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The Unstable Boys: A Novel
by Nick KentLondon 1968:The Unstable Boys are the name on every music insider's lips and tipped to follow in the footsteps of the Beatles and the Rolling Stones. This is their chance to hit the bigtime. They don't know they're about to be obliterated by a series of tragedies and a chaotic breakup that puts paid to the band's starry-eyed dreams of stratospheric success. One day you're the dog's bollocks; the next day you're a nobody - fame is a fickle friend.London 2016:Bestselling crime writer Michael Martindale has reached breaking point. Estranged from his wife and children following the very public fallout of his disastrous affair, he is alone, with only his self-pity to keep him warm at night. Until he makes the mistake of publicly declaring his admiration for his teenage musical obsession, the Unstable Boys. When the band's twisted and feral frontman, the Boy, turns up on his doorstep, Martindale quickly learns that sometimes you should be careful what you wish for.Razor-sharp and laced with a caustic wit, The Unstable Boys is a dark comic caper with an unmistakeable musicality from legendary music journalist Nick Kent.
The Unstable Boys: A Novel
by Nick KentLondon 1968:The Unstable Boys are the name on every music insider''s lips and tipped to follow in the footsteps of the Beatles and the Rolling Stones. This is their chance to hit the bigtime. They don''t know they''re about to be obliterated by a series of tragedies and a chaotic breakup that puts paid to the band''s starry-eyed dreams of stratospheric success. One day you''re the dog''s bollocks; the next day you''re a nobody - fame is a fickle friend.London 2016:Bestselling crime writer Michael Martindale has reached breaking point. Estranged from his wife and children following the very public fallout of his disastrous affair, he is alone, with only his self-pity to keep him warm at night. Until he makes the mistake of publicly declaring his admiration for his teenage musical obsession, the Unstable Boys. When the band''s twisted and feral frontman, the Boy, turns up on his doorstep, Martindale quickly learns that sometimes you should be careful what you wish for.Razor-sharp and laced with a caustic wit, The Unstable Boys is a dark comic caper with an unmistakeable musicality from legendary music journalist Nick Kent.
Unstinky
by Andy RashAndy Rash brings the laughs in this humorous story of a stinkbug who can't stink.Bud is a happy stinkbug, except when it comes to stinking contests.He always seems to lose to champions like P. U. Bottoms, Lord Stinkington, and The Fumigator.Every time they make smells like OUTHOUSE, GYM SOCK, and ARMPIT, poor Bud ends up smelling like FLOWERS, or FRESH-BAKED BREAD, or CANDY CANE.Stinking just isn't Bud's THING. But what IS his thing?With an ending as fresh as a daisy, and funnier than any funny smell, Andy Rash puts a hilarious spin on a tale of following your nose to happiness.
Unstrung: Rants And Stories Of A Noise Guitarist
by Marc RibotThe paperback edition of iconoclastic guitar player Marc Ribot’s darkly funny and subversive collection of writing, featuring brand-new essays not included in the hardcover. Throughout his genre-defying career as one of the most innovative musicians of our time, iconoclastic guitar player Marc Ribot has consistently defied expectation at every turn. Here, in the expanded paperback edition of Ribot’s first collection of writing, we see that same uncompromising sensibility at work as he playfully interrogates our assumptions about music, life, and death. Through essays—including some new material not included in the hardcover—short stories, and the occasional unfilmable film “mistreatment” that showcase the sheer range of his voice, Unstrung captures an artist whose versatility on the page rivals his dexterity onstage. In the first section of the book, "Lies and Distortion," Ribot turns his attention to his instrument--"my relation to the guitar is one of struggle; I'm constantly forcing it to be something else"--and reflects on his influences (and friends) like Robert Quine (the Voidoids) and producer Hal Willner (Saturday Night Live), while delivering an impassioned plea on behalf of artists' rights. Elsewhere, we glimpse fragments of Ribot's life as a traveling musician--he captures both the monotony of touring as well as small moments of beauty and despair on the road. In the heart of the collection, "Sorry, We're Experiencing Technical Difficulties," Ribot offers wickedly humorous short stories that synthesize the best elements of the Russian absurdist tradition with the imaginative heft of George Saunders. Taken together, these stories and essays cement Ribot's position as one of the most dynamic and creative voices of our time.
Unstrung Heroes: Fifty Guitar Greats You Should Know
by Pete BraidisInterviews with 50 guitar players you've no doubt heard but may not know by nameGuitar players from pop to jazz to heavy metal and folk, from the 1960s to the present dayAn insider's look behind the scenes of some of the greatest music ever recorded
Unsung: A Compendium of Creativity
by Kate CeberanoA beautiful illustrated memoir from beloved Australian musician Kate Ceberano, featuring her inspirational song lyrics, stories, paintings and embroidery, and celebrating four decades of songwriting and recording on the release of her 30th album. Kate Ceberano is used to a hush descending as she draws breath to release that magnificent voice but when the whole world quietened in 2020, she found the silence disorientating. Without an audience or long hours of travel with her tribe of musicians, there was time to think. But what does an artist do when they can&’t make art? They find a way. With characteristic passion, abundance and joy, Kate liberated her unsung songs. They flowed through her paintbrush as she embellished guitars, her needle as she stitched quilts to envelop her beloveds and her pen as she unfurled stories, poems and songs. In Unsung Kate muses on the people and experiences that have inspired her, on what has humbled her, what hurts and what sustains. This is the story of a powerful woman in her prime, but also of a reflective, romantic and vulnerable artist making sense of the universe. It&’s proof of a lifetime lived in music. It&’s a tribute to songs, wherever they come from and wherever they go.
Untimely Meditations
by Friedrich NietzscheThe four short works in Untimely Meditations were published by Nietzsche between 1873 and 1876. They deal with such broad topics as the relationship between popular and genuine culture, strategies for cultural reform, the task of philosophy, the nature of education, and the relationship between art, science and life. They also include Nietzsche's earliest statement of his own understanding of human selfhood as a process of endlessly â becoming who one is'. As Daniel Breazeale shows in his introduction to this new edition of R. J. Hollingdale's translation of the essays, these four early texts are key documents for understanding the development of Nietzsche's thought and clearly anticipate many of the themes of his later writings. Nietzsche himself always cherished his Untimely Meditations and believed that they provide valuable evidence of his â becoming and self-overcoming' and constitute a â public pledge' concerning his own distinctive task as a philosopher.
Up All Night: My Life and Times in Rock Radio
by Carol MillerCarol Miller is indisputably America’s premiere female rock ’n’ roll disc jockey, as her well-deserved induction into the Rock and Roll Hall of Fame proves.In her illuminating, fascinating, sometimes heartbreaking memoir, Up All Night, the legendary “Nightbird” tells the story of her colorful career—her rise to success in a male-dominated music industry; her close and personal dealings with rock royalty like Bruce Springsteen (whose music she first introduced to New York radio), Sir Paul McCartney, and Steven Tyler (whom she dated)—and details openly and honestly her battle against breast cancer for the very first time.
Up Close: Elvis Presley
by Wilborn HamptonFor fans of the king, the newest installment to the Up Close biography series! Elvis Presley made a sound so different it ushered in a new kind of music: rock and roll. He was able to combine gospel, honky-tonk, country and rhythm and blues to create a unique sound that crossed racial and cultural divides. Though he was incredibly popular, at heart, Elvis was a shy and polite man, and the demands of fame began to take a toll. While his dependence on prescription drugs cut short his life, Elvis's influence on music and popular culture endures to this day.
Up Jumped the Devil: The Real Life of Robert Johnson
by Gayle Dean Wardlow Bruce ConforthRobert Johnson is the subject of the most famous myth about the history of the blues: he allegedly sold his soul at the crossroads in exchange for his incredible talent, and this deal led to his tragic death at age 27. This single notion can be recited by everyone who has ever heard of him, but the actual story of his life remains unknown save for a few inaccurate anecdotes. Up Jumped the Devil is the result of over 50 years of research. Gayle Dean Wardlow has been interviewing people who knew Robert Johnson since the early 1960s, and he was the person who discovered Johnson's death certificate in 1967. Bruce Conforth began his study of Johnson's life and music in 1970 and made it his personal mission to try to fill in the gaps in what was still unknown about him. In this definitive biography, the two authors relied on every possible interview, resource and document, most of it material that no one has ever seen before. As a result, this book not only destroys every myth that ever surrounded Johnson, but also tells a very human and tragic story of a real person. It is the first book about Johnson that documents his years in Memphis, details his trip to New York, uncovers where and when his wife Virginia died and the impact this had on him, fully portrays the other women Johnson was involved with, and tells exactly how and why he died and who gave him the poison that killed him. Up Jumped the Devil will astonish blues fans who thought they knew something about Johnson—most of those things are wrong—and will be a great read for anyone interested in blues, black culture and American music.
Up Yon Wide and Lonely Glen: Travellers' Songs, Stories and Tunes of the Fetterangus Stewarts
by Elizabeth StewartElizabeth Stewart is a highly acclaimed singer, pianist, and accordionist whose reputation has spread widely not only as an outstanding musician but as the principal inheritor and advocate of her family and their music. First discovered by folklorists in the 1950s, the Stewarts of Fetterangus, including Elizabeth's mother Jean, her uncle Ned, and her aunt Lucy, have had immense musical influence. Lucy in particular became a celebrated ballad singer and in 1961 Smithsonian Folkways released a collection of her classic ballad recordings that brought the family's music and name to an international audience. Up Yon Wide and Lonely Glen is a significant memoir of Scottish Traveller life, containing stories, music, and songs from this prominent Traveller family. The book is the result of a close partnership between Elizabeth Stewart and Scottish folk singer and writer Alison McMorland. It details the ancestral history of Elizabeth Stewart's family, the story of her mother, the story of her aunt, and her own life story, framing and contextualizing the music and song examples and showing how totally integrated these art forms are with daily life. It is a remarkable portrait of a Traveller family from the perspective of its matrilineal line. The narrative, spanning five generations and written in Scots, captures the rhythms and idioms of Elizabeth Stewart's speaking voice and is extraordinary from a musical, cultural, sociological, and historical point of view. The book features 145 songs, eight original piano compositions, folktale versions, rhymes and riddles, and eighty fascinating illustrations, from the family of Elizabeth, her mother Jean (1912–1962) and her aunt Lucy (1901–1982). In addition, there are notes on the songs and a series of appendices. Up Yon Wide and Lonely Glen will appeal to those interested in traditional music, folklore, and folk song—and in particular, Scottish tradition.
The Upcycled Self: A Memoir on the Art of Becoming Who We Are
by Tariq Trotter&“One of hip-hop&’s greatest MCs, unpacking his harrowing, remarkable journey in his own words, with enough insights for two lifetimes.&”—Lin-Manuel Miranda, award-winning songwriter, producer, director, and creator of In the Heights and Hamilton From one of our generation&’s most powerful artists and incisive storytellers comes a brilliantly crafted work about the art—and war—of becoming who we are.upcycle verbup·cy·cle ˈəp-ˌsī-kəl: to recycle (something) in such a way that the resulting product is of a higher value than the original item: to create an object of greater value from (a discarded object of lesser value)Today Tariq Trotter—better known as Black Thought—is the platinum-selling, Grammy-winning co-founder of The Roots and one of the most exhilaratingly skillful and profound rappers our culture has ever produced. But his story begins with a tragedy: as a child, Trotter burned down his family&’s home. The years that follow are the story of a life snatched from the flames, forged in fire. In The Upcycled Self, Trotter doesn&’t only narrate a riveting and moving portrait of the artist as a young man, he gives readers a courageous model of what it means to live an examined life. In vivid vignettes, he tells the dramatic stories of the four powerful relationships that shaped him—with community, friends, art, and family—each a complex weave of love, discovery, trauma, and loss. And beyond offering the compellingly poetic account of one artist&’s creative and emotional origins, Trotter explores the vital questions we all have to confront about our formative years: How can we see the story of our own young lives clearly? How do we use that story to understand who we&’ve become? How do we forgive the people who loved and hurt us? How do we rediscover and honor our first dreams? And, finally, what do we take forward, what do we pass on, what do we leave behind? This is the beautifully bluesy story of a boy genius&’s coming-of-age that illuminates the redemptive power of the upcycle.
Upper-Voice Structures and Compositional Process in the Ars Nova Motet (Royal Musical Association Monographs)
by Anna ZayaruznayaIn the motets of Philippe de Vitry, Guillaume de Machaut, and their contemporaries, tenors have often been characterized as the primary shaping forces, prior in conception as well as in construction to the upper voices. Tenors are shaped by the interaction of talea and color, medieval terms now used to refer to the independent repetition of rhythms and pitches, respectively. The presence in the upper voices of the periodically repeating rhythmic patterns, often referred to as "isorhythm," has been characterized as an amplification of tenor structure. But a fresh look at the medieval treatises suggests a revised analytical vocabulary: for many fourteenth- and fifteenth-century writers, both color and talea involved rhythmic repetition, the latter in the upper voices specifically. And attention to upper-voice taleae independently of tenor structures brings renewed emphasis to the significant portion of the repertory in which upper voices evince formal schemes that differ from those in the tenors. These structures in turn suggest a revision of the presumed compositional process for motets, implying that in some cases upper-voice text and forms may have preceded the selection and organization of tenors. Such revisions have implications for hermeneutic endeavors, since not only the forms of motet voices but the meanings of their texts change, depending on whether analysis proceeds from the tenor up, or from the top down. Where the presumed compositional and structural primacy afforded to tenors has encouraged a strand of interpretation that reads the upper-voice poetry as conforming to, and amplifying, the tenor text snippets and their liturgical contexts, a "bottom-down" view casts tenors in a supporting role and reveals the poetic impulse of the upper voices as the organizing principle of motets.
Uproot: Travels in 21st-Century Music and Digital Culture
by Jace Clayton“A meditation on how sounds are made, circulated and used by people around the world.” —GuardianIn 2001, Jace Clayton was an amateur DJ who recorded a three-turntable, sixty-minute mix called Gold Teeth Thief and put it online to share with his friends. Within months, the mix became an international calling card, whisking Clayton away to a sprawling, multitiered nightclub in Zagreb, a tiny gallery in Osaka, a former brothel in São Paolo, and the atrium of MoMA. And just as the music world made its fitful, uncertain transition from analog to digital, Clayton found himself on the front lines of an education in the creative upheavals of art production in the twenty-first-century globalized world.Uproot is a guided tour of this newly opened cultural space, mapped with both his own experiences and his relationships with other industry game-changers such as M.I.A. and Pirate Bay. With humor, insight, and expertise, Clayton illuminates the connections between a Congolese hotel band and the indie rock scene, Mexican surfers and Israeli techno, Japanese record collectors and hidden rain-forest treasure, and offers an unparalleled understanding of music in a digital age. Uproot takes readers behind the turntable decks to tell a story that only a DJ—and writer—of this caliber can tell.
Uptown Conversation: The New Jazz Studies
by Brent Hayes Edwards Farah Jasmine Griffin Robert G. O'MeallyJackson Pollock dancing to the music as he painted; Romare Bearden's stage and costume designs for Alvin Ailey and Dianne McIntyre; Stanley Crouch stirring his high-powered essays in a room where a drumkit stands at the center: from the perspective of the new jazz studies, jazz is not only a music to define—it is a culture. Considering musicians and filmmakers, painters and poets, the intellectual improvisations in Uptown Conversation reevaluate, reimagine, and riff on the music that has for more than a century initiated a call and response across art forms, geographies, and cultures. Building on Robert G. O'Meally's acclaimed Jazz Cadence of American Culture, these original essays offer new insights in jazz historiography, highlighting the political stakes in telling the story of the music and evaluating its cultural import in the United States and worldwide. Articles contemplating the music's experimental wing—such as Salim Washington's meditation on Charles Mingus and the avant-garde or George Lipsitz's polemical juxtaposition of Ken Burns's documentary Jazz and Horace Tapscott's autobiography Songs of the Unsung—share the stage with revisionary takes on familiar figures in the canon: Thelonious Monk, Miles Davis, Duke Ellington, and Louis Armstrong.
Urban Australia and Post-Punk: Exploring Dogs in Space
by David Nichols Sophie PerilloRichard Lowenstein’s 1986 masterpiece Dogs in Space was and remains controversial, divisive, compelling and inspirational. Made less than a decade after the events it is based on, using many of the people involved in those events as actors, the film explored Melbourne’s ‘postpunk’ counterculture of share houses, drugs and decadence. Amongst its ensemble cast was Michael Hutchence, one of the biggest music stars of the period, in his acting debut. This book is a collection of essays exploring the place, period and legacy of Dogs in Space, by people who were there or who have been affected by this remarkable film. The writers are musicians, actors and artists and also academics in heritage, history, urban planning, gender studies, geography, performance and music. This is an invaluable resource for anyone passionate about Australian film, society, culture, history, heritage, music and art.
Urban Blues
by Charles KeilCharles Keil examines the expressive role of blues bands and performers and stresses the intense interaction between performer and audience. Profiling bluesmen Bobby Bland and B. B. King, Keil argues that they are symbols for the black community, embodying important attitudes and roles--success, strong egos, and close ties to the community. While writing Urban Blues in the mid-1960s, Keil optimistically saw this cultural expression as contributing to the rising tide of raised political consciousness in Afro-America. His new Afterword examines black music in the context of capitalism and black culture in the context of worldwide trends toward diversification. "Enlightening. . . . [Keil] has given a provocative indication of the role of the blues singer as a focal point of ghetto community expression. "--John S. Wilson, New York Times Book Review "A terribly valuable book and a powerful one. . . . Keil is an original thinker and . . . has offered us a major breakthrough. "--Studs Terkel, Chicago Tribune "[Urban Blues] expresses authentic concern for people who are coming to realize that their past was . . . the source of meaningful cultural values. "--Atlantic "An achievement of the first magnitude. . . . He opens our eyes and introduces a world of amazingly complex musical happening. "--Robert Farris Thompson, Ethnomusicology "[Keil's] vigorous, aggressive scholarship, lucid style and sparkling analysis stimulate the challenge. Valuable insights come from treating urban blues as artistic communication. "--James A. Bonar, Boston Herald
Urban Politics and Cultural Capital: The Case of Chinese Opera
by Ma HailiThis book tells the story of how a regional Chinese theatrical form, Shanghai Yue Opera, evolved from the all-male ’beggar’s song’ of the early twentieth century to become the largest all-female opera form in the nation, only to face increasing pressure to survive under Chinese political and economic reforms in the new millennium. Previous publications have focused mainly on the historical development of Chinese theatre, with emphasis placed on Beijing opera. This is the first book to take an interdisciplinary approach to the story of the Shanghai Yue Opera, bringing history, arts management, central and regional government policy, urbanisation, gender, media, and theatre artistic development in one. Through the story of the Shanghai Yue Opera House market reform this book facilitates an understanding of the complex Chinese political economic situation in post-socialist China. This book suggests that as state art institutions are key organs of the Communist party gaining legitimacy, the vigorous evolution and struggle of the Shanghai Yue Opera house in fact directly mirrors the Communist Party internal turmoil in the new millennium to gain its own legitimacy and survival.
Urban Spacemen and Wayfaring Strangers
by Richie Unterberger"Urban Spacemen & Wayfaring Strangers: Overlooked Innovators & Eccentric Visionaries of '60s Rock" documents twenty cult rockers from the 1960s. The book features extremely detailed investigation of the careers of greats like the Pretty Things, Arthur Brown, Richard & Mimi Fariña, and Tim Buckley. Also featured are the Bonzo Dog Band, the Electric Prunes, Bobby Fuller, the Fugs, Kaleidoscope, Fred Neil, the Beau Brummels, Thee Midniters, Dino Valenti, Mike Brown of the Left Banke, and others, including producers Shel Talmy (the Who, the Kinks, Pentangle) and Giorgio Gomelsky (the Yardbirds, Julie Driscoll, the Soft Machine). In all cases, the extensive chapters include first-hand interview material with the artists themselves and/or their close associates. Lost British Invaders, psychedelic pioneers, rock funnymen, blue-eyed soulsters, overlooked folk-rockers, behind-the-scenes producers -- all find a home as part of "Urban Spacemen & Wayfaring Strangers," with a foreword by Paul Kantner of Jefferson Airplane. The ebook version of "Urban Spacemen & Wayfaring Strangers" is significantly expanded, revised, and updated from the print version, adding 20,000 words of new material. The text is accompanied by illustrations and reviews of the most essential recordings by each artist. From reviews of "Urban Spacemen":"[He] brings to this volume a true fan's love of music combined with a writer's smarts and skills. He seamlessly combines researched material with new interviews. . . Not only did Unterberger choose well musically, but he found the momentum and heart of each of their stories. " -- David Greenberger (essayist on National Public Radio's "All Things Considered"), Pulse!"These fascinating tales will make you want to rush out to the record store -- a hallmark of all great music writing. " -- Jim DeRogatis, Chicago Sun-Times"In each fascinating case study the author tracks down one or more former group members and/or principals in the story, which gives his work both authority and freshness. . . his overall handling of the material is exemplary. "Urban Spacemen" forms a compelling mosaic of the hopes and dreams -- not to mention sharp business practices -- of the decade. " -- Mike Barnes (author of the biography "Captain Beefheart"), The Wire
Urban Spectacle in Republican Milan: Pubbliche feste at the Turn of the Nineteenth Century (Elements in Music and the City)
by Alessandra PaliddaAt the turn of the nineteenth century, Lombardy and its capital Milan lived through a season of intense social and political change, especially in the passage between Austrian Monarchy and Napoleonic republics (1796-1799, and 1800-1802). While affecting cultural production on all levels, this passage occasioned a significant change in terms of public celebration, with republican festivals and other celebratory occasions coming from revolutionary France being reframed amongst Milanese specificities. After establishing a solid historical and aesthetic background to Lombardy in this delicate period, to the revolutionary models and to the Milanese substrate, this Element aims at reconstructing and describing the main features of the French republican festivals in Milan, and their impact on the city's landscape, soundscape and self-representation. It will also conclude by offering some reflections on these events' consequences on the following century's patriotism/nationalism and cultural production, reinstating them as an interesting, albeit forgotten case study.
Urinetown: The Musical
by Greg Kotis Mark HollmannWinner of three Tony Awards, including Best Book, Greg Kotis and Mark Hollmann's Urinetown: The Musical is a tale of greed, corruption, love, and revolution in a time when water is worth its weight in gold.After a twenty-year drought made water a scarce commodity, private toilets became outlawed. Now, all restroom necessaries are controlled by the Urine Good Company (UGC), a megacorporation that charges fees for using public toilets. Anyone unable to pay fees--or who dares to relieve themselves outside the commode--are arrested and banished to "Urinetown".When UGC employee Bobby Strong's father falls victim to this tyranny, he spearheads a revolution, inspiring the people to rise up and reclaim their own restroom duties--unaware of the realities and consequences of his actions...With a preface by David Auburn, Pulitzer Prize-winning playwright of ProofAnd an introduction by the authors
US Youth Films and Popular Music: Identity, Genre, and Musical Agency (Routledge Advances in Film Studies)
by Tim McNelisThis book brings theory from popular music studies to an examination of identity and agency in youth films while building on, and complementing, film studies literature concerned with genre, identity, and representation. McNelis includes case studies of Hollywood and independent US youth films that have had commercial and/or critical success to illustrate how films draw on specific discourses surrounding popular music genres to convey ideas about gender, race, ethnicity, sexuality, and other aspects of identity. He develops the concept of ‘musical agency’, a term he uses to discuss the relationship between film music and character agency, also examining the music characters listen to and discuss, as well as musical performances by the characters themselves
Useless Magic: Lyrics and Poetry
by Florence WelchLyrics and never-before-seen poetry and sketches from the iconic musician of Florence and the MachineSongs can be incredibly prophetic, like subconscious warnings or messages to myself, but I often don't know what I'm trying to say till years later. Or a prediction comes true and I couldn't do anything to stop it, so it seems like a kind of useless magic.
The Uses of the Past in Contemporary Western Popular Culture: Nostalgia, Politics, Lifecycles, Mediations, and Materialities
by Tobias Becker Dion GeorgiouThis book takes an interdisciplinary approach to understanding the different ways in which the past remains present in Western popular culture in the twenty-first century. It combines theoretical analyses with case study-based chapters focusing on examples from Britain, the US, and Germany, among other countries. In doing so, it pushes beyond a simplistic and monolithic conception of what ‘nostalgia’ is to allow for a more nuanced and varied conceptualisation of this phenomenon, and to also incorporate other ways of understanding the invoking or inclusion of different histories within cultural objects, formats, and practices.
Usher (Superstars of Hip-Hop)
by Z. B. HillUsher is one of music's biggest stars. He's won awards and sold millions of albums. Not only is he working on his own music, but he's also bringing other artists to the world. Usher made Justin Bieber a star after seeing the young singer on YouTube. Usher's such a big star he can make others famous! Usher tells the story of how Usher became the star fans know today. Read about how Usher went from singing in church to singing at sold-out shows. Learn about how Usher has found success in music and acting.