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Texas Jailhouse Music: A Prison Band History
by Caroline GnagyInside the Texas State Prison is a surprising story of ingenuity, optimism and musical creativity. During the mid-twentieth century, inmates at the Huntsville unit and neighboring Goree State Farm for Women captured hearts all over Texas during weekly radio broadcasts and live stage performances. WBAP's Thirty Minutes Behind the Walls took listeners inside the penitentiary to hear not only the prisoners? songs but also the stories of those who sang them. Captivating and charismatic, banjo player Reable Childs received thousands of fan letters with the Goree All-Girl String Band during World War II. Hattie Ellis, a young black inmate with a voice that rivaled Billie Holiday's, was immortalized by notable folklorist John Avery Lomax. Cowboys, songsters and champion fiddlers all played a part in one of the most unique prison histories in the nation. Caroline Gnagy presents the decades-long story of the Texas convict bands, informed by prison records, radio show transcripts and the words and music of the inmates themselves.
A Texas-Mexican Cancionero: Folksongs of the Lower Border
by Manuel PeñaThe folksongs of Texas's Mexican population pulsate with the lives of folk heroes, gringos, smugglers, generals, jailbirds, and beautiful women. In his cancionero, or songbook, Américo Paredes presents sixty-six of these songs in bilingual text—along with their music, notes on tempo and performance, and discography. Manuel Peña's new foreword situates these songs within the main currents of Mexican American music.
The Texas-Mexican Conjunto: History of a Working-Class Music
by Manuel H. PeñaA history of conjunto music and musicians.
Texas Tornado: The Times and Music of Doug Sahm (Brad and Michele Moore Roots Music Series)
by Jan Reid Shawn SahmA biography of the Sir Douglas Quintet and Texas Tornados founder, a rock and roll innovator whose Grammy Award–winning career spans half the twentieth century.Doug Sahm was a singer, songwriter, and guitarist of legendary range and reputation. The first American musician to capitalize on the 1960s British invasion, Sahm vaulted to international fame leading a faux-British band called the Sir Douglas Quintet, whose hits included &“She&’s About a Mover,&” &“The Rains Came,&” and &“Mendocino.&” He made the cover of Rolling Stone magazine in 1968 and 1971 and performed with the Grateful Dead, Dr. John, Willie Nelson, Boz Scaggs, and Bob Dylan.Texas Tornado is the first biography of this national music legend. Jan Reid traces the whole arc of Sahm&’s incredibly versatile musical career, as well as the manic energy that drove his sometimes-turbulent personal life and loves. Reid follows Sahm from his youth in San Antonio as a prodigy steel guitar player through his breakout success with the Sir Douglas Quintet and his move to California, where, with an inventive take on blues, rock, country, and jazz, he became a star in San Francisco and invented the &“cosmic cowboy&” vogue. Reid also chronicles Sahm&’s later return to Texas and to chart success with the Grammy Award–winning Texas Tornados, a rowdy &“conjunto rock and roll band&” that he modeled on the Beatles and which included Sir Douglas alum Augie Meyers and Tejano icons Freddy Fender and Flaco Jimenez.With his exceptional talent and a career that bridged five decades, Doug Sahm was a rock and roll innovator whose influence can only be matched among his fellow Texas musicians by Buddy Holly, Roy Orbison, Janis Joplin, and Stevie Ray Vaughan. Texas Tornado vividly captures the energy and intensity of this musician whose life burned out too soon, but whose music continues to rock.&“Doug was like me, maybe the only figure from that period of time that I connected with. His was a big soul. He had a hit record, &“She&’s About a Mover,&” and I had a hit record [&“Like a Rolling Stone&”] at the same time. So we became buddies back then, and we played the same kind of music. We never really broke apart. We always hooked up at certain intervals in our lives. . . . I&’d never met anyone who&’d played on stage with Hank Williams before, let alone someone my own age. Doug had a heavy frequency, and it was in his nerves. . . . I miss Doug. He got caught in the grind. He should still be here.&” —Bob Dylan&“I once made the analogy that Doug was like St. Sebastian—pierced by 1,000 arrows—but instead of blood, talent coming out of every wound. I really regard him as the best musician I ever knew, because of his versatility, and the range of his information and taste.&” —Jerry Wexler, Atlantic Records producer
Texas Tornado: The Times and Music of Doug Sahm (Brad and Michele Moore Roots Music Series)
by Jan Reid Shawn SahmA biography of the Sir Douglas Quintet and Texas Tornados founder, a rock and roll innovator whose Grammy Award–winning career spans half the twentieth century.Doug Sahm was a singer, songwriter, and guitarist of legendary range and reputation. The first American musician to capitalize on the 1960s British invasion, Sahm vaulted to international fame leading a faux-British band called the Sir Douglas Quintet, whose hits included &“She&’s About a Mover,&” &“The Rains Came,&” and &“Mendocino.&” He made the cover of Rolling Stone magazine in 1968 and 1971 and performed with the Grateful Dead, Dr. John, Willie Nelson, Boz Scaggs, and Bob Dylan.Texas Tornado is the first biography of this national music legend. Jan Reid traces the whole arc of Sahm&’s incredibly versatile musical career, as well as the manic energy that drove his sometimes-turbulent personal life and loves. Reid follows Sahm from his youth in San Antonio as a prodigy steel guitar player through his breakout success with the Sir Douglas Quintet and his move to California, where, with an inventive take on blues, rock, country, and jazz, he became a star in San Francisco and invented the &“cosmic cowboy&” vogue. Reid also chronicles Sahm&’s later return to Texas and to chart success with the Grammy Award–winning Texas Tornados, a rowdy &“conjunto rock and roll band&” that he modeled on the Beatles and which included Sir Douglas alum Augie Meyers and Tejano icons Freddy Fender and Flaco Jimenez.With his exceptional talent and a career that bridged five decades, Doug Sahm was a rock and roll innovator whose influence can only be matched among his fellow Texas musicians by Buddy Holly, Roy Orbison, Janis Joplin, and Stevie Ray Vaughan. Texas Tornado vividly captures the energy and intensity of this musician whose life burned out too soon, but whose music continues to rock.&“Doug was like me, maybe the only figure from that period of time that I connected with. His was a big soul. He had a hit record, &“She&’s About a Mover,&” and I had a hit record [&“Like a Rolling Stone&”] at the same time. So we became buddies back then, and we played the same kind of music. We never really broke apart. We always hooked up at certain intervals in our lives. . . . I&’d never met anyone who&’d played on stage with Hank Williams before, let alone someone my own age. Doug had a heavy frequency, and it was in his nerves. . . . I miss Doug. He got caught in the grind. He should still be here.&” —Bob Dylan&“I once made the analogy that Doug was like St. Sebastian—pierced by 1,000 arrows—but instead of blood, talent coming out of every wound. I really regard him as the best musician I ever knew, because of his versatility, and the range of his information and taste.&” —Jerry Wexler, Atlantic Records producer
Thank You (Falettinme Be Mice Elf Agin)
by Sly StoneOne of the few indisputable geniuses of pop music, Sly Stone is a trailblazer who created a new kind of music, mixing Black and white, male and female, funk and rock; penned some of the most iconic anthems of the 1960s and 70s, from "Everyday People" to "Family Affair"; and electrified audiences with a persona and stage presence that set a lasting standard for pop culture performance. Yet he has also been a cautionary tale, known as much for how he dropped out of sight as for what put him in the spotlight in the first place. As much as people know the music, the man remains a mystery. In Thank You, his much-anticipated memoir, he's finally ready to share his story - a story that many thought he'd never have the chance to tell. Written with Ben Greenman, who has written memoirs with George Clinton and Brian Wilson among others, Thank You will include a foreword by Questlove. The book was created in collaboration with Sly Stone's manager Arlene Hirschkowitz. "For as long as I can remember folks have been asking me to tell my story," says Stone. "I wasn't ready. I had to be in a new frame of mind to become Sylvester Stewart again to tell the true story of Sly Stone. It's been a wild ride and hopefully my fans enjoy it too."
Thank You (Falettinme Be Mice Elf Agin): A Memoir
by Sly StoneNot many memoirs are generational events. But when Sly Stone, one of the few true musical geniuses of the last century, decides to finally tell his life story, it can’t be called anything else.As the front man for the sixties pop-rock-funk band Sly and the Family Stone, a songwriter who created some of the most memorable anthems of the 1960s and 1970s (“Everyday People,” “Family Affair”), and a performer who electrified audiences at Woodstock and elsewhere, Sly Stone’s influence on modern music and culture is indisputable. But as much as people know the music, the man remains a mystery. After a rapid rise to superstardom, Sly spent decades in the grips of addiction.Now he is ready to relate the ups and downs and ins and outs of his amazing life in his memoir, Thank You (Falettinme Be Mice Elf Agin). The book moves from Sly’s early career as a radio DJ and record producer through the dizzying heights of the San Francisco music scene in the late 1960s and into the darker, denser life (and music) of 1970s and 1980s Los Angeles. Set on stages and in mansions, in the company of family and of other celebrities, it’s a story about flawed humanity and flawless artistry. Written with Ben Greenman, who has also worked on memoirs with George Clinton and Brian Wilson, and in collaboration with Arlene Hirschkowitz, Thank You (Falettinme Be Mice Elf Agin) is a vivid, gripping, sometimes terrifying, and ultimately affirming tour through Sly’s life and career. Like Sly, it’s honest and playful, sharp and blunt, emotional and analytical, always moving and never standing still.
Thanks a Lot Mr Kibblewhite: My Story
by Roger DaltreyThe frontman of one of the greatest bands of all time tells the story of his rise from nothing to rock 'n' roll megastar, and his wild journey as the voice of The Who.“It’s taken me three years to unpack the events of my life, to remember who did what when and why, to separate the myths from the reality, to unravel what really happened at the Holiday Inn on Keith Moon’s 21st birthday,” says Roger Daltrey, the powerhouse vocalist of The Who. The result of this introspection is a remarkable memoir, instantly captivating, funny and frank, chock-full of well-earned wisdom and one-of-a-kind anecdotes from a raucous life that spans a tumultuous time of change in Britain and America. Born during the air bombing of London in 1944, Daltrey fought his way (literally) through school and poverty and began to assemble the band that would become The Who while working at a sheet metal factory in 1961. In Daltrey’s voice, the familiar stories—how they got into smashing up their kit, the infighting, Keith Moon’s antics—take on a new, intimate life. Also here is the creative journey through the unforgettable hits including My Generation, Substitute, Pinball Wizard, and the great albums, Who’s Next, Tommy, and Quadrophenia. Amidst all the music and mayhem, the drugs, the premature deaths, the ruined hotel rooms, Roger is our perfect narrator, remaining sober (relatively) and observant and determined to make The Who bigger and bigger. Not only his personal story, this is the definitive biography of The Who.
That Close
by SuggsThe amazing life of Madness frontman and national treasure, SuggsSuggs is one of pop music's most enduring and likeable figures. Written with the assured style and wit of a natural raconteur, this hugely entertaining and insightful autobiography takes you from his colourful early life on a North London council estate, through the heady early days of Punk and 2-Tone, to the eighties, where Madness became the biggest selling singles band of the decade. Along the way he tells you what it's like to grow up in sixties Soho, go globetrotting with your best mates, to make a dead pigeon fly and cause an earthquake in Finsbury Park.
That Close
by SuggsThe amazing life of Madness frontman and national treasure, SuggsSuggs is one of pop music's most enduring and likeable figures. Written with the assured style and wit of a natural raconteur, this hugely entertaining and insightful autobiography takes you from his colourful early life on a North London council estate, through the heady early days of Punk and 2-Tone, to the eighties, where Madness became the biggest selling singles band of the decade. Along the way he tells you what it's like to grow up in sixties Soho, go globetrotting with your best mates, to make a dead pigeon fly and cause an earthquake in Finsbury Park.
That Close
by SuggsSuggs is one of pop music's most enduring and likeable figures. Written with the assured style and wit of a natural raconteur, this hugely entertaining and insightful autobiography takes you from his colourful early life on a North London council estate, through the heady early days of Punk and 2-Tone, to the eighties, where Madness became the biggest selling singles band of the decade. Along the way he tells you what it's like to grow up in sixties Soho, go globetrotting with your best mates, to make a dead pigeon fly and cause an earthquake in Finsbury Park.(P)2013 WF Howes Ltd
That Magic Feeling Volume Two, 1966-1970: The Beatles' Recorded Legacy
by John C. WinnA chronicle of the Beatles' remarkable story, "That Magic Feeling" examines their recorded legacy on tape and film. With more than 500 entries covering hundreds of hours of recordings, this is a must-have for Beatles fans.
That Old Black Magic: Louis Prima, Keely Smith, and the Golden Age of Las Vegas
by Tom ClavinBoth a love story and a tribute to the entertainment mecca, this exploration shines a spotlight on one of the hottest acts in Las Vegas in the late 1950s and early 1960s. The illuminating depiction showcases the unlikely duo--a grizzled, veteran trumpeter and vocalist molded by Louis Armstrong and a meek singer in the church choir--who went on to invent "The Wildest." Bringing together broad comedy and finger-snapping, foot-stomping music that included early forays into rock and roll, Prima and Smith's act became wildly popular and attracted all kinds of star-studded attention. In addition to chronicling their relationships with Ed Sullivan, Frank Sinatra, Robert Mitchum, and other well-known entertainers of the day--and their performance of "That Old Black Magic" at President John F. Kennedy's inauguration--the narrative also examines the couple's ongoing influence in the entertainment world. Running concurrent with their personal tale is their role in transforming Las Vegas from a small resort town in the desert to a booming city where the biggest stars were paid tons of money to become even bigger stars on stage and television.
That Old-Time Rock & Roll: A Chronicle of an Era, 1954-63 (Music in American Life)
by Richard AquilaElvis Presley and Bill Haley. Sam Cooke and the Shirelles. The Crows and the Chords. American Bandstand and Motown. From its first rumblings in the outland alphabet soup of R&B and C&W, rock & roll music promised to change the world--and did it. Combining social history with a treasure trove of trivia, Richard Aquila unleashes the excitement of rock's first decade and shows how the music reflected American life from the mid-1950s through the dawn of Beatlemania. His year-by-year timelines and a photo essay place the music in historical perspective by linking artists and their hits to the news stories, movies, TV shows, fads, and lifestyles. In addition, he provides a concise biographical dictionary of the performers who made the charts between 1954 and 1963, along with the label and chart position of each of their hit songs.
That Thin, Wild Mercury Sound: Dylan, Nashville, and the Making of Blonde on Blonde
by Daryl SandersThat Thin, Wild Mercury Sound is the definitive treatment of Bob Dylan's magnum opus, Blonde on Blonde, not only providing the most extensive account of the sessions that produced the trailblazing album, but also setting the record straight on much of the misinformation that has surrounded the story of how the masterpiece came to be made. Including many new details and eyewitness accounts never before published, as well as keen insight into the Nashville cats who helped Dylan reach rare artistic heights, it explores the lasting impact of rock's first double album. Based on exhaustive research and in-depth interviews with the producer, the session musicians, studio personnel, management personnel, and others, Daryl Sanders chronicles the road that took Dylan from New York to Nashville in search of "that thin, wild mercury sound." As Dylan told Playboy in 1978, the closest he ever came to capturing that sound was during the Blonde on Blonde sessions, where the voice of a generation was backed by musicians of the highest order.
That Voice: In Search of Ann Drummond-Grant, the Singer Who Shaped My Life
by Marcia MenterAs an adolescent in Syracuse, New York, Marcia Menter fell in love with the recorded voice of Ann Drummond-Grant, a Scottish contralto who sang with the D&’Oyly Carte Opera Company, the legendary Gilbert and Sullivan troupe. She dreamed of singing with the company, even though it didn&’t hire Americans—and even though, as she soon found out, Ann Drummond-Grant had died years earlier. But her dream persisted, and for the young music lover, Drummie&’s glorious voice remained a living presence—a refuge from the race riots and political upheavals of her school years. Menter earned a conservatory degree in singing before finally realizing she was not a performer at heart. She spent decades searching for Ann Drummond-Grant—visiting places she lived and interviewing people who knew her—and putting together the puzzle of her life. This is the story of a singer and her listener—of two separate lives divided by time and geography but connected in unexpected ways.
That Was Entertainment: The Golden Age of the MGM Musical
by Bernard F. DickThat Was Entertainment: The Golden Age of the MGM Musical traces the development of the MGM musical from The Broadway Melody (1929) through its heyday in the 1940s and 1950s and its decline in the 1960s, culminating in the notorious 1970 MGM auction when Judy Garland's ruby slippers from The Wizard of Oz, Charlton Heston's chariot from Ben-Hur, and Fred Astaire's trousers and dress shirt from Royal Wedding vanished to the highest bidders.That Was Entertainment uniquely reconstructs the life of Arthur Freed, whose unit at MGM became the gold standard against which the musicals of other studios were measured. Without Freed, Judy Garland, Gene Kelly, Fred Astaire, Ann Miller, Betty Garrett, Cyd Charisse, Arlene Dahl, Vera-Ellen, Lucille Bremer, Gloria DeHaven, Howard Keel, and June Allyson would never have had the signature films that established them as movie legends.MGM's past is its present. No other studio produced such a range of musicals that are still shown today on television and all of which are covered in this volume, from integrated musicals in which song and dance were seamlessly embedded in the plot (Meet Me in St. Louis and Seven Brides for Seven Brothers) to revues (The Hollywood Revue of 1929 and Ziegfeld Follies); original musicals (Singin' in the Rain, Easter Parade, and It's Always Fair Weather); adaptations of Broadway shows (Girl Crazy, On the Town, Show Boat, Kiss Me Kate, Brigadoon, Kismet, and Bells Are Ringing); musical versions of novels and plays (Gigi, The Pirate, and Summer Holiday); operettas (the films of Jeanette MacDonald and Nelson Eddy); mythico-historical biographies of composers (Johann Strauss Jr. in The Great Waltz and Sigmund Romberg in Deep in My Heart); and musicals featuring songwriting teams (Rodgers and Hart in Words and Music and Kalmar and Ruby in Three Little Words), opera stars (Enrico Caruso in The Great Caruso and Marjorie Lawrence in Interrupted Melody), and pop singers (Ruth Etting in Love Me or Leave Me). Also covered is the water ballet musical--in a class by itself--with Esther Williams starring as MGM's resident mermaid. This is a book for longtime lovers of the movie musical and those discovering the genre for the first time.
That's a Rap
by Travis Thrasher MattybAn uplifting and candid memoir from thirteen-year-old YouTube sensation, boy-next-door heartthrob, and musical artist MattyB."Don't worry about what others think. Don't try to be cool or be someone else or be this-that-or-the-other. Be you." --MattyB Matthew David Morris, better known as MattyB, was virtually unknown just a few short years ago. After posting his first rap cover to YouTube at just seven years old, he quickly catapulted to record-breaking Internet stardom. Now thirteen, MattyB is an accomplished recording artist: he has sold out shows all over the world; appeared and performed on national television; recorded the smash hits "Right Now I'm Missing You," "My Oh My," and "New Kids"; is approaching 3 billion views on YouTube, and loves meeting his fans every step of the way. Although his success is more than he could have ever dreamed of, MattyB wants his fans to know that he's a regular kid, just like you. In his first memoir, That's a Rap, MattyB opens up about his journey so far, including what it's like to go from the boy next door to a global sensation, grow up with a sister with Down syndrome (and how he uses his songs to spread awareness about it), the heart and soul that goes into making his music, and the importance of the Christian values that have kept him and his family grounded through every up and down along the way. Totally honest and 100 percent personal, That's a Rap tells MattyB's incredible story, offering B-Boys and B-Girls a look into his fun-loving, family-oriented, one-of-a-kind world.
That's Got 'Em!: The Life and Music of Wilbur C. Sweatman (American Made Music Series)
by Mark BerresfordAssociation of Recorded Sound Collections Awards for Excellence Best Research in Recorded Jazz Music–Best History (tie) (2011) Wilbur C. Sweatman (1882-1961) is one of the most important, yet unheralded, African American musicians involved in the transition of ragtime into jazz in the early twentieth century. In That's Got 'Em!, Mark Berresford tracks this energetic pioneer over a seven-decade career. His talent transformed every genre of black music before the advent of rock and roll—“pickaninny” bands, minstrelsy, circus sideshows, vaudeville (both black and white), night clubs, and cabarets. Sweatman was the first African American musician to be offered a long-term recording contract, and he dazzled listeners with jazz clarinet solos before the Original Dixieland Jazz Band's so-called “first jazz records.” Sweatman toured the vaudeville circuit for over twenty years and presented African American music to white music lovers without resorting to the hitherto obligatory “plantation” costumes and blackface makeup. His bands were a fertile breeding ground of young jazz talent, featuring such future stars as Duke Ellington, Coleman Hawkins, and Jimmie Lunceford. Sweatman subsequently played pioneering roles in radio and recording production. His high profile and sterling reputation in both the black and white entertainment communities made him a natural choice for administering the estate of Scott Joplin and other notable black performers and composers. That's Got 'Em! is the first full-length biography of this pivotal figure in black popular culture, providing a compelling account of his life and times.
Thayer's Life of Beethoven, Part I
by Elliot ForbesThe book description for the previously published "Thayer's Life of Beethoven" is not yet available.
Thayer's Life of Beethoven, Part II
by Elliot ForbesAlexander Wheelock Thayer's Life of Beethoven. has long been recognized as the classic biography of Beethoven. "Thayer, with his calm and logical mind, scrupulous, magnanimous and spacious...had set out to describe for posterity the great man as he was and lived...and his patient realism and all but inexhaustible industry had created an irreplaceable and masterly portrait." So Van Wyck Brooks described this monumental work of the 1880's.Thayer talked with Beethoven's surviving friends, gathered anecdotes, and sifted hundreds of documents. The resulting wealth of detail stimulated other students, and a mass of Beethoven scholarship appeared. Now Elliot Forbes, one of the foremost Beethoven scholars of our time, has used this new material to bring the Life up to elate without sacrificing Thayer's text.
THE BASS SAXOPHONE
by Josef SkvoreckyFirst published in 1980, The Bass Saxophone was chosen as Book of the Year by The Guardian. This internationally acclaimed classic of jazz literature is now available in a handsome new edition with a new contribution by the author. As an introduction to these two novellas, Skvorecky writes a remarkable personal memoir of his jazz-obsessed youth under two dictatorships. (2001)
The Beatles
by Manolo Bellon BenkendoerferLas mejores historias de The Beatles. El gran experto en The Beatles tiene nombre propio: Manolo Bellón. En el 2002 Bellón publicó este libro, que recoge una de las historias más completas sobre este cuarteto que se hayan escrito antes en cualquier idioma. Ahora, cuando se cumplen los 51 años del último concierto que dieron The Beatles (29 de agosto de 1966), Manolo vuelve sobre las líneas escritas y presenta una edición totalmente revisada, corregida y sobre todo aumentada: cada detalle, presentación, problema, canción o dato relevante de Lennon y sus amigos se recoge en este libro. Además, cuenta con una completísima discografía que va hasta el año 2016, pues la disquera dueña de los derechos musicales del grupo ha hecho un sin número de remasterizaciones, que son recogidas en detalle por Manolo Bellón, el gran beatlemano lationamericano.
The Spanish Song Companion
by Jacqueline Cockburn Richard StokesThe Spanish song companion introduces the English-speaking reader to the rich heritage of Spanish songs. Here in one volume are the texts of over 300 songs with parallel translations in accurate and readable English. The majority are love poems, which form a fascinating anthology of Spanish poetry from the thirteenth to the twentieth century. The introduction by Graham Johnson, who in recent years has done more than anyone to kindle interest in the international song repertoire, traces the history of Spanish song from its beginning, via the period of the Catholic kings in the fifteenth century, the Golden Age of the sixteenth, through to the remarkable rebirth in the twentieth century. All the songs and cycles frequently heard in recital are gathered here: Albeniz, Falla, Granados, Rodrigo and Obradors are generously represented, as well as Catalan composers such as Montsalvatge and Mompou. The volume is arranged chronologically by composer, and includes notes on all the major poets and composers, a discography, and names and addresses of the music publishers. Jacqueline Cockburn is Head of History of Art at Westminster School and an associated lecturer at Birkbeck College, University of London. RICHARD STOKES is author of J. S. Bach: The Complete Cantatas (Scarecrow Press, 2004), The Book of Lieder (Faber and Faber, 2005), and co-author of A French Song Companion, with Graham Johnson (Oxford University Press, 2000). Graham Johnson, the founder of the internationally acclaimed Songmakers' Almanac, is an admired accompanist with an unrivaled knowledge of song literature. In this electronic edition, each line of Spanish is followed on the next line by its line in English translation. DAISY markup has chapters at level 1 and each poet and each song at level 2.
The The Theoretical-Practical Elements of Music, Parts III and IV
by Deborah Burton Francesco Galeazzi Gregory W. HarwoodA virtuoso violinist, conductor, composer, and a professor of mathematics and botany, Francesco Galeazzi (1758–1819) firmly believed that musical education should be clear, demonstrable, and practical. In 1791 and 1796, he published the two volumes of his Elementi teorico-practici di musica, a treatise that demonstrated both his thorough grounding in the work of earlier theorists and his own approach to musical study. The first volume gave precise instructions on the violin and how to play it; the second demonstrated his command of other instruments and genres and provided comprehensive introductions to music theory, music history, and music aesthetics. The treatise also addresses the nature of compositional process and eighteenth-century concerns about natural and acquired talent and creativity. This volume offers an unprecedented English translation of the second volume of Elementi teorico-practici di musica, with annotations and commentary. The translation is introduced with a study of Galeazzi's life and milieu, the genesis and sources for the Elementi, and its reception through the present day.