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Take Nothing For Granted: Tales from an Unexpected Life
by Ross Kemp'These are the stories of some of the things that have happened to me: the funny things, the scary things, the exciting things; the things that have made me who I am. I don't want to start at the beginning and tell them in chronological order because that's not the way my brain works. And this certainly isn't going to be one of those books of life lessons . . .'I've always been passionate about finding and telling stories. And now, for the first time, here are mine.'Famous for his portrayal of TV hardman Grant Mitchell and as the maker of documentaries exploring the most dangerous people and places on the planet, BAFTA-winning Ross Kemp is one of the UK's best known TV stars. Here, Ross shares tales from his remarkable life.From his childhood in Essex, where he used to pretend the woods behind his house were the Amazon rainforest, to finding himself travelling through the real thing thirty years later, Ross's life has taken many twists and turns. Through it all there's been no plan, no roadmap, no strategy. Ross has gone from one wild adventure to the next, and never quite felt like he's fitted in anywhere.From getting lost at sea to setting a sacred island on fire, auditioning for his part on EastEnders to filming in active war zones across the world, these are the heart-warming, hilarious and hard-hitting stories of some of the unexpected adventures that have happened along the way.Warm, energetic and endlessly entertaining, it is a fascinating snapshot of a life lived to the full.
TAKE-OFF: American All-girl Bands During WWII
by Tonya BoldenThe 1940's was a time when society thought it improper for women to make a sax wail or let loose hot licks on skins, but with the advent of World War II and many men away fighting the war, women finally got their chance to strut their stuff on the bandstand. These all-girl bands kept morale high on the homefront and on USO tours of miltary bases across the globe while also helping to establish America's legacy in jazz music. "Take-off?" Oh, yeah. Several all-girl bands did. This book includes a hip swing CD.
Take Off: The humble beginnings of a Pop sensation
by Conor MaynardConor Maynard shot to fame posting cover versions of Usher, Drake and the Kings of Leon on YouTube. He soon developed a big following and he has become a huge YouTube sensation, with millions of followers. Conor's talent was quick to catch people's attention and having been spotted by international artists like Ne-Yo and Pharell Williams, he went on to record his debut album Contrast which shot straight to number one in the UK charts. Unlike many of his chart contemporaries, Conor didn't reach the charts through the X Factor, he started out making music in his bedroom and was one of the first people to find success on YouTube. In his autobiography, Conor Maynard shares his own honest, candid and often surprising take on his rapid rise to the top. The book offers exclusive behind the scenes access allowing you to get closer to the star than ever before. The book features hundreds of exclusive brand new and unseen photos and a collection of handwritten lyrics and notes.
Take Off: The humble beginnings of a Pop sensation
by Conor MaynardConor Maynard shot to fame posting cover versions of Usher, Drake and the Kings of Leon on YouTube. He soon developed a big following and he has become a huge YouTube sensation, with millions of followers. Conor's talent was quick to catch people's attention and having been spotted by international artists like Ne-Yo and Pharell Williams, he went on to record his debut album Contrast which shot straight to number one in the UK charts. Unlike many of his chart contemporaries, Conor didn't reach the charts through the X Factor, he started out making music in his bedroom and was one of the first people to find success on YouTube. In his autobiography, Conor Maynard shares his own honest, candid and often surprising take on his rapid rise to the top. The book offers exclusive behind the scenes access allowing you to get closer to the star than ever before. The book features hundreds of exclusive brand new and unseen photos and a collection of handwritten lyrics and notes.
Take This Hammer: Work, Song, Crisis (Goldsmiths Press / Sonics Series)
by Paul RekretA study of contemporary music in light of transformations to work and social life.The emergence of the popular music industry in the early twentieth century not only drove a wedge between music production and consumption, it also underscored a wider separation of labor from leisure and of the workplace from the domestic sphere. These were changes characteristic of an industrial society where pleasure was to be sought outside of work, but these categories have grown increasingly porous today. As the working day extends into the home or becomes indistinguishable from leisure time, so the role and meaning of music in everyday life changes too. In arguing that the experience of popular music is partly conditioned by its segregation from work and its restriction to the time and space of leisure—the evening, the weekend, the dancehall—Take This Hammer shows how changes to work as it grows increasingly precarious, part-time, and temporary in recent decades, are related to transformations in popular music. Connecting contemporary changes in work and the economy to tendencies in popular music, Take This Hammer shows how song-form has both reflected developments in contemporary capitalism while also intimating a horizon beyond it. From online streaming and the extension of the working day to gentrification, unemployment and the emergence of trap rap, from ecological crisis and field recording to automation and trends in dance music, by exploring the intersections of work and song in the current era, not only do we gain a new understanding of contemporary musical culture, we also see how music might gesture towards a horizon beyond the alienating experience of work in capitalism itself.
Take Us Out to the Ball Game (Pictureback(R))
by Constance AllenBatter up with a Sesame Street version of a beloved baseball song—with stkckers, baseball trading cards, and a team poster!It's the seventh-inning stretch as Elmo and his friends watch the Sesame Street Sluggers play baseball. As Elmo takes the mic, the crowd joins in to sing a very special—and very funny—Sesame Street version of the beloved song "Take Me Out to the Ballgame." When it starts to rain, new verses are added to keep the crowd singing. Girls and boys ages 3 to 7 can read and sing along with Elmo, Grover, Cookie Monster, Big Bird, Bert, Ernie, Oscar, Zoe, and Abby Cadabby as they wait for the game to begin again. This paperback storybook scores extra hits with press-out baseball trading cards, stickers, and a fold-out Sluggers team poster!
Taking Funny Music Seriously (Comedy & Culture)
by Lily E. HirschTake funny music seriously! Though often dismissed as silly or derivative, funny music, Lily E. Hirsch argues, is incredibly creative and dynamic, serving multiple aims from the celebratory to the rebellious, the entertaining to the mentally uplifting. Music can be a rich site for humor, with so many opportunities that are ripe for a comedic left turn. Taking Funny Music Seriously includes original interviews with some of the best musical humorists, such as Tom Lehrer, "the J. D. Salinger of musical satire"; Peter Schickele, who performed as the invented composer P. D. Q. Bach, the supposed lost son of the great J. S. Bach; Kate Micucci and Riki Lindhome of the funny music duo Garfunkel and Oates; comedic film composer Theodore Shapiro; Too Slim of the country group Riders in the Sky; and musical comedian Jessica McKenna, from the podcast Off Book, part of a long line of "funny girls." With their help, Taking Funny Music Seriously examines comedy from a variety of genres and musical contexts—from bad singing to rap, classical music to country, Broadway music to film music, and even love songs and songs about death.In its coverage of comedic musical media, Taking Funny Music Seriously is an accessible and lively look at funny music. It offers us a chance to appreciate more fully the joke in music and the benefits of getting that joke—especially in times of crisis—including comfort, catharsis, and connection.
Taking it to the Bridge: Music as Performance
by Nicholas Cook Richard PettengillThe overriding aim of this groundbreaking volume--whether the subject is vocal ornamentation in 19th-century opera or the collective improvisation of the Grateful Dead--is to give new recognition to performance as the core of musical culture. The collection brings together renowned scholars from performance studies and musicology (including Philip Auslander, David Borgo, Daphne Brooks, Nicholas Cook, Maria Delgado, Susan Fast, Dana Gooley, Philip Gossett, Jason King, Elisabeth Le Guin, Aida Mbowa, Ingrid Monson, Roger Moseley, Richard Pettengill, Joseph Roach, and Margaret Savilonis), with the intent of sparking a productive new dialogue on music as performance. Taking It to the Bridge is on the one hand a series of in-depth studies of a broad range of performance artists and genres, and on the other a contribution to ongoing methodological developments within the study of music, with the goal of bridging the approaches of musicology and performance studies, to enable a close, interpretive listening that combines the best of each. At the same time, by juxtaposing musical genres that range from pop and soul to the classics, and from world music to games and web-mediated performances, Taking It to the Bridge provides an inventory of contrasted approaches to the study of performance and contributes to its developing centrality within music studies.
Taking Popular Music Seriously: Selected Essays (Ashgate Contemporary Thinkers On Critical Musicology Ser.)
by Simon FrithAs a sociologist Simon Frith takes the starting point that music is the result of the play of social forces, whether as an idea, an experience or an activity. The essays in this important collection address these forces, recognising that music is an effect of a continuous process of negotiation, dispute and agreement between the individual actors who make up a music world. The emphasis is always on discourse, on the way in which people talk and write about music, and the part this plays in the social construction of musical meaning and value. The collection includes nineteen essays, some of which have had a major impact on the field, along with an autobiographical introduction.
Tales From Boilermaker Country: A Collection of the Greatest Stories Ever Told
by Doug GriffithsThe history of Purdue athletics is sometimes funny, sometimes poignant and triumphant and often pretty amazing -- but always uniquely human. Along the way many characters have arisen in over 11 decades of competition and nearly 200 of these great stories are chronicled in Tales from the Boilermaker Country. On the hardwood, readers will learn why Purdue turned down its first opportunity to play in the NCAA Tournament, allowing archrival Indiana to win the 1940 title and how the first "Big Dog" in Purdue men's basketball history wasn't Glenn Robinson. From the football sidelines, the authors reveal the dramatic incident which almost cost the lives of Rose Bowl heroes Bob Griese and George Catavolas at the 1967 Hula Bowl. Also, readers will find out how long-time New York Yankees' owner George Steinbrenner became an assistant coach for the Purdue football team and a quarter century later was instrumental in luring the Boilermakers' NCAA Final Four coach away from ! Purdue. Included are the stories of Purdue's national championship teams; the 1961 golf team which was led by a player that never lost to golfing legend Jack Nicklaus and the triumphant story of the 1999 Purdue women's basketball team surviving three coaching changes en route to a national title. You will enjoy reading stories from some of the colorful characters in the school's past: Mike Alstott, Lin Dunn, Gene Keady, George King, Ward "Piggy" Lambert, Jack Mollenkopf, Michael "Scooby" Scearce, Moose Skowron and Joe Tiller -- to name a few. And you will travel back to the early days and the origins of Boilermaker sports when the team traveled by train and continue through the digital age when Heisman Trophy hopeful Drew Brees was promoted for the award in cyberspace.
Tales From Country Music
by Gerry WoodFollow Gerry Wood on his journey with country music's biggest stars, featuring Dolly Parton, Willie Nelson, Shania Twain and many more familiar names in the industry. Tales from Country Music will take you backstage and behind the scenes with some of your favorite country music singers.
Tales from the Big House: The Hampton Court of the North, 1,000 Years of Its History and People
by Steve WardSituated only 4 miles southeast of the bustling cosmopolitan city of Leeds lies a jewel in the crown of British stately homes. Set in 1,200 acres of rolling parkland and woods is Temple Newsam House, once described as the Hampton Court of the North.The estate has survived almost 900 years of history. Although first mentioned in the Domesday Book, it was the Knights Templar who gave the name to the land. The house that now stands on the site was begun in 1518 and has witnessed many events: the execution for treason of one of its owners; the birth of Lord Darnley, unlucky husband of Mary Queen of Scots; the Civil War rivalry of a family; the home of a flirtatious mistress of the Prince of Wales (later George IV); and the suffering of the First World War, when it was used as a convalescent home for wounded soldiers.The house and estate is now owned by the Leeds City Council and is open as a public park for all to enjoy. The house itself is part of Leeds Museums and Galleries and displays many different collections and exhibitions. On the estate is a working farm, known as Home Farm, which is the largest working rare breed center in the UK and is a popular attraction for many visitors.
Tales, Tunes, and Tassa Drums: Retention and Invention into Indo-Caribbean Music
by Peter ManuelToday's popular tassa drumming emerged from the fragments of transplanted Indian music traditions half-forgotten and creatively recombined, rearticulated, and elaborated into a dynamic musical genre. A uniquely Indo-Trinidadian form, tassa drumming invites exploration of how the distinctive nature of the Indian diaspora and its relationship to its ancestral homeland influenced Indo-Caribbean music culture. Music scholar Peter Manuel traces the roots of neotraditional music genres like tassa drumming to North India and reveals the ways these genres represent survivals, departures, or innovative elaborations of transplanted music forms. Drawing on ethnographic work and a rich archive of field recordings, he contemplates the music carried to Trinidad by Bhojpuri-speaking and other immigrants, including forms that died out in India but continued to thrive in the Caribbean. His reassessment of ideas of creolization, retention, and cultural survival defies suggestions that the diaspora experience inevitably leads to the loss of the original culture, while also providing avenues to broader applications for work being done in other ethnic contexts.
Talkin' Greenwich Village: The Heady Rise and Slow Fall of America's Bohemian Music Capital
by David BrowneThe definitive history of the rise and heyday of the revolutionary Greenwich Village music scene, based on new research and first-hand interviews with many of its legendary performers Although Greenwich Village encompasses less than a square mile in downtown New York, rarely has such a concise area nurtured so many innovative artists and genres. Over the course of decades, Billie Holiday, the Weavers, Sonny Rollins, Dave Van Ronk, Ornette Coleman, Bob Dylan, Nina Simone, Phil Ochs, and Suzanne Vega are just a few who migrated to the Village, recognizing it as a sanctuary for visionaries, non-conformists, and those looking to reinvent themselves. Working in the Village&’s smokey coffeehouses and clubs, they chronicled the tumultuous Sixties, rewrote jazz history, and took folk and rock & roll into places they hadn&’t been before. Based on over 150 new interviews (Judy Collins, Sonny Rollins, Herbie Hancock, Eric Andersen, Suzzy and Terre Roche, Suzanne Vega, Steve Forbert, Arlo Guthrie, John Sebastian, Shawn Colvin, the members of the Blues Project, and more), previously unseen documents, and author David Browne&’s longtime immersion in the scene, Talkin&’ Greenwich Village lends the saga the epic, panoramic scope it&’s long deserved. It takes readers from the Fifties jamborees in Washington Square Park and into landmark venues like Gerde&’s Folk City, the Gaslight Café, and the Village Vanguard, onto Dylan&’s momentous arrival and returns, the no-holds-barred Seventies years (West Village discos, National Lampoon&’s Lemmings), and the folk revival of the Eighties (Vega&’s enduring &“Tom&’s Diner&”). In eye-opening fashion, Browne also details the often-overlooked people of color in the Sixties folk clubs, reveals how the FBI and city government consistently kept their eyes on the community, unearths the machinations behind the infamous &“beatnik riot&” in Washington Square Park, and tells the interconnected tales of Van Ronk, the seminal band the Blues Project, and the beloved sister trio, the Roches. In also recounting the racial tensions, crackdowns, and changes in New York and music that infiltrated the neighborhood, Talkin&’ Greenwich Village is more than just vivid cultural history. It also speaks to the rise and waning of bohemian culture itself, set to some of the most enduring lyrics, melodies, and jazz improvisations in American music.
Talkin' Guitar: A Story of Young Doc Watson
by Robbin GourleyArthel "Doc" Watson (1923–2012) was a Grammy-winning guitarist, singer, and songwriter, high in the pantheon of bluegrass and country music greats. This picture book tells the story of a country boy, born blind, who found music in the sounds around him and learned to play that music on his guitar. Minimal text and breathtaking illustrations pay tribute to Doc's early determination, imagination, and musicianship. Includes additional biographical information.
Talkin' to Myself: Blues Lyrics, 1921-1942
by Michael TaftTalkin' to Myself: Blues Lyrics, 1921-1942 is a compendium of lyrics by the great blues recording artists of the classic blues era. It includes over 2000 songs, transcribed directly from the original recordings, making it by far the most comprehensive and accurate collection of blues lyrics available.
Talking New Orleans Music: Crescent City Musicians Talk about Their Lives, Their Music, and Their City (American Made Music Series)
by Burt FeintuchIn New Orleans, music screams. It honks. It blats. It wails. It purrs. It messes with time. It messes with pitch. It messes with your feet. It messes with your head. One musician leads to another; traditions overlap, intertwine, nourish each other; and everyone seems to know everyone else. From traditional jazz through rhythm and blues and rock 'n' roll to sissy bounce, in second-line parades, from the streets to clubs and festivals, the music seems unending. In Talking New Orleans Music, author Burt Feintuch has pursued a decades-long fascination with the music of this singular city. Thinking about the devastation—not only material but also cultural—caused by the levees breaking in 2005, he began a series of conversations with master New Orleans musicians, talking about their lives, the cultural contexts of their music, their experiences during and after Katrina, and their city. Photographer Gary Samson joined him, adding a compelling visual dimension to the book. Here you will find intimate and revealing interviews with eleven of the city's most celebrated musicians and culture-bearers—Soul Queen Irma Thomas, Walter “Wolfman” Washington, Charmaine Neville, John Boutté, Dr. Michael White, Deacon John Moore, Cajun bandleader Bruce Daigrepont, Zion Harmonizer Brazella Briscoe, producer Scott Billington, as well as Christie Jourdain and Janine Waters of the Original Pinettes, New Orleans's only all-woman brass band. Feintuch's interviews and Samson's sixty-five color photographs create a powerful portrait of an American place like no other and its worlds of music.
Talking Swing: The British Big Bands
by Sheila TracyFrom Palace to Palais, the musicians who played in the big bands tell their own stories, bringing to life an unforgettable era.Pre-war reminiscences give an insight into a never-to-be-forgotten era, when London's nightclubs were the haunts of the aristocracy and of royalty, and the Prince of Wales would jump at any opportunity to play drums with the resident band. The elegant world of top hat, white ties and tails has gone for ever, but in Talking Swing the musicians relive those nights when they played for as long as the customers wanted to dance - often into the early hours of the morning. Out of London, there were the variety tours, where the band was top of the bill and there wasn't an empty seat in the house.The problems faced by British musicians during the war years, when London's society bands continued to play throughout the Blitz, were enormous, and they are vividly portrayed in Talking Swing.Amongst those recalled are Ambrose, Jack Hylton, Geraldo, Ted Heath and Syd Lawrence, who took over when almost everyone else had packed it in and who kept on swinging against all odds. This was the golden age of the big bands, and the story of those days is told by the men and women who made the music.
Talking to Girls About Duran Duran
by Rob SheffieldFrom the bestselling author of Love Is a Mix Tape and Turn Around Bright Eyes, "a funny, insightful look at the sublime torture of adolescence". -Entertainment Weekly The 1980s meant MTV and John Hughes movies, big dreams and bigger shoulder pads, and millions of teen girls who nursed crushes on the members of Duran Duran. As a solitary teenager stranded in the suburbs, Rob Sheffield had a lot to learn about women, love, music, and himself. And he was sure his radio had all the answers. As evidenced by the bestselling sales of Sheffield's first book, Love Is a Mix Tape, the connection between music and memory strikes a chord with readers. Talking to Girls About Duran Duran strikes that chord all over again, and is a pitch-perfect trip through '80s music-from Bowie to Bobby Brown, from hair metal to hip-hop. But this book is not just about music. It's about growing up and how every song is a snapshot of a moment that you'll remember the rest of your life. .
Talking to My Angels
by Melissa EtheridgeTwenty years after the success of her first memoir, the New York Times bestseller The Truth Is . . ., the Grammy and Oscar award-winning rocker and trailblazing LGBTQAI icon takes stock of the intervening years, recounting the euphoric triumphs and the life-altering tragedies of her life. <p><p> The audiobook is an exclusive musical experience, read and performed by Melissa. It features live, stripped-down performances of many of Melissa’s songs, including the one that inspired the book title, Talking to My Angel; never-before performed songs including Here Comes the Pain; and original interstitial and credit music. <p><p> Live with spirit. <p> Find peace in the chaos. <p> Lean into the joy. <p><p> Over the past twenty years, Melissa Etheridge has been blessed with success, love, joy, contentment, freedom, and release. She became a mother again, recorded eleven albums, toured the world, performed at the Grammy Awards, won an Oscar, discovered her one true love, and underwent a profound spiritual awakening. She also experienced illness, incomparable loss, heartache, guilt, shame, and devastating grief. She was diagnosed with breast cancer, endured two contentious and public break ups, and witnessed the devastating disintegration and death of her son, Beckett, to opioid addiction. Yet through it all, Melissa found the strength and courage to carry on. <p><p> Talking to My Angels is a profoundly honest look into her inner life as a woman, an artist, a mother, and a survivor. With characteristic wit and courage, Melissa delves into how numerous tragedies served as a catalyst for growth, and what the past two decades have taught her about the value of music, love, family, and life in the face of death. It is her story: as raw, vulnerable, and electrifying as her acclaimed songs. Melissa shares hard truths about surviving and thriving—a journey through darkness and uncertainty that leads to forgiveness and love. A remarkable storyteller, she digs deep into the well of her life, sharing memories that, woven together, create a rich portrait of success and survival—an intimate, emotional and ultimately inspiring story of healing. <p><p> A memoir a lifetime in the making, Talking to My Angels is Melissa’s engrossing—and at times harrowing—story as she lived it. It is a testament to the power of art, a touchstone for anyone seeking a path out of darkness, and a powerful love letter to the family and fans who’ve been integral to her journey. <p> <b>New York Times Bestseller</b>
Talks With Great Composers: Candid Conversations With Brahms, Puccini, Strauss, And Others (Wisdom Library Ser.)
by Arthur M. AbellWho does not ponder what inspires creativity? Why does one person excel as a doctor, another as an artist, and yet a third as a composer? Why do some fortunate people seem overly endowed with an abundance of creativity--this most precious of gifts--and others with little or none at all? Can creative inspiration be nurtured slowly and, suddenly, spring forth to mesmerize and enchant the world?In the words of Emanuel Ax, we are given "fascinating glimpses into the innermost thoughts of some of our greatest composers" in this series of intimate and deeply felt conversations between Arthur Abell and Brahms, Puccini, Strauss, Humperdinck, Bruch, and Grieg. And through these revelations, one can understand with greater clarity the essence of genius.In its entirety, the book is a paean to both the musical world and to those few who achieved greatness during the latter part of the 19th century and the early years of the 20th century. We cannot fail to be deeply impressed by the intense outpouring of emotion demanded by great creative endeavor. And here, nothing is spared. We are privy to the highs and lows--the great triumphs and the wrenching failures.Talks with Great Composers brings to life the thoughts, fears, self-doubt, inherent religiosity, and the unparalleled joys that, by the end of the book, we come to appreciate must accompany all of life's greatest challenges and accomplishments.
Tallinn '67 Jazz Festival: Myths and Memories
by Heli ReimannTallinn ’67 Jazz Festival: Myths and Memories explores the legendary 1967 jazz gathering that centered Tallinn, Estonia as the jazz capital of the USSR and marked both the pinnacle of a Soviet jazz awakening as well as the end of a long series of evolutionary jazz festivals in Estonia. This study offers new insights into what was the largest Soviet jazz festival of its time through an abundance of collected materials – including thousands of pages of archival documents, more than a hundred hours of interviews and countless media reviews and photographs – while grappling with the constellation of myths integral to jazz discourse in an attempt to illuminate ‘how it really was’. Accounts from musicians, jazz fans, organisers and listeners bring renewed life to this transcultural event from more than half a century ago, framed by scholarly discussions contextualizing the festival within the closed conditions of the Cold War. Tallinn ’67 Jazz Festival details the lasting international importance of this confluence of Estonian, Soviet and American jazz and the ripple effects it spread throughout the world.
Tambú: Curaçao's African-caribbean Ritual And The Politics Of Memory (Ethnomusicology Multimedia)
by Nanette De JongAs contemporary Tambú music and dance evolved on the Caribbean island of Curaçao, it intertwined sacred and secular, private and public cultural practices, and many traditions from Africa and the New World. As she explores the formal contours of Tambú, Nanette de Jong discovers its variegated history and uncovers its multiple and even contradictory origins. De Jong recounts the personal stories and experiences of Afro-Curaçaoans as they perform Tambu-some who complain of its violence and low-class attraction and others who champion Tambú as a powerful tool of collective memory as well as a way to imagine the future.
The Tamburitza Tradition
by Richard March"The Tamburitza Tradition" is a lively and well-illustrated comprehensive introduction to a Balkan folk music that now also thrives in communities throughout Europe, the Americas, and Australia. Tamburitza features acoustic stringed instruments, ranging in size from tamburas as small as a ukulele to ones as large as a bass viol. Folklorist Richard March documents the centuries-old origins and development of the tradition, including its intertwining with nationalist and ethnic symbolism. The music survived the complex politics of nineteenth-century Europe but remains a point of contention today. In Croatia, tamburitza is strongly associated with national identity and supported by an artistic and educational infrastructure. Serbia is proud of its outstanding performers and composers who have influenced tamburitza bands on four continents. In the United States, tamburitza was brought by Balkan immigrants in the nineteenth century and has become a flourishing American ethnic music with its own set of representational politics. Combining historical research with in-depth interviews and extensive participant-observer description, "The Tamburitza Tradition" reveals a dynamic and expressive music tradition on both sides of the Atlantic and beyond, illuminating the cultures and societies from which it has emerged.
Tamil Folk Music as Dalit Liberation Theology
by Zoe C. SherinianZoe C. Sherinian shows how Christian Dalits (once known as untouchables or outcastes) in southern India have employed music to protest social oppression and as a vehicle of liberation. Her focus is on the life and theology of a charismatic composer and leader, Reverend J. Theophilus Appavoo, who drew on Tamil folk music to create a distinctive form of indigenized Christian music. Appavoo composed songs and liturgy infused with messages linking Christian theology with critiques of social inequality. Sherinian traces the history of Christian music in India and introduces us to a community of Tamil Dalit Christian villagers, seminary students, activists, and theologians who have been inspired by Appavoo's music to work for social justice. Multimedia components available online include video and audio recordings of musical performances, religious services, and community rituals.