- Table View
- List View
A Song for Europe: Popular Music and Politics in the Eurovision Song Contest (Ashgate Popular And Folk Music Ser.)
by IVAN RAYKOFF and ROBERT DEAM TOBINThe world's largest and longest-running song competition, the Eurovision Song Contest is a significant and extremely popular media event throughout the continent and abroad. The Contest is broadcast live in over 30 countries with over 100 million viewers annually. Established in 1956 as a televised spectacle to unify postwar Western Europe through music, the Contest features singers who represent a participating nation with a new popular song. Viewers vote by phone for their favourite performance, though they cannot vote for their own country's entry. This process alone reveals much about national identities and identifications, as voting patterns expose deep-seated alliances and animosities among participating countries. Here, an international group of scholars from a variety of disciplines, including musicology, communications, history, sociology, English and German studies, explore how the contest sheds light on issues of European politics, national and European identity, race, gender and sexuality, and the aesthetics of camp. For some countries, participation in Eurovision has been simultaneously an assertion of modernity and a claim to membership in Europe and the West. Eurovision is sometimes regarded as a low-brow camp spectacle of little aesthetic or intellectual value. The essays in this collection often contradict this assumption, demonstrating that the contest has actually been a significant force and forecaster for social, cultural and political transformations in postwar Europe.
A Song For Everyone: The Story of Creedence Clearwater Revival
by John LinganThe definitive biography of Creedence Clearwater Revival, exploring the band's legendary rise to fame and how their music embodied the cultural landscape of the late '60s and early '70sFrom 1969 to 1971, as the United States convulsed with political upheaval and transformative social movements, no band was bigger than Creedence Clearwater Revival. They managed a two-year barrage of top-10 singles and LPs that doubled as an ubiquitous soundtrack to one of the most volatile periods in modern American history, and they remain a staple of classic rock radio and films about the era. Yet despite their enduring popularity, no book has ever sought to understand Creedence in conversation with their time. A Song for Everyone finally tells that story: the thirteen-year saga of an unassuming suburban quartet's journey through the wilds of 1960s pop, and their slow accrual of a sound and ethos that were almost mystically aligned with the concerns of decade's end. Starting in middle school, these Californian friends and brothers cut a working-class path through the most expansive decade in American music, playing R&B, country, and rock 'n' roll under a variety of names as each of those genres expanded and evolved. When they finally synthesized those styles under a new name in 1968, Creedence Clearwater Revival became instantly epochal, then fell apart under the weight of personal grievances that dated back to adolescence. As musicians and as men, they embodied the contradictions and difficulties of their time, and those dimensions of their career have never been explored until now.Drawing on wide-ranging research into the social and musical developments of 1959-1972, extensive original interviews with surviving Creedence members and associates, and unpublished memoirs from people who knew the group closely, A Song for Everyone is the definitive account of a legendary and still-beloved American band. At the same time, it is also a cultural history of those same years—from Elvis to Altamont, Eisenhower to Watergate—seen through the eyes of four men who encapsulated them in song for all time, told by one of the rising figures in contemporary music writing.
Song for Jimi: The Story of Guitar Legend Jimi Hendrix
by Charles R. SmithJimi Hendrix's talent was epic, and so is this lyrical account of his life, with spectacular artwork by Edel Rodriguez-- including a poster underneath the jacket!From his turbulent childhood through his epical appearance at the Monterey and Woodstock festivals, Charles R. Smith Jr. covers it all in this rich and rhythmic account of a singular life, accompanied by the psychedelic splendor of Edel Rodriguez's acid-tinged artwork. Let me tell you a story,a story 'bout a boy,who became a man,a git-tar man,named Jimi.Written as a series of verses beginning with intro and ending with outro, this unique mix of rhythm and rhyme captures the essence of rock icon Jimi Hendrix and his struggle to live life on his own terms. Backmatter, including a select discography, timeline of Hendrix's life, and a personal essay from the author, is included. A Kirkus Reviews Best Picture Book of the YearA CBC/NCSS Notable Social Studies Trade BookA CSMCL Best Multicultural Children's Book of the YearAn Evanston Public Library Great Books for Kids pick!
Song for my Fathers
by Tom SanctonSong for My Fathers is the story of a young white boy driven by aconsuming passion to learn the music and ways of a group of agingblack jazzmen in the twilight years of the segregation era.Contemporaries of Louis Armstrong, most of them had played in localobscurity until Preservation Hall launched a nationwide revival ofinterest in traditional jazz. They called themselves "the mens." Andthey welcomed the young apprentice into their ranks. The boy was introduced into this remarkable fellowship by hisfather, an eccentric Southern liberal and failed novelist whose powerfularticles on race had made him one of the most effective polemicistsof the early Civil Rights movement. Nurtured on his father's belief inracial equality, the aspiring clarinetist embraced the old musicianswith a boundless love and admiration. The narrative unfolds againstthe vivid backdrop of New Orleans in the 1950s and '60s. But thatmagical place is more than decor; it is perhaps the central player, forthis story could not have taken place in any other city in the world.
A Song for the Season (American Girl: Tenney Grant #4)
by Kellen HertzBuckle your seatbelts--In this fourth book in the series, Tenney & Logan are taking their show on the road! Christmas is just around the corner, and Tenney can't wait to share their music with fans all over Tennessee. But being on the road is harder than she expected--she's missing out on her favorite holiday traditions at home. . . and why is Logan being such a scrooge? After a series of disappointments, the duo begins to crack under pressure. Can they save the tour--and their holiday spirit--in time for Christmas?
Song for the Snow
by Jon-Erik LappanoCan a long-forgotten song bring the snow back to Freya’s town? A lyrical fable from award-winning creators Jon-Erik Lappano and Byron Eggenschwiler. Freya has always loved the snow and the way it covers everything like powdered sugar. But the snow hasn’t come to her town for two winters, and she’s starting to forget what it looks and feels like. When will it be cold? When will it snow again? One day Freya finds a snow globe at the market. It plays the melody of a song that the townspeople sang for generations to call the snow home. Freya’s own grandmother used to sing it to her mother on cold winter nights. Every morning, Freya takes the snow globe outside and sings the song, but still there is no snow … until she has the idea to share the song. Soon everyone in town is singing it, and then, early one morning, the winds change. Jon-Erik Lappano and Byron Eggenschwiler have created an eloquent fable about remembering past traditions, our connection to nature and caring for a world threatened by climate change through shared effort and hope. Correlates to the Common Core State Standards in English Language Arts: CCSS.ELA-LITERACY.RL.K.1 With prompting and support, ask and answer questions about key details in a text. CCSS.ELA-LITERACY.RL.1.2 Retell stories, including key details, and demonstrate understanding of their central message or lesson. CCSS.ELA-LITERACY.RL.1.4 Identify words and phrases in stories or poems that suggest feelings or appeal to the senses. CCSS.ELA-LITERACY.RL.1.7 Use illustrations and details in a story to describe its characters, setting, or events.
A Song for You: My Life with Whitney Houston
by Robyn CrawfordAfter decades of silence, Robyn Crawford, close friend, collaborator, and confidante of Whitney Houston, shares her story. Whitney Houston is as big a superstar as the music business has ever known. She exploded on the scene in 1985 with her debut album and spent the next two decades dominating the charts and capturing the hearts of fans around the world. One person was there by her side through it all—her best friend, Robyn Crawford. <P><P>Since Whitney’s death in 2012, Robyn has stayed out of the limelight and held the great joys, wild adventures, and hard truths of her life with Whitney close to her heart. Now, for the first time ever, Crawford opens up in her new memoir, A Song for You. With warmth, candor, and an impressive recall of detail, Robyn describes the two meeting as teenagers in the 1980s, and how their lives and friendship evolved as Whitney recorded her first album and Robyn pursued her promising Division I basketball career. <P><P>Together during countless sold-out world tours, behind the scenes as hit after hit was recorded, through Whitney’s marriage and the birth of her daughter, the two navigated often challenging families, great loves, and painful losses, always supporting each other with laughter and friendship. <P><P>Deeply personal and heartfelt, A Song for You is the vital, honest, and previously untold story that provides an understanding of the complex life of Whitney Houston. Finally, the person who knew her best sets the record straight. <P><b>A New York Times Bestseller</b>
Song from the Land of Fire: Azerbaijanian Mugam in the Soviet and Post-Soviet Periods (Current Research In Ethnomusicology: Outstanding Dissertations Ser. #6)
by Inna NaroditskayaSong from the Land of Fire explores Azerbaijanian musical culture, a subject previously unexamined by American and European scholars. This book contains notations of mugham performance--a fusion of traditional poetry and musical improvisation--and analysis of hybrid genres, such as mugham-operas and symphonic mugham by native composers. Intimately
Song Interpretation in 21st-Century Pop Music (Ashgate Popular and Folk Music Series)
by André Doehring Allan Moore Ralf AppenExisting books on the analysis of popular music focus on theory and methodology, and normally discuss parts of songs briefly as examples. The impression often given is that songs are being chosen simply to illuminate and exemplify a theoretical position. In this book the obverse is true: songs take centre stage and are given priority. The authors analyse and interpret them intensively from a variety of theoretical positions that illuminate the song. Thus, methods and theories have to prove their use value in the face of a heterogeneous, contemporary repertoire. The book brings together researchers from very different cultural backgrounds and encourages them to compare their different hearings and to discuss the ways in which they make sense of specific songs. All songs analysed are from the new millennium, most of them not older than three years. Because the most widely popular styles are too often ignored by academics, this book aims to shed light on how million sellers work musically. Therefore, it encompasses a broad palette, highlighting mainstream pop (Lady Gaga, Ke$ha, Lucenzo, Amy McDonald), but also accounting for critically acclaimed ’indie’ styles (Fleet Foxes, Death Cab for Cutie, PJ Harvey), R&B (Destiny’s Child, Janelle Monae), popular hard rock (Kings of Leon, Rammstein), and current electronic music (Andrés, Björk). By concentrating on 13 well-known songs, this book offers some model analyses that can very easily be studied at home or used in seminars and classrooms for students of popular music at all academic levels.
The Song Machine: Inside The Hit Factory
by John Seabrook“An utterly satisfying examination of the business of popular music.” —Nathaniel Rich, The Atlantic Over the last two decades a new type of hit song has emerged, one that is almost inescapably catchy. Pop songs have always had a "hook," but today’s songs bristle with them: a hook every seven seconds is the rule. Painstakingly crafted to tweak the brain's delight in melody, rhythm, and repetition, these songs are highly processed products. Like snack-food engineers, modern songwriters have discovered the musical "bliss point." And just like junk food, the bliss point leaves you wanting more. In The Song Machine, longtime New Yorker staff writer John Seabrook tells the story of the massive cultural upheaval that produced these new, super-strength hits. Seabrook takes us into a strange and surprising world, full of unexpected and vivid characters, as he traces the growth of this new approach to hit-making from its obscure origins in early 1990s Sweden to its dominance of today's Billboard charts. Journeying from New York to Los Angeles, Stockholm to Korea, Seabrook visits specialized teams composing songs in digital labs with new "track-and-hook" techniques. The stories of artists like Katy Perry, Britney Spears, and Rihanna, as well as expert songsmiths like Max Martin, Stargate, Ester Dean, and Dr. Luke, The Song Machine shows what life is like in an industry that has been catastrophically disrupted—spurring innovation, competition, intense greed, and seductive new products. Going beyond music to discuss money, business, marketing, and technology, The Song Machine explores what the new hits may be doing to our brains and listening habits, especially as services like Spotify and Apple Music use streaming data to gather music into new genres invented by algorithms based on listener behavior. Fascinating, revelatory, and original, The Song Machine will change the way you listen to music.
Song Man: A Melodic Adventure, or, My Single-minded Approach to Songwriting
by Will HodgkinsonSong man is the endearing sequel to Will Hodgkinson’sGuitar Man, wherein our hero, having learned to play guitar (badly) in six months, endeavors to unlock the process of songwriting and ultimately record a single. Featuring pithy, humorous, and illuminating one-on-one songwriting lessons with Keith Richards of the Rolling Stones, Ray Davies of the Kinks, Andy Partridge of XTC, Arthur Lee of Love, Chan Marshall of Cat Power, Bob Stanley of Saint Etienne, Gruff Rhys of Super Furry Animals, and a host of others who run the gamut from unknown muses to cult icons to superstars-including Hodgkinson’s lovable crew of ne’er-do-wells first introduced inGuitar Man-Song Manis at once an investigation into the most ephemeral of arts and a highly readable journey of discovery.
Song Means: Analysing And Interpreting Recorded Popular Song (Ashgate Popular and Folk Music Series)
by Allan F. MooreThe musicological study of popular music has developed, particularly over the past twenty years, into an established aspect of the discipline. The academic community is now well placed to discuss exactly what is going on in any example of popular music and the theoretical foundation for such analytical work has also been laid, although there is as yet no general agreement over all the details of popular music theory. However, this focus on the what of musical detail has left largely untouched the larger question - so what? What are the consequences of such theorization and analysis? Scholars from outside musicology have often argued that too close a focus on musicological detail has left untouched what they consider to be more urgent questions related to reception and meaning. Scholars from inside musicology have responded by importing into musicological discussion various aspects of cultural theory. It is in that tradition that this book lies, although its focus is slightly different. What is missing from the field, at present, is a coherent development of the what into the so what of music theory and analysis into questions of interpretation and hermeneutics. It is that fundamental gap that this book seeks to fill. Allan F. Moore presents a study of recorded popular song, from the recordings of the 1920s through to the present day. Analysis and interpretation are treated as separable but interdependent approaches to song. Analytical theory is revisited, covering conventional domains such as harmony, melody and rhythm, but does not privilege these at the expense of domains such as texture, the soundbox, vocal tone, and lyrics. These latter areas are highly significant in the experience of many listeners, but are frequently ignored or poorly treated in analytical work. Moore continues by developing a range of hermeneutic strategies largely drawn from outside the field (strategies originating, in the most part, within psychology and philosophy) but still deeply r
Song of a Nation: The Untold Story of Canada's National Anthem
by Robert HarrisThe greatest story never told, this formidable and gorgeously written biography documents the amazing and controversial short life of Calixa Lavallée--the composer of "O Canada"--and the tumult of 19th-century North America.He was a composer, a performer, an entrepreneur, and an educator; played pop and classical music; and appeared in his quasi-colonial society, tragically, just ahead of his time. Calixa Lavallee, the French Canadian composer of "O Canada," has a compelling, almost unbelievable personal story. He left home at 12 and worked as a blackface minstrel, travelling throughout the United States for more than a decade; he fought and was injured in the American Civil War in perhaps the most important battle of that war, at Antietam Creek; performed for President Lincoln several times; produced the first opera in Quebec and wrote two of his own; became a leading figure in American music education, representing American music in London; journeyed to Paris to study for two years; tried and failed to create a Quebec national conservatory. And he wrote our national anthem. But Lavallée also represents all the contradictions and confusions of Canadian identity as our country came together in the last half of the nineteenth century. To understand "O Canada," and to understand the man who wrote it, is to return to the Canada of the mid-nineteenth century, a Canada just forming as a nation, bringing together ancient racial hatreds and novel political possibilities, as culture faced culture, religion faced religion, economy faced economy. Calixa Lavallée is the most famous Canadian you have never heard of, living a life and ultimately composing a song that stands the test of time.
Song of the Gargoyle
by Zilpha Keatley SnyderA strange sound awakens thirteen-year-old Tymmonin in the dead of night. In a blink of an eye his father, the court jester of Austerneve, is mysteriously kidnapped and the terrified boy must slip away secretly to avoid capture himself.
The Song of the Machine: From Disco to DJs to Techno, a Graphic Novel of Electronic Music
by David Blot Mathias CousinA pulsating graphic novel on the epic history of electronic music, from the heyday of disco in the 1970s to the rave culture of the 1990s and beyond.With a foreword from house music legends Daft Punk, The Song of the Machine is a celebration of a musical wave that swept across the world over decades, demographics, and dance styles. Originally published in 2000 in France, and updated through today for this first English edition, the electrifying narrative introduces readers to the harbingers of the genre, such as David Mancuso, Larry Levan, and Frankie Knuckles (known as the "Godfather of House Music"); the prototypes of modern-day nightclubs and dance venues, like The Loft and Studio 54 in New York City, the Palace in Paris, and the Hacienda in Manchester, England, and of course, the technology and machines that first produced and synthesized the records that galvanized a movement. Told through exciting illustrations that evolve with the era they describe, and complete with specially curated playlists for each and every decade, The Song of the Machine recounts the influences and inspirations, the people and epic parties that created and defined this revolutionary music.
Song of the Sparrow: A Memoir
by Tara MacLeanAn astonishing memoir about how song saved a lifeSinger/songwriter Tara MacLean has had an extraordinary musical career. From being discovered singing on a BC ferry to touring with Dido, Tom Cochrane and Lilith Fair, her solo albums and those with the band Shaye have touched legions of fans. But she hasn’t, until now, disclosed the details of how the power of song saved her from a childhood filled with danger.From her earliest days in the backwoods of Prince Edward Island, Tara was surrounded by nature, the songs of her musician father and the love of her actor mother. But love was not enough to feed their growing family, nor were the Wiccan, then evangelical Christian teachings her parents followed. Hunger and uncertainty were constant companions, as were the dangers that began to enter her world. Predators can come in many forms from even the most trusted circles, and Tara soon learned that a young girl is never safe. It was only through Tara’s inner strength and the solace she found in singing that she created a refuge and a future for herself. Song of the Sparrow is a daring, heartbreaking and provocative memoir of a life filled with music, told with the same raw, open and elegant poetry that Tara’s fans have come to expect. From Tara’s childhood in PEI through her teenage years in BC to her meteoric rise in music, Song of the Sparrow reveals her remarkable strength and shows that a song and a wide-open heart are the best weapons for fighting monsters. Don’t miss Tara’s new album, Sparrow, which is being released concurrently with this memoir.
Song & Self: A Singer's Reflections on Music and Performance (Berlin Family Lectures)
by Ian BostridgeAward-winning singer Ian Bostridge examines iconic works of Western classical music to reflect on the relationship between performer and audience. Like so many performers, renowned tenor Ian Bostridge spent much of 2020 and 2021 unable to take part in live music. The enforced silence of the pandemic led him to question an identity that was previously defined by communicating directly with audiences in opera houses and concert halls. It also allowed him to delve deeper into many of the classical works he has encountered over the course of his career, such as Claudio Monteverdi’s seventeenth-century masterpiece Il Combattimento di Tancredi e Clorinda and Robert Schumann’s popular song cycle Frauenliebe und Leben. In lucid and compelling prose, Bostridge explores the ways Monteverdi, Schumann, and Britten employed and disrupted gender roles in their music; questions colonial power and hierarchy in Ravel’s Songs of Madagascar; and surveys Britten’s reckoning with death in works from the War Requiem to his final opera, Death in Venice. As a performer reconciling his own identity and that of the musical text he delivers on stage, Bostridge unravels the complex history of each piece of music, showing how today’s performers can embody that complexity for their audiences. As readers become privy to Bostridge’s unique lines of inquiry, they are also primed for the searching intensity of his interpretations, in which the uncanny melding of song and self brings about moments of epiphany for both the singer and his audience.
A Song to Save the Salish Sea: Musical Performance as Environmental Activism (Music, Nature, Place)
by Mark PedeltyOn the coast of Washington and British Columbia sit the misty forests and towering mountains of Cascadia. With archipelagos surrounding its shores and tidal surges of the Salish Sea trundling through the interior, this bioregion has long attracted loggers, fishing fleets, and land developers, each generation seeking successively harder to reach resources as old-growth stands, salmon stocks, and other natural endowments are depleted. Alongside encroaching developers and industrialists is the presence of a rich environmental movement that has historically built community through musical activism. From the Wobblies' Little Red Songbook (1909) to Woody Guthrie's Columbia River Songs (1941) on through to the Raging Grannies' formation in 1987, Cascadia's ecology has inspired legions of songwriters and musicians to advocate for preservation through music.In this book, Mark Pedelty explores Cascadia's vibrant eco-musical community in order to understand how environmentalist music imagines, and perhaps even creates, a more sustainable conception of place. Highlighting the music and environmental work of such various groups as Dana Lyons, the Raging Grannies, Idle No More, Towers and Trees, and Irthlingz, among others, Pedelty examines the divergent strategies—musical, organizational, and technological—used by each musical group to reach different audiences and to mobilize action. He concludes with a discussion of "applied ecomusicology," considering ways this book might be of use to activists and musicians at the community level.
A Song to Sing A Life to Live: Reflections on Music as Spiritual Practice
by Don Saliers Emily SaliersThe authors examine the ways that music relates to spirituality, our bodies, to personal growth, a search for justice and a search for God.
Song Walking: Women, Music, and Environmental Justice in an African Borderland (Chicago Studies in Ethnomusicology)
by Angela ImpeySong Walking explores the politics of land, its position in memories, and its foundation in changing land-use practices in western Maputaland, a borderland region situated at the juncture of South Africa, Mozambique, and Swaziland. Angela Impey investigates contrasting accounts of this little-known geopolitical triangle, offsetting textual histories with the memories of a group of elderly women whose songs and everyday practices narrativize a century of borderland dynamics. Drawing evidence from women’s walking songs (amaculo manihamba)—once performed while traversing vast distances to the accompaniment of the European mouth-harp (isitweletwele)—she uncovers the manifold impacts of internationally-driven transboundary environmental conservation on land, livelihoods, and local senses of place. This book links ethnomusicological research to larger themes of international development, environmental conservation, gender, and local economic access to resources. By demonstrating that development processes are essentially cultural processes and revealing how music fits within this frame, Song Walking testifies to the affective, spatial, and economic dimensions of place, while contributing to a more inclusive and culturally apposite alignment between land and environmental policies and local needs and practices.
Songbird: An Intimate Biography of Christine McVie
by Lesley-Ann JonesIn this revealing portrait of keyboardist, lyricist, and vocalist Christine Mcvie of Fleetwood Mac, readers will get an exclusive glimpse of the band's "mother figure". Christine McVie–born Christine Perfect–was the quintessentially English rock star, as both the backbone and the beating heart of Fleetwood Mac. She wrote and performed many of their greatest hits, and was dubbed 'the mother' of the band. It was Christine who contained the flock, regrouped them when they went AWOL, and always got them back on track. And yet, as the "engine" of the band during their Rumours era–an album which charted the romantic disintegration within the band–Christine's personal life was every bit as tempestuous as those of her bandmates. Told by an author who herself was friends with Christine, and with new contributions from those who knew her best, Songbird offers a true insider's view and psychological insight into Christine as a both a woman and a musician––the ultimate picture of a rock legend and a national treasure.
Songbook: How Lyrics Became Poetry in Medieval Europe
by Marisa GalvezToday we usually think of a book of poems as composed by a poet, rather than assembled or adapted by a network of poets and readers. But the earliest European vernacular poetries challenge these assumptions. Medieval songbooks remind us how lyric poetry was once communally produced and received—a collaboration of artists, performers, live audiences, and readers stretching across languages and societies. The only comparative study of its kind, Songbook treats what poetry was before the emergence of the modern category “poetry”: that is, how vernacular songbooks of the thirteenth to fifteenth centuries shaped our modern understanding of poetry by establishing expectations of what is a poem, what is a poet, and what is lyric poetry itself. Marisa Galvez analyzes the seminal songbooks representing the vernacular traditions of Occitan, Middle High German, and Castilian, and tracks the process by which the songbook emerged from the original performance contexts of oral publication, into a medium for preservation, and, finally, into an established literary object. Galvez reveals that songbooks—in ways that resonate with our modern practice of curated archives and playlists—contain lyric, music, images, and other nonlyric texts selected and ordered to reflect the local values and preferences of their readers. At a time when medievalists are reassessing the historical foundations of their field and especially the national literary canons established in the nineteenth century, a new examination of the songbook’s role in several vernacular traditions is more relevant than ever.
Songbook
by Nick Hornby"All I have to say about these songs is that I love them, and want to sing along to them, and force other people to listen to them, and get cross when these other people don't like them as much as I do"--Nick <P> Songs, songwriters, and why and how they get under our skin...Songbook is Nick Hornby's labor of love. A shrewd, funny, and completely unique collection of musings on pop music, why it's good, what makes us listen and love it, and the ways in which it attaches itself to our lives--all with the beat of a perfectly mastered mix tape.
Songbooks: The Literature of American Popular Music (Refiguring American Music)
by Eric WeisbardIn Songbooks, critic and scholar Eric Weisbard offers a critical guide to books on American popular music from William Billings's 1770 New-England Psalm-Singer to Jay-Z's 2010 memoir Decoded. Drawing on his background editing the Village Voice music section, coediting the Journal of Popular Music Studies, and organizing the Pop Conference, Weisbard connects American music writing from memoirs, biographies, and song compilations to blues novels, magazine essays, and academic studies. The authors of these works are as diverse as the music itself: women, people of color, queer writers, self-educated scholars, poets, musicians, and elites discarding their social norms. Whether analyzing books on Louis Armstrong, the Beatles, and Madonna; the novels of Theodore Dreiser, Gayl Jones, and Jennifer Egan; or varying takes on blackface minstrelsy, Weisbard charts an alternative history of American music as told through its writing. As Weisbard demonstrates, the most enduring work pursues questions that linger across time period and genre—cultural studies in the form of notes on the fly, on sounds that never cease to change meaning.
SongCite: An Index to Poular Songs, Supplement 1
by William D. GoodfellowFirst Published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.