- Table View
- List View
The Songwriter's Idea Book
by Sheila DavisIn her first two books, Sheila Davis classified the major song forms and enduring principles that have been honored for decades by America's foremost songwriters. Those books have become required reading in music courses from NYU to UCLA. In The Songwriters Idea Book, Davis goes one step further, giving you 40 strategies for designing distinctive songs. You'll break new ground in your own songwriting by learning about the inherent relationship between language style, personality type and the brain. You'll go, step by step, through the creative process as you activate, incubate, separate and discriminate. You'll learn to use the whole-brain techniques of imaging, brainstorming and clustering. You'll expand your skilled use of figurative language with paragrams, metonyms, synecdoche and antonomasia. You'll be challenged to design metaphors, form symbols, make puns and coin words. And, you'll learn how to prevent writer's block, increase your productivity and maintain your creative flow. Over 100 successful student lyrics from pop, country, cabaret, and theater serve as role-models to illustrate the "whole-brain" songwriting process.
The Songwriter's and Musician's Guide to Nashville: Third Edition
by Sherry BondThis behind-the scenes look at the Nashville music industry reveals inside tips on how to break through the system and get heard. The new edition includes the latest strategies for Internet marketing, best techniques for pitching songs and artist packages, and more. Songwriters and musicians learn how to get their songs heard in Music City, USA, and find the industry's decision makers.
The Sonic Boom: How Sound Transforms the Way We Think, Feel, and Buy
by Tyler Gray Joel BeckermanA fascinating study on the influence of sound—and how companies wrangle its power to affect our moods, our shopping habits, and our lives. From movie scores and national anthems to cell-phone dings and squeaky shoes, sound and music impact how we perceive the stories, situations, and products we encounter every day. In The Sonic Boom, composer and strategic sound expert Joel Beckerman reveals sound&’s surprising power to influence our decisions, opinions, and actions in ways we might not even notice: discordant ambient noise can induce anxiety; ice cream truck jingles can bring you back to your childhood. You don&’t need to be a musician or a composer to harness the power of sound. Companies, brands, and individuals can strategically use sound to get to the core of their mission, influence how they&’re perceived by their audiences, and gain a competitive edge. Whether you&’re a corporate giant connecting with millions of customers or a teacher connecting with one classroom of students, the key to an effective sonic strategy is the creation of &“boom moments&”—transcendent instants when sound connects with a listener&’s emotional core. &“Equal parts sociological study and business advice, using unique everyday examples—for instance, how the fate of the Chili&’s fajita empire rested on the sound of the sizzling platter, and how Disneyland approaches soundscapes for a fully immersive experience—to explain how sound effects our mood and shopping habits.&” —Entertainment Weekly &“Music defines us. Joel Beckerman knows. Let him tell you all about it.&” —Anthony Bourdain &“The Sonic Boom reveals the music and structured cacophony of everyday life.&” —Moby
The Sonic Episteme: Acoustic Resonance, Neoliberalism, and Biopolitics
by Robin JamesIn The Sonic Episteme Robin James examines how twenty-first-century conceptions of sound as acoustic resonance shape notions of the social world, personhood, and materiality in ways that support white supremacist capitalist patriarchy. Drawing on fields ranging from philosophy and sound studies to black feminist studies and musicology, James shows how what she calls the sonic episteme—a set of sound-based rules that qualitatively structure social practices in much the same way that neoliberalism uses statistics—employs a politics of exception to maintain hegemonic neoliberal and biopolitical projects. Where James sees the normcore averageness of Taylor Swift and Spandau Ballet as contributing to the sonic episteme's marginalization of nonnormative conceptions of gender, race, and personhood, the black feminist political ontologies she identifies in Beyoncé's and Rihanna's music challenge such marginalization. In using sound to theorize political ontology, subjectivity, and power, James argues for the further articulation of sonic practices that avoid contributing to the systemic relations of domination that biopolitical neoliberalism creates and polices.
The Soprano's Last Song
by Irene AdlerIrene Adler, Sherlock Holmes, and Arsene Lupin plan to reunite in London, but Lupin doesn't show up ... his father, Theophraste, has been arrested for murder.
The Soul Stylists: Six Decades of Modernism - From Mods to Casuals
by Paolo HewittThe Soul Stylists is about six decades of Modernism and a highly influential world of clothes and music, but one deliberately hidden away for years from the mainstream media. This book explores the enduring relationship that exists between American black music and British working-class style, tracing a Mod tradition that began in Soho just after the Second World War and continues to this day. From Mod to Casual, from Skinhead to Northern Souler, the soul stylists are an amazing family joined together by a tradition of secrecy, exclusivity and absolute indifference towards the outside world. They pass unnoticed because soul stylists always shun the spotlight. To them, attention to detail is far more important than attention seeking. And here in this book, for the very first time, are some of their stories.
The Soul of It All: My Music, My Life
by Michael BoltonAfter four decades in the music industry, Michael Bolton has cemented himself as one of the most successful musicians of our time. THE SOUL OF IT ALL is his backstage pass into his life lived thus far - into the venues, buses, limos and hotel rooms of stardom, and finally into his home and heart. His story will go long and dive deep, not only into his self-proclaimed 'vagabond vampire' life, but also into the belly of the beast that is the music industry, with its joys, follies and torments.From a 14-year-old kid performing in dive bars to struggling to provide for his wife and kids, to finally breaking through with the Soul Provider album, Bolton has fought for and earned a life most just dream of. THE SOUL OF IT ALL is his life, chockful of all the incredible stories, and the star-studded cast you'd expect, including: Pavarotti, Bob Dylan, Barbra Streisand, Celine Dion, Ray Charles and Lady Gaga.
The Soul of It All: My Music, My Life
by Michael BoltonAfter four decades in the music industry, Michael Bolton has cemented himself as one of the most successful musicians of our time. THE SOUL OF IT ALL is his backstage pass into his life lived thus far - into the venues, buses, limos and hotel rooms of stardom, and finally into his home and heart. His story will go long and dive deep, not only into his self-proclaimed 'vagabond vampire' life, but also into the belly of the beast that is the music industry, with its joys, follies and torments.From a 14-year-old kid performing in dive bars to struggling to provide for his wife and kids, to finally breaking through with the Soul Provider album, Bolton has fought for and earned a life most just dream of. THE SOUL OF IT ALL is his life, chockful of all the incredible stories, and the star-studded cast you'd expect, including: Pavarotti, Bob Dylan, Barbra Streisand, Celine Dion, Ray Charles and Lady Gaga.
The Soul of It All: My Music, My Life
by Michael BoltonAfter four decades in the music industry, Michael Bolton has become one the most successful musicians of our time. THE SOUL OF IT ALL is his backstage pass into his life lived thus far-into the venues, busses, limos, and hotel rooms of stardom, and finally into his home and heart. His story will go long and dive deep, not only into his self-proclaimed "vagabond vampire" life, but also into the belly of the beast that is the music industry, with its joys, follies, and torments.From a 14 year old kid performing in dive bars in his hometown of New Haven, CT, to struggling to provide for his wife and kids, to finally breaking through with the Soul Provider album, and going on to sell more than 53 million albums and singles worldwide, Bolton has fought for and earned a life most just dream of. THE SOUL OF IT ALL is his life, chock-full of all the incredible stories, and the star-studded cast you'd expect, including: Luciano Pavarotti, Paula Abdul, Cher, Bob Dylan, Barbara Streisand, Kanye West, Jay-Z, Lady Gaga, Otis Redding, Ray Charles, Placido Domingo, Renee Fleming, Bon Jovi, Wynonna Judd, BB King, Patti LaBelle, Carlos Santana, Nicolette Sheridan, Teri Hatcher and others...
The Soul of the Journey: The Mendelssohns in Scotland and Italy
by Diana AmbacheBrother and sister Felix and Fanny Mendelssohn enjoyed a rare bond: they were intimate companions and theirs was one of the most significant musical relationships of the 19th century. They shared and commented on each other’s compositions, each highly appreciative of the other but also offering frank, critical advice. Their travels produced some great music – Felix’s best loved works, the Hebrides Overture and the Scottish Symphony, were inspired by his 1829 visit to Scotland, whilst Fanny’s innovative piano cycle Das Jahr was a musical response to the tour of Italy she made in 1839–40. Combining letters and sketches with an accompanying narrative describing their journeys, this is a wonderful celebration of the two Mendelssohns and a portrait of Scotland and Italy of the time as seen through the eyes of two of the Romantic movement’s most acclaimed composers.
The Sound Reinforcement Handbook
by Ralph Jones Gary DavisSound reinforcement is the use of audio amplification systems. This book is the first and only book of its kind to cover all aspects of designing and using such systems for public address and musical performance. The book features information on both the audio theory involved and the practical applications of that theory, explaining everything from microphones to loudspeakers. This revised edition features almost 40 new pages and is even easier to follow with the addition of an index and a simplified page and chapter numbering system. New topics covered include: MIDI, Synchronization, and an Appendix on Logarithms.
The Sound State of Uzbekistan: Popular Music and Politics in the Karimov Era (SOAS Studies in Music Series)
by Kerstin KlenkeThe Sound State of Uzbekistan: Popular Music and Politics in the Karimov Era is a pioneering study of the intersection between popular music and state politics in Central Asia. Based on 20 months of fieldwork and archival research in Tashkent, this book explores a remarkable era in Uzbekistan’s politics (2001–2016), when the Uzbek government promoted a rather unlikely candidate to the prominent position of state sound: estrada, a genre of popular music and a musical relic of socialism. The political importance it attached to estrada was matched by the establishment of an elaborate bureaucratic apparatus for state oversight. The Sound State of Uzbekistan shows the continuing legacy of Soviet concepts to frame the nexus between music, artists and the state, and explains the extraordinary potency ascribed to estrada. At the same time, it challenges classical readings of transition and also questions common binary models for researching culture in totalitarian or authoritarian states. Proposing to approach lives in music under authoritarianism as a form of normality instead, the author promotes a post-Cold War paradigm in music studies.
The Sound Studies Reader
by Jonathan SterneThe Sound Studies Reader blends recent work that self-consciously describes itself as ‘sound studies’ along with earlier and lesser-known scholarship on sound from across the humanities and social sciences. The Sound Studies Reader touches on key themes like noise and silence; architecture, acoustics and space; media and reproducibility; listening, voices and disability; culture, community, power and difference; and shifts in the form and meaning of sound across cultures, contexts and centuries. Writers reflect on crucial historical moments, difficult definitions, and competing accounts of the role of sound in culture and everyday life. Across the essays, readers will gain a sense of the range and history of key debates and discussions in sound studies. The collection begins with an introduction to welcome novice readers to the field and acquaint them the main issues in sound studies. Individual section introductions give readers further background on the essays and an extensive up to date bibliography for further reading in sound studies make this an original and accessible guide to the field.
The Sound of Being Human: How Music Shapes Our Lives
by Jude Rogers'Too often we treat popular music as wallpaper surrounding us as we live our lives. Jude Rogers shows the emotional and cerebral heft such music can have. It's a personal journey which becomes universal. Fascinating' Ian Rankin'Moving and absorbing, The Sound of Being Human mixes memoir, analysis, anecdote and personal chronicle into a mosaic that evokes what music means to the individual and the human tribe. A candid, beautiful read' Stuart MaconieThe Sound of Being Human explores, in detail, why music plays such a deep-rooted role in so many lives, from before we are born to our last days. At its heart is Jude's own story: how songs helped her wrestle with the grief of losing her father at age five; concoct her own sense of self as a lonely adolescent; sky-rocket her relationships, both real and imagined, in the flushes of early womanhood, propel her own journey into working life, adulthood and parenthood, and look to the future.Shaped around twelve songs, ranging from ABBA's 'Super Trouper' to Neneh Cherry's 'Buffalo Stance', Kraftwerk's 'Radioactivity' to Martha Reeves and the Vandellas' 'Heat Wave', the book combines memoir and historical, scientific and cultural enquiry to show how music can shape different versions of ourselves; how we rely upon music for comfort, for epiphanies, and for sexual and physical connection; how we grow with songs, and songs grow inside us, helping us come to terms with grief, getting older and powerful memories. It is about music's power to help us tell our own stories, whatever they are, and make them sing.
The Sound of Being Human: How Music Shapes Our Lives
by Jude Rogers'Too often we treat popular music as wallpaper surrounding us as we live our lives. Jude Rogers shows the emotional and cerebral heft such music can have. It's a personal journey which becomes universal. Fascinating' Ian Rankin'Moving and absorbing, The Sound of Being Human mixes memoir, analysis, anecdote and personal chronicle into a mosaic that evokes what music means to the individual and the human tribe. A candid, beautiful read' Stuart MaconieThe Sound of Being Human explores, in detail, why music plays such a deep-rooted role in so many lives, from before we are born to our last days. At its heart is Jude's own story: how songs helped her wrestle with the grief of losing her father at age five; concoct her own sense of self as a lonely adolescent; sky-rocket her relationships, both real and imagined, in the flushes of early womanhood, propel her own journey into working life, adulthood and parenthood, and look to the future.Shaped around twelve songs, ranging from ABBA's 'Super Trouper' to Neneh Cherry's 'Buffalo Stance', Kraftwerk's 'Radioactivity' to Martha Reeves and the Vandellas' 'Heat Wave', the book combines memoir and historical, scientific and cultural enquiry to show how music can shape different versions of ourselves; how we rely upon music for comfort, for epiphanies, and for sexual and physical connection; how we grow with songs, and songs grow inside us, helping us come to terms with grief, getting older and powerful memories. It is about music's power to help us tell our own stories, whatever they are, and make them sing.
The Sound of Freedom: Marian Anderson, the Lincoln Memorial, and the Concert that Awakened America
by Raymond ArsenaultAward-winning civil rights historian Ray Arsenault describes the dramatic story behind Marian Anderson's concert at the Lincoln Memorial--an early milestone in civil rights history--on the seventieth anniversary of her performance. On Easter Sunday 1939, the brilliant vocalist Marian Anderson sang before a throng of seventy-five thousand at the Lincoln Memorial in Washington--an electrifying moment and an underappreciated milestone in civil rights history. Though she was at the peak of a dazzling career, Anderson had been barred from performing at the Daughters of the American Revolution's Constitution Hall because she was black. When Eleanor Roosevelt resigned from the DAR over the incident and took up Anderson's cause, however, it became a national issue. Like a female Jackie Robinson--but several years before his breakthrough--Anderson rose to a pressure-filled and politically charged occasion with dignity and courage, and struck a vital blow for civil rights. In the 1963 March on Washington, Martin Luther King would follow, literally, in Anderson's footsteps. This tightly focused, richly textured narrative by acclaimed historian Raymond Arsenault captures the struggle for racial equality in 1930s America, the quiet heroism of Marian Anderson, and a moment that inspired blacks and whites alike. You can find this concert on YouTube.
The Sound of Innovation
by Andrew J. NelsonIn the 1960s, a team of Stanford musicians, engineers, computer scientists, and psychologists used computing in an entirely novel way: to produce and manipulate sound and create the sonic basis of new musical compositions. This group of interdisciplinary researchers at the nascent Center for Computer Research in Music and Acoustics (CCRMA, pronounced "karma") helped to develop computer music as an academic field, invent the technologies that underlie it, and usher in the age of digital music. In The Sound of Innovation, Andrew Nelson chronicles the history of CCRMA, tracing its origins in Stanford's Artificial Intelligence Laboratory through its present-day influence on Silicon Valley and digital music groups worldwide. Nelson emphasizes CCRMA's interdisciplinarity, which stimulates creativity at the intersections of fields; its commitment to open sharing and users; and its pioneering commercial engagement. He shows that Stanford's outsized influence on the emergence of digital music came from the intertwining of these three modes, which brought together diverse supporters with different aims around a field of shared interest. Nelson thus challenges long-standing assumptions about the divisions between art and science, between the humanities and technology, and between academic research and commercial applications, showing how the story of a small group of musicians reveals substantial insights about innovation. Nelson draws on extensive archival research and dozens of interviews with digital music pioneers; the book's website provides access to original historic documents and other material.
The Sound of Innovation: Stanford and the Computer Music Revolution (Inside Technology)
by Andrew J. NelsonHow a team of musicians, engineers, computer scientists, and psychologists developed computer music as an academic field and ushered in the era of digital music.In the 1960s, a team of Stanford musicians, engineers, computer scientists, and psychologists used computing in an entirely novel way: to produce and manipulate sound and create the sonic basis of new musical compositions. This group of interdisciplinary researchers at the nascent Center for Computer Research in Music and Acoustics (CCRMA, pronounced “karma”) helped to develop computer music as an academic field, invent the technologies that underlie it, and usher in the age of digital music. In The Sound of Innovation, Andrew Nelson chronicles the history of CCRMA, tracing its origins in Stanford's Artificial Intelligence Laboratory through its present-day influence on Silicon Valley and digital music groups worldwide. Nelson emphasizes CCRMA's interdisciplinarity, which stimulates creativity at the intersections of fields; its commitment to open sharing and users; and its pioneering commercial engagement. He shows that Stanford's outsized influence on the emergence of digital music came from the intertwining of these three modes, which brought together diverse supporters with different aims around a field of shared interest. Nelson thus challenges long-standing assumptions about the divisions between art and science, between the humanities and technology, and between academic research and commercial applications, showing how the story of a small group of musicians reveals substantial insights about innovation. Nelson draws on extensive archival research and dozens of interviews with digital music pioneers; the book's website provides access to original historic documents and other material.
The Sound of Life's Unspeakable Beauty
by Martin Schleske&“In the final analysis, music is prayer cast into sound.&” One of the greatest luthiers of our time reveals the secrets of his profession—and how each phase of handcrafting a violin can point us toward our calling, our true selves, and the overwhelming power and gentleness of God&’s love. Schleske explains that our world is flooded with metaphors, parables, and messages from God. But are we truly listening? Do we really see? Drawing upon Scripture, his life experiences, and his insights as a master violinmaker, Schleske challenges readers to understand the world, ourselves, and the Creator in fresh ways. The message of this unique book is mirrored in sensitive photographs by Donata Wenders, whose work has appeared in prominent newspapers and magazines, including The New York Times, Rolling Stone, and Esquire, as well as museums and galleries throughout the world.
The Sound of Life's Unspeakable Beauty
by Martin SchleskeChristianity Today Book Award in Culture and the Arts (2021) &“In the final analysis, music is prayer cast into sound.&” One of the greatest luthiers of our time reveals the secrets of his profession—and how each phase of handcrafting a violin can point us toward our calling, our true selves, and the overwhelming power and gentleness of God&’s love. Schleske explains that our world is flooded with metaphors, parables, and messages from God. But are we truly listening? Do we really see? Drawing upon Scripture, his life experiences, and his insights as a master violinmaker, Schleske challenges readers to understand the world, ourselves, and the Creator in fresh ways. The message of this unique book is mirrored in sensitive photographs by Donata Wenders, whose work has appeared in prominent newspapers and magazines, including The New York Times, Rolling Stone, and Esquire, as well as museums and galleries throughout the world.
The Sound of Navajo Country: Music, Language, and Diné Belonging (Critical Indigeneities)
by Kristina M. JacobsenIn this ethnography of Navajo (Diné) popular music culture, Kristina M. Jacobsen examines questions of Indigenous identity and performance by focusing on the surprising and vibrant Navajo country music scene. Through multiple first-person accounts, Jacobsen illuminates country music’s connections to the Indigenous politics of language and belonging, examining through the lens of music both the politics of difference and many internal distinctions Diné make among themselves and their fellow Navajo citizens. As the second largest tribe in the United States, the Navajo have often been portrayed as a singular and monolithic entity. Using her experience as a singer, lap steel player, and Navajo language learner, Jacobsen challenges this notion, showing the ways Navajos distinguish themselves from one another through musical taste, linguistic abilities, geographic location, physical appearance, degree of Navajo or Indian blood, and class affiliations. By linking cultural anthropology to ethnomusicology, linguistic anthropology, and critical Indigenous studies, Jacobsen shows how Navajo poetics and politics offer important insights into the politics of Indigeneity in Native North America, highlighting the complex ways that identities are negotiated in multiple, often contradictory, spheres.
The Sound of Salvation: Voice, Gender, and the Sufi Mediascape in China (Studies of the Weatherhead East Asian Institute, Columbia University)
by Guangtian HaThe Jahriyya Sufis—a primarily Sinophone order of Naqshbandiyya Sufism in northwestern China—inhabit a unique religious soundscape. The hallmark of their spiritual practice is the “loud” (jahr) remembrance of God in liturgical rituals featuring distinctive melodic vocal chants.The first ethnography of this order in any language, The Sound of Salvation draws on nearly a decade of fieldwork to reveal the intricacies and importance of Jahriyya vocal recitation. Guangtian Ha examines how the use of voice in liturgy helps the Jahriyya to sustain their faith and the ways it has enabled them to endure political persecution over the past two and a half centuries. He situates the Jahriyya in a global multilingual network of Sufis and shows how their characteristic soundscapes result from transcultural interactions among Middle Eastern, Central Asian, and Chinese Muslim communities. Ha argues that the resilience of Jahriyya Sufism stems from the diversity and multiplicity of liturgical practice, which he shows to be rooted in notions of Sufi sainthood. He considers the movement of Jahriyya vocal recitation to new media forms and foregrounds the gendered opposition of male voices and female silence that structures the group’s rituals.Spanning diverse disciplines—including anthropology, ethnomusicology, Islamic studies, sound studies, and media studies—and using Arabic, Persian, and Chinese sources, The Sound of Salvation offers new perspectives on the importance of sound to religious practice, the role of gender in Chinese Islam, and the links connecting Chinese Muslims to the broader Islamic world.
The Sound of Seattle: 101 Songs that Shaped a City
by EVA WALKER Jacob UittiThis rockin' paperback explores the musical evolution of Seattle through the lens of 101 songs spanning 80 years, examining the most prominent and important music and musicians to come out of our corner of the country, with a foreword by Pearl Jam legend Mike McCready.KEXP DJ and musician Eva Walker and music writer Jake Uitti take readers on a musical journey, exploring the songs and artists instrumental to developing the "Seattle sound." The authors have curated the ultimate playlist for the Emerald City. It all begins in 1942 when Washington-born Bing Crosby records what will become the world's bestselling single of all time, "White Christmas." From there, readers will delight in a sensory trip through jazz, rock, punk, riot grrrl, pop, rap, grunge, indie, emo, and more, deepening their knowledge and love of the songs that shaped Seattle, and in the process, each of us.Both a love letter and love song to the city, The Sound of Seattle is a visual guide organized by decade, with seminal songs profiled and paired with inventive design reminiscent of a favorite zine or concert poster. Includes interviews with Seattle legends like Heart's Nancy Wilson, as well as sidebars showcasing musical landmarks throughout the city. How has the Emerald City&’s musical output changed and evolved? What is the connective tissue between Ray Charles, Quincy Jones, and Kenny G? Between Melvins, Sleater-Kinney, and Foo Fighters? Between Sir Mix-a-Lot, Macklemore, and Travis Thompson? We're gonna find out!
The Sound of a Room: Memory and the Auditory Presence of Place
by Seán StreetWhat does a place sound like – and how does the sound of place affect our perceptions, experiences, and memories? The Sound of a Room takes a poetic and philosophical approach to exploring these questions, providing a thoughtful investigation of the sonic aesthetics of our lived environments. Moving through a series of location-based case studies, the author uses his own field recordings as the jumping-off point to consider the underlying questions of how sonic environments interact with our ideas of self, sense of creativity, and memories. Advocating an awareness born of deep listening, this book offers practical and poetic insights for researchers, practitioners, and students of sound.
The Sound of the English Picturesque: Georgian Vocal Music, Haydn, and Landscape Aesthetics (Music and Visual Culture)
by Stephen GrovesRevealing the connections between the veneration of national landscape and eighteenth- century English vocal music, this study restores English music’s relationship with the picturesque. In the eighteenth century, the emerging taste for the picturesque was central to British aesthetics, as poets and painters gained popularity by glorifying the local landscape in works concurrent with the emergence of native countryside tourism. Yet English music was seldom discussed as a medium for conveying national scenic beauty. Stephen Groves explores this gap, and shows how secular song, the glee, and national theatre music expressed a uniquely English engagement with landscape. Using an interdisciplinary approach, Groves addresses the apparent ‘silence’ of the English picturesque. The book draws on analysis of the visualisations present in the texts of English vocal music, and their musical treatment, to demonstrate how local composers incorporated celebrations of landscape into their works. The final chapter shows that the English picturesque was a crucial influence on Joseph Haydn’s oratorio The Seasons. Suitable for anyone with an interest in eighteenth- century music, aesthetics, and the natural environment, this book will appeal to a wide range of specialists and non- specialists alike.