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Bel Canto
by James StarkIn this well documented and highly readable book, James Stark provides a history of vocal pedagogy from the beginning of the bel canto tradition of solo singing in the late sixteenth and early seventeenth centuries to the present. Using a nineteenth-century treatise by Manuel Garcia as his point of reference, Stark analyses the many sources that discuss singing techniques and selects a number of primary vocal 'problems' for detailed investigation. He also presents data from a series of laboratory experiments carried out to demonstrate the techniques of bel canto.The discussion deals extensively with such topics as the emergence of virtuoso singing, the castrato phenomenon, national differences in singing styles, controversies regarding the perennial decline in the art of singing, and the so-called secrets of bel canto.Stark offers a new definition of bel canto which reconciles historical and scientific descriptions of good singing. His is a refreshing and profound discussion of issues important to all singers and voice teachers.
Bel Canto: A Professional Manual; Immediate & Practical
by Kendrick JacocksPedagogue, Kendrick Jacocks gives some of the so called "secrets" of the bel canto method. With a wealth of experience via a rare vocal heritage that goes directly from his first teacher Ethel Taylor Maxwell to Estelle Liebling and the Marchesi School then to his brief studies with Virginia Zeani and from her, Lydia Lipkowskaya, Aureliano Pertile, Maria Malibran and the entire Manuel Garcia family etc..., Jacocks may be uniquely qualified to write such a book.
Bel Canto: A Theoretical and Practical Vocal Method (Dover Books on Music)
by Mathilde MarchesiMathilde Marchesi (1821-1913) was probably the most renowned singing teacher of the late nineteenth century. Herself the pupil of the great Manuel Garcia the Second and the associate of the unsurpassable divas of the middle nineteenth century, she also linked the traditional bel canto teaching method to the beginning of the twentieth century. Early in her career her work was praised enthusiastically by Rossini, who was for a time officially in charge of voice training in France; and toward the end of her career she prepared such superstars as Melba, Calvé, Eames, Aida, and others.This volume embodies Madame Marchesi's "vocal alphabet," or basic instructions and exercises that formed the voices of her great pupils. An introductory text discusses breathing, attack, registers, and similar matters, while the remainder of the book contains many exercises that teach voice management and projections.Marchesi's book is today even more important than when it first appeared, for it offers the basis for a construction of the bel canto training system. At the time the book appeared, the bel canto system had gone out of fashion in favor of more modern schools that seemed to offer more rapid maturation, voice volume, and dramatics. Today, a more realistic reevaluation has revealed that the bel canto system gave the singer much longer performing life, a more pleasing voice, and far greater musical ability. As Philip Miller states in his introduction, "a solidity, a sure technical mastery, an even scale with no register break . . . strong, even and secure trills, their coloratura masterly." In addition, the resurgence of interest in early-nineteenth-century opera renders a work like Marchesi's indispensable to the modern singer.
Bela Bartok: Composition, Concepts, and Autograph Sources (Ernest Bloch Lectures #9)
by László SomfaiThis long-awaited, authoritative account of Bartók's compositional processes stresses the composer's position as one of the masters of Western music history and avoids a purely theoretical approach or one that emphasizes him as an enthusiast for Hungarian folk music.For Bèla Bartók, composition often began with improvisation at the piano. Làszló Somfai maintains that Bartók composed without preconceived musical theories and refused to teach composition precisely for this reason. He was not an analytical composer but a musical creator for whom intuition played a central role.These conclusions are the result of Somfai's three decades of work with Bartók's oeuvre; of careful analysis of some 3,600 pages of sketches, drafts, and autograph manuscripts; and of the study of documents reflecting the development of Bartók's compositions. Included as well are corrections preserved only on recordings of Bartók's performances of his own works. Somfai also provides the first comprehensive catalog of every known work of Bartók, published and unpublished, and of all extant draft, sketch, and preparatory material. His book will be basic to all future scholarly work on Bartók and will assist performers in clarifying the problems of Bartók notation. Moreover, it will be a model for future work on other major composers.
Believe in Magic: 30 Years Of Heavenly Recordings
by Robin Turner'Heavenly is more than a record label, it's the absolute nectar of all that's brilliant in the culture of these island. I love the shit out of them and everything they stand for.' Irvine Welsh
Believe in Magic: 30 Years of Heavenly Recordings
by Robin Turner''Heavenly is more than a record label, it''s the absolute nectar of all that''s brilliant in the culture of these island. I love the shit out of them and everything they stand for.'' Irvine WelshBELIEVE IN MAGIC tells the story of Heavenly Recordings in thirty vignettes, photography and ephemera, all of which relate to landmark records, moments and characters in the label''s first three decades.A label responsible for creating satellite communities of fans around the world and at all the major festivals, Heavenly was set up by Jeff Barrett in 1990 after several years working for Factory and Creation as the acid house revolution was in full swing; early releases set the tone and tempo for the mood of the decade to come - their first single was produced by perhaps the most revered acid house DJ of them all, Andrew Weatherall; and this was quickly followed by era-defining singles from Saint Etienne, Flowered Up and Manic Street Preachers, music which perhaps captures the flavour of the early ''90s better than any other.Heavenly was always tuned to an aesthetic that was sensitive to the anarchic spirt of the times; defiantly eclectic with a radar set to taste and a never-ending commitment to discovering new talent. In 1994 they set up The Heavenly Sunday Social, which became one of the most influential and mythologised clubs in recent British history, where the Chemical Brothers - then the Dust Brothers - made their name. For thirteen weeks, it was the hottest nightclub on the planet. For 180 demented acolytes in a basement room below the Albany pub.Over nearly 200 releases in thirty years Heavenly have consistently produced some of the most exciting music across all genres, and this book collects rare artwork and wild anecdotal evidence into a celebration of a label that is one of the most beloved institutions on the independent landscape.BELIEVE IN MAGIC includes contributions from Manic Street Preachers, Beth Orton, Doves, Don Letts, Edwyn Collins, Confidence Man, Mark Lanegan, King Gizzard and The Lizard Wizard.
Belle and Sebastian: Just A Modern Rock Story
by Paul WhitelawIn the years since their first release, Belle and Sebastian have grown from a secretive cult concern into one of the most beloved and revered pop'n'roll bands in the world. Intelligent and sensitive, witty and original, beautiful and bold, their music inspires the kind of devotion not seen since The Smiths. Their continuing desire to push the boundaries of their vision has resulted in some of the most essential and idiosyncratic records of recent times. In this, the first biography of Belle and Sebastian, Paul Whitelaw traces their unpredictable personal and creative curve. With all original interviews and personal photos from the band Belle and Sebastian:Just A Modern Rock Story is the definitive account of the clandestine world and continuing rise of the unique and fascinating musical phenomenon that is Belle and Sebastian.
Ben's Tune (Rigby PM Collection Ruby (Levels 27-28), Fountas & Pinnell Select Collections Grade 3 Level Q)
by Pat Reynolds Diana ChaseBen was born with one hand much smaller than the other. But this doesn't stop him thumping out tunes on the piano. The problem is that music teachers won't give Ben a chance to prove how well he can play.
Bending the Rules of Music Theory: Lessons from Great Composers
by Timothy CutlerFor students learning the principles of music theory, it can often seem as though the tradition of tonal harmony is governed by immutable rules that define which chords, tones, and intervals can be used where. Yet even within the classical canon, there are innumerable examples of composers diverging from these foundational "rules." Drawing on examples from composers including J.S. Bach, Mozart, Beethoven, Schubert, Mendelssohn, Chopin, Brahms, and more, Bending the Rules of Music Theory seeks to take readers beyond the basics of music theory and help them to understand the inherent flexibility in the system of tonal music. Chapters explore the use of different rule-breaking elements in practice and why they work, introducing students to a more nuanced understanding of music theory.
Benjamin Britten (Penguin Specials)
by Igor Toronyi-LalicBenjamin Britten was one of the most important and unusual figures in twentieth-century music. This is the perfect introduction to his many wonderful works and his fascinating, controversial life.Benjamin Britten single-handedly transformed the reputation of British classical music. The enormous popular appeal of his great works, such as Peter Grimes (1945) and the Young Person's Guide to the Orchestra (1946), make him the most successful opera composer of any born in the twentieth century. But his success was not without controversy and pain: he was accused of fleeing Britain to avoid military service, he was widely known to be sexually obsessed with boys and he suffered an astonishing array of illnesses. This short book combines a colourful overview of his life with pithy descriptions of all of his major musical works, providing an intimate portrait of this highly unusual man and a persuasive account of his influences, reputation and importance.Each chapter tackles a key episode and theme in his life, from his first compositions at the age of 5, his early friendship and collaboration with W H Auden and the beginnings of his life-long relationship with the tenor Peter Pears, through to his great musical successes and the establishment of the influential, if tempestuous, Aldeburgh Festival, as well as his failures, such as his coronation opera Gloriana (known as 'Boriana') and being satirised by Dudley Moore in Beyond the Fringe - and ending with frank discussions of his naïve politics, his troubling sexuality and his glorious musical legacy.Published to coincide with his 100th anniversary of his birth, this is the perfect introduction to a towering figure of British culture.Igor Toronyi-Lalic is a critic and curator. He writes regularly on music for, among others, The Times and Sunday Telegraph. He is a founder of theartsdesk.com, the author of What's That Thing? (2012), a report on public art, and co-director of the London Contemporary Music Festival.
Benjamin Britten in Context (Composers in Context)
by Vicki P. Stroeher Justin VickersBenjamin Britten, pianist, conductor, educator, composer of a wide range of music from large-scale operas and choral works to string quartets and songs, is acknowledged as a pivotal figure in mid-twentieth-century Britain. This volume explores the contexts for his multi-faceted career and his engagement with his contemporaries in music, art, literature, and film, British musical institutions, royal and governmental entities, and the church, as well as his ground-breaking projects, philosophical and ideological tenets. The book is thematically structured in five parts: Britten's relationships with Peter Pears, his close friends, mentors, and colleagues; musical life in Britain; his interactions with previous and contemporary generations of composers; his professional work with choreographers, librettists, stage designers, and directors; and his socio-cultural, religious, and political environment. The chapters shed light on the many opportunities and challenges of post-war British musical life that shaped Britten's creative output.
Benjamin Britten: A Guide to Research (Routledge Music Bibliographies)
by Peter J. HodgsonThis work constitutes the largest and most comprehensive research guide ever published about Benjamin Britten. Entries survey the most significant published materials relating to the composer, including bibliographies, catalogs, letters and documents, conference reports, biographies, and studies of Britten's music.
Benjamin Britten: A Life for Music
by Neil PowellThis spellbinding centenary biography by Neil Powell looks at the music, the life, and the legacy of the greatest British composer of the twentieth centuryBenjamin Britten was born on November 22, 1913, in the East Suffolk town of Lowestoft. Displaying a passion and proficiency for music at an early age, to the delight of his mother, Edith, a talented amateur musician herself, he began composing music when he was only five years old. After studying at the Royal College of Music, Britten went on to write documentary scores for the General Post Office Film Unit, where he met and collaborated with the poet W. H. Auden.Of more lasting importance was Britten's introduction in 1937 to the tenor Peter Pears, who was to become the inspirational center of his emotional and musical life. Their partnership lasted nearly four decades, during a dangerous time when homosexuality was illegal in England. Conscientious objectors, Britten and Pears followed Auden to America before the war began in 1939. While there, they joined the extraordinary Brooklyn ménage of George Davis, Louis MacNeice, and Paul Bowles.Eventually intense homesickness, provoked in part by George Crabbe's poem "Peter Grimes," drove the pair home to East Anglia in 1942 and gave Britten the inspiration for his finest opera. Throughout his career, Britten did not want modern music to be just for "the cultured few" and instead always composed his music to be "listenable-to." The shared quotidian lives of Britten and Pears unfold in this intimate biography and the story of two men who created a truly remarkable legacy.
Benny Goodman And The Swing Era
by James Lincoln CollierBenny Goodman and other jazz musicians introduced Swing to America at a time, when people needed to dance to forget the depression, and all that brought to the world. This music, is what millions still remember and love today. Reading this book will help you know why.
Benny Goodman and Teddy Wilson: Taking The Stage As The First Black-and-White Jazz Band In History
by Lesa Cline-RansomeTeddy Wilson and Benny Goodman broke the color barrier in entertainment when they formed the Benny Goodman Trio with Gene Krupa. Here is the story of how two musical prodigies from very different backgrounds grew up, were brought together by the love of music, and helped to create the jazz style known as swing.
Benny Ramírez and the Nearly Departed
by José Pablo IriarteBenny Ramírez can see dead people . . . Well, one dead person, anyway. A hilarious and heartwarming story about a boy who can suddenly see the ghost of his famous musician grandfather!After moving cross-country into his late grandfather&’s Miami mansion, Benny discovers that the ghost of his famous trumpet-playing abuelo, the great Ignacio Ramírez, is still there . . . and isn&’t too thrilled about it. He&’s been barred from the afterlife, and no one can see him except his grandson. But Benny&’s got problems of his own. He&’s enrolled in a performing arts school with his siblings, despite having no obvious talent. Luckily, Abuelo believes they can help each other. Abuelo has until New Year&’s Eve to do some good in the world and thinks that teaching Benny how to play the trumpet and become a school celebrity might be the key to earning his wings. Having no better ideas, Benny finds himself taking Abuelo's advice—to disastrous and hilarious results. Benny and Abuelo will find that there&’s more than one way to be great in this unforgettable, laugh-out-loud tale of family, music, and self-discovery.
Benson: The Autobiography
by Alan Goldsher George Benson Foreword by Bill CosbyOver the course of his fifty-year career, George Benson has performed for hundreds of millions of fans around the world, received ten Grammy Awards, and recorded with some of the most revered musicians of his era. In 2011, he earned a National Endowment of the Arts Jazz Masters Award. And he has finally decided to tell his story. Benson: The Autobiography follows the musician’s remarkable rise from the ghettos of Pittsburgh to the stages of Dubai, and everywhere in between. His tales of scuffling on the road with jazz legend Brother Jack McDuff, navigating his way through the recording studio with Miles Davis, and emerging as the first true (and truly successful) jazz/soul crossover artist will enthrall devotees of both music history and pop culture. An open and truthful raconteur, Benson discusses his near-arrest for domestic abuse, the tragic illnesses that afflicted his family, the secret lives of his musical cohorts, and racism’s effect on his life and art. His long-awaited book allows readers to meet one of the most beloved, prolific, and bestselling musicians of any era.
Berio's Sequenzas: Essays on Performance, Composition and Analysis
by Janet K. Halfyard Maureen EpBetween 1958 and 2002, Luciano Berio wrote fourteen pieces entitled Sequenza, along with several versions of the same work for different instruments, revisions of the original pieces and also the parallel Chemins series, where one of the Sequenzas is used as the basis for a new composition on a larger scale. The Sequenza series is one of the most remarkable achievements of the late twentieth century - a collection of virtuoso pieces that explores the capabilities of a solo instrument and its player, making extreme technical demands of the performer whilst developing the musical vocabulary of the instrument in compositions so assured and so distinctive that each piece both initiates and potentially exhausts the repertoire of a new genre. The Sequenzas have significantly influenced the development of composition for solo instruments and voice, and there is no comparable series of works in the output of any other composer. Series of pieces tend to be linked by the instruments for which the composer writes, but this is a series in which the pieces are linked instead by the variety of instruments for which Berio composed. The varied approaches taken by the contributors in discussing the pieces demonstrate the richness of this repertoire and the many levels on which Berio and these landmark compositions can be considered. Contributions are arranged under three main headings: Performance Issues; Berio's Compositional Process and Aesthetics; and Analytical Approaches.
Berkmann's Pop Miscellany: Sex, Drugs and Cars in Swimming Pools
by Marcus BerkmannMarcus Berkmann was for many years the pop critic of the Spectator, waiting like most freelances to get fired. He's also the author of the bestselling Berkmann's Cricket Miscellany, concentrating on the ridiculous true stories and the weird characters of that most eccentric of sports. Here he combines the two, in a wildly entertaining ride through the galloping absurdities of pop, from Elvis Presley's real hair colour, through Janet Jackson's more intimate piercings, to Courtney Love's hatred of cheese. Why does Bono always wear sunglasses? Did Ozzy Osbourne really urinate on the Alamo? What actually happened at Keith Moon's 21st birthday party at the Holiday Inn in Flint, Michigan? There's sex, there's drugs, there's violence, there's even a little rock 'n' roll from time to time. But mainly there are vital questions, now finally answered. Which notable guitarist has unfeasibly tiny hands? Which Britpop star was forced to wear lederhosen as a child? Who said, 'The majority of pop stars are compete idiots in every respect'? And was she wrong?
Berkmann's Pop Miscellany: Sex, Drugs and Cars in Swimming Pools
by Marcus BerkmannMarcus Berkmann was for many years the pop critic of the Spectator, waiting like most freelances to get fired. He's also the author of the bestselling Berkmann's Cricket Miscellany, concentrating on the ridiculous true stories and the weird characters of that most eccentric of sports. Here he combines the two, in a wildly entertaining ride through the galloping absurdities of pop, from Elvis Presley's real hair colour, through Janet Jackson's more intimate piercings, to Courtney Love's hatred of cheese. Why does Bono always wear sunglasses? Did Ozzy Osbourne really urinate on the Alamo? What actually happened at Keith Moon's 21st birthday party at the Holiday Inn in Flint, Michigan? There's sex, there's drugs, there's violence, there's even a little rock 'n' roll from time to time. But mainly there are vital questions, now finally answered. Which notable guitarist has unfeasibly tiny hands? Which Britpop star was forced to wear lederhosen as a child? Who said, 'The majority of pop stars are compete idiots in every respect'? And was she wrong?
Berlin Calling: A Story of Anarchy, Music, the Wall, and the Birth of the New Berlin
by Paul HockenosA gripping account of the 1989 'peaceful revolution' in East Germany that upended communism and the tumultuous years of artistic ferment, political improvisation, and pirate utopias that followed. It's the story of a newly undivided Berlin when protest and punk rock, bohemia and direct democracy, techno and free theatre were the order of the day. A unique account of how Berlin became hip, and of why it continues to attract creative types from the world over.
Berlioz The Bear
by Jan BrettBerlioz and band are on their way to play a concert. Their wagon gets stuck in a hole in the road and their mule can't get teh wagon out. Critters passing by try to help but the final push is provided by an unlikely character.
Berlioz and Debussy: Essays in Honour of Fran-s Lesure
by Kerry MurphyThis collection of essays by scholars of nineteenth- and early twentieth-century French music has been assembled in homage to the influential and inspirational French musicologist Fran‘s Lesure who died in 2001. Lesure's immense erudition was legendary and spanned music from the sixteenth to the twentieth century. Two French composers who were particular foci in his scholarship were Berlioz and Debussy and this collection is based on scholarship around these two composers and the sources, contexts and legacies relating to their work.
Berlioz and His World (The Bard Music Festival)
by Francesca Brittan and Sarah HibberdA collection of essays and short object lessons on the composer Hector Berlioz, published in collaboration with the Bard Music Festival. Hector Berlioz (1803–1869) has long been a difficult figure to place and interpret. Famously, in Richard Wagner’s estimation, he hovered as a “transient, marvelous exception,” a composer woefully and willfully isolated. In the assessment of German composer Ferdinand Hiller, he was a fleeting comet who “does not belong in our musical solar system,” the likes of whom would never be seen again. For his contemporaries, as for later critics, Berlioz was simply too strange—and too noisy, too loud, too German, too literary, too cavalier with genre and form, and too difficult to analyze. He was, in many ways, a composer without a world. Berlioz and His World takes a deep dive into the composer’s complex legacy, tracing lines between his musical and literary output and the scientific, sociological, technological, and political influences that shaped him. Comprising nine essays covering key facets of Berlioz’s contribution and six short “object lessons” meant as conversation starters, the book reveals Berlioz as a richly intersectional figure. His very difficulty, his tendency to straddle the worlds of composer, conductor, and critic, is revealed as a strength, inviting new lines of cross-disciplinary inquiry and a fresh look at his European and American reception.
Berlioz the Bear
by Jan BrettA "Reading Rainbow" Feature TitleZum, zum, buzz.... zum, zum, buzz...What's that strange buzz coming from the double bass? Berlioz has no time to investigate, because he and his bear orchestra are due at the gala ball in the village square at eight. But Berlioz is so worried about his buzzing bass that he steers the mule and his bandwagon full of magicians into a hole in the road and gets stuck.Time is running out, and if a rooster, a cat, a billy goat, a plow horse, and an ox can't rescue the bandwagon, who can?As the suspense mounts, intricate borders reveal the village animals making their way to the square one by one. When the clock chimes eight, the animals, ready to dance, have filled the square-but there's no sign of Berlioz.Jan Brett's glorious illustrations invite the eye to linger over exquisite details and humorous nuances that enhance the story. This delightful cumulative tale is one that will be looked at again and again.