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The Singing of the Strasbourg Protestants, 1523-1541 (St Andrews Studies in Reformation History)
by Daniel Trocmé-LatterMusic was, in some form or another, a pastime enjoyed by all in sixteenth-century society, and a fundamental part of their lives. It was both through the use of music and partly as a result of its existence that many religious changes occurred during the Reformation. This book explores the part played by music, especially group singing, in the unfolding of the Protestant reforms in Strasbourg. It considers both ecclesiastical and ’popular’ songs in the city, examining how both genres fitted into people’s lives during this time of strife, and how the provision and dissemination of music as a whole affected, and in turn was affected by, the new ecclesiastical arrangement. Whilst it would be naive to assume that the congregations were transformed from impious to pious overnight as the result of the introduction of German hymns, it is clear that there were real and concerted efforts on the part of reformers to get people to embrace the new faith, and writing hymns for them to sing was central to the process. Drawing upon a range of sources - including liturgical orders and hymnals, polemical songs, chronicles of the Reformation and text manuscripts - the book explores the methods by which new songs were introduced in Strasbourg churches, and suggests how congregations might have learnt them. In so doing it provides an account of the process by which reformers found music a place in the new Church, and used it to promote their wider reform agenda.
The Skin Above My Knee
by Marcia ButlerThe unflinching story of a professional oboist who finds order and beauty in music as her personal life threatens to destroy her.Music was everything for Marcia Butler. Growing up in an emotionally desolate home with an abusive father and a distant mother, she devoted herself to the discipline and rigor of the oboe, and quickly became a young prodigy on the rise in New York City's competitive music scene. But haunted by troubling childhood memories while balancing the challenges of a busy life as a working musician, Marcia succumbed to dangerous men, drugs and self-destruction. In her darkest moments, she asked the hardest question of all: Could music truly save her life?A memoir of startling honesty and subtle, profound beauty, The Skin Above My Knee is the story of a woman finding strength in her creative gifts and artistic destiny. Filled with vivid portraits of 1970's New York City, and fascinating insights into the intensity and precision necessary for a career in professional music, this is more than a narrative of a brilliant musician struggling to make it big in the big city. It is the story of a survivor.
The Sky Is Everywhere
by Jandy NelsonSeventeen-year-old Lennie Walker, bookworm and band geek, plays second clarinet and spends her time tucked safely and happily in the shadow of her fiery older sister Bailey. But when Bailey dies abruptly, Lennie is catapulted to center stage of her own life -- and, despite her nonexistent history with boys, suddenly finds herself struggling to balance two. Toby was Bailey's boyfriend; his grief mirrors Lennie's own. Joe is the new boy in town, a transplant from Paris whose nearly magical grin is matched only by his musical talent. For Lennie, they're the sun and the moon; one boy takes her out of her sorrow, the other comforts her in it. But just like their celestial counterparts, they can't collide without the whole wide world exploding. Just as much a celebration of love as it is a portrait of loss, Lennie's struggle to sort her own melody out of the noise around her is always honest, often hilarious, and ultimately unforgettable.
The Smart New Way to Get Hired
by Lisa KappesserProvides a quiz that helps job seekers assess their level of emotional intelligence. Practical exercises and examples teach them how to stand out in the job search, by using four areas of emotional intelligence: self awareness, self-management, social awareness, and social skills.
The Smell of Death
by Bruce Duff Cheetah Chrome Tony AdolescentMusician, producer, manager, rock journalist, indie label executive: Southern California native Bruce Duff has seen and been a part of more rock and roll fantasies come to life than the average guy with long hair and a penchant for living the dream. From playing with the legendary GG Allin, the Angry Samoans' Jeff Dahl, and the Dead Boys' Cheetah Chrome to running Triple X Records and writing for the most acclaimed publications in the genres, Duff remembers things past with The Smell of Death, his ode to the good times and his acceptance of the bad.
The Smiths: The Secret History (The\secret History Of Rock Ser.)
by Alan CrossAlan Cross is the preeminent chronicler of popular music.Here he provides a history of The Smiths, the definitive British indie band of the 1980s.This look at the band—"Those Charming Men"—is adapted from the audiobook of the same name.
The Social Life of Sound
by Sophia MaalsenThe Social Life of Sounds argues for the agency of sounds and music and the acceleration of their social lives in the Digital Age. Drawing upon research with composers, producers, record collectors, DJs and record labels, the book problematises the notion of artistic authorship as it is framed in Western systems of property. Acknowledging that ‘things’ – sounds, samples, and recorded music – and people are co-constituted and that personhood is distributed through things and their reuse, Maalsen makes a case for understanding sound as multibiographical and challenges the possessive individual that is the basis of artistic copyright.
The Social Worlds of Nineteenth-Century Chamber Music: Composers, Consumers, Communities
by Marie Sumner LottMarie Sumner Lott examines the music available to musical consumers in the nineteenth century, and what that music tells us about their tastes, priorities, and activities. Her social history of chamber music performance places the works of canonic composers such as Schubert, Brahms, and Dvorák in relation to lesser-known but influential peers. The book explores the dynamic relationships among the active agents involved in the creation of Romantic music and shows how each influenced the others' choices in a rich, collaborative environment. In addition to documenting the ways companies acquired and marketed sheet music, Sumner Lott reveals how the publication and performance of chamber music differed from that of ephemeral piano and song genres or more monumental orchestral and operatic works. Several distinct niche markets existed within the audience for chamber music, and composers created new musical works for their use and enjoyment. Insightful and groundbreaking, The Social Worlds of Nineteenth-Century Chamber Music revises prevailing views of middle-class influence on nineteenth-century musical style and presents new methods for interpreting the meanings of musical works for musicians both past and present.
The Societe des Concerts du Conservatoire, 1828-1967
by D. Kern HolomanThis is the story of one of the world's great philharmonic societies, told by a distinguished conductor and writer. Holoman chronicles the life of the Societe, from its day-to-day operations to its role in creating the canon of orchestral concert music in our culture. In English.
The Sociology of Wind Bands: Amateur Music Between Cultural Domination and Autonomy (Ashgate Popular and Folk Music Series)
by Vincent Dubois Jean-Matthieu Méon translated by BartDespite the musical and social roles they play in many parts of the world, wind bands have not attracted much interest from sociologists. The Sociology of Wind Bands seeks to fill this gap in research by providing a sociological account of this musical universe as it stands now. Based on a qualitative and quantitative survey conducted in northeastern France, the authors present a vivid description of the orchestras, the backgrounds and practices of their musicians, and the repertoires they play. Their multi-level analysis, ranging from the cultural field to the wind music subfield and to everyday life relationships within bands and local communities, sheds new light on the social organisation, meanings and functions of a type of music that is all too often taken for granted. Yet they go further than merely portraying a musical genre. As wind music is routinely neglected and socially defined in terms of its poor musical quality or even bad taste, the book addresses the thorny issue of the effects of cultural hierarchy and domination. It proposes an imaginative and balanced framework which, beyond the specific case of wind music, is an innovative contribution to the sociology of lowbrow culture.
The Soloist (Movie Tie-In): A Lost Dream, an Unlikely Friendship, and the Redemptive Power of Music
by Steve LopezNow a major motion picture-"An intimate portrait of mental illness, of atrocious social neglect, and the struggle to resurrect a fallen prodigy." (Mark Bowden, author of Black Hawk Down) This is the true story of journalist Steve Lopez's discovery of Nathaniel Ayers, a former classical bass student at Julliard, playing his heart out on a two-string violin on Los Angeles' Skid Row. Deeply affected by the beauty of Ayers's music, Lopez took it upon himself to change the prodigy's life-only to find that their relationship has had a profound change on his own life.
The Soloist: A Lost Dream, an Unlikely Friendship, and the Redemptive Power of Music
by Steve LopezWhen reporter Steve Lopez sees Nathaniel Ayers playing his heart out on a 2-string violin in LA's Skid Row, he finds it impossible to walk away. At first, he sees it as fodder for his column, but what Lopez begins to unearth about the mysterious street musician leaves an indelible impression. More than 30 years earlier, Ayers had been a promising classical bass student at Juilliard - ambitious, charming, and one of the few African-Americans at the school - until he gradually lost his ability to function, overcome by a mental breakdown. When Lopez finds him, Ayers is alone, suspicious of everyone, and deeply troubled, but glimmers of brilliance are still there.
The Sonata
by Thomas Schmidt-BesteWhat is a sonata? Literally translated, it simply means 'instrumental piece'. It is the epitome of instrumental music, and is certainly the oldest and most enduring form of 'pure' and independent instrumental composition, beginning around 1600 and lasting to the present day. Schmidt-Beste analyses key aspects of the genre including form, scoring and its social context - who composed, played and listened to sonatas? In giving a comprehensive overview of all forms of music which were called 'sonatas' at some point in musical history, this book is more about change than about consistency - an ensemble sonata by Gabrieli appears to share little with a Beethoven sonata, or a trio sonata by Corelli with one of Boulez's piano sonatas, apart from the generic designation. However, common features do emerge, and the look across the centuries - never before addressed in a single-volume survey - opens up new and significant perspectives.
The Song Machine: Inside The Hit Factory
by John Seabrook“An utterly satisfying examination of the business of popular music.” —Nathaniel Rich, The Atlantic Over the last two decades a new type of hit song has emerged, one that is almost inescapably catchy. Pop songs have always had a "hook," but today’s songs bristle with them: a hook every seven seconds is the rule. Painstakingly crafted to tweak the brain's delight in melody, rhythm, and repetition, these songs are highly processed products. Like snack-food engineers, modern songwriters have discovered the musical "bliss point." And just like junk food, the bliss point leaves you wanting more. In The Song Machine, longtime New Yorker staff writer John Seabrook tells the story of the massive cultural upheaval that produced these new, super-strength hits. Seabrook takes us into a strange and surprising world, full of unexpected and vivid characters, as he traces the growth of this new approach to hit-making from its obscure origins in early 1990s Sweden to its dominance of today's Billboard charts. Journeying from New York to Los Angeles, Stockholm to Korea, Seabrook visits specialized teams composing songs in digital labs with new "track-and-hook" techniques. The stories of artists like Katy Perry, Britney Spears, and Rihanna, as well as expert songsmiths like Max Martin, Stargate, Ester Dean, and Dr. Luke, The Song Machine shows what life is like in an industry that has been catastrophically disrupted—spurring innovation, competition, intense greed, and seductive new products. Going beyond music to discuss money, business, marketing, and technology, The Song Machine explores what the new hits may be doing to our brains and listening habits, especially as services like Spotify and Apple Music use streaming data to gather music into new genres invented by algorithms based on listener behavior. Fascinating, revelatory, and original, The Song Machine will change the way you listen to music.
The Song of the Machine: From Disco to DJs to Techno, a Graphic Novel of Electronic Music
by David Blot Mathias CousinA pulsating graphic novel on the epic history of electronic music, from the heyday of disco in the 1970s to the rave culture of the 1990s and beyond.With a foreword from house music legends Daft Punk, The Song of the Machine is a celebration of a musical wave that swept across the world over decades, demographics, and dance styles. Originally published in 2000 in France, and updated through today for this first English edition, the electrifying narrative introduces readers to the harbingers of the genre, such as David Mancuso, Larry Levan, and Frankie Knuckles (known as the "Godfather of House Music"); the prototypes of modern-day nightclubs and dance venues, like The Loft and Studio 54 in New York City, the Palace in Paris, and the Hacienda in Manchester, England, and of course, the technology and machines that first produced and synthesized the records that galvanized a movement. Told through exciting illustrations that evolve with the era they describe, and complete with specially curated playlists for each and every decade, The Song of the Machine recounts the influences and inspirations, the people and epic parties that created and defined this revolutionary music.
The Songs of Blind Folk: African American Musicians and the Cultures of Blindness (Corporealities: Discourses on Disability)
by Terry RowdenThe Songs of Blind Folk explores the ways that the lives and careers of blind and visually impaired African American musicians and singers have mirrored the changes in America's image of African Americans and the social positioning and possibilities of the entire black community. The book offers a historically grounded consideration of African American performers and their audiences, and the ways that blindness, like blackness, has affected the way the music has been produced and received. This book includes footnotes which contain considerable information; be sure to read them. Author Terry Rowden considers the controversial nineteenth-century prodigy Blind Tom Bethune; blues singers and songwriters such as Blind Lemon Jefferson, who achieved an unprecedented degree of visibility and acceptance in the 1920s and '30s; spiritual and gospel musicians such as the Blind Boys of Alabama; celebrated jazz and rhythm and blues artists Art Tatum, Rahsaan Roland Kirk, and Ray Charles; and finally, perhaps the best known of all blind performers, Stevie Wonder. Terry Rowden is Assistant Professor of English at the City University of New York, Staten Island. He is coeditor of Transnational Cinema: The Film Reader.
The Songs of Joni Mitchell: Gender, Performance and Agency (Ashgate Popular and Folk Music Series)
by Anne KarppinenAn unorthodox musician from the start, singer-songwriter Joni Mitchell's style of composing, performing, and of playing (and tuning) the guitar is unique. In the framework of sexual difference and the gendered discourses of rock this immediately begs the questions: are Mitchell's songs specifically feminine and, if so, to what extent and why? Anne Karppinen addresses this question focusing on the kind of music and lyrics Mitchell writes, the representation of men and women in her lyrics, how her style changes and evolves over time, and how cultural context affects her writing. Linked to this are the concepts of subjectivity and authorship: when a singer-songwriter sings a song in the first person, about whom are they actually singing? Mitchell offers a fascinating study, for the songs she writes and sings are intricately woven from the strands of her own life. Using methods from critical discourse analysis, this book examines recorded performances of songs from Mitchell's first nine studio albums, and the contemporary reviews of these albums in Anglo-American rock magazines. In one of the only books to discuss Mitchell's recorded performances, with a focus that extends beyond the seminal album Blue, Karppinen explores the craft of Mitchell's songwriting and her own attitudes towards it, as well as the dynamics and politics of rock criticism in the 1960s and 1970s more generally.
The Songs of Stephen C. Foster: from His Time to Ours
by William W. AustinWith some elements of biography of Stephen C. Foster, and his simple musical techniques, this book has a pattern that gives more emphasis to poetry, to history, and to cultural contrasts and connections during his time.
The Songwriter's Idea Book
by Sheila DavisIn her first two books, Sheila Davis classified the major song forms and enduring principles that have been honored for decades by America's foremost songwriters. Those books have become required reading in music courses from NYU to UCLA. In The Songwriters Idea Book, Davis goes one step further, giving you 40 strategies for designing distinctive songs. You'll break new ground in your own songwriting by learning about the inherent relationship between language style, personality type and the brain. You'll go, step by step, through the creative process as you activate, incubate, separate and discriminate. You'll learn to use the whole-brain techniques of imaging, brainstorming and clustering. You'll expand your skilled use of figurative language with paragrams, metonyms, synecdoche and antonomasia. You'll be challenged to design metaphors, form symbols, make puns and coin words. And, you'll learn how to prevent writer's block, increase your productivity and maintain your creative flow. Over 100 successful student lyrics from pop, country, cabaret, and theater serve as role-models to illustrate the "whole-brain" songwriting process.
The Songwriter's and Musician's Guide to Nashville: Third Edition
by Sherry BondThis behind-the scenes look at the Nashville music industry reveals inside tips on how to break through the system and get heard. The new edition includes the latest strategies for Internet marketing, best techniques for pitching songs and artist packages, and more. Songwriters and musicians learn how to get their songs heard in Music City, USA, and find the industry's decision makers.
The Sonic Boom: How Sound Transforms the Way We Think, Feel, and Buy
by Tyler Gray Joel BeckermanA fascinating study on the influence of sound—and how companies wrangle its power to affect our moods, our shopping habits, and our lives. From movie scores and national anthems to cell-phone dings and squeaky shoes, sound and music impact how we perceive the stories, situations, and products we encounter every day. In The Sonic Boom, composer and strategic sound expert Joel Beckerman reveals sound&’s surprising power to influence our decisions, opinions, and actions in ways we might not even notice: discordant ambient noise can induce anxiety; ice cream truck jingles can bring you back to your childhood. You don&’t need to be a musician or a composer to harness the power of sound. Companies, brands, and individuals can strategically use sound to get to the core of their mission, influence how they&’re perceived by their audiences, and gain a competitive edge. Whether you&’re a corporate giant connecting with millions of customers or a teacher connecting with one classroom of students, the key to an effective sonic strategy is the creation of &“boom moments&”—transcendent instants when sound connects with a listener&’s emotional core. &“Equal parts sociological study and business advice, using unique everyday examples—for instance, how the fate of the Chili&’s fajita empire rested on the sound of the sizzling platter, and how Disneyland approaches soundscapes for a fully immersive experience—to explain how sound effects our mood and shopping habits.&” —Entertainment Weekly &“Music defines us. Joel Beckerman knows. Let him tell you all about it.&” —Anthony Bourdain &“The Sonic Boom reveals the music and structured cacophony of everyday life.&” —Moby
The Sonic Episteme: Acoustic Resonance, Neoliberalism, and Biopolitics
by Robin JamesIn The Sonic Episteme Robin James examines how twenty-first-century conceptions of sound as acoustic resonance shape notions of the social world, personhood, and materiality in ways that support white supremacist capitalist patriarchy. Drawing on fields ranging from philosophy and sound studies to black feminist studies and musicology, James shows how what she calls the sonic episteme—a set of sound-based rules that qualitatively structure social practices in much the same way that neoliberalism uses statistics—employs a politics of exception to maintain hegemonic neoliberal and biopolitical projects. Where James sees the normcore averageness of Taylor Swift and Spandau Ballet as contributing to the sonic episteme's marginalization of nonnormative conceptions of gender, race, and personhood, the black feminist political ontologies she identifies in Beyoncé's and Rihanna's music challenge such marginalization. In using sound to theorize political ontology, subjectivity, and power, James argues for the further articulation of sonic practices that avoid contributing to the systemic relations of domination that biopolitical neoliberalism creates and polices.
The Soprano's Last Song
by Irene AdlerIrene Adler, Sherlock Holmes, and Arsene Lupin plan to reunite in London, but Lupin doesn't show up ... his father, Theophraste, has been arrested for murder.
The Soul Stylists: Six Decades of Modernism - From Mods to Casuals
by Paolo HewittThe Soul Stylists is about six decades of Modernism and a highly influential world of clothes and music, but one deliberately hidden away for years from the mainstream media. This book explores the enduring relationship that exists between American black music and British working-class style, tracing a Mod tradition that began in Soho just after the Second World War and continues to this day. From Mod to Casual, from Skinhead to Northern Souler, the soul stylists are an amazing family joined together by a tradition of secrecy, exclusivity and absolute indifference towards the outside world. They pass unnoticed because soul stylists always shun the spotlight. To them, attention to detail is far more important than attention seeking. And here in this book, for the very first time, are some of their stories.
The Soul of It All: My Music, My Life
by Michael BoltonAfter four decades in the music industry, Michael Bolton has cemented himself as one of the most successful musicians of our time. THE SOUL OF IT ALL is his backstage pass into his life lived thus far - into the venues, buses, limos and hotel rooms of stardom, and finally into his home and heart. His story will go long and dive deep, not only into his self-proclaimed 'vagabond vampire' life, but also into the belly of the beast that is the music industry, with its joys, follies and torments.From a 14-year-old kid performing in dive bars to struggling to provide for his wife and kids, to finally breaking through with the Soul Provider album, Bolton has fought for and earned a life most just dream of. THE SOUL OF IT ALL is his life, chockful of all the incredible stories, and the star-studded cast you'd expect, including: Pavarotti, Bob Dylan, Barbra Streisand, Celine Dion, Ray Charles and Lady Gaga.