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The Train in the Night: A Story of Music and Loss
by Nick ColemanFor thirty years Nick Coleman immersed himself in music, from rock'n'roll to "pro rock," jazz to classical, until one morning as he sat up in bed, his right ear went stone deaf. His left ear-as though to compensate-started to make horrific noises "...like the inside of an old fridge hooked up to a half-blown amplifier."The Train in the Night explores the world in which a music critic must cope with a world that has abruptly lost its most important element, sound. But Coleman opens more than his struggle; he delves back into his past to examine how music defined his identity, how that identity must be reshaped by its loss, and how at time the memory of the music can be just as powerful as the music itself.
Training Tenor Voices
by Richard MillerThis text presents a combination of historical and pedagogical information on how tenors sing. It emphasizes the special nature of the tenor voice and the proper physiological function leading to the establishment of vocal proficiency.
The Trance Experience: An Introduction to Electronic Dance Music
by Torsten FassbenderTrance Composition and Arrangement From song conception and composition to instrumentation and arrangement, down to the ins and outs of breakdowns, fill-ins and mix-outs, you'll walk through each step, up close and personal. Mixing and Production In The Box You'll discover the finer points of mixing and production "in the box." From the basics like instrument and vocal levels and on through to the mastering process, every phase of the process is described in deep detail, so you don't miss a thing. Signal Processing Techniques Since The Trance Experience is an OpenMix interactive course, that means you get all of Torsten's original session files. YouÂ'll see each and every one of the effect settings used to create the tracks. Tweak them gently, take them to extremes or use them "as is" on your own productions! Adventures in Sound Design Want to know how to create a kick drum from a sine wave? Curious about FM synthesis? Or why this string part goes with that guitar pattern? You'll get the information you need in a way that makes perfect sense to beginners as well as seasoned veterans. Get Into the Loop Get the lowdown on loops: Slicing, dicing, or mangling - find out how and then experiment in actual musical settings. Sessions in Three Styles: Vocal Trance, Remix, and Chillout Since electronic music has so many different categories and sub-genres, you'll get an expansive overview of all the leading Trance styles---not to mention practical hands-on experience using three popular genres: Vocal Trance, Remix, and Chillout. Full Multi-Track Sessions for Major DAW Platforms Whether you use Pro Tools, Logic, Sonar, Cubase or Nuendo,
Trans-atlantic Passages
by Jon Ceander MitchellPhilip Hale (1854-1934) helped put Boston on the Transatlantic map through his music writing. He was one of the most frequently read American writers of the late nineteenth and early twentieth centuries. In Trans-Atlantic Passages: Philip Hale on the Boston Symphony Orchestra 1889-1933 John Ceander Mitchell reconstructs Hale's oeuvre to produce an authoritative account of the role the Boston Symphony played in the international world of nineteenth- and early twentieth-century music.
A Transatlantic History of Haitian Vodou: Rasin Figuier, Rasin Bwa Kayiman, and the Rada and Gede Rites
by Benjamin HebblethwaiteConnecting four centuries of political, social, and religious history with fieldwork and language documentation, A Transatlantic History of Haitian Vodou analyzes Haitian Vodou’s African origins, transmission to Saint-Domingue, and promulgation through song in contemporary Haiti.Split into two sections, the African chapters focus on history, economics, and culture in Dahomey, Allada, and Hueda while scrutinizing the role of Europeans in fomenting tensions. The political, military, and slave trading histories of the kingdoms in the Bight of Benin reveal the circumstances of enslavement, including the geographies, ethnicities, languages, and cultures of enslavers and enslaved. The study of the spirits, rituals, structure, and music of the region’s religions sheds light on important sources for Haitian Vodou. Having royal, public, and private expressions, Vodun spirit-based traditions served as cultural systems that supported or contested power and enslavement. At once suppliers and victims of the European slave trade, the people of Dahomey, Allada, and Hueda deeply shaped the emergence of Haiti’s creolized culture. The Haitian chapters focus on Vodou’s Rada Rite (from Allada) and Gede Rite (from Abomey) through the songs of Rasin Figuier’s Vodou Lakay and Rasin Bwa Kayiman’s Guede, legendary rasin compact discs released on Jean Altidor’s Miami label, Mass Konpa Records. All the Vodou songs on the discs are analyzed with a method dubbed “Vodou hermeneutics” that harnesses history, religious studies, linguistics, literary criticism, and ethnomusicology in order to advance a scholarly approach to Vodou songs.
Transatlantic Roots Music: Folk, Blues, and National Identities (American Made Music Series)
by Jill Terry and Neil A. WynnThis book presents a collection of essays on the debates about origins, authenticity, and identity in folk and blues music. The essays had their origins in an international conference on the Transatlantic routes of American roots music, out of which emerged common themes and questions of origins and authenticity in folk music, black and white, American and British. The central theme is musical influences, but issues of identity—national, local, and racial—are also recurring subjects. The extent to which these identities were invented, imagined, or constructed by the performers, or by those who recorded their work for posterity, is also a prominent concern and questions of racial identity are particularly central. The book features a new essay on the blues by Paul Oliver alongside an essay on Oliver's seminal blues scholarship. There are also several essays on British blues and the links between performers and styles in the United States and Britain and new essays on critical figures such as Alan Lomax and Woody Guthrie. This volume uniquely offers perspectives from both sides of the Atlantic on the connections and interplay of influences in roots music and the debates about these subjects drawing on the work of eminent established scholars and emerging young academics who are already making a contribution to the field. Throughout, the contributors offer the most recent scholarship available on key issues.
Transcultural Jazz: Israeli Musicians and Multi-Local Music Making
by Noam LemishTranscultural Jazz: Israeli Musicians and Multi-Local Music Making studies jazz performance and composition through the examination of the transcultural practices of Israeli jazz musicians and their impact globally. An impressive number of Israeli jazz performers have received widespread exposure and worldwide acclaim, creating music that melds aspects of American jazz with an array of Israeli, Jewish and Middle Eastern influences and other non-Western musical traditions. While each musician is developing their own approach to musical transculturation, common threads connect them all. Unraveling and analyzing these entangled sounds and related discourses lies at the center of this study. This book provides broad insight into the nature, role and politics of transcultural music making in contemporary jazz practice. Focusing on a particular group of Israeli musicians to enhance knowledge of modern Israeli society, culture, discourses and practices, the research and analyses presented in this book are based on extensive fieldwork in multiple sites in the United States and Israel, and interviews with musicians, educators, journalists, producers and scholars. Transcultural Jazz is an engaging read for students and scholars from diverse fields such as: jazz studies, ethnomusicology, Jewish studies, Israel studies and transnational studies.
TransElectric: My Life as a Cosmic Rock Star
by Cidny Bullens Sir Elton JohnFrom the depths of the '70s rock 'n' roll excesses through unimaginable personal losses to an inspiring late-life transformation, Cidny Bullens's story is an utterly compelling journey about living and singing with your authentic voice. An androgynous gender-bending musician from the get-go, Bullens toured extensively with Sir Elton John and performed with Bob Dylan, undergoing a complete immersion in the drug-fueled excesses of 1970s rock 'n' roll. Despite getting sober, climbing the charts with the Grammy-nominated Survivor, as well as a Grammy nomination for his lead vocals in the soundtrack for the movie Grease, Bullens was unable to break out as a solo star in a world that allowed its artists to cross the gender line, but had much more narrow expectations about how women could behave and perform. Retreating into the conventional lifestyle of a suburban mom, Bullens felt like she was living in an alternate universe. Then whatever world she had was shattered by the tragic death of her younger daughter from cancer. Out of the ashes of despair, Bullens brought forth an award-winning album, Somewhere Between Heaven and Earth, that relaunched the musician's career. Finally, nine years ago, Cidny claimed his own healing and transitioned from female to male—finding unexpected love, becoming a new stepfather and a grandfather.What he found, too, was his true voice and true power as a performer.
Transfigured New York: Interviews with Experimental Artists and Musicians, 1980-1990 (Columbiana)
by Brooke WentzTransfigured New York presents conversations with iconic, genre-bending artists who shaped the sounds of experimental movements like no wave, avant-jazz, and electronic music. As an undergrad in the 1980s, Brooke Wentz hosted the show Transfigured Night on Columbia University’s WKCR-FM, discussing art and ideas with avant-garde music luminaries. She unearths these candid interviews—heard before only when first broadcast—from cassettes and reel-to-reel tapes, letting readers today feel the excitement and creative energy of the 1980s New York underground scene.Musicians and artists, now icons of their craft, tell their stories and share their thoughts about the creative process, capturing the ambition and energy that animated their work. Legends in the making like Bill Frisell, Philip Glass, and Laurie Anderson convey what it was like to be a struggling artist in 1980s New York, when the city was alive with possibilities. Others who were well known at the time, including John Cage, La Monte Young, and Ravi Shankar, advocate for their distinctive ideas about art and open up about their creative lives.Featuring an astonishing range of interviewees—Morton Subotnick, Joan Tower, Steve Reich, Glenn Branca, Joan La Barbara, Living Colour, Arthur Russell, John Lurie, Eric Bogosian, Bill T. Jones, and many more—Transfigured New York provides new insight into the city’s cultural landscape in this era. It is a one-of-a-kind account of one of the most exhilarating and inventive periods for art and culture in New York City’s history.
Transformational Music Teaching
by Edna B. Chun George S.T. ChuDesigned as a practical resource, this book examines transformational and inclusive approaches to the teaching of music at the postsecondary level based on first-person interviews with renowned musicians and their students. At the heart of the study are musical/artistic perspectives and pedagogical approaches from leading artists and the insights of their students on the impact of the teaching and mentoring process. Through case studies with renowned musicians and their protégés, the book identifies common themes in teaching and mentoring across classical and jazz performance. Each case study is a master class with the artist that offers insight into the evolution of the individual’s musical career, their approach to teaching, and specific strategies for navigating the complexities of the music business environment. With remarkable candor, artists and their protégés share how they navigated significant obstacles in their career journeys. Including overcoming performance anxiety, disability and injury, lack of financial support, difficulty obtaining an agent and recording contracts, country location and stereotypes based on gender and nationality. The book serves as an important resource for music educators by offering concrete approaches to mentoring talented students, while also sharing specific strategies for aspiring professional musicians seeking to forge a career in a highly competitive musical market.
The Transformative Politics of Music Education (ISME Series in Music Education)
by Tuulikki Laes Gert Biesta Heidi WesterlundThis book introduces a unique approach to the interconnections between music education and politics. By taking a broader, more diverse, and explicitly ethico-political philosophical and theoretical stance, the book challenges institutional and structural conditions that may be resistant to change and expands the understanding of the professional responsibility of music educators in the 21st century to meet a variety of societal and ecological challenges.Emerging from a collaboration between international music education scholars and prominent contemporary educational theorist Gert Biesta, this book connects contemporary educational theories with music education to unlock its transformational capacity. In eight chapters, the contributors show how music education can move towards ways of being and doing that are attuned to social justice and to the broader social and ecological responsibility of music professionals. Strengthening the interdisciplinary connections between music education and education, philosophy, sociology, policy, systems thinking, and more, the volume offers a renewed vision of the scope and boundaries of both music teacher education and professional work in music more widely.Connecting the decades-long work of internationally established music educator scholars and ideas from large-scale research projects with a shared interest in transformative theorisation, this book fills a knowledge gap and reframes the philosophy of music education as a vibrantly multidisciplinary, theory-generating field. Relevant to researchers and students across music teacher education and performance studies, this book speaks to both conservatoires and university contexts across Europe and North America, helping us unlock the transformative capacity of music education.
Transformer: A Story of Glitter, Glam Rock, and Loving Lou Reed
by Simon DoonanSimon Doonan’s memoir pays homage to Lou Reed’s groundbreaking glam rock album Transformer, recalling its influence on his coming of age and coming out.In November 1972, Lou Reed released Transformer because it was “dreary for gay people to have to listen to straight people’s love songs.” That same year, Sweden was the first country to legalize gender-affirming surgery, and San Francisco struck down employment discrimination based on sexual orientation.Sometimes an artistic creation perfectly aligns with a broader social and political history, and Transformer—with the songs “Walk on the Wild Side,” “Perfect Day,” and “Vicious”—perfectly captured its time. “Walk on the Wild Side” was banned on radio but became a massive hit when young people threatened to boycott stations that would not play it. The album’s cover depcited Lou in high-contrast, flaunting a new mascara’d glam rock incarnation, shot by legend Mick Rock, underscoring his intention to create “a gay album.”This is the story of how Lou Reed came to make Transformer with the help of David Bowie, placing its creation within the course of Reed’s life. Offering first-hand testimony of the album’s impact on the LGBTQ+ community, Simon Doonan shares how it transformed his own life as a 20-year-old working class kid from Reading, England, who had just discovered the joys of London Glam Rock and was sparked by the artistic freedom of Warhol’s The Factory. Transformer was a revelation—hearing Reed’s songs, Doonan understood how the world was changing for him and his friends.A poignant, personal addition to modern music and LGBTQ+ history, Transformer captures a pivotal moment when those long silenced were finally given a voice.
Transforming Performance Anxiety Treatment: Using Cognitive Hypnotherapy and EMDR (Routledge Focus on Mental Health)
by Elizabeth BrookerTransforming Performance Anxiety Treatment: Using Cognitive Hypnotherapy and EMDR offers a much needed and different approach to this issue, using two psychodynamic therapies which work to bring about rapid and long-lasting change. Using nine reflexive case studies, the author examines two little used interventions, cognitive hypnotherapy (CH) and eye movement desensitisation and reprocessing (EMDR). The basic theories of cognitive anxiety and the emotions that underpin this condition are explored. The principles and protocols of CH and EMDR are explained, and how these psychodynamic therapies are adapted to effect permanent change. The first book to examine these treatments for this condition, Transforming Performance Anxiety Treatment will be of interest for practitioners and therapists in training, as well as educators, professionals, and therapists working within competitive sports.
Transformismo: Performing Trans/Queer Cuba
by M. Myrta Leslie SantanaIn Transformismo, M. Myrta Leslie Santana draws on years of embedded research within Cuban trans/queer communities to analyze how transformistas, or drag performers, understand their roles in the social transformation of the island. Once banned and censored in Cuba, drag performance is now a state-sponsored event. Transformismo suggests that these performances make critical interventions in Cuban trans/queer life and politics and in doing so, the volume offers critical insight into how Cuba’s postsocialist reform has exacerbated racial, sexual, and economic inequalities. Leslie Santana argues that mainstream trans/queer nightlife in Cuba is entangled with the island’s tourism economy and has shaped the aesthetics and social makeup of transformismo in coastal Havana, which largely caters to foreigners. Leslie Santana considers how Black lesbian and transgender transformistas are expanding understandings of sexual selfhood and politics on the island, particularly questioning the ways that Black women’s creativity is prominently featured in the aesthetics of tourism and trans/queer nightlife, while Black women themselves are denied social and material capital.
Transnational Flamenco: Exchange and the Individual in British and Spanish Flamenco Culture (Leisure Studies in a Global Era)
by Tenley MartinThis book provides insight into how flamenco travels, the forms it assumes in new locales, and the reciprocal effects on the original scene. Utilising a postnational approach to cultural identity, Martin explores the role of non-native culture brokers in cultural transmission. This concept, referred to as ‘cosmopolitan human hubs’, builds on Kiwan and Meinhof’s ‘hubs’ theory of network migration to move cultural migration and globalisation studies forwards. Martin outlines a post-globalisation flamenco culture through analysis of ethnographic research carried out in the UK, Sevilla and Madrid. Insight into these glocal scenes characterises flamenco as a historically globalized art complex, represented in various hubs around the world. This alternative approach to music migration and globalisation studies will be of interest to students and scholars across leisure studies, musicology, sociology and anthropology.
Trauma and Resilience in Music Education: Haunted Melodies
by Juliet Hess Deborah BradleyTrauma and Resilience in Music Education: Haunted Melodies considers the effects of trauma on both teachers and students in the music class- room, exploring music as a means for working through traumatic expe- riences and the role music education plays in trauma studies. The volume acknowledges the ubiquity of trauma in our society and its long-term deleterious effects while showcasing the singular ways music can serve as a support for those who struggle. In twelve contributed essays, authors examine theoretical perspectives and personal and societal traumas, providing a foundation for thinking about their implications in music education. Topics covered include: Philosophical, psychological, sociological, empirical, and narrative perspectives of trauma and resilience. How trauma-informed education practices might provide guidelines for music educators in schools and other settings Interrogations of how music and music education may be a source of trauma Distinguishing itself from other subjects—even the other arts—music may provide clues to the recovery of traumatic memory and act as a tool for releasing emotions and calming stresses. Trauma and Resilience in Music Education witnesses music’s unique abilities to reach people of all ages and empower them to process traumatic experiences, providing a vital resource for music educators and researchers.
Trauma-Informed Pedagogy and the Post-Secondary Music Class (Modern Musicology and the College Classroom)
by Kimber Andrews Kristy SwiftTrauma-Informed Pedagogy and the Post-Secondary Music Class explores the theory and practice of teaching and learning in a traumatized world and aims to support instructors in guiding students and walking with them through challenges that impact learning. With analysis contextualized within definitions of trauma, critical theoretical trauma studies, and clinical understandings of the causes and effects of trauma on the brain and nervous system, the book offers ways to empower faculty and students to build classrooms where it is safe enough to address the stress and trauma of learning. Bringing together a unique multidisciplinary group of contributors, this book includes perspectives from both music faculty and mental health counseling specialists.The volume engages music scholars and educators in higher education with scholarship on trauma-informed pedagogy, provides examples of how to introduce trauma-informed practices into music courses, explores how trauma-informed practices can increase both faculty and student well-being, and offers practical materials such as syllabi and assignments that instructors can implement in their classes. Reaching across disciplinary boundaries to contribute to an emerging body of research, teaching, and learning, this is a vital collection for educators across music higher education.
Traveling: On the Path of Joni Mitchell
by Ann Powers*An Observer Best New Biographies of 2024*Celebrated NPR music critic Ann Powers explores the life and career of Joni Mitchell in a lyrical style as fascinating and ethereal as the songs of the artist herself..“What you are about to read is not a standard account of the life and work of Joni Mitchell. Instead, it’s a tale of long journeying through a life that changed popular music: of a homesick wanderer forging ahead on routes of her own invention, and of me on her trail, heading toward the ringing of her voice.”—From the introductionFor decades, Joni Mitchell’s life and music have enraptured listeners. One of the most celebrated artists of her generation, Mitchell has inspired countless musicians—from peers like James Taylor, to inheritors like Prince and Brandi Carlile—and authors, who have dissected her music and her life in their writing. At the same time, Mitchell has always been a force beckoning us still closer, as—with the other arm—she pushes us away. Given this, music critic Ann Powers wondered if there was another way to draw insights from the life of this singular musician who never stops moving, never stops experimenting.In Traveling, Powers seeks to understand Mitchell through her myriad journeys. Through extensive interviews with Mitchell's peers and deep archival research, she takes readers to rural Canada, mapping the singer’s childhood battle with polio. She charts the course of Mitchell’s musical evolution, ranging from early folk to jazz fusion to experimentation with pop synthetics. She follows the winding road of Mitchell’s collaborations with other greats, and the loves that emerged along the way, all the way through to the remarkable return of Mitchell to music-making after the 2015 aneurysm that nearly took her life.Along this journey, Powers’ wide-ranging musings on the artist’s life and career reconsider the biographer’s role and the way it twines against the reality of a fan. In doing so, Traveling illustrates the shifting nature of biography, and the ultimate contradiction of celebrity: that an icon cannot truly, completely be known to a fan.Kaleidoscopic in scope, and intimate in its detail, Traveling is a fresh and fascinating addition to the Joni Mitchell canon, written by a biographer in full command of her gifts who asks as much of herself as of her subject.
Traveling Soul: The Life of Curtis Mayfield
by Todd Mayfield Travis AtriaCurtis Mayfield was one of the seminal vocalists and most talented guitarists of his era, and his music played a vital role in the civil rights movement: "People Get Ready" was the black anthem of the time. In Traveling Soul, Todd Mayfield tells his famously private father's story in riveting detail. Born into dire poverty, raised in the slums of Chicago, Curtis became a musical prodigy, not only singing like a dream but growing into a brilliant songwriter. In the 1960s he opened his own label and production company and worked with many other top artists, including the Staple Singers. Curtis's life was famously cut short by an accident that left him paralyzed, but in his declining health he received the long-awaited recognition of the music industry. Passionate, illuminating, vivid, and absorbing, Traveling Soul will doubtlessly take its place among the classics of music biography.
Travels with Louis
by Mick Carlon"When Louis was home in Queens, neighborhood kids would gather around as he brought them into jazz. His music still vibrantly lives around the world, and his spirit of humaneness lives in Travels with Louis by Mick Carlon, teacher of jazz to the young of all ages."-Nat Hentoff"Thanks to his friendship with the great Louis Armstrong, twelve-year old Fred sees his world expand from ice cream and baseball in Queens to jazz at the Village Vanguard, a civil rights sit-in in Nashville, and ecstatic concerts in London and Paris. A wonderful story, which rings true on many levels."-Michael Cogswell, director, Louis Armstrong House Museum"Carlon is driven by a love divided evenly between the subject and the act of writing itself."-Brian Morton, author of The Penguin Guide to JazzPraise for Mick Carlon's Riding on Duke's Train:"In schools where students are lucky enough to experience classroom jazz studies, this title, combining rich musical history and a 'you are there' approach, is a natural."-Kirkus Reviews"Enthralling. . . . An adventure story with a smart, historical framework."-ForeWord, Recommended Books for Kids"A ripping good yarn."-Brian MortonQueens, 1959. Twelve-year-old Fred loves reading, baseball, and playing trumpet with his neighbor, Louis Armstrong. Fred accompanies Louis to Nashville, where he encounters a Civil Rights lunch counter strike, and to London and Paris. Characters include Langston Hughes, Dizzy Gillespie, and Duke Ellington. Says jazz photographer Jack Bradley, "Reading this book is like visiting my friend again. This is the way he was, folks."
Treacherous Bonds and Laughing Fire: Politics and Religion in Wagner's Ring
by Mark BerryMark Berry explores the political and religious ideas expounded in Wagner's Ring through close attention to the text and drama, the multifarious intellectual influences upon the composer during the work's lengthy gestation and composition, and the wealth of Wagner source material. Many of his writings are explicitly political in their concerns, for Wagner was emphatically not a revolutionary solely for the sake of art. Yet it would be misleading to see even the most 'political' tracts as somehow divorced from the aesthetic realm; Wagner's radical challenge to liberal-democratic politics makes no such distinction. This book considers Wagner's treatment of various worlds: nature, politics, economics, and metaphysics, in order to explain just how radical that challenge is. Classical interpretations have tended to opt either for an 'optimistic' view of the Ring, centred upon the influence of Young Hegelian thought - in particular the philosophy of Ludwig Feuerbach - and Wagner's concomitant revolutionary politics, or for the 'pessimistic' option, removing the disillusioned Wagner-in-Swiss-exile from the political sphere and stressing the undoubtedly important role of Arthur Schopenhauer. Such an 'either-or' approach seriously misrepresents not only Wagner's compositional method but also his intellectual method. It also sidelines inconvenient aspects of the dramas that fail to 'fit' whichever interpretation is selected. Wagner's tendency is not progressively to recant previous 'errors' in his oeuvre. Radical ideas are not completely replaced by a Schopenhauerian world-view, however loudly the composer might come to trumpet his apparent 'conversion'. Nor is Wagner's truly an Hegelian method, although Hegelian dialectic plays an important role. In fact, Wagner is in many ways not really a systematic thinker at all (which is not to portray him as self-consciously unsystematic in a Nietzschean, let alone 'post-modernist' fashion). His tendency, rather, is agglomerative,
A Treasury of Early Music: Masterworks of the Middle Ages, the Renaissance and the Baroque Era (Dover Books on Music)
by Carl ParrishFifty first-rate musical compositions document the development of musical style from the early Middle Ages to the Middle of the 18th century. Among the selections are a Gregorian hymn, an English lute piece, operatic arias, instrumental and vocal motets, a French ballad, as well as works by Vivaldi, Telemann, Pergolesi, Scarlatti, Buxtehude, and other masters. Commentary evaluates style, form and historical setting, and complete compositions or sections of compositions are supplied when possible.
Treat it Gentle: An Autobiography
by Sidney BechetThe Autobiography of Sidney Bechet. 1897-1959, Clarinetist, Saxophonist and Composer.Fifty years after hearing Sidney Bechet (1897-1959) in 1923, Duke Ellington recalled, "I have never forgotten the power and imagination with which he played." The first great jazz soloist, Bechet was a genius of the clarinet and the notoriously difficult soprano saxophone. In a career that spanned five decades and two continents he worked with Bunk Johnson, King Oliver, Duke Ellington, Josephine Baker, Jelly Roll Morton, and Louis Armstrong. He was a giant in early New Orleans jazz and a pioneer of improvisation whose contribution to the music, from the traditional to the avant-garde, has been a vital and lasting one.-Print ed.
Treat Me Like Dirt: An Oral History of Punk in Toronto and Beyond, 1977–1981
by Liz WorthThis compendium of interviews with key players in the Toronto punk scene is &“easily one of the best rock biographies you&’ll read this year.&” (Montreal Mirror) Treat Me Like Dirt captures the personalities that drove the original Toronto punk scene. This is the first book to document the histories of the Diodes, Viletones, and Teenage Head, along with other bands such as the B-Girls, Curse, Demics, Dishes, Forgotten Rebels, Johnny & the G-Rays, the Mods, the Poles, Simply Saucer, the Ugly and more. Also included are interviews from fans that brought the punk scene to life in Toronto. This book is a punk rock road map, full of chaos, betrayal, pain, disappointments, failure, success, and the pure rock &’n&’ roll energy that frames this layered history of punk in Toronto and beyond. Treat Me Like Dirt is a story assembled from individual personal stories that go beyond the usual &“we played here, this famous person saw us there&” and into sex, drugs, murder, conspiracy, booze, criminals, biker gangs, violence, art (yes, art) and includes one of the last interviews with the late Frankie Venom, the singer of Teenage Head. Including a wealth of previously unpublished photographs, Treat Me Like Dirt is the uncensored oral history of the 1977 Toronto punk explosion. Exclusive to this edition is a selected discography of all key Toronto punk releases referenced in the book, contributed by Frank Manley, author of Smash The State, the acclaimed and pioneering discography of Canadian punk, and subsequent vinyl compilations, that activated the current international interest in Canadian punk from the &‘70s and early &‘80s.