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Using Music to Enhance Student Learning: A Practical Guide for Elementary Classroom Teachers
by Jana R. Fallin Mollie Gregory Tower Debbie TannertUsing Music to Enhance Student Learning: A Practical Guide for Elementary Classroom Teachers, Third Edition, provides Elementary Education students with the tools and pedagogical skills they need to integrate music into the general education classroom setting. The goal of this interdisciplinary approach is to increase student engagement in Language Arts, Math, Science, and Social Studies—with minimal music theory involved—while stimulating social and emotional development. Supported by current research in an ever-changing field, the strategies and methods collected here are suitable for pre- and in-service teachers alike, highlighting intuitive musical pathways that are effective in maintaining a student’s attention, building motivation, and enhancing learning in all subjects. New to this edition: A new chapter—"The Brain Connection"—detailing music’s impact on learning Updated listening maps, unique to Using Music to Enhance Student Learning and its teaching method A revised and comprehensive songbook as an appendix—no longer a separate booklet Updated listening examples to reflect diverse populations Modified references throughout to account for recent research A robust companion website features full-color animated listening maps, streaming audio tracks, sample syllabi and quizzes, assignment rubrics, links for additional resources, and more. Ideal for promoting learning experiences in both music and general classroom subjects, Using Music to Enhance Student Learning presents musical integration strategies that are practical, efficient, and easy to infuse into standard curricula.
Using Music to Enhance Student Learning: A Practical Guide for Elementary Classroom Teachers
by Jana Fallin Mollie Gregory TowerIntegrating musical activities in the elementary school classroom can assist in effectively teaching and engaging students in Language Arts, Science, Math, and Social Studies, while also boosting mental, emotional and social development. However, many elementary education majors fear they lack the needed musical skills to use music successfully. Future elementary school teachers need usable, practical musical strategies to easily infuse into their curriculum. Written for both current and future teachers with little or no previous experience in music, Using Music to Enhance Student Learning, 2nd Edition offers strategies that are not heavily dependent on musical skills. While many textbooks are devoted to teaching music theory skills, this textbook is dedicated to pedagogy – the actual teaching of music – particularly in those schools without a separate music class in their curriculum. The ultimate goal is for future teachers to provide their elementary school classes with engaging learning experiences. These learning experiences are clearly presented to enable children to acquire knowledge in all subject areas within a joyful, creative environment rich with music activities. New to the second edition are the animated listening maps, more audio tracks, a new guitar unit, expanded coverage in the recorder unit, a connection with visual art and music, expanded activities in American history and math, and updated research and statistics. SPECIAL FEATURES Animated "Listening Maps" help listeners focus on music selections through clear visual representations of sound. Group Activities reinforce the social aspects of music-making, as well as the benefits of collaborative teaching and learning. A thorough integration of music in the curriculum establishes that music is essential in a child’s development, and that the incorporation of music will enhance all other subjects/activities in the classroom. Learning Aids include "Tantalizing Tidbits of Research," which provide the justifications for why these activities are important, as well as "Teaching Tips," and "Thinking It Through" activities. The Using Music Package Streamed listening selections from the Baroque, Classical, Romantic, and Contemporary Periods Get America Singing…Again! Volume 1 (developed in association with the Music Educators National Conference, now NAFME, and other music organizations) with 43 songs that represent America’s varied music heritage of folk, traditional, and patriotic themes Appendices include a songbook with Hispanic folksongs, a recorder music songbook and a guitar unit Companion website hosts various teaching and learning resources
Using Music to Enhance Student Learning: A Practical Guide for Elementary Classroom Teachers
by Mollie Gregory Tower Jana R. FallinIntegrating musical activities in the elementary school classroom can assist in effectively teaching and engaging students in Language Arts, Science, Math, and Social Studies, while also boosting mental, emotional and social development. However, many elementary education majors fear they lack the needed musical skills to use music successfully. Future elementary school teachers need usable, practical musical strategies to easily infuse into their curriculum. Written for both current and future teachers with little or no previous experience in music, Using Music to Enhance Student Learning, Second Edition offers strategies that are not heavily dependent on musical skills. While many textbooks are devoted to teaching music theory skills, this textbook is dedicated to pedagogy – the actual teaching of music – particularly in those schools without a separate music class in their curriculum. The ultimate goal is for future teachers to provide their elementary school classes with engaging learning experiences. These learning experiences are clearly presented to enable children to acquire knowledge in all subject areas within a joyful, creative environment rich with music activities. New to the second edition are the animated listening maps, more audio tracks, a new guitar unit, expanded coverage in the recorder unit, a connection with visual art and music, expanded activities in American history and math, and updated research and statistics. SPECIAL FEATURES Animated "Listening Maps" help listeners focus on music selections through clear visual representations of sound. Group Activities reinforce the social aspects of music-making, as well as the benefits of collaborative teaching and learning. A thorough integration of music in the curriculum establishes that music is essential in a child’s development, and that the incorporation of music will enhance all other subjects/activities in the classroom. Learning Aids include "Tantalizing Tidbits of Research," which provide the justifications for why these activities are important, as well as "Teaching Tips," and "Thinking It Through" activities. The Using Music Package Streamed listening selections from the Baroque, Classical, Romantic, and Contemporary Periods Get America Singing… Again! Volume 1 (developed in association with the Music Educators National Conference, now NAFME, and other music organizations) with 43 songs that represent America’s varied music heritage of folk, traditional, and patriotic themes Appendices include a songbook with Hispanic folksongs, a recorder music songbook and a guitar unit Companion website hosts various teaching and learning resources ISBN 978-0-367-11067-3 Using Music, Second Edition set includes: ISBN 978-0-415-70936-1 Using Music, Second Edition textbook Get America Singing... Again! Volume 1 songbook ISBN 978-0-429-02487-0 Using Music, Second Edition eBook is the textbok only. The songbook is only available with the print textbook and is not sold separately.
Valiant Minstrel: The Story of Harry Lauder
by Gladys MalvernThe winner of the 1943 Julia Ellsworth Ford Foundation Award, Valiant Minstrel tells the life story of beloved Scottish entertainer Harry Lauder, presented as a biographical novel. Gladys Malvern's intimate account of Lauder's humble beginnings in mills and coalmines and incredible thirty-year career, which saw him knighted, makes it clear why he was the highest paid theatrical performer of his time. Malvern uses her gift for enthralling prose to recreate Lauder's experiences in this page-turner, available for the first time in ebook.
The Value of Popular Music
by Alison StoneIn this book, Alison Stone argues that popular music since rock-'n'-roll is a unified form of music which has positive value. That value is that popular music affirms the importance of materiality and the body, challenging the long-standing Western elevation of the intellect above all things corporeal. Stone also argues that popular music's stress on materiality gives it aesthetic value, drawing on ideas from the post-Kantian tradition in aesthetics by Hegel, Adorno, and others. She shows that popular music gives importance to materiality in its typical structure: in how music of this type handles the relations between matter and form, the relations between sounds and words, and in how it deals with rhythm, meaning, and emotional expression. Extensive use is made of musical examples from a wide range of popular music genres. This book is distinctive in that it defends popular music on philosophical grounds, particularly informed by the continental tradition in philosophy. >
The Values of Independent Hip-Hop in the Post-Golden Era: Hip-Hop’s Rebels
by Christopher VitoUtilizing a mixed-methods approach, this book uncovers the historical trajectory of U.S. independent hip-hop in the post-golden era, seeking to understand its complex relationship to mainstream hip-hop culture and U.S. culture more generally. Christopher Vito analyzes the lyrics of indie hip-hop albums from 2000-2013 to uncover the dominant ideologies of independent artists regarding race, class, gender, sexual orientation, and social change. These analyses inform interviews with members of the indie hip-hop community to explore the meanings that they associate with the culture today, how technological and media changes impact the boundaries between independent and major, and whether and how this shapes their engagement with oppositional consciousness. Ultimately, this book aims to understand the complex and contradictory cultural politics of independent hip-hop in the contemporary age.
Valuing Musical Participation
by Stephanie PittsIncreasingly, it is becoming evident that those involved in socio-musical studies must focus their investigative lens on musical practice and articulation of the self, on music and community involvement and on music as a social medium for social relationships. What motivates people to be involved in musical performance, and how do they articulate these needs and drives? What do performers gain from their involvement in musical activities? How do audience members perceive their relationship to the performer, the music and the event? These questions and many more are addressed here with the benefit of detailed empirical work, including case studies of a chamber music festival and a contemporary music summer school. Pitts investigates the value of musical participation for performers and audience members in a range of contexts, using a multi-disciplinary approach to place new empirical data in the framework of existing theory and literature. Themes examined include: the shared musical experience; the social structures of performing societies; how people identify with music; the values implicit in musical preferences; the social responsibilities of the performer; the audience view of concerts and festivals; the social power of music and educational implications and responsibilities. Pitts draws upon literature from musicology, sociology and psychology of music, ethnomusicology, music education and community music to demonstrate the diversity of enquiry about musical behaviours. The conclusions of the book are based upon empirical evidence gleaned through case studies, with the data integrated thematically throughout, to enable a greater depth of discussion than individual studies usually permit.
Valuing Nineteenth-Century Italian Opera Fantasias for Woodwind Instruments: Trash Music (Routledge Research in Music)
by Rachel N. BeckerThis book approaches opera fantasias – instrumental works that use themes from a single opera as the body of their virtuosic and flamboyant material – both historically and theoretically, concentrating on compositions for and by woodwind-instrument performers in Italy in the nineteenth century.Important overlapping strands include the concept of virtuosity and its gradual demonization, the strong gendered overtones of individual woodwind instruments and of virtuosity, the distinct Italian context of these fantasias, the presentation and alteration of opera narratives in opera fantasias, and the technical and social development of woodwind instruments. Like opera itself, the opera fantasia is a popular art form, stylistically predictable yet formally flexible, based heavily on past operatic tradition and prefabricated materials. Through archival research in Italy, theoretical analysis, and exploration of European cultural contexts, this book clarifies a genre that has been consciously stifled and societal resonances that still impact music reception and performance today.
The Vamps: Official Book
by The VampsSince forming on YouTube in 2012, The Vamps have become one of the biggest bands in the UK. They have travelled the world with massive arena tours, sold hundreds of thousands of records, and gained legions of amazing and devoted fans. They have gone from schoolboys to superstardom in just a few years, and for the first time Connor, Brad, Tristan and James tell their story. From life on the road to dealing with their new-found fame, nothing is off-limits.Featuring exclusive behind-the-scenes photography, this is a fully-illustrated joint autobiography: the perfect book for any Vamps fan.
The Vamps: 100% Official
by The VampsSince forming on YouTube in 2012, The Vamps have become one of the biggest bands in the UK. They have travelled the world with massive arena tours, sold hundreds of thousands of records, and gained legions of amazing and devoted fans. They have gone from schoolboys to superstardom in just a few years, and for the first time Connor, Brad, Tristan and James tell their story. From life on the road to dealing with their new-found fame, nothing is off-limits.Featuring exclusive behind-the-scenes photography, this is a fully-illustrated joint autobiography: the perfect book for any Vamps fan.
The Vamps: 100% Official
by The VampsSince forming on YouTube in 2012, The Vamps have become one of the biggest bands in the UK. They have travelled the world with massive arena tours, sold hundreds of thousands of records, and gained legions of amazing and devoted fans. They have gone from schoolboys to superstardom in just a few years, and for the first time Connor, Brad, Tristan and James tell their story. From life on the road to dealing with their new-found fame, nothing is off-limits.Featuring exclusive behind-the-scenes photography, this is a fully-illustrated joint autobiography: the perfect book for any Vamps fan.
The Van Cliburn Legend
by Abram ChasinsFriend of Van Cliburn, pianist, composer, and radio executive Abram Chasins describes Cliburn's music career leading up to his win at the 1958 Tchaikovsky Competition, which made him world famous, and the year of concerts and performances which followed.—Goodreads.
Van Halen
by David Lee Roth Neil ZlozowerFrom their eponymous 1978 debut through their colossal 1984 album (they've sold over 75 million albums worldwide), Van Halen rewrote all the rules. Nobody rockedor partiedharder. Photographer Neil Zlozower first met the band in 1978, worked with them again on Van Halen II, and soon became their friend, hanging out in L.A. and hitting the road on tour with them. Van Halen collects more than 250 backstage, candid, and full rock-out photos of the all-powerful, spandexed, high-kicking, guitar blazing, stadium-shaking, original Van Halen lineup. Accompanying Zlozower's amazing photos are an introduction about his wild ride with VH, a foreword by David Lee Roth, and testimony from the rock pantheon paying homage to the band, including members of Led Zeppelin, Guns N' Roses, Def Leppard, Judas Priest, KISS, Motley Cre, and more. Turn it up!
Van Halen Rising: How a Southern California Backyard Party Band Saved Heavy Metal
by Greg RenoffAfter years of gigging everywhere from suburban backyards to dive bars, Van Halen - led by frontman extraordinaire David Lee Roth and guitar virtuoso Edward Van Halen - had the songs, the swagger and the talent to turn the rock world on its ear. The quartet's classic 1978 debut, Van Halen, sold more than a million copies within months of release and sky-rocketed the band to the stratosphere of rock success. Their high-energy shows left fans and bands alike floored. Based on more than 230 original interviews, Van Halen Rising tells of the band's electric rise to fame.
Vandal
by Michael SimmonsThe love-hate relationship between high school musician Will and his older brother Jason is fueled by the abuse Will suffers at Jason's hands but a devastating accident changes everything for the boys and their family.
Vanishing Act: The third book in a suspenseful and chilling mystery series (The Eden House Mysteries, Book Three) (The Eden House Mysteries #3)
by Bill Kitson'Reading this book for the second time' ***** Reader Review1965 - the heyday of Rock & Roll. Northern Lights are tipped to become as big as The Beatles. But after a gig in Newcastle, lead singer and creative genius, Gerry Crowther, vanishes into the foggy night. Later, his body is recovered from the River Tyne. Now, almost twenty years on, teen singing sensation Trudi Bell dominates the charts. As she prepares to release a new album, her manager Lew Pattison receives a demo tape from an unknown songwriter. Realising the music is unmistakeably the work of Gerry Crowther, Lew enlists the help of Adam and Eve to uncover the truth. But some people will stop at nothing to keep it buried . . .Vanishing Act is the third instalment in Bill Kitson's chilling and suspenseful Eden House mystery series. Perfect for fans of Peter James's Cold Hill series, Val McDermid and J M Dalgliesh.Readers are hooked on The Eden House Mysteries:'I couldn't sleep until I had finished this book' ***** Reader Review'The best book I have read in a while' ***** Reader Review'Captivating from start to finish. Brilliant page turner. I couldn't put it down' ***** Reader Review'Read the whole thing in a day' ***** Reader Review'One of the best authors I have come across' ***** Reader Review'More twists than a corkscrew' ***** Reader Review'The characters are brilliant and the story keeps you on the edge of your seat the whole time. Would highly recommend this book!' ***** Reader Review
Vanishing Act: The third book in a suspenseful and chilling mystery series (The Eden House Mysteries, Book Three) (The\eden House Mysteries Ser. #3)
by Bill Kitson'Reading this book for the second time' ***** Reader Review1965 - the heyday of Rock & Roll. Northern Lights are tipped to become as big as The Beatles. But after a gig in Newcastle, lead singer and creative genius, Gerry Crowther, vanishes into the foggy night. Later, his body is recovered from the River Tyne. Now, almost twenty years on, teen singing sensation Trudi Bell dominates the charts. As she prepares to release a new album, her manager Lew Pattison receives a demo tape from an unknown songwriter. Realising the music is unmistakeably the work of Gerry Crowther, Lew enlists the help of Adam and Eve to uncover the truth. But some people will stop at nothing to keep it buried . . .Vanishing Act is the third instalment in Bill Kitson's chilling and suspenseful Eden House mystery series. Perfect for fans of Peter James's Cold Hill series, Val McDermid and J M Dalgliesh.Readers are hooked on The Eden House Mysteries:'I couldn't sleep until I had finished this book' ***** Reader Review'The best book I have read in a while' ***** Reader Review'Captivating from start to finish. Brilliant page turner. I couldn't put it down' ***** Reader Review'Read the whole thing in a day' ***** Reader Review'One of the best authors I have come across' ***** Reader Review'More twists than a corkscrew' ***** Reader Review'The characters are brilliant and the story keeps you on the edge of your seat the whole time. Would highly recommend this book!' ***** Reader Review
Vanishing Act: The third book in a suspenseful and chilling mystery series (The Eden House Mysteries, Book Three) (The Eden House Mysteries #3)
by Bill Kitson'Reading this book for the second time' ***** Reader Review1965 - the heyday of Rock & Roll. Northern Lights are tipped to become as big as The Beatles. But after a gig in Newcastle, lead singer and creative genius, Gerry Crowther, vanishes into the foggy night. Later, his body is recovered from the River Tyne. Now, almost twenty years on, teen singing sensation Trudi Bell dominates the charts. As she prepares to release a new album, her manager Lew Pattison receives a demo tape from an unknown songwriter. Realising the music is unmistakeably the work of Gerry Crowther, Lew enlists the help of Adam and Eve to uncover the truth. But some people will stop at nothing to keep it buried . . .Vanishing Act is the third instalment in Bill Kitson's chilling and suspenseful Eden House mystery series. Perfect for fans of Peter James's Cold Hill series, Val McDermid and J M Dalgliesh.Readers are hooked on The Eden House Mysteries:'I couldn't sleep until I had finished this book' ***** Reader Review'The best book I have read in a while' ***** Reader Review'Captivating from start to finish. Brilliant page turner. I couldn't put it down' ***** Reader Review'Read the whole thing in a day' ***** Reader Review'One of the best authors I have come across' ***** Reader Review'More twists than a corkscrew' ***** Reader Review'The characters are brilliant and the story keeps you on the edge of your seat the whole time. Would highly recommendthis book!' ***** Reader Review(P) 2021 Headline Publishing Group Ltd
Variations and Variation Technique in the Music of Chopin
by Zofia ChechlińskaWhile Chopin composed only a few works in variation form, he employed variations and variation technique in the majority of his works. Multiple modified repetitions of musical units on different levels of a work are so typical of Chopin’s works that this may be considered one of the chief determinants of his style. Focusing on a broad range of Chopin’s works, this book explores the extent to which Chopin’s oeuvre is suffused with variations, the role that variation technique plays in his work, to what extent it interacts with other techniques for developing and modifying musical material, and how the variation technique itself evolved. Beginning with a comprehensively documented investigation of the concept of variation in its own right, Zofia Chechlińska employs Riemannian and Schenkerian theory to consider, in turn, the ways in which Chopin constructs variations on the level of microstructure (motif and phrase) and macrostructure (thematic areas, sections, movements and form). This is the first English translation of one of the classics of musicological literature in Poland and is essential reading for scholars of Chopin and nineteenth-century music and music analysts.
Variations, Rondos and Other Works for Piano
by Wolfgang Amadeus MozartThe elegance, grace, and clarity of Mozart's piano music has charmed generations of music lovers. Now 37 of the composer's delightful piano pieces have been collected in this attractive volume, reproduced from the authoritative Breitkopf & Härtel edition. Among the selections are:Variations on "Mio caro Andone" by Salieri, K.180/173cVariations on "Je suis Lindor" by Baudron, K. 354/299aVariations on "Ah vous dirai-je, maman," K. 265/300eVariations on "La belle françoise," K.353/300fVariations on "Salve tu, Domine" by Paisiello, K. 398/416eVariations on "Unser dummer Pöbel meint" by Gluck, K.455 Variations on a Minuet by Duport, K.573Rondo in D Major, K.485Rondo in A Minor, K.511Minuet in G Major, K.1/1eMinuet in F Major, K.2Minuet in D Major, K.355/576bAllegro in B-flat Major, K.3Allegro in B-flat Major, K.400/372aAllegro in G Minor, K.312/590dFugue in G Minor, K.401/3753Fugue in E-flat Major, K.153/375fFugue in G Minor, K.154/385kCapriccio in C Major, K.395/300gAllegro and Andante, K.533Adagio in B Minor, K.540Gigue in G Major, K.574... and more.
Varieties of Musical Irony: From Mozart to Mahler
by Michael CherlinIrony, one of the most basic, pervasive, and variegated of rhetorical tropes, is as fundamental to musical thought as it is to poetry, prose, and spoken language. In this wide-ranging study of musical irony, Michael Cherlin draws upon the rich history of irony as developed by rhetoricians, philosophers, literary scholars, poets, and novelists. With occasional reflections on film music and other contemporary works, the principal focus of the book is classical music, both instrumental and vocal, ranging from Mozart to Mahler. The result is a surprising array of approaches toward the making and interpretation of irony in music. Including nearly ninety musical examples, the book is clearly structured and engagingly written. This interdisciplinary volume will appeal to those interested in the relationship between music and literature as well as to scholars of musical composition, technique, and style.
The Variety Stage: A History of the Music Halls from the Earliest Period to the Present Time
by A. J. Park Charles Douglas StuartMusic hall was a type of British theatrical entertainment that was popular from the early Victorian era, beginning around 1850. It faded away after 1918 as the halls rebranded their entertainment as variety. Perceptions of a distinction in Britain between bold and scandalous Music Hall and subsequent, more respectable Variety differ. Music hall involved a mixture of popular songs, comedy, speciality acts, and variety entertainment. The term is derived from a type of theatre or venue in which such entertainment took place. In North America vaudeville was in some ways analogous to British music hall, featuring rousing songs and comic acts.“To the general reader, as well as to the thoughtful observer of the social institutions of the English people, the story of the rise, progress and present condition of Variety Stage in this country presents features of peculiar attraction.In The History of the Variety Stage they have endeavoured to deal in a bright, chatty and anecdotal manner, not only with the Music Halls of the past and present, but also with the picturesque and variegated profession which has called them into existence, and while presenting to the statistician, the antiquarian, and the student of domestic history, a substantial and painstaking work of research, they have tried to render at the same time a graphic panorama of the variety world as it was and as it is today.”-Preface.
Vaudeville and the Making of Modern Entertainment, 1890–1925
by David MonodToday, vaudeville is imagined as a parade of slapstick comedians, blackface shouters, coyly revealed knees, and second-rate acrobats. But vaudeville was also America's most popular commercial amusement from the mid-1890s to the First World War; at its peak, 5 million Americans attended vaudeville shows every week. Telling the story of this pioneering art form's rise and decline, David Monod looks through the apparent carnival of vaudeville performance and asks: what made the theater so popular and transformative? Although he acknowledges its quirkiness, Monod makes the case that vaudeville became so popular because it offered audiences a guide to a modern urban lifestyle. Vaudeville acts celebrated sharp city styles and denigrated old-fashioned habits, showcased new music and dance moves, and promulgated a deeply influential vernacular modernism. The variety show's off-the-rack trendiness perfectly suited an era when goods and services were becoming more affordable and the mass market promised to democratize style, offering a clear vision of how the quintessential twentieth-century citizen should look, talk, move, feel, and act.
Vaudeville Melodies: Popular Musicians and Mass Entertainment in American Culture, 1870-1929
by Nicholas GebhardtIf you enjoy popular music and culture today, you have vaudeville to thank. From the 1870s until the 1920s, vaudeville was the dominant context for popular entertainment in the United States, laying the groundwork for the music industry we know today. In Vaudeville Melodies, Nicholas Gebhardt introduces us to the performers, managers, and audiences who turned disjointed variety show acts into a phenomenally successful business. First introduced in the late nineteenth century, by 1915 vaudeville was being performed across the globe, incorporating thousands of performers from every branch of show business. Its astronomical success relied on a huge network of theatres, each part of a circuit and administered from centralized booking offices. Gebhardt shows us how vaudeville transformed relationships among performers, managers, and audiences, and argues that these changes affected popular music culture in ways we are still seeing today. Drawing on firsthand accounts, Gebhardt explores the practices by which vaudeville performers came to understand what it meant to entertain an audience, the conditions in which they worked, the institutions they relied upon, and the values they imagined were essential to their success.
Vaughan Williams and His World (The Bard Music Festival)
by Byron Adams and Daniel M. GrimleyA biography of Ralph Vaughan Williams, published in collaboration with the Bard Music Festival. Ralph Vaughan Williams (1872–1958) was one of the most innovative and creative figures in twentieth-century music, whose symphonies stand alongside those of Sibelius, Nielsen, Shostakovich, and Roussel. After his death, shifting priorities in the music world led to a period of critical neglect. What could not have been foreseen is that by the second decade of the twenty-first century, a handful of Vaughan Williams’s scores would attain immense popularity worldwide. Yet the present renown of these pieces has led to misapprehension about the nature of Vaughan Williams’s cultural nationalism and a distorted view of his international cultural and musical significance. Vaughan Williams and His World traces the composer’s stylistic and aesthetic development in a broadly chronological fashion, reappraising Vaughan Williams’s music composed during and after the Second World War and affirming his status as an artist whose leftist political convictions pervaded his life and music. This volume reclaims Vaughan Williams’s deeply held progressive ethical and democratic convictions while celebrating his achievements as a composer.