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The NPR Curious Listener's Guide to Classical Music
by Tim Smith Michael Tilson ThomasFor the beginner or the devotee--it's everything the classical music buff needs to know. The major composers from Bach and Bartok to Rachmaninoff and Tchaikovsky Significant performers from Maurice Andre and Leornard Bernstein to Georg Solti and Yo Yo Ma The landmark works from Appalachian Spring to Don Juan A concise history of classical music A deconstruction of the art form The language of classical music Valuable resources for the Curious Listener
The NPR Guide to Building a Classical CD Collection (2nd edition)
by Ted LibbeyBerlioz. Vaughan Williams. Schubert and Schumann. Mozart after the Jupiter Symphony, Bach beyond the Brandenburg Concertos, opera after The Magic Flute. National Public Radio's Ted Libbey takes listeners by the hand through the classical repertory to build a music library. For the second edition, with five years of new performances to consider, five years of new releases to review, and five years of reissues to re-evaluate--the author has completely revised and updated the book. While sticking to the essential 300 works, there are now one-third new selections and reviews, and a 50% change in discography to keep all suggested CDs up to date.
The Naked Voice
by Chloe GoodchildBoth science and spirituality agree that every particle of matter, every phenomenon we experience, is a form of resonance or vibration. The human voice is quite literally a mouthpiece of this truth; there is no form of expression more personal, more tied to our identities, than our voices. With simple inspirational exercises, this book by renowned voice teacher Chloe Goodchild gives readers the tools to guide them in a process of sound healing and soul communication that is guaranteed to open the heart and restore forgiveness, compassion, and interconnectedness between individuals and in their communities. At the heart of every human journey exists the longing to feel at home in one's self and in the world. In a unique response to meet this longing, Chloe Goodchild invites you on a compelling adventure of self-discovery and creative fulfillment through a direct experience of your own authentic voice--the voice of your personal authority, the song of your soul. Going beyond traditional vocal training guides, this book will appeal to anyone wishing to encounter themselves at a primal level through the medium of the voice.
The Name of This Band Is R.E.M.: A Biography
by Peter Ames CarlinAn electrifying cultural biography of the greatest and last American rock band of the millennium, whose music ignited a generation—and reasserted the power of rock and roll"[Carlin's] unique gift for capturing the sweep and tenor of a cultural moment...is here on brilliant display." —Michael ChabonIn the spring of 1980, an unexpected group of musical eccentrics came together to play their very first performance at a college party in Athens, Georgia. Within a few short years, they had taken over the world – with smash records like Out of Time, Automatic for the People, Monster and Green. Raw, outrageous, and expressive, R.E.M.&’s distinctive musical flair was unmatched, and a string of mega-successes solidified them as generational spokesmen. In the tumultuous transition between the wide-open 80s and the anxiety of the early 90s, R.E.M. challenged the corporate and social order, chasing a vision and cultivating a magnetic, transgressive sound.In this rich, intimate biography, critically acclaimed author Peter Ames Carlin looks beyond the sex, drugs, and rock&’n&’roll to open a window into the fascinating lives of four college friends – Michael Stipe, Peter Buck, Mike Mills and Bill Berry – who stuck together at any cost, until the end. Deeply descriptive and remarkably poetic, steeped in 80s and 90s nostalgia, The Name of This Band is R.E.M. paints a cultural history of the commercial peak and near-total collapse of a great music era, and the story of the generation that came of age at the apotheosis of rock.
The Nantucket Diary of Ned Rorem, 1973–1985: 1973-1985
by Ned RoremThe acclaimed author of The Paris Diary, Pulitzer Prize–winning American composer Ned Rorem offers readers a mellow, thoughtful, and candid chronicle of his life, work, and contemporariesOne of our most revered contemporary musical artists—winner of the Pulitzer Prize and declared &“the world&’s best composer of art songs&” by Time magazine—Ned Rorem writes that he is &“a composer who writes, not a writer who composes.&” Despite this claim, Rorem&’s published diaries, memoirs, essay collections, and other nonfiction works have all received resounding acclaim for their lyricism, bold honesty, and insightful social commentary. His Nantucket Diary, covering the years 1973 through 1985, reveals a more mature and graceful Ned Rorem, a man who has experienced great loss and serious illness yet has lost none of his acute observational skills and keenly opinionated nature. His wit remains bracing and his candor refreshing as he offers sharp critiques on the state of modern classical music and its creators. His accounts of times shared with luminaries and legends, musical and otherwise (including Leonard Bernstein, Edward Albee, Virgil Thomson, and Stephen Sondheim) are consistently enthralling and delightful. The outspoken hedonist of The Paris Diary may be older and more subdued now, but his incisive observations and unique outlook on life, both personal and creative, remain an unforgettable reading experience.
The Narrative Arts of Tianjin: Between Music and Language (SOAS Studies in Music Series)
by Francesca R. LawsonIn studying one of the world's oldest and most enduring musical cultures, academics have consistently missed one of the richest forms of Chinese cultural expression: performed narratives. Francesca R. Sborgi Lawson explores the relationships between language and music in the performance of four narrative genres in the city of Tianjin, China, based upon original field research conducted in the People's Republic of China in the mid 1980s and in 1991. The author emphasizes the unique nature of oral performances in China: these genres are both musical and literary and yet are considered to be neither music nor literature. Lawson employs extensive examples of the complex interaction of music and language in each genre, all the while relating those analyses to broader cultural issues and to patterns of social relationships. The narrative arts known as shuochang (speaking-singing) are depicted as genres that constitute a unique communicative discourse”the communication of stories in song. The genres subsumed under the native conception of shuochang include Tianjin Popular Tunes, Beijing Drumsong, Clappertales and Comic Routines. The maximum utilization of shuo (speaking) and chang (singing) in all their varying manifestations constitutes the vitality of the traditional narrative arts in the city of Tianjin”the center for these arts in North China. The variety of narrative forms provides entertainment for audiences representing all social strata of Chinese society. The author argues that Chinese narrative traditions represent a foundation from which certain Chinese literary and operatic traditions have borrowed, such as how the novels from the Ming-Qing period draw on the performed narrative arts both in style and in content. Hence, an understanding of performed narratives is not only useful to scholars in Chinese literature and music, but also to scholars interested in broadening their understanding of China generally.
The Nashville Bet: A fabulously fun, escapist, romantic read (Girls' Weekend Away)
by Shana Gray'Full of fun, friendship and romance - a real escapist treat' Jill Shalvis on What Happens In Vegas'If you are looking for a fun, sexy and swoon-worthy series about friendships and love, I can't recommend this one enough' Hopeless Romantics Book BlogIn the third warm, funny and romantic novel in the Girls Weekend Away series, four best friends embark on the ultimate girls' getaway filled with hijinks and a sprinkling of romance. For any fan of Bridesmaids and Sex and the City and readers of Jo Watson, Lauren Layne, Joanna Bolouri and Cate Woods.The romantic... When her boss offers her free tickets to the CMA Fest, Ava Trent jumps at the chance for a weekend in Nashville with her best girlfriends. Great music and new opportunities to look for Mr Right? What more could a former country girl ask for? Well, maybe not to literally fall at the feet of the hottest guy she's ever seen. And the superstar singer... After becoming an overnight success, fame doesn't rest easy on Chase Hudson's shoulders. It's hard to tell who's interested in him and who's interested in the star. So when he and Ava collide, and she has no idea who he is, he's immediately intrigued. Something about Ava calls to him - even though he's convinced she's a city-type who couldn't handle his Nashville life. Are about to get their country on. What starts as a light-hearted bet to test one another, becomes something much deeper as Ava and Chase can't stay away from one another. But with so many differences between their lives, will they win the relationship they've been dreaming of? Or lose each other?Look for the other Girls' Weekend Away novels, including What Happens In Vegas and Meet Me In San Francisco!
The National Anthem
by Elaine LandauIdeal for today's young investigative reader, each A True Book includes lively sidebars, a glossary and index, plus a comprehensive "To Find Out More" section listing books, organizations, and Internet sites. A staple of library collections since the 1950s, the new A True Book series is the definitive nonfiction series for elementary school readers. A True Book -- American History: How do you wrap a 450,000-pound gift? What is the world's oldest and shortest written consitution? Find out in this patriotic celebration of things uniquely American.
The National Party Chairmen and Committees: Factionalism at the Top
by Andrew GoldmanThis study traces the history of the national committee chairmanships of the two major political parties in the United States, emphasizing the national conventions and presidential campaigns - where national factions often reveal themselves. Candidate and ideolological factionalism, as the evidence of this volume demonstrates, has been the principal engine of convention action. Factional conflicts have had consequences not just for the political parties but for the party system itself. The institutional history of the two national committees and their chairmanships reveals a previously unrecorded aspect of United States national party development.
The Natural Mystics: Marley, Tosh, and Wailer
by Colin GrantThe definitive group biography of the Wailers--Bob Marley, Peter Tosh, and Bunny Livingston--chronicling their rise to fame and power. Over one dramatic decade, a trio of Trenchtown R&B crooners swapped their 1960s Brylcreem hairdos and two-tone suits for 1970s battle fatigues and dreadlocks to become the Wailers--one of the most influential groups in popular music. Colin Grant presents a lively history of this remarkable band from their upbringing in the brutal slums of Kingston to their first recordings and then international superstardom. With energetic prose and stunning, original research, Grant argues that these reggae stars offered three models for black men in the second half of the twentieth century: accommodate and succeed (Marley), fight and die (Tosh), or retreat and live (Livingston). Grant meets with Rastafarian elders, Obeah men (witch doctors), and other folk authorities as he attempts to unravel the mysteries of Jamaica's famously impenetrable culture. Much more than a top-flight music biography, The Natural Mystics offers a sophisticated understanding of Jamaican politics, heritage, race, and religion--a portrait of a seminal group during a period of exuberant cultural evolution.
The Nature of Nordic Music
by Tim HowellThe Nature of Nordic Music explores two distinctive yet complementary understandings of the term ‘nature’: the inherent features, characters and qualities of contemporary Nordic music, and how the elemental forces of nature, the phenomena of the physical world (landscape, climate, environment), inspire and condition creativity here. Within a broader debate about the meaning of ‘Nordicness’, 12 case studies challenge our assumptions about a ‘Nordic tone’ to reveal a creative energy that is diverse and cosmopolitan in outlook. Each of the three parts of the book – ‘Identities’, ‘Images’ and ‘Environments’ – accommodates an eclectic array of musical genres (classical, popular, jazz, folk, electronic). This book will appeal to anyone interested in Nordic music and culture, especially students and researchers.
The Neapolitan Creative Economy: The Growth of the Music Market and Creative Sector in Naples, 17th–19th Centuries (Palgrave Studies in Economic History)
by Rossella Del PreteThis book analyses the emergence and growth of the creative sector in Naples between the early modern and modern eras, focusing particularly on the development of music markets in the city. From the seventeenth century, Naples became one of the most culturally enriched regions in the Italian peninsula, with internationally known music schools, theatres and opera venues attracting visitors from across Europe in a burgeoning tourist market. This book sheds light on the driving economic factors and political contexts behind this key case study for the early growth of the opera and music sector in Europe. Starting with a discussion of the value of economic history to understanding cultural industries, the chapters approach this analysis through multiple lenses: the formation of human capital as the result of Naples’ institutional urban welfare system; the role of cultural consumption as it evolved from a primarily religious activity to growing popular demand; and the rolethat central city authorities played in encouraging cultural activity through private investment and public policy. The book also draws on fascinating archival research to examine the contribution of Naples’ music conservatories in the local creative economy. This book is a valuable resource to a broad range of readers, including those working in economic history, tourism history, the history of music and theatre, Italian social history and more.
The Needle and the Lens: Pop Goes to the Movies from Rock 'n' Roll to Synthwave
by Nate PatrinHow the creative use of pop music in film—think Saturday Night Fever or Apocalypse Now—has shaped and shifted music history since the 1960s Quick: What movie do you think of when you hear &“The Sounds of Silence&”? Better yet, what song comes to mind when you think of The Graduate? The link between film and song endures as more than a memory, Nate Patrin suggests with this wide-ranging and energetic book. It is, in fact, a sort of cultural symbiosis that has mutually influenced movies and pop music, a phenomenon Patrin tracks through the past fifty years, revealing the power of music in movies to move the needle in popular culture. Rock &’n&’ roll, reggae, R&B, jazz, techno, and hip-hop: each had its moment—or many—as music deployed in movies emerged as a form of interpretive commentary, making way for the legitimization of pop and rock music as art forms worthy of serious consideration. These commentaries run the gamut from comedic irony to cheap-thrills excitement to deeply felt drama, all of which Patrin examines in pairings such as American Graffiti and &“Do You Want to Dance?&”; Saturday Night Fever and &“Disco Inferno&”; Apocalypse Now and &“The End&”; Wayne&’s World and &“Bohemian Rhapsody&”; and Jackie Brown and &“Didn't I Blow Your Mind This Time?&”. What gives power to these individual moments, and how have they shaped and shifted music history, recasting source material or even stirring wider interest in previously niche pop genres? As Patrin surveys the scene—musical and cinematic—across the decades, expanding into the deeper origins, wider connections, and echoed histories that come into play, The Needle and the Lens offers a new way of seeing, and hearing, these iconic soundtrack moments.
The Never-Ending Revival: Rounder Records and the Folk Alliance (Music in American Life)
by Michael F. ScullyIn recent years, there has been an upsurge in interest in "roots music" and "world music," popular forms that fuse contemporary sounds with traditional vernacular styles. In the 1950s and 1960s, the music industry characterized similar sounds simply as "folk music." Focusing on such music since the 1950s, The Never-Ending Revival: Rounder Records and the Folk Alliance analyzes the intrinsic contradictions of a commercialized folk culture. Both Rounder Records and the North American Folk Music and Dance Alliance have sought to make folk music widely available, while simultaneously respecting its defining traditions and unique community atmosphere. By tracing the histories of these organizations, Michael F. Scully examines the ongoing controversy surrounding the profitability of folk music. He explores the lively debates about the difficulty of making commercially accessible music, honoring tradition, and remaining artistically relevant, all without "selling out." In the late 1950s through the 1960s, the folk music revival pervaded the mainstream music industry, with artists such as Bob Dylan and Joan Baez singing historically or politically informed ballads based on musical forms from Appalachia and the South. In the twenty-first century, the revival continues, and it includes a variety of music derived from Cajun, African American, and Mexican traditions, among many others. Even though the mainstream music industry and media largely ignore the term "folk music," a strong allure based on nostalgia, the desire for community, and a sense of exclusiveness augments an enthusiastic following connected by word-of-mouth, numerous festivals, and the Internet. There are more folk festivals now than there were during the original boom of the 1960s, suggesting that music artists, agents, and record label representatives are striking a successful balance between tradition and profitability. Scully combines rich interviews of music executives and practicing folk musicians with valuable personal experience to reveal how this American subculture remains in a "never-ending revival" based on fluid definitions of folk and folk music.
The New Age of Electronic Dance Music and Club Culture (Music Business Research)
by Martin Lücke Anita JóriThis book offers a comprehensive overview of electronic dance music (EDM) and club culture. To do so, it interlinks a broad range of disciplines, revealing their (at times vastly) differing standpoints on the same subject. Scholars from such diverse fields as cultural studies, economics, linguistics, media studies, musicology, philosophy, and sociology share their perspectives. In addition, the book features articles by practitioners who have been active on the EDM scene for many years and discuss issues like gender and diversity problems in general, and the effects of gentrification on club culture in Berlin. Although the book’s main focus is on Berlin, one of the key centers of EDM and club culture, its findings can also be applied to other hotspots. Though primarily intended for researchers and students, the book will benefit all readers interested in obtaining an interdisciplinary overview of research on electronic dance music.
The New Analog: Listening and Reconnecting in a Digital World
by Damon KrukowskiAn NPR Best Book of the Year: &“A pointedly passionate look at what&’s been lost in the digital era.&” —Los Angeles Times A longtime musician and former member of the indie band Galaxie 500 who has also taught at Harvard, Damon Krukowski has watched cultural life lurch from analog to digital. And as an artist who has weathered that transition, he has challenging, urgent questions for both creators and consumers about what we have thrown away in the process: Are our devices leaving us lost in our own headspace even as they pinpoint our location? Does the long reach of digital communication come at the sacrifice of our ability to gauge social distance? Does streaming media discourage us from listening closely? Are we hearing each other fully in this new environment? Rather than simply rejecting the digital disruption of cultural life, Krukowski uses the sound engineer&’s distinction of signal and noise to reexamine what we have lost as a technological culture, looking carefully at what was valuable in the analog realm so we can hold on to it. Taking a set of experiences from the production and consumption of music that have changed since the analog era—the disorientation of headphones, flattening of the voice, silence of media, loudness of mastering, and manipulation of time—as a basis for a broader exploration of contemporary culture, Krukowski gives us a brilliant meditation and guide to keeping our heads amid the digital flux. Think of it as plugging in without tuning out. &“This is not a book about why vinyl sounds better; it&’s way more interesting than that . . . [It] is full of things I didn&’t know, like why people yell into cellphones . . . Ultimately, it&’s about how we consume sound as a society—which is, increasingly, on an individual basis.&” —NPR &“If you&’re a devoted music fan who&’s dubious about both rosy nostalgia and futuristic utopianism, Damon Krukowski&’s The New Analog is for you.&” —The New York Times Book Review
The New Believers Hymn Book
by John Ritchie LtdThis is the revised edition (2019) of an old hymn book first produced in 1884 in Scotland. As that first edition was titled The Believers Hymnbook, this new revision is called The New Believers Hymnbook. It is a non-denominational words-only collection of 700 Christian hymns for singing or for inspirational reading. In this new edition you'll find 39 hymns by Isaac Y. Ewan, 32 hymns by William Kirkpatrick, 25 hymns by James G. Deck, 21 hymns by Fanny J. Crosby, 18 by Thomas Kelly, 17 hymns by Horatius Bonar, 16 hymns by Charles Wesley, and 13 hymns each by Isaac Watts, Mary Peters, John N. Darby. Even Anonymous contributed 31 hymns! All hymns are produced in poetry style and are arranged alphabetically by first line. There is a subject index, a first-lines index, an authors index and a metrical index. Hymn titles have no punctuation but names and pronouns referring to God, Jesus, and the Holy Spirit are capitalized. If you keep this in mind, you should be able to search by name for a hymn you want to sing. With this collection on your paperless Braille device (including the free NLS eReader), you can lead or participate in a hymn sing. In the DAISY format, each hymn has a mark at level 1 so you can easily navigate from hymn to hymn. In a BRF file, Bookshare software will create a lengthy table of contents followed by the text of the hymnal. For other hymn collections on Bookshare see also Gospel Hymn Book; The United Methodist Hymnal, Glory to God (Presbyterian), Evangelical Lutheran Worship (ELCA), and Lutheran Servicebook: Psalms and Hymns (Missouri Synod). For texts of cantatas by Johann Sebastian Bach, see The Church Cantatas of J. S. Bach by Alec Robinson (with commentary), and Johann Sebastian Bach: The Complete Cantatas in German-English translations by Richard Stokes.
The New Blue Music: Changes in Rhythm & Blues, 1950–1999 (American Made Music Series)
by Richard J. RipaniRhythm & blues emerged from the African American community in the late 1940s to become the driving force in American popular music over the next half-century. Although sometimes called “doo-wop,” “soul,” “funk,” “urban contemporary,” or “hip-hop,” R&B is actually an umbrella category that includes all of these styles and genres. It is in fact a modern-day incarnation of a musical tradition that stretches back to nineteenth-century America, and even further to African beginnings. The New Blue Music: Changes in Rhythm & Blues, 1950-1999 traces the development of R&B from 1950 to 1999 by closely analyzing the top twenty-five songs of each decade. The music of artists as wide-ranging as Louis Jordan; John Lee Hooker; Ray Charles; James Brown; Earth, Wind & Fire; Michael Jackson; Public Enemy; Mariah Carey; and Usher takes center stage as the author illustrates how R&B has not only retained its traditional core style, but has also experienced a “re-Africanization” over time. By investigating musical elements of form, style, and content in R&B—and offering numerous musical examples—the book shows the connection between R&B and other forms of American popular and religious music, such as spirituals, ragtime, blues, jazz, country, gospel, and rock 'n' roll. With this evidence in hand, the author hypothesizes the existence of an even larger musical “super-genre” which he labels “The New Blue Music.”
The New Bruckner: Compositional Development and the Dynamics of Revision
by Dermot GaultThe New Bruckner provides a valuable study of Bruckner's music, focusing on the interaction of biography, textual scholarship, reception history and analysis. Dr Dermot Gault conveys a broad chronological narrative of Bruckner's compositional development, interpolating analytical commentaries on the works and critical accounts of the notoriously complex and editorial issues. Gault corrects longstanding misconceptions about the composer's revision process, and its relationship with the early editions and widely-held critical opinions. Bruckner's constantly evolving engagement with symphonic form is traced by taking each revision in due order, rather than by taking each symphony on its own, and by relating the symphonies to other mature works such as the Te Deum, the three great Masses, and the Quintet, and argues that Bruckner's music became more organic and less schematic as the result of his revisions. The book will be essential reading for those studying Bruckner's compositions, the complex history of their reception, and late Romantic music in general.
The New Encyclopedia of Southern Culture: Music
by Bill C. MaloneSouthern music has flourished as a meeting ground for the traditions of West African and European peoples in the region, leading to the evolution of various traditional folk genres, bluegrass, country, jazz, gospel, rock, blues, and southern hip-hop. This much-anticipated volume in The New Encyclopedia of Southern Culture celebrates an essential element of southern life and makes available for the first time a stand-alone reference to the music and music makers of the American South.With nearly double the number of entries devoted to music in the original Encyclopedia, this volume includes 30 thematic essays, covering topics such as ragtime, zydeco, folk music festivals, minstrelsy, rockabilly, white and black gospel traditions, and southern rock. And it features 174 topical and biographical entries, focusing on artists and musical outlets. From Mahalia Jackson to R.E.M., from Doc Watson to OutKast, this volume considers a diverse array of topics, drawing on the best historical and contemporary scholarship on southern music. It is a book for all southerners and for all serious music lovers, wherever they live.
The New German Cinema: Music, History, and the Matter of Style
by Caryl FlinnWhen New German cinema directors like R. W. Fassbinder, Ulrike Ottinger, and Werner Schroeter explored issues of identity--national, political, personal, and sexual--music and film style played crucial roles. Most studies of the celebrated film movement, however, have sidestepped the role of music, a curious oversight given its importance to German culture and nation formation. Caryl Flinn's study reverses this trend, identifying styles of historical remembrance in which music participates. Flinn concentrates on those styles that urge listeners to interact with difference--including that embodied in Germany's difficult history--rather than to "master" or "get past" it. Flinn breaks new ground by considering contemporary reception frameworks of the New German Cinema, a generation after its end. She discusses transnational, cultural, and historical contexts as well as the sexual, ethnic, national, and historical diversity of audiences. Through detailed case studies, she shows how music helps filmgoers engage with a range of historical subjects and experiences. Each chapter ofThe New German Cinemaexamines a particular stylistic strategy, assessing music's role in each. The study also examines queer strategies like kitsch and camp and explores the movement's charged construction of human bodies on which issues of ruination, survival, memory, and pleasure are played out.
The New Grove: Handel
by Winton DeanBiography of George Frederick Handel, including a comprehensive worklist and bibliography, in addition to the definitive view of Handel's life and works.
The New Grove: Haydn
by Jens Peter LarsenBiography of Franz Joseph Haydn, including a comprehensive worklist and bibliography, in addition to the definitive view of Haydn's life and works.
The New Guitarscape in Critical Theory, Cultural Practice and Musical Performance (Ashgate Popular And Folk Music Ser.)
by Kevin DaweIn The New Guitarscape, Kevin Dawe argues for a re-assessment of guitar studies in the light of more recent musical, social, cultural and technological developments that have taken place around the instrument. The author considers that a detailed study of the guitar in both contemporary and cross-cultural perspectives is now absolutely essential and that such a study must also include discussion of a wide range of theoretical issues, literature, musical cultures and technologies as they come to bear upon the instrument. Dawe presents a synthesis of previous work on the guitar, but also expands the terms by which the guitar might be studied. Moreover, in order to understand the properties and potential of the guitar as an agent of music, culture and society, the author draws from studies in science and technology, design theory, material culture, cognition, sensual culture, gender and sexuality, power and agency, ethnography (real and virtual) and globalization. Dawe presents the guitar as an instrument of scientific investigation and part of the technology of globalization, created and disseminated through corporate culture and cottage industry, held close to the body but taken away from the body in cyberspace, and involved in an enormous variety of cultural interactions and political exchanges in many different contexts around the world. In an effort to understand the significance and meaning of the guitar in the lives of those who may be seen to be closest to it, as well as providing a critically-informed discussion of various approaches to guitar performance, technologies and techniques, the book includes discussion of the work of a wide range of guitarists, including Robert Fripp, Kamala Shankar, Newton Faulkner, Lionel Loueke, Sharon Isbin, Steve Vai, Bob Brozman, Kaki King, Fred Frith, John 5, Jennifer Batten, Guthrie Govan, Dominic Frasca, I Wayan Balawan, Vicki Genfan and Hasan Cihatter.
The New Music Therapist's Handbook
by Suzanne B. HanserLearn essential concepts and practices for providing music therapy. The New Music Therapist's Handbook has been an essential guide for music therapists worldwide since the 1990s. You will learn state of the art, data-driven approaches to providing care in a wide variety of therapeutic contexts. These practices are based on the most up-to-date science and experiences of thousands of patients and clients. Through detailed discussions of research and practice, case studies, strategies, and clinical approaches, you will learn how music therapy is a uniquely effective approach. In this third edition, Dr. Hanser's essential handbook has been updated and expanded to reflect the latest developments in healthcare and education. It includes valuable information for both students and professionals, particularly in meeting the competencies of the Board Certification for Music Therapy and standards of practice for the American Music Therapy Association.