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Violin For Dummies, 2nd Edition
by Katharine RapoportThe bestselling guide to teaching yourself the violin just got betterDespite being one of the most popular musical instruments for budding musicians, the violin has a reputation as being amongst the most difficult to learn. But no longer. Violin for Dummies is packed with the information you need to learn the art of this beautiful instrument, whether you're looking to get a head start before taking up lessons or are already studying with a tutor but want a little boost. With this book you have everything you need to get started.Even if you've never read a note of music, this book will have you playing in no time, introducing you to the fundamentals of the violin, from selecting and tuning to understanding rhythm, musical notation, and harmony.Walks you through everything from how to hold your violin to playing popular classical, jazz, gypsy, and fiddle tunesFilled with all-new content, including new music and updated resourcesDesigned for aspiring musicians going it alone, the book can also serve as an invaluable aid for instructors Fully revised and updated, Violin For Dummies builds on the winning formula that made the original a bestseller, establishing it as the only book the aspiring violinist needs to get started.CD-ROM/DVD and other supplementary materials are not included as part of the e-book file, but are available for download after purchase
Violin-Making: A Historical and Practical Guide
by Edward Heron-AllenThis classic guide offers an accessible initiation into the mysteries of violin-making. Charming in its style and cultivated in its research, it covers every detail of the process, from wood selection to varnish. A fascinating history of the instrument precedes discussions of materials and construction techniques. More than 200 diagrams, engravings, and photographs complement the text.Author Edward Heron-Allen served an apprenticeship with Georges Chanot, a preeminent nineteenth-century violin maker. The knowledge, skill, and experience Heron-Allen acquired in the master's shop are reflected in this book, which was the first to combine the history, theory, and practice of violin-making. Originally published in 1884 as Violin-Making, As It Was and Is: Being a Historical, Theoretical and Practical Treatise on the Science and Art of Violin-Making for the Use of Violin Makers and Players, Amateur and Professional, this volume has enlightened and informed generations of performers and players alike.
The Violinist of Auschwitz
by Jean-Jacques FelsteinA son chronicles his Jewish mother&’s real-life efforts to save as many young women as possible from the Auschwitz gas chambers during World War II. Arrested in 1943 and deported to Auschwitz, Elsa survived because she had the &“opportunity&” to join the women&’s orchestra. But Elsa kept her story a secret, even from her own family. Indeed, her son would only discover what had happened to his mother many years later, after gradually unearthing her unbelievable story following her premature death, without ever having revealed her secret to anyone . . . Jean-Jacques Felstein was determined to reconstruct Elsa&’s life in Birkenau, and would go in search of other orchestra survivors in Germany, Belgium, Poland, Israel, and the United States. The recollections of Hélène, first violin, Violette, third violin, Anita, a cellist, and other musicians, allowed him to rediscover his twenty-year-old mother, lost in the heart of hell. The story unfolds in two intersecting stages: one, contemporary, is that of the investigation, the other is that of Auschwitz and its unimaginable daily life, as told by the musicians. They describe the recitals on which their very survival depended, the incessant rehearsals, the departure in the mornings for the forced labourers to the rhythm of the instruments, the Sunday concerts, and how Mengele pointed out the pieces in the repertoire he wished to listen to in between &“selections.&” In this remarkable book, Jean-Jacques Felstein follows in his mother&’s footsteps and by telling her story, attempts to free her, and himself, from the pain that had been hidden in their family for so long.
Viotti and the Chinnerys: A Relationship Charted Through Letters (Music In Nineteenth-century Britain Ser.)
by Denise YimThe Italian violinist and composer Giovanni Battista Viotti (1755-1824) is considered today to have been one of the most significant forces in the history of violin playing. In 1792 he met Margaret and William Chinnery, a wealthy English couple with strong connections in the world of arts and letters. From that point onwards Viotti's life became inextricably bound up with theirs; he moved into their home and became a second father to their children, forming a remarkably successful m gerois. Henceforth, all Viotti's career decisions were taken with this family's welfare in mind. The Chinnery Family Papers feature over 100 Viotti letters and other documents. Drawing extensively on these papers, this book investigates the new light that they cast on Viotti's life and career, as well as the context in which he lived and worked. Fresh insights are given into the reception of Viotti's concertos in London and the solo performances he gave while in England, together with new information on his role as a music teacher in the Chinnery household, and his relationship with Mme de Sta and the Philharmonic Society.
VIP: Battle of the Bands (VIP #2)
by Jen Calonita Kristen GudsnukMackenzie "Mac" Lowell is living a dream come true on tour with her favorite boy band. Spending time on the road with Perfect Storm hasn't been what Mac expected, though-it's even BETTER! But with screaming fans and big-time recording sessions come haters and copycats, like Thunder and Lightning, a new band on the label whose first single sounds suspiciously like the song Perfect Storm's guitarist wrote for Mac. As the two bands set out on a joint summer tour, more and more of Perfect Storm's secrets are leaked to the public.Where's the one place all these lyrics and secrets are supposedly being kept safe? In Mac's journal, of course! Can Mac-and her comic-book alter ego, Mac Attack-stop the leaks and nab the culprit?With black-and-white illustrations and action-packed Mac Attack comics throughout, Jen Calonita's VIP series is more exciting than a backstage pass!
VIP: I'm With the Band (VIP #1)
by Jen Calonita Kristen GudsnukTwelve-year-old Mackenzie "Mac" Lowell's dreams have come true. Thanks to her mom scoring the coolest job EVER, Mac is going from boy band fanatic to official tour member of her favorite group, Perfect Storm. Good thing she's brought along her journal so she can record every moment, every breath, and every one of lead singer Zander Welling's killer smiles in written detail and daydreamy doodles.But between a zillion tour stops and pranks gone wrong, Zander and his fellow band members, Heath Holland and Kyle Beyer, become more like brothers to Mac. When the boys' differences start to drive them apart, can Perfect Storm's biggest fan remind them why they'reperfect together? It'll be up to Mac--and her comic-book alter ego, Mac Attack--to keep the band together and on the road to stardom Chronicling her experiences on tour, Mac's journal springs to life with black-and-white illustrations and comic-book panels throughout its pages.
VIP: Freedom's Voice (VIP #3)
by Denise Lewis PatrickGet ready to sing for justice with Mahalia Jackson in this exciting middle grade nonfiction biography. Perfect for fans of the Who Was and Little Leaders series, the books in the VIP series tell the true—and amazing—stories of some of history's greatest trailblazers. Meet the VERY IMPORTANT PEOPLE who changed the world! Mahalia Jackson was known as the queen of gospel music. A close friend of Dr. Martin Luther King Jr.’s, she was also a civil rights activist who sang at the March on Washington. And she traveled the world, too! Experience all the inspiring moments in Mahalia’s big life in this thrilling biography, packed with two-color illustrations and fun facts, like who invented rock and roll! Short and engaging chapters are interspersed with special lists and other information made to order to engage kids, whether they're already biography fans or "have to" write a report for school. Extras include a timeline, a bibliography, and a hall of fame of other musicians and civil rights activists. The VIP series features stirring adventures and fun facts about some of history's greatest trailblazers—smart, tough, persevering innovators who will excite today's kids. Featuring underappreciated historical figures and groups, with a focus on leaders in science, activism, and the arts, the nonfiction biographies in the VIP series are fun and appealing. Just looking at the cover will make kids want to learn more about these VIPs, and once they dive in they will zoom through stories that read like adventures. Each book in the VIP series allows your middle grader to experience all the fascinating moments in some very important but lesser known lives. These biographies for kids age 9-12 include: VIP: Dr. Mae Jemison: Brave Rocketeer; VIP: Lewis Latimer: Engineering Wizard; VIP: Mahalia Jackson: Freedom's Voice; and VIP: Lydia Darragh: Unexpected Spy.
Virgil Fox (The Dish)
by Richard Torrence Marshall Yaeger(This version (5th printing) has been updated as of January, 2014) A spicy biography of the late Virgil Fox (1912-1980), who was one of the most successful and famous organists in history. Written by the organist's managers for 17 years, the book is based on a 375-page memoir of Fox's artistic heir and protege, Ted Alan Worth. Includes contributions by 17 other associates and students who knew Fox intimately, including Carlo Curley, Fred Swann, Albert Fuller, and Richard Morris.
Virgil Thomson: A Reader: Selected Writings, 1924-1984
by Richard KostelanetzThis essential reader includes Thomson's essays on making a living as a musician; his articles on classic composers; his relation to his contemporaries; his articles on newcomers in the music world, including John Cage and Pierre Boulez; his autobiographical writings and commentary on his own works.
Virgil Thomson: Library of America #277
by Tim Page Virgil ThomsonAn unprecedented collection of polemical and autobiographical writings by America's greatest composer-critic. Following on the critically acclaimed 2014 edition of Virgil Thomson's collected newspaper music criticism, The Library of America and Pulitzer Prize-winning music critic Tim Page now present Thomson's other literary and critical works, a body of writing that constitutes America's musical declaration of independence from the European past. This volume opens with The State of Music (1939), the book that made Thomson's name as a critic and won him his 14-year stint at the New York Herald Tribune. This no-holds-barred polemic, here presented in its revised edition of 1962, discusses the commissions, jobs, and other opportunities available to the American composer, a worker in a world of performance and broadcast institutions that, today as much as in Thomson's time, are dominated by tin-eared, non-musical patrons of the arts who are shocked by the new and suspicious of native talent. Thomson's autobiography, Virgil Thomson (1966), is more than just the story of the struggle of one such American composer, it is an intellectual, aesthetic, and personal chronicle of the twentieth century, from World War I-era Kansas City to Harvard in the age of straw boaters, from Paris in the Twenties and Thirties to Manhattan in the Forties and after. A classic American memoir, it is marked by a buoyant wit, a true gift for verbal portrait-making, and a cast of characters including Aaron Copland, Gertrude Stein, James Joyce, Paul Bowles, John Houseman, and Orson Welles. American Music Since 1910 (1971) is a series of incisive essays on the lives and works of Ives, Ruggles, Varèse, Copland, Cage, and others who helped define a national musical idiom. Music with Words (1989), Thomson's final book, is a distillation of a subject he knew better than perhaps any other American composer: how to set English--especially American English--to music, in opera and art song. The volume is rounded out by a judicious selection of Thomson's magazine journalism from 1957 to 1984--thirty-seven pieces, most of them previously uncollected, including many long-form review-essays written for The New York Review of Books.From the Hardcover edition.
Virgil Thomson: Music Chronicles, 1940-1954 - The Musical Scene; The Art Of Judging Music; Music Right And Left; Music Reviewed; Other Writings (Library of America Virgil Thomson Edition #1)
by Tim Page Virgil ThomsonRevisit the Golden Age of classical music in America through the witty and adventurous reviews of our greatest critic-composer: For fourteen memorable years Virgil Thomson surveyed the worlds of opera and classical music as the chief music critic for the New York Herald Tribune. An accomplished composer who knew music from the inside, Thomson communicated its pleasures and complexities to a wide readership in a hugely entertaining, authoritative style, and his daily reviews and Sunday articles set a high-water mark in American cultural journalism. Thomson collected his newspaper columns in four volumes: The Musical Scene, The Art of Judging Music, Music Right and Left, and Music Reviewed. All are gathered here, together with a generous selection of Thomson's uncollected writings. The result is a singular chronicle of a magical time when an unrivaled roster of great conductors (Koussevitzky, Toscanini, Beecham, Stokowski) and legendary performers (Horowitz, Rubinstein, Heifetz, Stern) presented new masters (Copland, Stravinsky, Britten, Bernstein) and re-introduced the classics to a rapt American audience.
Virgil Thomson: A Library of America E-Book Classic
by Virgil ThomsonVirgil Thomson was a gifted composer and one of the nation's foremost cultural critics. The best-selling autobiography Virgil Thomson (1966) is his gossipy telling of his own extraordinary progress from unteachable smart aleck to revered elder statesman. It recounts his artistically precocious Kansas City boyhood, demanding Harvard education, apprenticeship in Paris between the wars, and hard-won musical and literary maturity in New York. As narrator and protagonist, Thomson fascinates not only with his own story but also with those of his associates, collaborators, friends, and rivals, among them Gertrude Stein, Alice B. Toklas, Ezra Pound, James Joyce, Nadia Boulanger, George Antheil, Pablo Picasso, Jean Cocteau, Max Jacob, Pare Lorentz, John Houseman, and Orson Welles. Virgil Thomson is an authentic work of Americana and a first-rate, first-person history of the rise of modernism.Complete with 32 pages of photographs.
Virgil Thomson: Composer on the Aisle
by Anthony TommasiniIn the first full-scale biography of a dominating figure in twentieth-century American music, Anthony Tommasini tells the richly textured story of Virgil Thomson's experiences as a composer, influential critic, and gay man. Writing with exclusive, full access to Thomson's papers and from extensive interviews and research, he recounts: Thomson's early years in turn-of-the-century Kansas City's strange mixture of antebellum racial divides. . . his first steps in the arts, guided by a troubled older man, himself a closeted homosexual in a time when disclosure could destroy a life. . . the crystallizing of his musical ambitions as an often-contentious student of Nadia Boulanger's in Paris. . . his pioneering collaboration with Gertrude Stein on Four Saints in Three Acts. . . his rivalry with fellow composers such as Aaron Copland. . . how he settled personal scores and advanced his own agenda during his reign on the New York Herald Tribune as America's most important, and best, music critic. . . his lasting impact on, and sometimes troubled interactions with, younger composers such as Leonard Bernstein, John Cage, Paul Bowles, Ned Rorem, and Philip Glass. . . and through it all the unending struggle to write, and win an audience for, music that spoke directly and simply to the life of his time. --BOOK JACKET. Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Virginia Woolf and Music
by Adriana L. VargaThese essays explore music and its relationship to language, aesthetics, and culture in the life and work of the preeminent Modernist writer Virginia Woolf (Mrs. Dalloway, To the Lighthouse, Orlando, A Room of One's Own, and other works). Approaching Woolf from musicology, literary criticism, and gender studies, the collection examines her musical background; music in her fiction and critical writings; and the importance of music in the Bloomsbury milieu and its role within the larger framework of Modernism. Making use of Woolf's diaries, letters, fiction, and the testimony of her contemporaries, these essays illuminate the rich and deeply musical nature of Woolf's works.
Virginia Woolf in the Age of Mechanical Reproduction (Border Crossings)
by Pamela L. CaughieFirst Published in 2000. Routledge is an imprint of Taylor & Francis, an informa company.
The Virtual Haydn: Paradox of a Twenty-First-Century Keyboardist
by Tom BeghinHaydn’s music has been performed continuously for more than two hundred years. But what do we play, and what do we listen to, when it comes to Haydn? Can we still appreciate the rich rhetorical nuances of this music, which from its earliest days was meant to be played by professionals and amateurs alike? With The Virtual Haydn, Tom Beghin—himself a professional keyboard player—delves deeply into eighteenth-century history and musicology to help us hear a properly complex Haydn. Unusually for a scholarly work, the book is presented in the first person, as Beghin takes us on what is clearly a very personal journey into the past. When a discussion of a group of Viennese sonatas, for example, leads him into an analysis of the contemporary interest in physiognomy, Beghin applies what he learns about the role of facial expressions during his own performance of the music. Elsewhere, he analyzes gesture and gender, changes in keyboard technology, and the role of amateurs in eighteenth-century musical culture. The resulting book is itself a fascinating, bravura performance, one that partakes of eighteenth-century idiosyncrasy while drawing on a panoply of twenty-first-century knowledge.
Virtual Music: How the Web Got Wired for Sound
by William DuckworthVirtual Music: How the Web Got Wired for Sound is a personal story of how one composer has created new music on the web, a history of interactive music, and a guide for aspiring musicians who want to harness the new creative opportunities offered by web composing. Also includes a 4-page color insert.
Virtuosi: A Defense and a (Sometimes Erotic) Celebration of Great Pianists
by Mark MitchellVirtuosiA Defense and a (Sometimes Erotic) Celebration of Great PianistsMark MitchellA bravura performance!"Vigorous, opinionated, and always entertaining, here is a personal essayist of great charm and sincerity. Mitchell's erudition—his collection of odd and illuminating bits of knowledge—is always a delight and adds a sauce piquanteto the whole dish!" —Edmund White"...a literary work of real élan, vibrancy, and grace—the very qualities that in his view define the virtuoso. [Mr. Mitchell explores] the traditional linking of musical and sexual virtuosity, the ethical implications of the original instruments' movement, the near deification of Mozart in Anglo-Saxon culture, and, in a particularly witty section, the relationship of the virtuoso to his stool. Throughout, Mr. Mitchell's prose is humorous, intimate, and unapologeticaly polemical." —Cynthia OzickThe artistic merit of performers with superior technique has long been almost ipso facto denied. At last, Mark Mitchell launches a counterattack. In essays crackling with pianistic lore, Mitchell takes on topics such as encores, prodigies, competitions, virtuosi in film and literature, and the erotics of musical performance. Liszt, Horowitz, and Argerich share these pages with the eccentric Pachmann, Ervin Nyiregyh ("the skid-row pianist"), and Liberace. The illustrations include rare portraits of long-forgotten girl prodigies, historic concert programs, and stills from a lost 1927 film on Beethoven. Punctuating this celebration of personal voice are vignettes, running from the beginnings of the author's obsession with the piano to the particularities of concert-going in Italy (where he now lives).Mark Mitchell's piano studies led to a friendship with Vladimir Horowitz and other pianistic luminaries. With David Leavitt he co-authored Italian Pleasures and co-edited Pages Passed from Hand to Hand. He also edited The Penguin Book of International Gay Writing.
Virtuosi Abroad: Soviet Music and Imperial Competition during the Early Cold War, 1945–1958
by Kiril TomoffIn the 1940s and 1950s, Soviet musicians and ensembles were acclaimed across the globe. They toured the world, wowing critics and audiences, projecting an image of the USSR as a sophisticated promoter of cultural and artistic excellence. In Virtuosi Abroad, Kiril Tomoff focuses on music and the Soviet Union's star musicians to explore the dynamics of the cultural Cold War. He views the competition in the cultural sphere as part of the ongoing U.S. and Soviet efforts to integrate the rest of the world into their respective imperial projects. Tomoff argues that the spectacular Soviet successes in the system of international music competitions, taken together with the rapturous receptions accorded touring musicians, helped to persuade the Soviet leadership of the superiority of their system. This, combined with the historical triumphalism central to the Marxist-Leninist worldview, led to confidence that the USSR would be the inevitable winner in the global competition with the United States. Successes masked the fact that the very conditions that made them possible depended on a quiet process by which the USSR began to participate in an international legal and economic system dominated by the United States. Once the Soviet leadership transposed its talk of system superiority to the economic sphere, focusing in particular on consumer goods and popular culture, it had entered a competition that it could not win.
Virtuosity
by Jessica MartinezAn intensely romantic, “brilliant debut” (Kirkus Reviews) about a dangerous addiction, a fierce rivalry, and a forbidden love.Now is not the time for Carmen to fall in love. And Jeremy is hands-down the wrong guy for her to fall for. He is infuriating, arrogant, and the only person who can stand in the way of Carmen getting the one thing she wants most: to win the prestigious Guarneri competition. Carmen’s whole life is violin, and until she met Jeremy, her whole focus was winning. But what if Jeremy isn’t just hot…what if Jeremy is better?Carmen knows that kissing Jeremy can’t end well, but she just can't stay away. Nobody else understands her—and riles her up—like he does. Still, she can’t trust him with her biggest secret: She is so desperate to win, she takes antianxiety drugs to perform, and what started as an easy fix has become a hungry addiction. Carmen is sick of not feeling anything on stage and even sicker of always doing what she’s told, doing what’s expected.Sometimes being on top just means you have a long way to fall….
Virtuosity
by Jessica MartinezAn intensely romantic, “brilliant debut” (Kirkus Reviews) about a dangerous addiction, a fierce rivalry, and a forbidden love.Now is not the time for Carmen to fall in love. And Jeremy is hands-down the wrong guy for her to fall for. He is infuriating, arrogant, and the only person who can stand in the way of Carmen getting the one thing she wants most: to win the prestigious Guarneri competition. Carmen’s whole life is violin, and until she met Jeremy, her whole focus was winning. But what if Jeremy isn’t just hot…what if Jeremy is better?Carmen knows that kissing Jeremy can’t end well, but she just can't stay away. Nobody else understands her—and riles her up—like he does. Still, she can’t trust him with her biggest secret: She is so desperate to win, she takes antianxiety drugs to perform, and what started as an easy fix has become a hungry addiction. Carmen is sick of not feeling anything on stage and even sicker of always doing what she’s told, doing what’s expected.Sometimes being on top just means you have a long way to fall….
El Visitante
by Alma MaritanoContinuación de Baqueros y trenzas, es una novela juvenil que narra la historia de un grupo de adolescentes en la ciudad de Rosario, Argentina.
Visualizing The Beatles: A Complete Graphic History of the World's Favorite Band
by John Pring Rob ThomasForeword by Rob SheffieldFilled with stunning full-color infographics, a unique, album-by-album visual history of the evolution of the Beatles that examines how their style, their sound, their instruments, their songs, their tours, and the world they inhabited transformed over the course of a decade.Combining data, colorful artwork, interactive charts, graphs, and timelines, Visualizing the Beatles is a fresh and imaginative look at the world’s most popular band. Meticulously examining the songs on every Beatles’ album from Please Please Me to Let It Be, UK-based graphic artists John Pring and Rob Thomas deconstruct:lyrical contentsongwriting creditsinspiration for the songsinstruments usedcover designschart positionand more . . . .They also break down the success of Beatles’ singles across the world, their tour dates, venues, and cities, their hairstyles, fashion choices and favorite guitars, and a wealth of other Beatles’ minutiae. Visualizing the Beatles also includes illustrations involving the conspiracy theories of the "Paul is dead" hoax as well as A-to-Z lists of every artist or performer who has ever covered a Beatles’ song.Comprehensive, entertaining, and packed with fun facts, Visualizing the Beatles is a wonderful introduction for new fans and a must-have for devotees, offering a new way to think about this extraordinary band whose influence continues to shape music.
Visualizing Music
by Eric IsaacsonTo feel the emotional force of music, we experience it aurally. But how can we convey musical understanding visually?Visualizing Music explores the art of communicating about music through images. Drawing on principles from the fields of vision science and information visualization, Eric Isaacson describes how graphical images can help us understand music. By explaining the history of music visualizations through the lens of human perception and cognition, Isaacson offers a guide to understanding what makes musical images effective or ineffective and provides readers with extensive principles and strategies to create excellent images of their own. Illustrated with over 300 diagrams from both historical and modern sources, including examples and theories from Western art music, world music, and jazz, folk, and popular music, Visualizing Music explores the decisions made around image creation. Together with an extensive online supplement and dozens of redrawings that show the impact of effective techniques, Visualizing Music is a captivating guide to thinking differently about design that will help music scholars better understand the power of musical images, thereby shifting the ephemeral to material.
Vital Performance: Historically Informed Romantic Performance in Cultural Context
by Andrew SneddenHistorically Informed Performance, or HIP, has become an influential and exciting development for scholars, musicians, and audiences alike. Yet it has not been unchallenged, with debate over the desirability of its central goals and the accuracy of its results. The author suggests ways out of this impasse in Romantic performance style. In this wide-ranging study, pianist and scholar Andrew John Snedden takes a step back, examining the strengths and limitations of HIP. He proposes that many problems are avoided when performance styles are understood as expressions of their cultural era rather than as simply composer intention, explaining not merely how we play, but why we play the way we do, and why the nineteenth century Romantics played very differently. Snedden examines the principal evidence we have for Romantic performance style, especially in translation of score indications and analysis of early recordings, finally focusing on the performance styles of Liszt and Chopin. He concludes with a call for the reanimation of culturally appropriate performance styles in Romantic repertoire. This study will be of great interest to scholars, performers, and students, to anyone wondering about how our performances reflect our culture, and about how the Romantics played their own culturally-embedded music.