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Symphony for the City of the Dead: Dmitri Shostakovich and the Siege of Leningrad
by M. T. AndersonNational Book Award winner M. T. Anderson delivers a brilliant and riveting account of the Siege of Leningrad and the role played by Russian composer Shostakovich and his Leningrad Symphony. In September 1941, Adolf Hitler's Wehrmacht surrounded Leningrad in what was to become one of the longest and most destructive sieges in Western history--almost three years of bombardment and starvation that culminated in the harsh winter of 1943-1944. More than a million citizens perished. Survivors recall corpses littering the frozen streets, their relatives having neither the means nor the strength to bury them. Residents burned books, furniture, and floorboards to keep warm; they ate family pets and--eventually--one another to stay alive. Trapped between the Nazi invading force and the Soviet government itself was composer Dmitri Shostakovich, who would write a symphony that roused, rallied, eulogized, and commemorated his fellow citizens--the Leningrad Symphony, which came to occupy a surprising place of prominence in the eventual Allied victory. This is the true story of a city under siege: the triumph of bravery and defiance in the face of terrifying odds. It is also a look at the power--and layered meaning--of music in beleaguered lives. Symphony for the City of the Dead is a masterwork thrillingly told and impeccably researched by National Book Award-winning author M. T. Anderson.
The Symphony in Australia, 1960-2020
by Rhoderick McNeillThe Symphony remained a major orchestral form in Australia between 1960 and 2020, with a body of diverse and interesting symphonies produced during the 1960s and 70s that defied the widespread modernist trends of serialism, electronic music and indeterminism that seemed harbingers of the symphony’s demise. From the late 1970s onwards, many Australian composers chose to work in styles that admitted modal and tonal melodic and harmonic elements with regular pulse. Major cycles of symphonies by Carl Vine, Brenton Broadstock and Ross Edwards began to appear in the late 1980s. Other prolific symphonists like Paul Paviour (10 symphonies), David Morgan (15 symphonies), Philip Bracanin (9), Peter Tahourdin (5), John Polglase (5) and many others demonstrated a revived interest in the form. This trend continued into the first two decades of the present century with symphonies by Matthew Hindson, Katy Abbott, Stuart Greenbaum, Andrew Schultz, Mark Isaacs and Gordon Kerry. This renewed interest in the symphony reflects similar trends in Britain and the United States. Rhoderick McNeil provides a comprehensive introduction to this large body of music with the aim of making the music and its composers known to concert-goers, music educators and students, conductors and music entrepreneurs.
Symphony No. 5: "Reformation"
by Felix MendelssohnIn this staple of the orchestral repertoire, Mendelssohn interprets the Reformation in symphonic terms, building to a powerful series of variations on Martin Luther's confessional chorale, Ein feste Burg ist unser Gott (A Mighty Fortress Is Our God). This miniature score is reproduced from an authoritative edition, complete with numbered movements for easy reference. Affordable and compact, it is ideal for use in the classroom, at home, or in the concert hall.
Symphony No. 7: "Song of the Night"
by Gustav MahlerMahler's seventh symphony ranks among the composer's most popular and accessible works. Possessing neither a "program" nor a folk-song theme, it is a purely instrumental composition, both hopeful and romantic in mood, with a harmonic and stylistic structure that evokes the daily journey from dusk till dawn. This miniature score is reproduced from an authoritative edition, complete with numbered movements for easy reference. Affordable and compact, it is ideal for use in the classroom, at home, or in the concert hall.
Symphony No. 9 In Full Score (Dover Orchestral Music Scores)
by Gustav Mahler"Mahler inherited the romantic conception of music as an expression of a quest for spiritual reality … he expressed a four-sided conflict between a devouring love of life, a spiritual need, a skeptical intellect, and an existential dread of ultimate meaninglessness." — Encyclopaedia Britannica.In this great work, Mahler experimented with the four-movement symphonic form, producing a masterpiece of musical innovation, satiric writing, and poetic drama expressed in purely instrumental terms. Alban Berg referred to the first movement of the Ninth Symphony as "the most glorious [Mahler] ever wrote," and further observed, "the whole movement is based on a premonition of death which constantly recurs … that is why the tenderest passages are followed by tremendous climaxes like new eruptions of a volcano."Now the full orchestral score of the Ninth Symphony is available in the inexpensive, high-quality edition, reprinted from an authoritative Viennese score. Music lovers and admirers of Mahler's work will find in these pages abundant evidence of the fresh and formidable thinking the composer brought to this monumental composition.
Symphony No. 9 In Full Score (Dover Orchestral Music Scores)
by Gustav Mahler"Mahler inherited the romantic conception of music as an expression of a quest for spiritual reality ... he expressed a four-sided conflict between a devouring love of life, a spiritual need, a skeptical intellect, and an existential dread of ultimate meaninglessness." -- Encyclopaedia Britannica.In this great work, Mahler experimented with the four-movement symphonic form, producing a masterpiece of musical innovation, satiric writing, and poetic drama expressed in purely instrumental terms. Alban Berg referred to the first movement of the Ninth Symphony as "the most glorious [Mahler] ever wrote," and further observed, "the whole movement is based on a premonition of death which constantly recurs ... that is why the tenderest passages are followed by tremendous climaxes like new eruptions of a volcano."Now the full orchestral score of the Ninth Symphony is available in the inexpensive, high-quality edition, reprinted from an authoritative Viennese score. Music lovers and admirers of Mahler's work will find in these pages abundant evidence of the fresh and formidable thinking the composer brought to this monumental composition.
A Symphony Of Whales
by Steve Schuch Peter SylvadaGlashka can understand whale song--but with that mysterious power comes great responsibility. When she discovers thousands of whales trapped in a rapidly freezing inlet, she knows it is up to her to gather the people of her town to help them. Based on an actual event, this inspiring story follows Glashka and her people as they come to understand the importance of all life. Full-color illustrations.
The Synergy of Music and Image in Audiovisual Culture: Half-Heard Sounds and Peripheral Visions
by K.J. DonnellyThe Synergy of Music and Image in Audiovisual Culture: Half-Heard Sounds and Peripheral Visions asks what it means to understand music as part of an audiovisual whole, rather than separate components of music and film. Bringing together revised and updated essays on music in a variety of media – including film, television, and video games – this book explores the importance of partially perceived and registered auditory and visual elements and cultural context in creating unique audiovisual experiences. Critiquing traditional models of the film score, The Synergy of Music and Image in Audiovisual Culture enables readers across music, film, and cultural studies to approach and think about audiovisual culture in new ways.
Synopsis of Vocal Musick by A.B. Philo-Mus.
by A. B. Philo-mus.Synopsis of Vocal Musick, by the unidentified A.B., was published in London in 1680 and appears to have only ever had one edition. Its relatively short shelf-life belies its importance to the history of early British music theory. Unlike other English theoretical writings of the period, the Synopsis derives many of its aspects from the continental theoretical tradition, including the first references in English theory to the modern fractional time signatures that had been invented in Italy in the mid-seventeenth century, the first references in English to compound time and the first explanations of tempo terms such as Adagio and Presto. In these respects the treatise forms an important link between English and continental theoretical traditions and may have encouraged the adoption of Italian principles which became a common feature of English writings by the early eighteenth century. The treatise is essentially in two parts. The first section of the book comprises rudimentary instruction on understanding notation and intervals, descriptions of common vocal ornaments and instruction in the process of learning to sing. The second part consists of a selection of psalms, songs and catches which are provided as exercises for the singer, though several of them require a reasonably advanced degree of skill. These pieces provide valuable insight into the way both sacred and secular music might have been performed by amateur musicians in the Restoration period. They include 14 rare English madrigal settings by the Italian composer Gastoldi - further evidence of the Italian influence which pervades the text. This is the first modern edition of the Synopsis, and indeed the first edition to appear since its original publication.
The Szymanowski Companion
by Stephen DownesThe Polish composer Karol Szymanowski is one of the most fascinating musical figures of the early twentieth century. His works included four symphonies, two violin concertos, the operas Hagith and King Roger, the ballet-pantomime Harnasie, the oratorio Stabat Mater, as well as numerous piano, violin, vocal and choral compositions. The profile and popularity of Szymanowski's music outside Poland has never been higher and continues to grow. The Szymanowski Companion constitutes the most significant and comprehensive reference source to the composer in English. Edited by two of the leading scholars in the field, Paul Cadrin and Stephen Downes, the collection consists of over 50 contributions from an international array of contributors, including recognized Polish experts. The Companion thus provides a systematic, authoritative and up-to-date compilation of information concerning the composer's life, thought and works.
Szymanowski, Eroticism and the Voices of Mythology
by Stephen DownesThe desire to voice the artistic revelation of the truth of a precarious, multi-faceted, yet integrated self lies behind much of Szymanowski's work. This self is projected through the voices of deities who speak languages of love. The unifying figure is Eros, who may be embodied as Dionysus, Christ, Narcissus or Orpheus, and the gospel he proclaims tells of the resurrection and freedom of the desiring subject. This book examines Szymanowski's exploration of the relationship between the authorial voice, mythology and eroticism within the context of the crisis of the modern subject in Western culture. Stephen Downes analyses mythological and erotic aspects of selected songs from the composer's early career, moving to an interpretation of the voice of the homoerotic lover, embodied as a mad muezzin, in terms of heroic notions of Orphic elegy. Discussing the encounters of King Roger with the voices of Narcissus, the Siren and Dionysus, Downes shows how the composer uses the unifying Christ/Eros figure as a means of indicating that the King might be transformed from anguished despot to loving expressive subject. The book ends with an examination of Szymanowski's desire to fuse Slavonic and Middle-Eastern mythological inspirations in an attempt to fulfil a utopian vision of a pan-European culture bound together by the spirit of Eros.
T.O.B.A. Time: Black Vaudeville and the Theater Owners’ Booking Association in Jazz-Age America
by Michelle R. ScottBlack vaudevillians and entertainers joked that T.O.B.A. stood for “tough on black artists.” But the Theater Owner’s Booking Association (T.O.B.A.) played a foundational role in the African American entertainment industry and provided a training ground for icons like Cab Calloway, Bessie Smith, Ethel Waters, Sammy Davis Jr., the Nicholas Brothers, Count Basie, and Butterbeans and Susie. Michelle R. Scott’s institutional history details T.O.B.A.’s origins and practices while telling the little-known stories of the managers, producers, performers, and audience members involved in the circuit. Looking at the organization over its eleven-year existence (1920–1931), Scott places T.O.B.A. against the backdrop of what entrepreneurship and business development meant in black America at the time. Scott also highlights how intellectuals debated the social, economic, and political significance of black entertainment from the early 1900s through T.O.B.A.’s decline during the Great Depression. Clear-eyed and comprehensive, T.O.B.A. Time is a fascinating account of black entertainment and black business during a formative era.
T.S. Eliot's Orchestra: Critical Essays on Poetry and Music (Border Crossings #7)
by John Xiros CooperFirst Published in 2000. Nearly everyone who addresses T. S. Eliot's imaginative and critical work must acknowledge the importance of music in thematic and formal terms. This collection of original essays thoroughly explores this aspect of his work from a number of perspectives.
Taarab Music in Zanzibar in the Twentieth Century: A Story of ‘Old is Gold’ and Flying Spirits (SOAS Studies in Music Series)
by Janet Topp FargionThe musical genre of taarab is played for entertainment at weddings and other festive occasions all along the Swahili Coast in East Africa. Taarab contains all the features of a typical 'Indian Ocean' music, combining influences from Egypt, the Arabian Peninsula, India and the West with local musical practices. In Taarab, Music in Zanzibar, Janet Topp Fargion traces the development of the genre in Zanzibar, from the late nineteenth century to the end of the twentieth. Of special interest is the role of women. Although men play the main role in the composition and performance of the genre, Topp Fargion argues that the modernization of the genre owes a debt to the participation of women - as audiences and primary consumers, but also as poets and innovators of musical concepts. The book weaves together the historical, social, economic, religious and political dynamics involved in the development of the genre, and investigates how these are played out in the performance of taarab music on Zanzibar.
Tactus, Mensuration, and Rhythm in Renaissance Music
by Ruth I. DefordRuth DeFord's book explores how tactus, mensuration, and rhythm were employed to articulate form and shape in the period from c. 1420 to c. 1600. Divided into two parts, the book examines the theory and practice of rhythm in relation to each other to offer new interpretations of the writings of Renaissance music theorists. In the first part, DeFord presents the theoretical evidence, introduces the manuscript sources and explains the contradictions and ambiguities in tactus theory. The second part uses theory to analyse some of the best known repertories of Renaissance music, including works by Du Fay, Ockeghem, Busnoys, Josquin, Isaac, Palestrina, and Rore, and to shed light on composers' formal and expressive uses of rhythm. DeFord's conclusions have important implications for our understanding of rhythm and for the analysis, editing, and performance of music during the Renaissance period.
Tainted Glory in Handel's Messiah
by Michael MarissenEvery Easter, audiences across the globe thrill to performances of Handel’s "Hallelujah Chorus,” but they would probably be appalled to learn the full extent of the oratorio’s anti-Judaic message. In this pioneering study, respected musicologist Michael Marissen examines Handel’s masterwork and uncovers a disturbing message of anti-Judaism buried within its joyous celebration of the divinity of the Christ. Discovering previously unidentified historical source materials enabled the author to investigate the circumstances that led to the creation of the Messiah and expose the hateful sentiments masked by magnificent musical artistry--including the famed "Hallelujah Chorus,” which rejoices in the "dashing to pieces” of God’s enemies, among them the "people of Israel”. Marissen’s fascinating, provocative work offers musical scholars and general readers alike an unsettling new appreciation of one of the world’s best-loved and most widely performed works of religious music.
Takarazuka: Sexual Politics and Popular Culture in Modern Japan
by Jennifer E. RobertsonFounded in 1913 as a counterpart to the all-male Kabuki theater, the all-female Takarazuka Revue is world-famous today for its rococo musical productions and fanatically devoted fans. Anthropologist Jennifer Robertson draws from over a decade of research to explore how the Revue illuminates popular culture in 20th-century Japan. 29 photos.
Take a Walk on the Dark Side
by R. Gary PattersonTake a Walk on the Dark Side is the ultimate book for today's rock and roll fan: a fascinating compendium of facts, fictions, prophecies, premonitions, coincidences, hoaxes, doomsday scenarios, and other urban legends about some of the world's most beloved and mysterious pop icons. Updating, revising, and expanding on material from his cult classic Hellhounds on Their Trail, Patterson offers up a delectable feast of strange and occasionally frightening rock and roll tales, featuring the ironies associated with the tragic deaths of many rock icons, unsolved murders, and other tales from the "fell clutch of circumstance." Beginning with the fateful place where it all started -- a deserted country crossroads just outside Clarksdale, Mississippi, where Robert Johnson made his deal with the devil -- through the Buddy Holly curse (rock and roll's first great tragedy) and beyond, this incredible volume uncovers some of rock and roll's most celebrated murders, twists of fate, and decades-long streaks of bad luck that defy rational explanation. Inside you'll find: Facts about Jimmy Page and the Zeppelin Curse. Chilling quirks of fate in the fatalities in the Allman Brothers and Lynyrd Skynyrd. Facts about Jimmy Page and the Zeppelin curse Chilling quirks of fate surrounding the deaths of musicians in the Allman Brothers Band and Lynyrd Skynyrd A provocative look at "The Club," membership in which requires an untimely death at age twenty-seven and whose inductees include Kurt Cobain, Jimi Hendrix, and Janis Joplin Cryptic messages in song lyrics that have proved eerily prophetic Carefully researched, wildly enjoyable, and often harrowing, Take a Walk on the Dark Side takes the reader on a mysterious ride through rock and roll history.
Take Another Little Piece of My Heart: A Groupie Grows Up
by Pamela Des Barres Michael Des BarresUpdated to include the escapades of the last 16 years of the "queen of the groupies," this rollicking, piquant, and sometimes heartbreaking follow-up to I'm With the Band documents Pamela Des Barres' struggles with postmodern marriage and motherhood. Covering the middle-passage years of the baby-boom generation, this biography portrays a hilarious, inspiring tussle with life's adventures and adversities, from acting with Sylvester Stallone and dancing with Bob Dylan to making ends meet by rooming with struggling celebrities and selling cosmetics. For all its famous names and insider lore, this is a survivor's story--about the anguish of coping with loved ones' addictions, suffering divorce and loss, and the joys and terrors of raising a gifted son--told with grace, charm, and a generous sense of humor.
Take Care Of Your Music Business Second Edition: The Legal And Business Aspects You Need To Know To 3. 0
by Isaac Slade John P. KelloggFor all the players in the music business from the artist to the manager and attorney. Contracts with split page analysis, information on copyright principles, business structure and more.
Take Control of Making Music with GarageBand '09
by Jeff TolbertSeattle composer Jeff Tolbert's step-by-step instructions guide beginning and intermediate users through using GarageBand's built-in loops to create three songs, explaining not only how to use GarageBand's editing and mixing features but also how to be playful and creative while composing tunes that please the ear. You'll learn how to plan a song, get the most out of Magic GarageBand, edit and arrange Real Instrument and Software Instrument loops in numerous ways, create exciting mixes, and export your masterpieces. The book also covers how to change track volume, tempo, and panning dynamically, and how to work with GarageBand's effects. Plus, it includes seven suggestions for solving performance problems.Bonus! Linked-in audio lets you listen to examples while you read about them, and a five-page glossary helps you quickly learn about music-related terms. Questions you'll find answers to include: What's the arrange track used for? How can I use the stock GarageBand loops to make a cool song? How do I edit Software Instrument loops? I don't read music. Why do I care about Notation view? How do I change the tempo in different sections of my tune? How do I make my mixes more dynamic and interesting? How can I customize a Magic GarageBand song so it doesn't sound like everyone else's? How do I make a killer drum break out of GarageBand loops? How can I make a ringtone for my iPhone? "I had a tough time getting started with GarageBand until I bought Take Control of Making Music with GarageBand." -Lyle H.
Take Control of Your iPod: Beyond the Music
by Steve SandeLearn a dozen ways to do more with an iPod than just listen to music! Written by gadget-wizard Steve Sande, this 136-page book helps you advance to the next level of iPod mastery. You'll learn basics like charging an iPod and moving music over to it, but most of the book looks at all the other stuff you can do with an iPod: track calendar items and contacts, keep to-do lists, exercise, read ebooks and RSS feeds, listen to podcasts and audiobooks, watch video, view subway maps, back up your hard drive, and much more! (Click Front Matter, just below, to see the complete topic list.) The book begins with colorful comparison charts of the various iPod models, just in case you aren't sure which iPod you have, since you may not realize that the iPod you bought few years ago is now considered a "second-generation iPod" or you may have received your iPod as a hand-me-down, sans manual. This book provides instructions for both Mac OS X and Windows users. iPod touch users: please note that this ebook covers the iPod touch only to the extent that it behaves like a regular iPod. It does not cover the iPod touch's many unique features. Read this book to learn answers to questions such as these: Which iPod do I have? Can I replace my radio alarm clock with an iPod? How do I read RSS news feeds on my iPod? How do I put maps and directions on my iPod? How can I read long Microsoft Word documents on an iPod? How do I sync music videos to an iPod? How do I put Flash-based videos from YouTube on my iPod? How can I convert a DVD so I can watch the video on an iPod? Which iPods are best for using as voice recorders?
Take Me Home: An Autobiography
by John Denver Arthur TobierIn a career that has spanned twenty-five years, John Denver has earned international acclaim as a singer, songwriter, actor, and environmental activist. Songs like "Take Me Home, Country Roads," "Rocky Mountain High," and "Annie's Song" have entered the canon of universal anthems, but less than three decades ago, John Denver was a young man with little more than a fine voice, a guitar, and a dream. Growing up in a conservative military family, he was not expected to drop out of college and head to Los Angeles, where the music scene was flourishing. Nor was he expected to succeed. In Take Me Home, John Denver chronicles the experiences that shaped his life, while unraveling the rich, inner journey of a shy Midwestern boy whose uneasy partnership with fame has been one of the defining forces of his first fifty years. With candor and wit, John writes about his childhood, the experience of hitting L.A. as the Sixties roared into full swing, his first breaks, his years with the Mitchell Trio, his first songwriting success with "Leaving on a Jet Plane," and finally a career that made his a global household name. He also explores his relationships with the women in his life--particularly his first wife, Annie Martell, and his second wife, Cassandra Delaney--as well as his parents, his children, his partners through his life, and his friends. Honest, insightful and rich in anecdotes that only a natural-born storyteller could tell so well, Take Me Home is a highly charged and fascinating book from beginning to end. It's like spending a couple of days with a good friend.
Take Note: An Introduction to Music Through Active Listening
by Robin WallaceTake Note: An Introduction to Music Through Active Listening is an innovative music appreciation text, designed to help students become active and attentive listeners through an in-depth examination of a recurring repertory of core musical works. By exploring each element of music through the lens of these core works--which were carefully selected to represent a variety of styles and genres--students deepen their understanding of how music works and develop strong listening skills that will enhance their enjoyment of music. Combining this listening-centered approach with an overview of Western music history, interactive activities, and in-text features that invite students to discover additional works outside of the classroom, Take Note prepares students for a lifetime of music appreciation.
Take Nothing For Granted: Tales from an Unexpected Life
by Ross Kemp'These are the stories of some of the things that have happened to me: the funny things, the scary things, the exciting things; the things that have made me who I am. I don't want to start at the beginning and tell them in chronological order because that's not the way my brain works. And this certainly isn't going to be one of those books of life lessons . . .'I've always been passionate about finding and telling stories. And now, for the first time, here are mine.'Famous for his portrayal of TV hardman Grant Mitchell and as the maker of documentaries exploring the most dangerous people and places on the planet, BAFTA-winning Ross Kemp is one of the UK's best known TV stars. Here, Ross shares tales from his remarkable life.From his childhood in Essex, where he used to pretend the woods behind his house were the Amazon rainforest, to finding himself travelling through the real thing thirty years later, Ross's life has taken many twists and turns. Through it all there's been no plan, no roadmap, no strategy. Ross has gone from one wild adventure to the next, and never quite felt like he's fitted in anywhere.From getting lost at sea to setting a sacred island on fire, auditioning for his part on EastEnders to filming in active war zones across the world, these are the heart-warming, hilarious and hard-hitting stories of some of the unexpected adventures that have happened along the way.Warm, energetic and endlessly entertaining, it is a fascinating snapshot of a life lived to the full.