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The Screen Music of Trevor Jones: Technology, Process, Production (Ashgate Screen Music Series)
by David Cooper Laura Anderson Ian SapiroThe first significant publication devoted entirely to Trevor Jones’s work, The Screen Music of Trevor Jones: Technology, Process, Production, investigates the key phases of his career within the context of developments in the British and global screen-music industries. This book draws on the direct testimony of the composer and members of his team as well as making use of the full range of archival materials held in the University of Leeds’s unique Trevor Jones Archive, which was digitized with support from the Arts and Humanities Research Council. Through a comprehensive series of chapters covering Jones’s early career to his recent projects, this book demonstrates how Jones has been active in an industry that has experienced a prolonged period of major technological change, including the switchover from analogue to digital production and post-production techniques, and developments in computer software for score production and sound recording/editing. This is a valuable study for scholars, researchers and professionals in the areas of film music, film-score production and audio-visual media.
The Sculpted Ear: Aurality and Statuary in the West (Perspectives on Sensory History #2)
by Ryan McCormackSound and statuary have had a complicated relationship in Western aesthetic thought since antiquity. Taking as its focus the sounding statue—a type of anthropocentric statue that invites the viewer to imagine sounds the statue might make—Sculpted Ears rethinks this relationship in light of discourses on aurality emerging within the field of sound studies. Ryan McCormack argues that the sounding statue is best thought of not as an aesthetic object but as an event heard by people and subsequently conceptualized into being through acts of writing and performance.Constructing a history in which hearing plays an integral role in ideas about anthropocentric statuary, McCormack begins with the ancient sculpture of Laocoön, before moving to a discussion of the early modern automaton known as Tipu’s Tiger and the statue of the Commendatore in Mozart’s Don Giovanni. Finally, he examines statues of people from the present and the past, including the singer Josephine Baker, the violinist Aleksandar Nikolov, and the actor Bob Newhart—with each case touching on some of the issues that have historically plagued the aesthetic viability of the sounding statue. McCormack convincingly demonstrates how sounding statues served as important precursors and continuing contributors to modern ideas about the ontology of sound, technologies of sound reproduction, and performance practices blurring traditional divides between music, sculpture, and the other arts.A compelling narrative that illuminates the stories of individual sculptural objects and the audiences that hear them, this book will appeal to anyone interested in the connections between aurality and statues in the Western world, in particular scholars and students of sound studies and sensory history.
The Sculpted Ear: Aurality and Statuary in the West (Perspectives on Sensory History)
by Ryan McCormackSound and statuary have had a complicated relationship in Western aesthetic thought since antiquity. Taking as its focus the sounding statue—a type of anthropocentric statue that invites the viewer to imagine sounds the statue might make—The Sculpted Ear rethinks this relationship in light of discourses on aurality emerging within the field of sound studies. Ryan McCormack argues that the sounding statue is best thought of not as an aesthetic object but as an event heard by people and subsequently conceptualized into being through acts of writing and performance.Constructing a history in which hearing plays an integral role in ideas about anthropocentric statuary, McCormack begins with the ancient sculpture of Laocoön before moving to a discussion of the early modern automaton known as Tipu’s Tiger and the statue of the Commendatore in Mozart’s Don Giovanni. Finally, he examines statues of people from the present and the past, including the singer Josephine Baker, the violinist Aleksandar Nikolov, and the actor Bob Newhart—with each case touching on some of the issues that have historically plagued the aesthetic viability of the sounding statue. McCormack convincingly demonstrates how sounding statues have served as important precursors and continuing contributors to modern ideas about the ontology of sound, technologies of sound reproduction, and performance practices blurring traditional divides between music, sculpture, and the other arts.A compelling narrative that illuminates the stories of individual sculptural objects and the audiences that hear them, this book will appeal to anyone interested in the connections between aurality and statues in the Western world, in particular scholars and students of sound studies and sensory history.
The Seals on the Bus
by Lenny HortA fun repetitive type book for young children. The story is a take off on the song "The Wheels on the Bus" and features animals on the bus. Includes picture descriptions.
The Search for John Lennon: The Life, Loves, and Death of a Rock Star
by Lesley-Ann JonesPulling back the many hidden layers of John Lennon&’s life, Lesley-AnnJones closely tracks the events and personality traits that led to the rock star living in self-imposed exile in New York—where he was shot dead outside his apartment on that fateful autumn day forty years ago.Late on December 8th, 1980, the world abruptly stopped turning for millions, as news broke that the world's most beloved bard had been gunned down in cold blood in New York city. The most iconic Beatle left behind an unrivaled body of music and legions of faithful disciples—yet his profound legacy has brought with it as many questions and contradictions as his music has provided truths and certainties. In this compelling exploration, acclaimed music biographer Lesley-Ann Jones unravels the enigma that was John Lennon to present a complete portrait of the man, his life, his loves, his music, his untimely death and, ultimately, his legacy. Using fresh first-hand research, unseen material and exclusive interviews with the people who knew Lennon best, Jones' search for answers offers a spellbinding, 360-degree view of one of the world's most iconic music legends. The Search for John Lennon delves deep into psyche of the world's most storied musician—the good, the bad and the genius—forty years on from his tragic death.
The Search for Medieval Music in Africa and Germany, 1891–1961: Scholars, Singers, Missionaries (New Material Histories of Music)
by Anna Maria BergerThis innovative book reassesses the history of musicology, unearthing the field’s twentieth-century German and global roots. In the process, Anna Maria Busse Berger exposes previously unseen historical relationships such as those between the modern rediscovery of medieval music, the rise of communal singing, and the ways in which African music intersected with missionary work in the German colonial period. Ultimately, Busse Berger offers a monumental new account of the early twentieth-century music culture in Germany and East Africa. ?The book unfolds in three parts. Busse Berger starts with the origins of comparative musicology circa 1900, when early proponents used ideas from comparative linguistics to test whether parallels could be drawn between nonwestern and medieval European music. She then turns to youth movements of the era—the Wandervogel, Jugendmusikbewegung, and Singbewegung—whose focus on joint music making influenced many musicologists. Finally, she considers case studies of Protestant and Catholic mission societies in what is now Tanzania, where missionaries—many of them musicologists and former youth-group members—extended the discipline via ethnographic research and a focus on local music and communities. In highlighting these long-overlooked transnational connections and the role of global music in early musicology, Busse Berger shapes a fresh conception of music scholarship during a pivotal part of the twentieth century.
The Seasons and Other Works for Solo Piano (Dover Classical Piano Music)
by Peter Ilyitch TchaikovskyWhile better known for his great orchestral works, Tchaikovsky composed a large number of solo pieces that are loved and played by pianists the world over. This new collection, bringing together the best and most popular of these compositions, is the finest single-volume edition of Tchaikovsky's solo piano music now available.Featured in this volume are two particularly well-known works: The Seasons, Op. 37bis, a suite of 12 pieces, each bearing the name -- and capturing the spirit -- of one of the months, and Album for the Young, Op. 39, a set of 24 easy pieces popular with pianists of all levels for their charm and lyric grace. Also included in this edition are five early pieces: Thème original et variations, Op. 19, No. 6; the famous "Chanson trists" and three other pieces from Op. 40; Valse sentimentale, Op. 51, No. 6; Doumka, Op. 59; and ten favorite excerpts from Eighteen Characteristic Pieces, Op. 72.
The Secret History of Rock 'n' Roll
by Christopher KnowlesSex. Drugs. Loud music. Wild costumes. Dazzling light shows. These words can all describe a great rock concert or a hot dance club, but they were also part and parcel of the ancient cultural phenomenon known as the "Mystery religions." In this book, author Christopher Knowles shows how the Mystery religions got a secular reincarnation when a new musical form called rock 'n' roll burst onto the scene. The Secret History of Rock 'n' Roll traces the history of the Mysteries - their rise, their fall, and their survival through long centuries of repression. Knowles shows how the Mysteries prefigured subcultures as diverse as Santeria, Freemasonry, Mardi Gras and even the Holiness churches of the American frontier, and explains exactly how ancient rituals and music found their way to the New World. In the process, The Secret History of Rock 'n' Roll traces the development of rock's most popular genres such as punk and heavy metal, and reveals how many of rock's most iconic artists play the same archetypal roles as the ancient gods. You'll see how many of the rituals and customs and even musical styles of our postmodern society have stunning ancient parallels. You'll meet history's first pop
The Secret History of Rock 'n' Roll
by Christopher KnowlesSex. Drugs. Loud music. Wild costumes. Dazzling light shows. These words can all describe a great rock concert or a hot dance club, but they were also part and parcel of the ancient cultural phenomenon known as the "Mystery religions." In this book, author Christopher Knowles shows how the Mystery religions got a secular reincarnation when a new musical form called rock 'n' roll burst onto the scene. The Secret History of Rock 'n' Roll traces the history of the Mysteries -- their rise, their fall, and their survival through long centuries of repression. Knowles shows how the Mysteries prefigured subcultures as diverse as Santeria, Freemasonry, Mardi Gras and even the Holiness churches of the American frontier, and explains exactly how ancient rituals and music found their way to the New World. In the process, The Secret History of Rock 'n' Roll traces the development of rock's most popular genres such as punk and heavy metal, and reveals how many of rock's most iconic artists play the same archetypal roles as the ancient gods. You'll see how many of the rituals and customs and even musical styles of our postmodern society have stunning ancient parallels. You'll meet history's first pop
The Secret Life of The American Musical: How Broadway Shows Are Built
by Jack ViertelIn the process, he invites us to fall in love all over again by showing us how musicals happen, what makes them work, how they captivate audiences, and how one landmark show leads to the next--by design or by accident, by emulation or by rebellion--from Oklahoma! to Hamilton and onward.
The Secret Life of the American Musical: How Broadway Shows Are Built
by Jack ViertelNew York Times Bestseller: “Both revelatory and entertaining . . . Along the way, Viertel provides some fascinating Broadway history.” —The New York Times Book ReviewAmericans invented musicals—and have a longstanding love affair with them. But what, exactly, is a musical? In this book, longtime theatrical producer and writer Jack Viertel takes them apart, puts them back together, sings their praises, and occasionally despairs over their more embarrassing shortcomings. In the process, he shows us how musicals happen, what makes them work, how they captivate audiences, and how one landmark show leads to the next—by design or by accident, by emulation or by rebellion—from Oklahoma! to Hamilton and onward.Beginning with an overture and concluding with a curtain call, with stops in between for “I Want” songs, “conditional” love songs, production numbers, star turns, and finales, Viertel shows us patterns in the architecture of classic shows and charts the inevitable evolution that has taken place in musical theater as America itself has evolved socially and politically. The Secret Life of the American Musical makes you feel like you’re there in the rehearsal room, the front row, and the offices of theater owners and producers as they pursue their own love affair with that rare and elusive beast—the Broadway hit.“A valuable addition to the theater lover’s bookshelf. . . . fans will appreciate the dips into memoir and Viertel’s takes on original cast albums.” —Publishers Weekly“Even seasoned hands will come away with a clearer understanding of why some shows work while others flop.” —Commentary“A showstopper . . . infectiously entertaining.” —John Lahr, author of Notes on a Cowardly Lion“Thoroughly interesting.” —The A.V. Club“The best general-audience analysis of musical theater I have read in many years.” —The Charlotte Observer“Delightful . . . a little bit history, a little bit memoir, a little bit criticism and, for any theater fan, a whole lot of fun.” —The Dallas Morning News
The Secret Magic of Music: Conversations with Musical Masters
by Ida Lichter Evgeny KissinGreat music has the power to transform. Understanding and appreciating classical music can enlighten, uplift, and educate not only the intellect but the soul. In The Secret Magic of Music, classical music devotee and psychiatrist Ida Lichter uncovers a more accessible side of music. By providing the performers' insights, Lichter provides a special look into how great music can bring happiness and spiritual meaning to its listeners.
The Secret Public: How Music Moved Queer Culture From the Margins to the Mainstream
by Jon SavageRolling Stone [UK] — Best Music Books of the Year A monumental history of the gay influence on popular culture, from the rise of Little Richard to the collapse of disco in 1979: award-winning author Jon Savage takes us on a fast and captivating journey through the history of pop music as seen through the eyes of queer artists. Jon Savage, the author of the canonical England’s Dreaming, explodes new ground in this electrifying history of pop music from 1955 through 1979. In demonstrating that gay and lesbian artists were responsible for many of the greatest cultural breakthroughs in the last half of the twentieth century, he shows that it was their secretly encoded music—appealing to a closeted but greatly oppressed public—which led to the historic dismantling of discriminatory gay laws and the fusion of queer and straight culture. Fittingly, Savage’s kaleidoscopic work begins with the pomp-and-pompadour appearance of Little Richard, whose relentlessly driving sound, replete with gospel shrieks and sexual contortions, enthralled a generation of 1950s stultified white teenagers. Things soon went mainstream, as Elvis enthralled a nation with his seductive low moans and bump-and-grind twists, heavily derivative of Black music, while James Dean and Rock Hudson became the face of 1950s Hollywood; yet this explosion of queer expression remained covert and could not be accepted for what it was. While music, with supporting roles from cinema and fashion, became the key medium through which homosexuality could be clandestinely enacted, overt expressions of gay behavior were met with arrests and crackdowns. While hippies reveled in 1967’s “Summer of Love,” gays remained “harassed by police, demonized by the media and politicians, imprisoned simply for being who they were.” J. Edgar Hoover, himself a closeted homosexual, continued to spy on homosexual deviants; CBS’s Mike Wallace aired an invidious show about homosexuality; and the New York police continued to raid gay bars. Yet the music itself produced a cultural eruption that simply could not be stanched. While Bette Midler sang “Boogie Woogie Bugle Boys” to a Continental Baths audience of 600 gay men, all naked except for towels, David Bowie “blew the whole topic wide open” and “became the most totemic pop star of his generation.” Even though roadblocks remained, the gear-grinding crunch of the music signaled that the gay civil rights movement could no longer be suppressed. Ending the narrative with the sudden collapse of disco, The Secret Public asserts then that the genie was out of the bottle, that queer culture had finally entered the mainstream, producing a transcendent vision of pop culture that could never be marginalized again.
The Secret of the Stradivarius (Fountas & Pinnell Classroom, Guided Reading)
by Jackie LeteraNIMAC-sourced textbook. Legendary Instruments. Stradivarius violins are legendary—widely believed to be some of the most perfect instruments ever made—but no one knows why these three-hundred-year-old violins sound better than other violins. For many years, people have tried to unlock the secrets of what makes a Stradivarius superior to modern violins. Some, however, have considered a different question: what if there's no secret, and they aren't actually better?
The Secular Commedia
by Richard Taruskin Wye Jamison Allanbrook Mary Ann SmartWye Jamison Allanbrook's The Secular Commedia is a stimulating and original rethinking of the music of the late eighteenth century. Hearing the symphonies and concertos of Haydn and Mozart with an ear tuned to operatic style, as their earliest listeners did, Allanbrook shows that this familiar music is built on a set of mimetic associations drawn from conventional modes of depicting character and emotion in opera buffa. Allanbrook mines a rich trove of writings by eighteenth-century philosophers and music theorists to show that vocal music was considered aesthetically superior to instrumental music and that listeners easily perceived the theatrical tropes that underpinned the style. Tracing Enlightenment notions of character and expression back to Greek and Latin writings about comedy and drama, she strips away preoccupations with symphonic form and teleology to reveal anew the kaleidoscopic variety and gestural vitality of the musical surface. In prose as graceful and nimble as the music she discusses, Allanbrook elucidates the idiom of this period for contemporary readers. With notes, musical examples, and a foreword by editors Mary Ann Smart and Richard Taruskin.
The Seeker King
by Gary TilleryA woman in the audience once handed Elvis a crown saying, "You're the King." "No, honey," Elvis replied. "There is only one king - Jesus Christ. I'm just a singer." Gary Tillery presents a coherent view of Elvis's thoughts through such anecdotes and other recorded facts. We learn, for instance, that Elvis read thousands of books on religion; that his crisis over making bimbo movies like Girl Happy led him to writers such as Gurdjieff, Krishnamurti, and Helena Blavatsky; and that, while driving in Arizona, an epiphany he had inspired him to learn Hindu practice. Elvis came to believe that the Christ shines in everyone and that God wanted him to use his light to uplift people. And so he did. Elvis's excesses were as legendary as his generosity, yet, despite his lethal reliance on drugs, he remained ever spiritually curious. When he died, he was reading A Scientific Search for the Face of Jesus. This intimate, objective portrait inspires new admiration for the flawed but exceptional man who said, "All I want is to know and experience God. I'm a searcher, that's what I'm all about."
The Seeker King
by Gary TilleryA woman in the audience once handed Elvis a crown saying, "You're the King." "No, honey," Elvis replied. "There is only one king -- Jesus Christ. I'm just a singer." Gary Tillery presents a coherent view of Elvis's thoughts through such anecdotes and other recorded facts. We learn, for instance, that Elvis read thousands of books on religion; that his crisis over making bimbo movies like Girl Happy led him to writers such as Gurdjieff, Krishnamurti, and Helena Blavatsky; and that, while driving in Arizona, an epiphany he had inspired him to learn Hindu practice. Elvis came to believe that the Christ shines in everyone and that God wanted him to use his light to uplift people. And so he did. Elvis's excesses were as legendary as his generosity, yet, despite his lethal reliance on drugs, he remained ever spiritually curious. When he died, he was reading A Scientific Search for the Face of Jesus. This intimate, objective portrait inspires new admiration for the flawed but exceptional man who said, "All I want is to know and experience God. I'm a searcher, that's what I'm all about."
The Seekers: Meetings With Remarkable Musicians (and Other Artists)
by John DensmoreThe iconic drummer of The Doors investigates his own relationship with creativity and explores the meaning of artistry with other artists and performers in this compelling and spellbinding memoir.Whether it's the curiosity that blossoms after we listen to our favorite band's newest record, or the sheer admiration we feel after watching a knockout performance, many of us have experienced art so pure-so innovative-that we can't help but wonder afterwards: "How did they do that?" And yet, few of us are in a position to be able to ask those memorable legends where their inspiration comes from and how they translated it into something fresh and new. Fortunately for us, this book is here to offer us a bridge. In The Seekers, John Densmore-the iconic drummer of The Doors and author of the New York Times bestseller Riders onthe Storm-digs deep into his own process and draws upon his privileged access to his fellow artists and performers in order to explore the origins of creativity itself. Weaving together anecdotes from the author's personal notebooks and experiences over the past fifty years, this book takes readers on a rich, thought-provoking journey into the soul of the artist. By understanding creativity's roots, Densmore ultimately introduces us to the realm of everyday inspirations that imbue our lives with meaning. Inspired by the classic spiritual memoir Meetings with Remarkable Men, this book is fueled by Densmore's abundant collection of transformative experiences-both personal and professional-with everyone from Ravi Shankar to Patti Smith, Jim Morrison to Janis Joplin, Bob Marley to Gustavo Dudamel, Lou Reed to Van Morrison, Jerry Lee Lewis to his own dear, late Doors bandmate Ray Manzarek. Ultimately, the result is not only a look into the hearts and minds of some of the most important artists of the past century-but a way for readers to identify and ignite their own creative spark, and light their own fire.
The Selected Correspondence of Aaron Copland
by Aaron Copland Wayne Shirley Elizabeth Bergman CristThis is the first book devoted to the correspondence of composer Aaron Copland, covering his life from age eight to eighty-seven. The chronologically arranged collection includes letters to many significant figures in American twentieth-century music as well as Copland's friends, family, teachers, and colleagues. Selected for readability, interest, and the light they cast upon the composer's thoughts and career, the letters are carefully annotated and each published in its entirety. Copland was a gifted and natural letter writer who revealed much more about himself in his letters than in formal writings in which he was conscious of his position as spokesman for modern music. The collected letters offer insights into his music, personality, and ideas, along with fascinating glimpses into the lives of such other well-known musicians as Leonard Bernstein, Carlos Chávez, William Schuman, and Virgil Thomson.
The Selected Letters of John Cage
by John CageThis annotated selection of more than five hundred letters by the groundbreaking composer and avant-garde icon covers every phase of his career. This volume reveals the intimate life of John Cage with all the intelligence, wit, and inventiveness that made him such an important composer and performer. The missives range from lengthy reports of his early trips to Europe in the 1930s through his years with the dancer Merce Cunningham. They shed new light on his growing eminence as an iconic performance artist of the American avant-garde. Written in Cage&’s singular voice—by turns profound, irreverent, and funny—these letters reveal Cage&’s passionate interest in people, ideas, and the arts. They include correspondence with Peter Yates, David Tudor, and Pierre Boulez, among many others. Readers will enjoy Cage's commentary about the people and events of a transformative time in the arts, as well as his meditations on the very nature of art. This volume presents an extraordinary portrait of a complex, brilliant man who challenged and changed the artistic currents of the twentieth century.
The Self-Restorative Power of Music: A Psychological Perspective (Psychoanalytic Inquiry Book Series)
by Frank M. LachmannThis book explores how we can understand the place of music from a self psychological perspective, by investigating three journeys: the one we take when listening to music, the literal journey of the author from Nazi Germany to the United States, and the subjective round-trip between the past and the present. Drawing on the work of Heinz Kohut, the author examines how music can provide us with a way to reconnect with a sense of self, and how this can manifest in psychological and physical ways. There is particular reference to the work of Richard Wagner, Cole Porter, and Richard Strauss, and an examination of how their music enabled them, in times of stress and crisis, to restore and maintain a more positive sense of self. Finally, the book looks back at the author’s own experiences of music and the place of music in the Jewish world. With clinical excerpts, personal narrative, and sophisticated psychoanalytic insights, this book will appeal to all psychoanalysts wanting to understand the place of music in shaping the psyche, as well as music scholars wishing to gain a deeper appreciation of the psychology of music.
The Selling Sound: The Rise of the Country Music Industry
by Diane PecknoldFew expressions of popular culture have been shaped as profoundly by the relationship between commercialism and authenticity as country music has. While its apparent realism, sincerity, and frank depictions of everyday life are country's most obvious stylistic hallmarks, Diane Pecknold demonstrates that commercialism has been just as powerful a cultural narrative in its development. Listeners have long been deeply invested in the "business side" of country. When fans complained in the mid-1950s about elite control of the mass media, or when they expressed their gratitude that the Country Music Hall of Fame served as a physical symbol of the industry's power, they engaged directly with the commercial apparatus surrounding country music, not with particular songs or stars. In The Selling Sound, Pecknold explores how country music's commercialism, widely acknowledged but largely unexamined, has affected the way it is produced, the way it is received by fans and critics, and the way it is valued within the American cultural hierarchy. Pecknold draws on sources as diverse as radio advertising journals, fan magazines, Hollywood films, and interviews with industry insiders. Her sweeping social history encompasses the genre's early days as an adjunct of radio advertising in the 1920s, the friction between Billboard and more genre-oriented trade papers over generating the rankings that shaped radio play lists, the establishment of the Country Music Association, and the influence of rock 'n' roll on the trend toward single-genre radio stations. Tracing the rise of a large and influential network of country fan clubs, Pecknold highlights the significant promotional responsibilities assumed by club organizers until the early 1970s, when many of their tasks were taken over by professional publicists.
The Sense of Music
by Victor ZuckerkandlThis book is addressed to the listener whose enjoyment of music is filled with questions and whose curiosity makes him eager to grasp the sense of music, despite a lack of theoretical training. Unlike the usual listener's guide, which begins with a discussion of the elementary materials of music, this book starts with the elementary experiences of listening.
The Sense of Music
by Victor ZuckerkandlThis book is addressed to the listener whose enjoyment of music is filled with questions and whose curiosity makes him eager to grasp the sense of music, despite a lack of theoretical training. Unlike the usual listener's guide, which begins with a discussion of the elementary materials of music, this book starts with the elementary experiences of listening.
The Sense of Music: Semiotic Essays
by Raymond MonelleCritical of the abstract analysis of musical scores, Monelle argues that the score does not reveal music's sense. That sense what a piece of music says and signifies can be understood only with reference to history, culture, and the other arts. Thus, music is meaningful in that it signifies cultural temporaries and themes, from the traditional manly heroism of the hunt to military power to postmodern "polyvocality.