein blossomed under Gershwin's mentorship and Gershwin was reinvigorated by the younger man's zeal for his and his brother George's legacy. Now, in The Gershwins and Me, the only book of its kind, Michael Feinstein shares unforgettable stories and reminiscences from the music that defined American popular song, along with rare Gershwin memorabilia he's collected through the years. From "Strike Up the Band" to "Love Is Here to Stay," each of the twelve chapters highlights one of the Gershwins' classic songs, exploring the brothers' lives, illuminating what the music meant to them, and telling the stories of how their iconic tunes came to life. Throughout the star-studded narrative, Feinstein unfolds the moving chronicle of his own life with the Gershwins, describing his vision for their enduring presence today. No other writer could give us such an authoritative inside perspective on these titans of American culture. A timeless classic and the definitive account of the Gershwins and their legacy, The Gershwins and Me will having you humming with every turn of the page.
The Ghetto Swinger: A Berlin Jazz-Legend Remembers
by John Howard Michael H. Kater Michaela Haas Coco Schumann Max Christian Graeff"From his early enthusiasm for American jazz in Berlin cabarets to his membership of Terezin's celebrated Ghetto Swngers and surviving Auschwitz through his music, to post-war appearances with the likes of Dizzy Gillespie, jazz remains a constant in a remarkable life story."- Ron Simpson, The Jazz RagSchumann's memoir offers an intimate look at the redemptive and sustaining power of music.
The Ghost Sonata
by Jennifer AllisonGilda Joyce?s best friend, Wendy Choy, is chosen to participate in a piano competition in Oxford, England, so of course super-sleuth Gilda finds a way to go too. Once there, the grueling practice schedule takes a backseat to strange and spooky occurrences. There are foreboding tarot cards that keep appearing to the participants and ominous numbers etched in frosty windowpanes. But even more chilling are Wendy?s ghostly nightmares of a young boy?and the haunting melody she can?t shake out of her mind. Could there be a sinister connection to the piano competition? Gilda has a genuine haunting on her hands, and solving this one will take every ounce of psychic intuition she?s got! .
The Gift of Music: Great Composers and Their Influence
by Jane Stuart Smith Betty CarlsonOne of the finest achievements of Western culture is its brilliant heritage of classical music. A Gift of Music looks at the lives of the greatest composers who have given us this heritage, and especially at how their music was shaped by their beliefs. The result is a remarkable and inspiring book, showing the importance of Christian faith for many composers, and the effect of this upon their music. But it also shows how the lack of faith has brought profound change in the meaning and form of contemporary music. Thus A Gift of Music seeks to open up a whole new world of music—to encourage listening to the finest compositions with new understanding and pleasure, and to stretch our ears and imaginations. It is a book which will be greatly appreciated by those who already love classical music, and by others who want to explore this delightful world for the first time.
The Gift of Music: Great Composers and Their Influence
by Jane Stuart Smith; Betty CarlsonFascinating descriptions of forty leading composers whose faith, or lack of it, had an influence on Western civilization. Indexed. Great for all students of music.
The Gift of Song: Performing Exchange in Western Arnhem Land (ISSN)
by Reuben BrownThe Gift of Song: Performing Exchange in Western Arnhem Land tells the story of the return of physical and digital cultural materials through song and dance. Drawing on extensive, first-person ethnographic fieldwork in western Arnhem Land, Australia, Brown examines how Bininj/Arrarrkpi (Aboriginal people of this region) enact change and innovate their performance practices through ceremonial exchange. As Indigenous communities worldwide confront new social and environmental challenges, this book addresses the questions: How do Indigenous communities come to terms with legacies of taking and collecting? How are cultural materials in digital formats received and ritualised? How do traditional forms of exchange continue to mediate relationships? Combining ethnomusicological analysis and linguistically and historically informed ethnography, this book reveals how multilingualism and musical diversity are maintained through kun-borrk/manyardi, a major genre of Indigenous Australian song and dance. It retheorises the core anthropological concept of ‘exchange’ and enriches understanding of repatriation as a process of re-embedding tangible objects through intangible practices of ceremony and language.
The Gilded Stage: A Social History of Opera
by Daniel SnowmanFascinating and highly readable, this is the definitive social history of the world's most romantic, flamboyant, glamorous, and politically influential art-form: opera From its beginnings in the Renaissance cities of northern Italy opera has permeated through Europe, America, and beyond, becoming a global business in the digital age. This history unwraps the story of opera from the charm and chaos of Mozart's Vienna to Frederick the Great's Berlin. It covers the lure of fin-de-siècle Paris, the rough and tumble of the Australian outback, and the new world of the Americas—colorful backdrops to the always dramatic, sometimes tragic, sometimes hilarious episodes that make up this rich and fascinating story.
The Gingerbread Man Loose at Christmas (The Gingerbread Man Is Loose #3)
by Laura MurrayThe holidays are for giving thanks and nothing can stop this Gingerbread Man from delivering his to his favorite member of the community! Everyone in class is busy practicing songs and making goodies for their trip to town to thank community helpers, and the Gingerbread Man has made a card for someone extra sweet. But before he can deliver his gift, whipping wind and swirling snow come to town, too. Slushy sidewalks are no place for a cookie, but this Gingerbread Man won&’t let a little bad weather stop him! &“I&’ll search on my own, as fast as I can! I&’ll dash through this snow. I&’m the Gingerbread Man!&” With all the flavors of the season and generous dashes of kindness and gratitude, the Gingerbread Man&’s newest adventure makes for a perfect read-aloud throughout the holidays.
The Girl in the Band: Bardot – a cautionary tale
by Belinda ChappleThis is the story Bardot&’s Belinda Chapple has wanted to tell for twenty years – a cautionary tale of exploitation and heartbreak. In 2000, millions of Australians tuned in to watch Popstars, one of the world&’s first reality television competitions, in which five girls were selected from thousands to become members of a new band: Bardot. And Belinda Chapple signed a contract that would turn her life upside down. Bardot shot straight to fame and Belinda spent the following three years relentlessly rehearsing, recording and touring. The band released two very successful albums, a slew of hit singles, and performed on world stages to thousands of adoring fans. But Belinda discovered that the life of a popstar could be lonely, and it came with consequences she never saw coming. The impact on her body image was disastrous, and it was impossible to maintain romantic relationships, but at least she had her fellow band members to turn to for support … or so she thought.The Girl in the Band is a behind-the-curtains look at the ruthlessness of the entertainment industry. Belinda Chapple&’s story will resonate with anyone who&’s given up everything for a dream, only to have it shatter around them.
The Girl's Guide to Rocking: How to Start a Band, Book Gigs, and Get Rolling to Rock Stardom
by Jessica HopperFrom greats like Patti Smith and Joan Jett to legends-in-the-making like Taylor Swift and Demi Lovato, girls want to rock. They want to start bands, write songs, get up on stage, and kick out the jams. Here's the book to teach them how. Written by an obsessive music lover who's spent her life playing, performing, publicizing, and writing about rock 'n' roll, The Girls' Guide To Rocking is a hip, inspirational guide for rad girls who want to make their rock dreams come true. It's everything a rocking girl needs to know: how to choose the right instrument for you, where to shop for instruments and where to avoid. How to get your band together and keep it together tips on playing in a band with your friends and staying friends. How to turn your bedroom into a soundproof practice space. Giving your band the right name, plus a cautionary glossary of overused words (Wolf, Star, Crystal, Earth, etc. ). How to set-up and promote your own shows. The freedom of going solo, and how to handle performing alone in the spotlight. Songwriting tips, with eight prompts to get the lyrics flowing. The ins and outs of recording, whether at home or in a studio. Taking care of business: publicizing your band, making T-shirts, legalese and the creative personality, and the four signs that say "time to hire a manager"in other words, you've arrived. Includes a girls-in-rock time line, essential listening lists, and quotes from the greats: Nina Simone, Hayley Williams, Gwen Stefani, Carrie Brownstein, Amy Lee, Kim Gordon, and more. Now get out there and rule the world.
The Girls' Guide to Elvis: The Clothes, the Hair, the Women, and More!
by Kim AdelmanCan't get enough of the King? A lively romp through all things Presley, this sassy guide covers what you really want to know about the man who continues to leave generations of females "All Shook Up." "It's just like being in junior high again. This book offers the scoop on Elvis's way with women--the wives, the girlfriends, the screaming fans--and leaves plenty of room for ever important hair and wardrobe discussions ... [and] films and concert highlights too."-Time. The first book explicitly fashioned for Elvis Presley's largest fan base, The Girls' Guide to Elvis offers a fabulously fun look at the man who begged us to love him tender. This kitschy, dishy, gossip-filled guidebook is packed with never-before-seen photographs and tasty tidbits about the King of Rock and Roll and his insatiable appetite for females, finery, and good old down-home food. Discover Elvis's bedroom do's and don'ts. Dig into details about his relationships with Priscilla, Ann-Margret, and Nancy Sinatra. Peek at snapshots of Presley on dates with local girls we never even knew about. Delve into his infamous shopping sprees and analyze his predilection for jewel-encrusted jumpsuits. Get the skinny on how Elvis felt about his weight-and even learn to cook low-fat versions of his favorite foods. Plus much, much more. For Elvis fans of all ages--from those who screamed at Elvis the Pelvis in concert to those who know the immortal icon from CDs and DVDs--The Girls' Guide to Elvis is a must-have keepsake.
The Glamour Chase: The Maverick Life of Billy Mackenzie
by Tom DoyleThe definitive biography of the Scottish singer-songwriter and leader of the Associates—with a new foreword by Björk. A first-rate charmer with a devilish twinkle in his eye, Billy MacKenzie was a maverick figure within the music industry. At the same time, his wild and mischievous spirit may have done him more harm than good. As frontman of the Associates, gifted with an otherwordly, octave-scaling operatic voice, MacKenzie, rose to Top Twenty chart success in 1982. Then, at the height of their success, the Associates split up. Over the ensuing years, MacKenzie gained a reputation for his unhinged career tactics, generous spirit and knack for squandering large amounts of record-company money. Born in Dundee in 1957, he was the eldest son in a large Catholic family. He was bullied at school and sought refuge in music. He was a schemer and dreamer, a breeder of whippet dogs and a bisexual who kept quiet about his private life. During his lifetime, his unique vocal gift attracted the attention of Shirley Bassey, Annie Lennox and Bjork. However, in the tradition of Scott Walker, Syd Barrett and Nick Drake, MacKenzie's tale is one of thwarted talent and, ultimately, tragedy.