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The Well-Tempered Clavier: Books I and II, Complete (Dover Classical Piano Music #1)
by Johann Sebastian Bach"His art was of an encyclopedic nature, drawing together and surmounting the techniques, the styles, and the general achievements of his own and earlier generations and leading to a new perspective." -- Grove's Dictionary of Music and Musicians.This informed assessment of the genius of Bach's works can be applied with greatest accuracy to The Well-Tempered Clavier. This highly influential work is monumental in the history of Western music. It represents not only the culmination of Bach's own maturation process, but also the galvanization of the emerging style and structure of modern keyboard music.The grace and fecundity of The Well-Tempered Clavier have thrilled audiences, musicians, and composers for centuries. Mozart, when rapidly advancing to the height of his mastery, had but to read a manuscript copy of The Well-Tempered Clavier and his style developed a new polyphonic richness and depth of harmony. Beethoven studied all the accessible works of Bach profoundly (including The Well-Tempered Clavier) and frequently quoted them in his sketchbooks, often with direct bearing on his own works. Chopin is nowhere more characteristic than when he shows his love of The Well-Tempered Clavier in his Etudes and Preludes. It was Schumann who, in a series of maxims for young musicians, said "Make The Well-Tempered Clavier your daily bread."This remarkable volume contains all 48 preludes and fugues, from Books I and II, in all major keys, reproduced directly from the authoritative Bach-Gesellschaft edition. The fine engraving is beautiful, clear, and easy to read. These elegant pieces, which vary in difficulty, are available complete in one low-cost, convenient Dover edition.
The Western Classical Music Industry in Twenty-First Century China: A Dialectical Crescendo (Routledge Research in Music)
by Weida WangWeida Wang explores how Western classical music (WCM) has become increasingly popular in China, framing the industry as a complex entity intricately embedded within China’s political landscape, cultural economy, and cultural industries. Wang highlights how authorities and organisers strive to build powerful brands to support the industry’s growth, aiming to tap into the vast domestic market and showcase China’s achievements in WCM on the global stage as part of broader cultural diplomacy efforts. The study delves into the mechanisms and underlying logics driving the rapid expansion of the WCM market in contemporary China.With the rise of China’s economy since its government’s late-1970s economic and political reform, WCM has become a useful tool for showcasing changes to the image of ‘modern’ and ‘contemporary’ China. At the same time, a new Chinese middle class, following the rapid economic (and cultural) development in China’s coastal cities, has also emerged, becoming a substantial demographic involved in the learning, appreciation, and consumption of WCM. Especially in the past 20 years, a new WCM scene has developed quickly and established as an industry in China; one critically enmeshed in both the business and political worlds. Many ground-breaking cultural events have taken place in the last decades. These have shown themselves to be huge forces behind the development of China’s domestic (and fledgling international) classical music aspirations.The book will be valuable for those interested in arts/music management, music industry studies, China studies, cultural and creative industry studies, and ethnomusicology.
The Whatifs
by Emily Kilgore"Persico's atmospheric illustrations aptly reflect Cora's shifting emotions, and Kilgore successfully balances the whimsical with a tale grounded in reality." -Publishers Weekly"Cora and her Whatifs have a charming appeal beyond their focus on tackling anxious thoughts, making an enjoyable read-aloud for wide audiences. . . . A thoroughly welcome addition to growing collections of socio-emotional development materials." -Kirkus ReviewsCora is struggling with her Whatif questions ahead of a big piano recital in this timely picture book about overcoming anxiety.What if my dog runs away?What if I forget my homework?What if the sun stops shining?What if my crayon breaks?Cora is constantly worrying about everything. Because of this, the Whatifs love her. They sneak up to her and give her all kinds of doubts: big or small, silly or frightening, likely or impossible. As she prepares for an upcoming piano recital, the Whatifs cling on tighter and drag her down, making her anxious about messing up during the concert. Will she be able to change her worry-filled thoughts into hopeful ones?
The White Nationalist Skinhead Movement
by Eddie Stampton Robert ForbesWhen Feral House first published the award-winning Lords of Chaos: The Bloody Rise of the Satanic Metal Underground, little was known about the "black metal" genre of music, or how many of its members were involved in the murder of citizens, the torching of churches, or its link to Fascist ideas.We've all heard about the racist form of skinhead punk music, but little do we know of the groups involved, and how they got involved in right-wing political movements.The White Nationalist Skinhead Movement is the first book to provide much more than mere photographs of the scene, documenting the bands, their members, the releases, shows, and infamous events. Robert Forbes and Eddie Stampton can authoritatively speak of the movement, obtaining first-hand material from members of the scene.This book covers both British and American bands, and even if you revile the movement, its ideas, and its music, this is an important piece of pop culture history.Feral House's controversial Lords of Chaos has sold over one hundred thousand copies.
The White Stripes: The Secret History (The\secret History Of Rock Ser.)
by Alan CrossAlan Cross is the preeminent chronicler of popular music.Here he provides a history of Jack White and The White Stripes.This look at the band "with just two people, and not a bass player in sight" is adapted from the audiobook.
The Whitney I Knew
by Timothy Willard BeBe WinansA virtual album of BeBe Winans' treasured memories of his friend and "sister," Whitney Houston. In the years between the first time BeBe Winans and Whitney Houston met in 1985, to the day he delivered the tribute that touched a watching nation at Houston's funeral, a deep and unique friendship bloomed and thrived. They considered each other family in the truest sense of the word.
The Who on Who: Interviews and Encounters
by Sean EganThe Who were a mass of contradictions. They brought intellect to rock but were the darlings of punks. They were the quintessential studio act yet were also the greatest live attraction in the world. They perfectly meshed on stage and displayed a complete lack of personal chemistry offstage.Along with great live shows and supreme audio experiences, the Who provided great copy. During the 1960s and '70s, Pete Townshend, messianic about contemporary popular music and its central importance in the lives of young people, gave sprawling interviews in which he alternately celebrated and deplored what he saw in the "scene." Several of these interviews have come to be considered classic documents of the age. Roger Daltrey, Keith Moon, and John Entwistle joined in. Even when the Who were non-operational or past their peak, their interviews continued to be compelling: changes in allegiances and social mores left the band members freer to talk about sex, drug-taking, business, and in-fighting.By collecting interviews with Who members from across fi ve decades, conducted by the greatest rock writers of their generation—Barry Miles, Jonathan Cott, Charles Shaar Murray, John Swenson, and Greil Marcus among them—The Who on The Who provides the full, fractious story of a fascinating band.
The Williamsburg Avant-Garde: Experimental Music and Sound on the Brooklyn Waterfront
by Cisco BradleyIn The Williamsburg Avant-Garde Cisco Bradley chronicles the rise and fall of the underground music and art scene in the Williamsburg neighborhood of Brooklyn between the late 1980s and the early 2010s. Drawing on interviews, archival collections, musical recordings, videos, photos, and other ephemera, Bradley explores the scene’s social, cultural, and economic dynamics. Building on the neighborhood’s punk DIY approach and aesthetic, Williamsburg's free jazz, postpunk, and noise musicians and groups---from Mary Halvorson, Zs, and Nate Wooley to Matana Roberts, Peter Evans, and Darius Jones---produced shows in a variety of unlicensed venues as well as in clubs and cafes. At the same time, pirate radio station free103point9 and music festivals made Williamsburg an epicenter of New York’s experimental culture. In 2005, New York’s rezoning act devastated the community as gentrification displaced its participants farther afield in Brooklyn and in Queens. With this portrait of Williamsburg, Bradley not only documents some of the most vital music of the late twentieth and early twenty-first centuries; he helps readers better understand the formation, vibrancy, and life span of experimental music and art scenes everywhere.
The Wind Band Music of Henry Cowell (CMS Monographs and Sourcebooks in American Music)
by Jeremy S. BrownThe Wind Band Music of Henry Cowell studies the compositions for wind band by twentieth-century composer Henry Cowell, a significant and prolific figure in American fine art music from 1914-1965. The composer is noteworthy and controversial because of his radical early works, his interest in non-Western musics, and his retrogressive mature style—along with notoriety for his imprisonment in San Quentin on a morals charge. Eleven chapters are organized both topically and chronologically. An introduction, conclusion, series of eight appendices, bibliography, and discography complete this comprehensive study, along with an audio playlist of representative works, hosted on the CMS website.
The Wit and Wisdom of Ozzy Osbourne
by Dave ThompsonAll Aboard the Crazy TrainThis is Ozzy Osbourne in all his raw and unfiltered glory; four decades worth of his best quotes, oddest observations, risqué retorts, and yes, even articulate ponderings. Ozzy might come across as a nutter (and rightly so), but when you sit down and seriously consider what he's saying . . . well, he's f**king Ozzy Osbourne and he's got things to say!The Prince of Darkness sounds off on various topics including:Black Sabbath: "We thought, Let's scare the whole f**king planet with music."Drugs and Alcohol: "I was always a miserable drunk."Rehab: "I still take medication, but not for fun."Himself: "I don't know who Ozzy is. I wake up a new person every day."The Wit & Wisdom of Ozzy Osbourne reveals Ozzy's philosophy of life and reflects the spirit of the man who made Black Sabbath famous, Christian groups frightened, and The Osbournes–a hit reality TV show.
The Witch's Daughter: My Mother, Her Magic, and the Madness that Bound Us
by Orenda FinkAcclaimed indie musician and songwriter Orenda Fink delivers a lyrical and moving memoir of a tumultuous childhood with a mother who battled mental illness and addiction. From her perch on a kitchen stool each night, Orenda Fink&’s darkly charismatic mother spins family lore and tells tales of the supernatural powers she wields, insisting that both she and Orenda are magic. By day, Orenda&’s childhood is marked by instability and uncertainty. Her family moves from town to town, chasing a fresh start whenever the money runs out. Orenda&’s mother insists that she is a witch, and magic is their means of protection from the world outside of their family. Orenda encounters her mother&’s magic in all its forms: a crisp $20 bill materializes from nothing when money has run out and a bottle of congealed blood lurks in the closet for unspoken reasons. When her mother&’s substance abuse and controlling behavior crescendo, Orenda escapes to pursue a music career in Birmingham, Alabama, and then storied Athens, Georgia, forming bands Little Red Rocket and Azure Ray. She orbits the family home, always drawn back by her mother&’s dark powers and her own need to solve the mystery of whether that claim of magic—or any magic—is real, or merely an expression of mental illness. Orenda&’s journey takes her from churches in the American South—eager to exercise the demons out of her—to even more mysterious practitioners of country magic in the Southeast and beyond. Finally seeking refuge in California&’s high desert, Orenda works to knit together her divided worlds with the help of a Jungian psychotherapist. She is stunned to learn that her mother fits many of the criteria associated with borderline personality disorder, including a sub-type identified by famed thought leader Christine Ann Lawson, known as &“The Witch&”—an aggressive, dominating figure who operates by fear-driven control, sometimes claiming to wield magic. Told in spellbinding prose, this memoir of music, self-discovery, and compassion is for anyone who has had to conjure a safe place to call home.
The Woman Composer: Creativity and the Gendered Politics of Musical Composition
by Jill HalsteadUnlike previous anthologizing examinations of women and musical composition, this book concentrates on the reasons why there have been, and continue to be, so few women composers. Jill Halstead focuses on the experiences of nine composers born in the twentieth century (Avril Coleridge Taylor, Grace Williams, Elizabeth Maconchy, Minna Keal, Ruth Gipps, Antoinette Kirkwood, Enid Luff, Judith Bailey and Bryony Jagger) to explore the physiological, social and political factors that have inhibited women from pursuing careers as composers. Is there a biological argument for inferior female creativity? Do social structures, such as marriage, serve to restrict potential women composers? Is the gender of a composer reflected in the music they write? If so, how would this manifest itself? The conclusions that are reached are as complex and challenging as the questions that are raised. This powerful and provocative book aims to open up debate on these issues, which have all too often be avoided by critics and musicologists whose writings have perpetuated arguments that denigrate women's ability to compose. By confronting these arguments, this study will hopefully begin a reassessment of attitudes towards women and music, so that women composers are less of a rarity by the end of the next century.
The Woman in Me
by Britney SpearsThe Woman in Me is a brave and astonishingly moving story about freedom, fame, motherhood, survival, faith, and hope. <p><p> In June 2021, the whole world was listening as Britney Spears spoke in open court. The impact of sharing her voice—her truth—was undeniable, and it changed the course of her life and the lives of countless others. The Woman in Me reveals for the first time her incredible journey—and the strength at the core of one of the greatest performers in pop music history. <p><p> Written with remarkable candor and humor, Spears’s groundbreaking book illuminates the enduring power of music and love—and the importance of a woman telling her own story, on her own terms, at last. <p> <b>New York Times Bestseller</b>
The Woman in Me
by Britney SpearsThe Woman in Me is a brave and astonishingly moving story about freedom, fame, motherhood, survival, faith, and hope. In June 2021, the whole world was listening as Britney Spears spoke in open court. The impact of sharing her voice—her truth—was undeniable, and it changed the course of her life and the lives of countless others. The Woman in Me reveals for the first time her incredible journey—and the strength at the core of one of the greatest performers in pop music history. Written with remarkable candor and humor, Spears&’s groundbreaking book illuminates the enduring power of music and love—and the importance of a woman telling her own story, on her own terms, at last.
The Women of Quyi: Liminal Voices and Androgynous Bodies (SOAS Studies in Music)
by Francesca R. Sborgi LawsonWhy has the female voice—as the resonant incarnation of the female body—inspired both fascination and ambivalence? Why were women restricted from performing on the Chinese public stage? How have female roles and voices been appropriated by men throughout much of the history of Chinese theatre? Why were the women of quyi—a community of Chinese female singers in Republican Tianjin—able to become successful, respected artists when other female singers and actors in competing performance traditions struggled for acceptance? Drawing substantially on original ethnographic fieldwork conducted in the 1980s and 1990s, Francesca R. Sborgi Lawson offers answers to these questions and demonstrates how the women of quyi successfully negotiated their sexuality and vocality in performance. Owing to their role as third-person narrators, the women of quyi bridged the gender gap, creating an androgynous persona that de-emphasized their feminine appearance and, at the same time, allowed them to showcase their female voices on public stages—places that had been previously unwelcoming to female artists. This is a story about female storytellers who sang their way to respectability and social change in the early decades of the twentieth century by minimizing their bodies in order to allow their voices to be heard.
The Women’s Orchestra of Auschwitz: A Story of Survival
by Anne Sebba'Superb and timely' KATE MOSSE'Impressive, important, deeply moving' SARAH WATERS'Brilliant' ANTHONY HOROWITZWhat role could music play in a death camp? What was the effect on those women who owed their survival to their participation in a Nazi propaganda project? And how did it feel to be forced to provide solace to the perpetrators of a genocide that claimed the lives of their family and friends? In 1943, German SS officers in charge of Auschwitz-Birkenau ordered that an orchestra should be formed among the female prisoners. Almost fifty women and girls from eleven nations were assembled to play marching music to other inmates - forced labourers who left each morning and returned, exhausted and often broken, at the end of the day - and give weekly concerts for Nazi officers. Individual members were sometimes summoned to give solo performances of an officer's favourite piece of music. It was the only entirely female orchestra in any of the Nazi prison camps and, for almost all of the musicians chosen to take part, being in the orchestra was to save their lives. In The Women's Orchestra of Auschwitz, award-winning historian Anne Sebba tells their astonishing story with sensitivity and care.
The Women’s Orchestra of Auschwitz: A Story of Survival
by Anne Sebba'Superb and timely' KATE MOSSE'Impressive, important, deeply moving' SARAH WATERS'Brilliant' ANTHONY HOROWITZWhat role could music play in a death camp? What was the effect on those women who owed their survival to their participation in a Nazi propaganda project? And how did it feel to be forced to provide solace to the perpetrators of a genocide that claimed the lives of their family and friends? In 1943, German SS officers in charge of Auschwitz-Birkenau ordered that an orchestra should be formed among the female prisoners. Almost fifty women and girls from eleven nations were assembled to play marching music to other inmates - forced labourers who left each morning and returned, exhausted and often broken, at the end of the day - and give weekly concerts for Nazi officers. Individual members were sometimes summoned to give solo performances of an officer's favourite piece of music. It was the only entirely female orchestra in any of the Nazi prison camps and, for almost all of the musicians chosen to take part, being in the orchestra was to save their lives. In The Women's Orchestra of Auschwitz, award-winning historian Anne Sebba tells their astonishing story with sensitivity and care.
The Wonder Years: My Life & Times with Stevie Wonder
by Ted Hull Paula L. StahelTed Hull was not a singer or a musician, however he was very involved in Stevie Wonder's life and Motown. Ted was Stevie's teacher, mentor and companion.
The Wonderbird
by David LucasA breathtakingly beautiful picture book about togetherness, perfect for fans of The Fox and the Star.A flock of birds flew among the stars, twittering, chirruping, piping, hooting, all singing one wonderful song ...They sang to the Wonderbird, a million different voices all in harmony.But who IS the Wonderbird? wondered Piper.As the birds scatter to seek the mysterious Wonderbird, Piper travels to the edge of the Milky Way ... and, lost and alone, discovers the answer to his question. David Lucas's extraordinary book reminds us that there is nothing more powerful than togetherness.
The Woodwinds: Perform, Understand, Teach
by James ByoThe Woodwinds: Perform, Understand, Teach provides comprehensive coverage about the woodwind family of musical instruments for prospective instrumental music teachers. What sets this book apart is its focus on how to teach the instruments. Preparing students in the how of teaching is the ultimate goal of the woodwind class and the ultimate goal of this book, which organizes information by its use in teaching beginning instrumentalists. In developing performance and understanding, pre-service teachers are positioned to learn to teach through performance—contrasted with an "old-school" belief that one must first spend much time tediously trying to understand how things work before playing the instruments. The book is organized in three parts: Preliminaries, Teaching the Instruments, and Foundations. Chapters in Teaching the Instruments are organized by instrument (flute, clarinet, saxophone, oboe, bassoon) and, within each instrument, according to how an effective teacher might organize experiences for novice learners. Basic embouchure and air stream are covered first, followed by instrument assembly, then hands and holding. Embouchure coverage returns in greater depth, then articulation, and finally "the mechanism," which includes sections on the instruments of the family, transposition, range, special fingerings, tuning and intonation, and reeds. In Foundations, topics are situated in big picture contexts, calling attention to the broad applicability of information across instruments.
The Work of Music Theory: Selected Essays (Ashgate Contemporary Thinkers On Critical Musicology Ser.)
by Thomas ChristensenThis collection brings together an anthology of articles by Thomas Christensen, one of the leading historians of music theory active today. Published over the span of the past 25 years, the selected articles provide a historical conspectus about a range of vital topics in the history of music theory, focusing in particular upon writings from the seventeenth and eighteenth centuries. Christensen examines a variety of theorists and their arguments within the intellectual and musical contexts of their time, in the process highlighting the diverse and idiosyncratic nature of the discipline of music theory itself. In the first section of the book Christensen offers general reflections on the meaning and interpretation of historical music theories, with especial attention paid to their value for music theorists today. The second section of the book contains a number of articles that consider the catalytic role of the thorough bass in the development of harmonic theory during the seventeenth and eighteenth centuries. In the final two sections of the anthology, focus turns to the writings of several individual music theorists, including Marin Mersenne, Seth Calvisius, Johann Mattheson, Johann Nicolaus Bach, Denis Diderot and Johann Nichelmann. The volume includes essays from hard-to-find publications as well as newly-translated material and the articles are prefaced by a new, wide-ranging autobiographical essay by the author that offers a broad re-assessment of his historical project. This book is essential reading for music theorists and seventeenth- and eighteenth-century musicologists.
The Works of Ralph Vaughan Williams
by Michael KennedyThis is the authoritative account of Vaughan Williams's musical life - the story of a great composer's career, and at the same time the story of music in England over half a century and more. Kennedy considers the principal works in chronological order, outlining the main features of each and discussing details of the music's structure, often illuminating his point with a musical quotation. He also provides a good deal of biographical data, and so builds up a picture of the composer, as well as providing thumbnail sketches of many of Vaughan Williams's friends and colleagues. Kennedy's extensive knowledge of Vaughan Williams's output also enables him to refer back and forth across the works to pick out lines of development and influence. The book includes a full classified list of Vaughan Williams's works. Michael Kennedy has provided a new preface.
The World According To Noddy: Life Lessons Learned In and Out of Rock & Roll
by Noddy HolderWhat makes Noddy Holder tick? Godfather of glam, national treasure and thinking grandmother’s crumpet, Noddy has been at the epicentre of British pop culture since he stormed on to the music scene in the 1960s, and in The World According to Noddy he gives us a hilarious window on to his extraordinary life. Told in his own inimitable style, Noddy shares insider accounts of his days on the road, along with a healthy dose of celebrity gossip, and leaves no stone unturned as he expounds on some of his favourite subjects – fame, friendship and fatherhood, the perils of social media and the modern age, not to mention what it would be like if he ruled the world . . . From his early days on the West Midlands beat scene, including a stint as a roadie for Robert Plant, Noddy charts his rise from skinhead stomper to international pop-star, statesman, playboy, male model and philosopher, and of course one of the most integral parts of a Great British Christmas. Witty, wise and tremendously funny, this is Noddy Holder at his glittering best.
The World Don't Owe Me Nothing: The Life and Times of Delta Bluesman Honeyboy Edwards
by David Honeyboy EdwardsThis vivid oral snapshot of an America that planted the blues is full of rhythmic grace. From the son of a sharecropper to an itinerant bluesman, Honeyboy's stories of good friends Charlie Patton, Big Walter Horton, Little Walter Jacobs, and Robert Johnson are a godsend to blues fans. History buffs will marvel at his unique perspective and firsthand accounts of the 1927 Mississippi River flood, vagrancy laws, makeshift courts in the back of seed stores, plantation life, and the Depression.
The World Got Away: A Memoir (Music in American Life)
by Mikel RouseOne of the most innovative composers of his generation, Mikel Rouse is known for a trilogy of operas that includes Dennis Cleveland and a gift for superimposing pop vernaculars onto avant-garde music. This memoir channels Rouse’s high energy personality into an exuberant account of the precarity and pleasures of artistic creation. Raconteur and starving artist, witty observer and acclaimed musician, Rouse emerged from the legendary art world of 1980s New York to build a forty-year career defined by stage and musical successes, inexhaustible creativity, and a support network of famous faces, loyal allies, and high art hustlers. Rouse guides readers through a working artists’ hardscrabble life while illuminating the unromantic truth that a project’s reception may depend on a talented cast and crew but can depend on reliable air conditioning. Candid and hilarious, The World Got Away is a one-of-a-kind account of a creative life fueled by talent, work, and luck.