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Steinway & Sons (Images of America)
by Laura Lee SmithThis history of the iconic piano brand chronicles the story of an immigrant family, American ingenuity, and more than a century of musical excellence. The legendary piano maker Steinway & Sons holds a unique place in American history. The name alone conjures many things: a symbol of class and elegance, an American success story, an area of New York City, and the height of craftsmanship. From their factory in Queens, located on Steinway Place, the company has touched the hearts of millions across the world, from piano teachers and students to world-class musicians, and from salespeople to artisans, audiences, and music lovers. After leaving his native Germany for America in 1850, Henry E. Steinway established his new enterprise with a simple but ambitious mission &“to build the best piano possible.&” In the late 19th century, Steinway emerged as the standard-bearer in piano design and manufacturing, outshining and outlasting other brands including Chickering and Weber. Today, the Steinway piano is still built by hand in New York City according to the same stringent processes developed by Henry E. Steinway and his sons more than a century ago.
Step-by-Step Cover Letters
by Evelyn U SalvadorAn overall framework to help students, job seekers, and career changers easily build outstanding cover letters that will land interviews and score job offers
Step It Up and Go: The Story of North Carolina Popular Music, from Blind Boy Fuller and Doc Watson to Nina Simone and Superchunk
by David MenconiThis book is a love letter to the artists, scenes, and sounds defining North Carolina's extraordinary contributions to American popular music. David Menconi spent three decades immersed in the state's music, where traditions run deep but the energy expands in countless directions. Menconi shows how working-class roots and rebellion tie North Carolina's Piedmont blues, jazz, and bluegrass to beach music, rock, hip-hop, and more. From mill towns and mountain coves to college-town clubs and the stage of American Idol, Blind Boy Fuller and Doc Watson to Nina Simone and Superchunk, Step It Up and Go celebrates homegrown music just as essential to the state as barbecue and basketball.Spanning a century of history from the dawn of recorded music to the present, and with sidebars and photos that help reveal the many-splendored glory of North Carolina's sonic landscape, this is a must-read for every music lover.
Stephen Sondheim and the Reinvention of the American Musical
by Robert L. McLaughlinFrom West Side Story in 1957 to Road Show in 2008, the musicals of Stephen Sondheim (1930–2021) and his collaborators have challenged the conventions of American musical theater and expanded the possibilities of what musical plays can do, how they work, and what they mean. Sondheim's brilliant array of work, including such musicals as Company, Follies, Sweeney Todd, Sunday in the Park with George, and Into the Woods, established him as the preeminent composer/lyricist of his, if not all, time. Stephen Sondheim and the Reinvention of the American Musical places Sondheim's work in two contexts: the exhaustion of the musical play and the postmodernism that, by the 1960s, deeply influenced all the American arts. Sondheim's musicals are central to the transition from the Rodgers and Hammerstein-style musical that had dominated Broadway stages for twenty years to a new postmodern musical. This new style reclaimed many of the self-aware, performative techniques of the 1930s musical comedy to develop its themes of the breakdown of narrative knowledge and the fragmentation of identity. In his most recent work, Sondheim, who was famously mentored by Oscar Hammerstein II, stretches toward a twenty-first-century musical that seeks to break out of the self-referring web of language. Stephen Sondheim and the Reinvention of the American Musical offers close readings of all of Sondheim's musicals and finds in them critiques of the operation of power, questioning of conventional systems of knowledge, and explorations of contemporary identity.
Stereo: Comparative Perspectives On The Sociological Study Of Popular Music In France And Britain (Ashgate Popular and Folk Music Series)
by Philippe Le GuernThe term 'Popular Music' has traditionally denoted different things in France and Britain. In France, the very concept of 'popular' music has been fiercely debated and contested, whereas in Britain and more largely throughout what the French describe as the 'Anglo-saxon' world 'popular music' has been more readily accepted as a description of what people do as leisure or consume as part of the music industry, and as something that academics are legitimately entitled to study. French researchers have for some decades been keenly interested in reading British and American studies of popular culture and popular music and have often imported key concepts and methodologies into their own work on French music, but apart from the widespread use of elements of 'French theory' in British and American research, the 'Anglo-saxon' world has remained largely ignorant of particular traditions of the study of popular music in France and specific theoretical debates or organizational principles of the making and consuming of French musics. French, British and American research into popular music has thus coexisted - with considerable cross-fertilization - for many years, but the barriers of language and different academic traditions have made it hard for French and anglophone researchers to fully appreciate the ways in which popular music has developed in their respective countries and the perspectives on its study adopted by their colleagues. This volume provides a comparative and contrastive perspective on popular music and its study in France and the UK.
Steve Goodman: Facing The Music
by Clay EalsA very detailed biography of singer/songwriter Steve Goodman (City of New Orleans). This book chronicles his life, from his childhood through his 16-year battle with leukemia, and beyond his death. Includes a Preface by Studs Terkel and a Foreword by Arlo Guthrie.
Steve Lacy
by edited by Jason WeissSteve Lacy: Conversations is a collection of thirty-four interviews with the innovative saxophonist and jazz composer. Lacy (1934-2004), a pioneer in making the soprano saxophone a contemporary jazz instrument, was a prolific performer and composer, with hundreds of recordings to his name. This volume brings together interviews that appeared in a variety of magazines between 1959 and 2004. Conducted by writers, critics, musicians, visual artists, a philosopher, and an architect, the interviews indicate the evolution of Lacy's extraordinary career and thought. Lacy began playing the soprano saxophone at sixteen, and was soon performing with Dixieland musicians much older than he. By nineteen he was playing with the pianist Cecil Taylor, who ignited his interest in the avant-garde. He eventually became the foremost proponent of Thelonious Monk's music. Lacy played with a broad range of musicians, including Monk and Gil Evans, and led his own bands. A voracious reader and the recipient of a MacArthur "genius" grant, Lacy was particularly known for setting to music literary texts--such as the Tao Te Ching, and the work of poets including Samuel Beckett, Robert Creeley, and Taslima Nasrin--as well as for collaborating with painters and dancers in multimedia projects. Lacy lived in Paris from 1970 until 2002, and his music and ideas reflect a decades-long cross-pollination of cultures. Half of the interviews in this collection originally appeared in French sources and were translated specifically for this book. Jason Weiss provides a general introduction, as well as short introductions to each of the interviews and to the selection of Lacy's own brief writings that appears at the end of the book. The volume also includes three song scores, a selected discography of Lacy's recordings, and many photos from the personal collection of his wife and longtime collaborator, Irene Aebi. Interviews by: Derek Bailey, Franck Bergerot, Yves Bouliane, Etienne Brunet, Philippe Carles, Brian Case, Garth W. Caylor Jr. , John Corbett, Christoph Cox, Alex Dutilh, Lee Friedlander, Maria Friedlander, Isabelle Galloni d'Istria, Christian Gauffre, Raymond Gervais, Paul Gros-Claude, Alain-Ren Hardy, Ed Hazell, Alain Kirili, Mel Martin, Franck Mdioni, Xavier Prvost, Philippe Quinsac, Ben Ratliff, Grard Rouy, Kirk Silsbee, Roberto Terlizzi, Jason Weiss
Steven Tyler: The Biography
by Laura JacksonSteven Tyler is one of life's natural born survivors. With an exhaustively vibrant personality, this dynamic lead singer has been one of the most distinctive figures in rock music for more than three decades. Raised in a close, loving family, Tyler survived a tough upbringing in the Bronx. His inherent passion for performing and a talent for playing instruments propelled him into rock music as a teenager. He fronted a succession of local bands before meeting the guys with whom he would form Aerosmith in 1970. Laura Jackson reveals the stories behind Tyler's relationships with band members and the many women in his life, his battle with Hepatitis C, and his drug-fuelled meltdown during the late '70s and early '80s when he was snorting pure heroin. She also explores his visits to rehab in the 1980s which saved his life. Tyler has lived a roller coaster life of excess - spending over a million dollars on drugs - but is miraculously still performing. Steven Tyler: the biography tells his incredible story.
STEWdio: The Naphic Grovel Artrilogy Of Chuck D
by Chuck DChuck D (Public Enemy, Prophets of Rage, etc.) brings his personal insights and social critiques to the page in fierce, passionate, and evocative visual art and prose "The Public Enemy mastermind combines art and hip-hop rhymes to provide his compelling, personal views on the chaotic years between 2020 and 2022. Though they often feel like diary entries, each installment has an overarching storyline and theme . . . In an engaging, distinctly hip-hop style, Chuck D reveal important lessons from the early pandemic years." —Kirkus Reviews, Starred Review Legendary hip-hop artist and social activist Chuck D has used every opportunity in his groundbreaking career to stand up for civil rights. His rap group Public Enemy is widely regarded as a revolutionary act both in terms of its impact on hip-hop and its use of music to impart a message of race and class equality. The band emerged from the late 1970s/early '80s coalescence of rap, punk, and street art into hip-hop music culture on the East Coast. At the time, Chuck D had completed his BFA in graphic design, and while his music career exploded, his passion for visual art never left his heart. In February 2020, he turned his gaze once again to the page, and began to fill three 5 x 8 journals with his written and drawn reflections of a world beginning to unravel. STEWdio: The Naphic Grovel ARTrilogy of Chuck D recreates format of his original art, combining three full-color paperback bound books into a beautiful box set. The box set is the inaugural offering from Enemy Books, the new Akashic Books imprinted curated by Chuck D. Spanning the onset of COVID-19 through the first year of the Joe "Bye-Don" administration, Chuck D lends his powerful artistic voice to one of the most tumultuous periods in American history, and puts it in a capsule. Like the neo-expressionist graffiti art of Jean-Michel Basquiat, Chuck D's energetic "Naphic Grovels" marry text with drawings, commenting on contemporary events with the same activist instinct that propelled Public Enemy's "music-with-a-message" reputation. His inventive, Amiri Baraka–esque language and accompanying art is also occasionally used as a tool for introspection, providing unparalleled insight into one of the most important cultural figures of our time. Each journal follows a distinct period in Chuck D's (and America's) life; There's a Poison Goin On chronicles the onset of the COVID-19 pandemic, from February–April 2020; 45 Daze of REaD Octobot follow the days leading up to and the aftermath of the historic 2020 election; and Datamber Mindpaper, which focuses on the early days of the Biden administration. No song may be more reflective of 1980s America than Public Enemy's "Fight the Power;" no document may come to capture our COVID era like Chuck D's STEWdio.
Stick It!: My Life of Sex, Drums, and Rock 'n' Roll
by Carmine Appice Ian Gittins Rod StewartCarmine Appice has enjoyed a jaw-dropping rock-and-roll life--and now he is telling his scarcely believable story. Appice ran with teenage gangs in Brooklyn before becoming a global rock star in the Summer of Love, managed by the Mob. He hung with Hendrix, unwittingly paid for an unknown Led Zeppelin to support him on tour, taught John Bonham to play drums (and helped Fred Astaire too), and took part in Zeppelin's infamous deflowering of a groupie with a mud shark. After enrolling in Rod Stewart's infamous Sex Police, he hung out with Kojak, accidentally shared a house with Prince, was blood brothers with Ozzy Osbourne and was fired by Sharon. He formed an all-blond hair-metal band, jammed with John McEnroe and Steven Seagal, got married five times, slept with 4,500 groupies--and, along the way, became a rock legend by single-handedly reinventing hard rock and heavy metal drumming. His memoir, Stick It!, is one of the most extraordinary and outrageous rock-and-roll books of the early twenty-first century.
Sticking It Out: From Juilliard to the Orchestra Pit: A Percussionists's Memoir
by Patti Niemi&“By turns reflective and dramatic, poignant and hilarious, Sticking It Out offers an irresistible portrait of the artist as a young percussionist&” (San Francisco Chronicle). When Patti Niemi was ten years old, all the children in her school music class lined up to choose their instruments. Boy after boy chose drums, and girl after girl chose flute—that is, until it was Patti&’s turn. From that point onward, Patti devoted her life to mastering the percussive arts. Cymbals, snare drum, marimba, timpani, chimes: she practiced them all, and in 1983, she entered Juilliard, the most prestigious music conservatory in in the world. Set against the backdrop of a rapidly changing New York City in the 1980s, Sticking It Out recounts Patti&’s years mastering her craft and struggling to make it in a cutthroat race to a coveted job in an orchestra. Along the way, she has to compete with friends, face her own crippling anxiety, and confront the delicate, and sometimes perilous, balance of power between teachers and their students. Bringing us inside a world that most of us never get to see, Patti&’s vivid memoir is &“an eye-opening tale of demanding teachers, grueling practice schedules, severe performance anxiety and bias against &‘girl drummers&’—a funny, poignant first-person account of the fierce commitment it takes to succeed in classical music&” (San Jose Mercury News). &“One of the funniest-ever classical-music books . . . and certainly among the best written.&” —The Philadelphia Inquirer &“A shattered-mirror insight into the bizarre world of hitting things with sticks.&” —Neil Peart, bestselling author, lyricist, and drummer for Rush
Sticky Fingers: The Life and Times of Jann Wenner and Rolling Stone Magazine
by Joe HaganThe first and only biography of Jann Wenner, the iconic founder of Rolling Stone magazine, and a romp through the hothouses of rock and roll, politics, media, and Hollywood, from the Summer of Love to the Internet age.Lennon. Dylan. Jagger. Belushi. Leibovitz. The story of Jann Wenner, Rolling Stone's founder, editor, and publisher, is an insider's trip through the backstages of storied concert venues, rock-star hotel rooms, and the political ups and downs of the latter half of the Twentieth Century, right up through the digital age: connecting the counterculture of Haight Ashbury to the "straight world." Supplemented by a cache of extraordinary documents and letters from Wenner's personal archives, Sticky Fingers is the story of a mercurial, wide-eyed rock and roll fan of ambiguous sexuality but unambiguous ambition who reinvents youth culture, marketing the libertine world of the late sixties counterculture in a stylish, glossy package that would stand for decades as a testament to the cultural power of American youth. Joe Hagan captures in stunning detail the extraordinary lives constellated around a magazine that began as a scrappy rebellion and became a locus of power, influence, and access--using hundreds of hours of reporting and exclusive interviews. The result is a fascinating and complex portrait of Jann Wenner that is also a biography of popular culture, celebrity, music, and politics in America over the last fifty years.
Sticky Fingers: The Life and Times of Jann Wenner and Rolling Stone Magazine
by Joe HaganThe first and only biography of Jann Wenner, the iconic founder of Rolling Stone magazine, and a romp through the hothouses of rock and roll, politics, media, and Hollywood, from the Summer of Love to the Internet age.Lennon. Dylan. Jagger. Belushi. Leibovitz. The story of Jann Wenner, Rolling Stone's founder, editor, and publisher, is an insider's trip through the backstages of storied concert venues, rock-star hotel rooms, and the political ups and downs of the latter half of the Twentieth Century, right up through the digital age: connecting the counterculture of Haight Ashbury to the "straight world." Supplemented by a cache of extraordinary documents and letters from Wenner's personal archives, Sticky Fingers is the story of a mercurial, wide-eyed rock and roll fan of ambiguous sexuality but unambiguous ambition who reinvents youth culture, marketing the libertine world of the late sixties counterculture in a stylish, glossy package that would stand for decades as a testament to the cultural power of American youth. Joe Hagan captures in stunning detail the extraordinary lives constellated around a magazine that began as a scrappy rebellion and became a locus of power, influence, and access--using hundreds of hours of reporting and exclusive interviews. The result is a fascinating and complex portrait of Jann Wenner that is also a biography of popular culture, celebrity, music, and politics in America over the last fifty years.
Sticky Fingers: The Life and Times of Jann Wenner and Rolling Stone Magazine
by Joe HaganA delicious romp through the heyday of rock and roll and a revealing portrait of the man at the helm of the iconic magazine that made it all possible, with candid look backs at the era from Mick Jagger, Keith Richards, Elton John, Bono, Bruce Springsteen, Paul McCartney, and others. The story of Jann Wenner, Rolling Stone's founder, editor, and publisher, and the pioneering era he helped curate, is told here for the first time in glittering, glorious detail. Joe Hagan provides readers with a backstage pass to storied concert venues and rock-star hotel rooms; he tells never before heard stories about the lives of rock stars and their handlers; he details the daring journalism (Tom Wolfe, Hunter S. Thompson, P.J. O’Rourke) and internecine office politics that accompanied the start-up; he animates the drug and sexual appetites of the era; and he reports on the politics of the last fifty years that were often chronicled in the pages of Rolling Stone magazine. Supplemented by a cache of extraordinary documents and letters from Wenner's personal archives, Sticky Fingers depicts an ambitious, mercurial, wide-eyed rock and roll fan of who exalts in youth and beauty and learns how to package it, marketing late sixties counterculture as a testament to the power of American youth. The result is a fascinating and complex portrait of man and era, and an irresistible biography of popular culture, celebrity, music, and politics in America.
Still Alright: A Memoir
by Kenny LogginsEnjoy the stories behind Kenny Loggins' legendary five-decade career as a celebrated songwriter, chart-topping collaborator, and &“The Soundtrack King&” with this pop icon&’s intimate and entertaining music memoir. In a remarkable career, Kenny Loggins has rocked stages worldwide, released ten platinum albums, and landed hits all over the Billboard charts. His place in music history is marked by a unique gift for collaboration combined with the vision to evolve, adapt, and persevere in an industry that loves to eat its own. Loggins served as a pivotal figure in the folk-rock movement of the early &’70s when he paired with former Buffalo Springfield member Jim Messina, recruited Stevie Nicks for the classic duet &“Whenever I Call You &‘Friend,&’&” then pivoted to smooth rock in teaming up with Michael McDonald on their back-to-back Grammy-winning hits &“What a Fool Believes&” and &“This Is It&” (a seminal moment in the history of what would come to be known as yacht rock). In the &’80s, Loggins became the king of soundtracks with hit recordings for Caddyshack, Footloose, and Top Gun; and a bona fide global superstar singing alongside Bruce Springsteen and Michael Jackson on &“We Are the World.&” In Still Alright, Kenny Loggins gives fans a candid and entertaining perspective on his life and career as one of the most noteworthy musicians of the 1970s and &’80s. He provides an abundance of compelling, insightful, and terrifically amusing behind-the-scenes tales. Loggins draws readers back to the musical eras they&’ve loved, as well as addressing the challenges and obstacles of his life and work—including two marriages that ended in divorce, a difficult but motivating relationship with the older brother for which &“Danny&’s Song&” is named, struggles with his addiction to benzodiazepines, and the revelations of turning seventy and looking back at everything that has shaped his music—and coming to terms with his rock-star persona and his true self.
Still Grazing: The Musical Journey of Hugh Masekela
by Hugh Masekela D. Michael CheersHugh Masekela, a prodigiously talented giant of jazz and world music and one of today's few living world-class artists narrates a magical journey around the world in this epic, music-soaked tale of love, excess, exile, and home. Unfolding against the backbeat of the most revolutionary musical movements of the last forty years and one of the most inspiring political transformations of the twentieth century, this is the utterly engrossing and deeply effecting chronicle of a remarkable, one-of-a-kind life.
Still in Love with You: A Daughter’s True Story (20th Anniversary Edition)
by Lycrecia Williams Hoover Dale M. VinicurThe only personal and true biography of Hank and Audrey Williams. Drawn from the memories of their closest family members and friends. Written by daughter Lycrecia Williams Hoover with co-author Dale Vinicur.
Still on the Road: The Songs of Bob Dylan, 1974-2006
by Clinton HeylinThe second of two volumes, this companion to every song that Bob Dylan has yet written is the most comprehensive examination of Dylan's oeuvre. Arranged in a chronology of when they were written rather than when they appeared on albums, the songs are accompanied by surprising facts and information. Using newly discovered manuscripts, anecdotal evidence, and a seemingly limitless knowledge of every Bob Dylan live performance, the research uncovers answers to such questions as What were Dylan's contributions to the Traveling Wilburys? Who were the women that inspired the songs on Blood on the Tracks and Desire? What material was appropriated for Love and Theft and Modern Times? Why was "Blind Willie McTell" left off of Infidels? and What broke his long dry spell in the 1990s? This is an essential purchase for every true Bob Dylan fan, and is sure to inspire another listen to all of his songs.
Still on the Road: The Songs of Bob Dylan Vol. 2 1974-2008
by Clinton HeylinThis is the second volume in Clinton Heylin's magisterial survey of the songs of Bob Dylan. The first volume - Revolution in the Air which is now available in paperback - charted the rise of Bob Dylan from his first jottings to the full expression of genius in songs such as 'Hard Rain Gonna Fall' and 'The Times They Are a Changin''. Still on the Road begins in 1974 with "Blood on the Tracks", the album filled with masterworks such as 'Tangled Up in Blue' and 'Simple Twist of Fate' that heralded a watershed in Dylan's creative journey, and continues to chart his never-ending fascination with music and the art of song up to 2006's "Modern Times". Praise for Revolution in the Air:'Beg, steal, borrow ... a compelling history of Dylan's mercurial song writing.' Mojo, 5-star review'Better than any biography could ever be, and a crucial Dylan book' Jonathan Letham'Valuable resource' Observer'A gripping new book by Dylan scholar Clinton Heylin so is so far in the deep end that its borderline insane . . [yet] has been devoured with a ravenous, insatiable appetite, and I have even made notes in the margin.' Mark Ellen, Word.'Terrifically interesting for Dylan nuts' Sunday Herald'Manna for completists' Metro 'True to form, Heylin digs deep-way deep-into the songs, mixing cold hard facts with illuminating anecdotes.' - Mark Smith, managing editor, Acoustic Guitar
Still Songs: Music In And Around The Poetry Of Paul Celan
by Axel EnglundWhat does it mean for poetry and music to turn to each other, in the shadow of the Holocaust, as a means of aesthetic self-reflection? How can their mutual mirroring, of such paramount importance to German Romanticism, be reconfigured to retain its validity after the Second World War? These are the core questions of Axel Englund's book, which is the first to address the topic of Paul Celan and music. Celan, a Jewish Holocaust survivor who has long been recognized as one of the most important poets of the German language, persistently evoked music and song in his oeuvre, from the juvenilia to the posthumous collections. Conversely, few post-war writers have inspired as large a body of contemporary music, including works by Harrison Birtwistle, György Kurtág, Wolfgang Rihm, Peter Ruzicka and many others. Through rich close readings of poems and musical compositions, Englund's book engages the artistic media in a critical dialogue about the conditions of their existence. In so doing, it reveals their intersection as a site of profound conflict, where the very possibility of musical and poetic meaning is at stake, and confrontations of aesthetic transcendentality and historical remembrance are played out in the wake of twentieth-century trauma.
Sting and The Police: Walking in Their Footsteps (Tempo: A Rowman & Littlefield Music Series on Rock, Pop, and Culture)
by Aaron J WestDuring the 1980s, when pop icons like Madonna, Bruce Springsteen, Michael Jackson, and U2 reigned supreme, many regarded The Police as the biggest band in the world. Yet after only five albums—and at the peak of their popularity—The Police disbanded and Sting began a solo career that made him a global pop star. Today, artists from Puff Daddy to Gwen Stefani credit The Police and Sting as major influences on their own work, reflecting that The Police were not only a popular, polished rock act, but a powerfully influential one as well. In Sting and The Police: Walking in Their Footsteps, Aaron J. West explores the cultural and musical impact of Stewart Copeland, Andy Summers, and Sting. West details the distinctive hybrid character of The Police’s musical output, which would also characterize Sting’s post-Police career. Sting’s long-lived solo career embodies the power of the artful appropriation of musical styles, while capitalizing on the modern realities of pop music consumption. The Police—and Sting in p
Stolen Song: How the Troubadours Became French
by Eliza ZingesserStolen Song documents the act of cultural appropriation that created a founding moment for French literary history: the rescripting and domestication of troubadour song, a prestige corpus in the European sphere, as French. This book also documents the simultaneous creation of an alternative point of origin for French literary history—a body of faux-archaic Occitanizing songs.Most scholars would find the claim that troubadour poetry is the origin of French literature uncomplicated and uncontroversial. However, Stolen Song shows that the "Frenchness" of this tradition was invented, constructed, and confected by francophone medieval poets and compilers keen to devise their own literary history.Stolen Song makes a major contribution to medieval studies both by exposing this act of cultural appropriation as the origin of the French canon and by elaborating a new approach to questions of political and cultural identity. Eliza Zingesser shows that these questions, usually addressed on the level of narrative and theme, can also be fruitfully approached through formal, linguistic, and manuscript-oriented tools.
Stolen Time: Black Fad Performance and the Calypso Craze
by Shane VogelIn 1956 Harry Belafonte’s Calypso became the first LP to sell more than a million copies. For a few fleeting months, calypso music was the top-selling genre in the US—it even threatened to supplant rock and roll. Stolen Time provides a vivid cultural history of this moment and outlines a new framework—black fad performance—for understanding race, performance, and mass culture in the twentieth century United States. Vogel situates the calypso craze within a cycle of cultural appropriation, including the ragtime craze of 1890s and the Negro vogue of the 1920s, that encapsulates the culture of the Jim Crow era. He follows the fad as it moves defiantly away from any attempt at authenticity and shamelessly embraces calypso kitsch. Although white calypso performers were indeed complicit in a kind of imperialist theft of Trinidadian music and dance, Vogel argues, black calypso craze performers enacted a different, and subtly subversive, kind of theft. They appropriated not Caribbean culture itself, but the US version of it—and in so doing, they mocked American notions of racial authenticity. From musical recordings, nightclub acts, and television broadcasts to Broadway musicals, film, and modern dance, he shows how performers seized the ephemeral opportunities of the fad to comment on black cultural history and even question the meaning of race itself.
Stomp and Swerve: American Music Gets Hot, 1843–1924
by David WondrichThe early decades of American popular music--Stephen Foster, Scott Joplin, John Philip Sousa, Enrico Caruso--are, for most listeners, the dark ages. It wasn't until the mid-1920s that the full spectrum of this music--black and white, urban and rural, sophisticated and crude--made it onto records for all to hear. This book brings a forgotten music, hot music, to life by describing how it became the dominant American music--how it outlasted sentimental waltzes and parlor ballads, symphonic marches and Tin Pan Alley novelty numbers--and how it became rock 'n' roll. It reveals that the young men and women of that bygone era had the same musical instincts as their descendants Louis Armstrong, Elvis Presley, James Brown, Jimi Hendrix, and even Ozzy Osbourne. In minstrelsy, ragtime, brass bands, early jazz and blues, fiddle music, and many other forms, there was as much stomping and swerving as can be found in the most exciting performances of hot jazz, funk, and rock. Along the way, it explains how the strange combination of African with Scotch and Irish influences made music in the United States vastly different from other African and Caribbean forms; shares terrific stories about minstrel shows, "coon" songs, whorehouses, knife fights, and other low-life phenomena; and showcases a motley collection of performers heretofore unknown to all but the most avid musicologists and collectors.
Stompbox: 100 Pedals of the World's Greatest Guitarists
by Eilon PazA deluxe photographic celebration of the unsung hero of guitar music—the effects pedal—featuring interviews with 100 musicians including Peter Frampton, Joe Perry, Jack White, and Courtney Barnett.Ever since the Sixties, fuzz boxes, wah-wahs, phase shifters, and a vast range of guitar effects pedals have shaped the sound of music as we know it.Stompbox: 100 Pedals of the World&’s Greatest Guitarists is a photographic showcase of the actual effects pedals owned and used by Jimi Hendrix, Stevie Ray Vaughan, Frank Zappa, Alex Lifeson, Andy Summers, Eric Johnson, Adrian Belew, Joe Satriani, Steve Vai, Ed O&’Brien, J Mascis, Lita Ford, Joe Perry, Thurston Moore, Lee Ranaldo, Vernon Reid, Kaki King, Nels Cline and 82 other iconic and celebrated guitarists.These exquisitely textured fine-art photographs are matched with fresh, insightful commentary and colorfulroad stories from the artists themselves, who describe how these fascinating and often devilish devices shaped their sounds and songs.