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Turkic Soundscapes: From Shamanic Voices to Hip-Hop (SOAS Studies in Music)
by Razia Sultanova and Megan RancierThe Turkic soundscape is both geographically huge and culturally diverse (twenty-eight countries, republics and districts extending from Eastern Europe through the Caucasus and throughout Central Asia). Although the Turkic peoples of the world can trace their linguistic and genetic ancestries to common sources, their extensive geographical dispersion and widely varying historical and political experiences have generated a range of different expressive music forms. In addition, the break-up of the Soviet Union and increasing globalization have resulted in the emergence of new viewpoints on classical and folk traditions, Turkic versions of globalized popular culture, and re-workings of folk and religious practices to fit new social needs. In line with the opening up of many Turkic regions in the post-Soviet era, awareness of scholarship from these regions has also increased. Consisting of twelve individual contributions that reflect the geographical breadth of the area under study, the collection addresses animist and Islamic religious songs; the historical development of Turkic musical instruments; ethnography and analysis of classical court music traditions; cross-cultural influences throughout the Turkic world; music and mass media; and popular music in traditional contexts. The result is a well-balanced survey of music in the Turkic-speaking world, representing folk, popular and classical traditions equally, as well as discussing how these traditions have changed in response to growing modernity and cosmopolitanism in Europe and Central Asia.
Turkish Metal: Music, Meaning, and Morality in a Muslim Society (Ashgate Popular and Folk Music Series)
by Pierre HeckerTurkish Metal journeys deep into the heart of the Turkish heavy metal scene, uncovering the emergence, evolution, and especially the social implications of this controversial musical genre in a Muslim society. The book applies an ethnographic approach in order to study social and cultural change in a Muslim society that is stricken with conflict over the, by turns, religious or secular nature of the state. Turkish Metal explores how Turkish metalheads, against all odds, manage to successfully claim public spaces of their own, thereby transforming the public face of the city. The book raises the question of how and why the young dare to rebel against the prevalent social and moral restrictions in Turkish society; and it examines whether they succeed in asserting their individual freedom in a society that is still well-known for sanctioning any kind of behaviour deviating from the norm. Above all, the book investigates the Turkish metal scene's potential for contesting Islamic concepts of morality, its relevance within the field of female emancipation, and its capacity to foster social relations that cut across national, religious and ethnic boundaries.
Turn Around Bright Eyes: The Rituals of Love & Karaoke
by Rob SheffieldOnce upon a time I was falling apart. Now I'm always falling in love.Pick up the microphone.When Rob Sheffield moved to New York City in the summer of 2001, he was a young widower trying to start a new life in a new town. Behind, in the past, was his life as a happily married rock critic, with a wife he adored, and a massive collection of mix tapes that captured their life together. And then, in a flash, all he had left were the tapes.Beyoncé , Bowie, Bon Jovi, Benatar . . .One night, some friends dragged him to a karaoke bar in the West Village. A night out was a rare occasion for Rob back then.Turn aroundSomehow, that night in a karaoke bar turned into many nights, in many karaoke bars. Karaoke became a way out, a way to escape the past, a way to be someone else if only for the span of a three-minute song. Discovering the sublime ridiculousness of karaoke, despite the fact that he couldn't carry a tune, he began to find his voice.Turn aroundAnd then the unexpected happened. A voice on the radio got Rob's attention. The voice came attached to a woman who was unlike anyone he'd ever met before. A woman who could name every constellation in the sky, and every Depeche Mode B side. A woman who could belt out a mean Bonnie Tyler.Bright EyesTurn Around Bright Eyes is an emotional journey of hilarity and heartbreak with a karaoke soundtrack. It's a story about finding the courage to move on, clearing your throat, and letting it rip. It's a story about navi- gating your way through adult romance. And it's a story about how songs get tangled up in our deepest emotions, evoking memories of the past while inspiring hope for the future.
Turn It Up
by Greg KotFor nearly 25 years, Greg Kot of the Chicago Tribune has been reviewing all parts of the popular music world: from indie up-and-comers and underground hip-hop artists to arena-filling rock-and-rollers and celebrity pop superstars. Turn It Up: A Guided Tour Through the Worlds of Pop, Rock, Rap and More is the first-ever collection of Kot's Tribune articles, covering the years of 2000-2013.Beyond informative and entertaining features, concert recaps, and album reviews, Turn It Up covers major issues associated with music and the music industry since the turn of the millennium. Kot delves deeply into issues that matter regarding the essential acts of the 21st century, the business of music as a whole, and the Chicago music scene in particular.With chapters grouped by genre-pop, rock, and rap-and a catch-all final chapter containing insights on digital music, record labels, and the evolving "music biz," Turn It Up is an easy-to-follow guide to where the music world has come from and where it is going. Kot's deep knowledge of the subject matter and unpretentious writing will make this a fascinating read for his longtime local fans, as well as music lovers far and wide.
Turn Your Radio On: The Stories Behind Gospel Music's All-Time Greatest Songs
by Ace CollinsTurn Your Radio On tells the fascinating stories behind gospel music's most unforgettable songs, including "Amazing Grace," "The Battle Hymn of the Republic," "He Touched Me," "I'll Fly Away," "Were You There?" and many more. These are the songs that have shaped our faith and brought us joy. You'll find out: What famous song traces back to a sailor's desperate prayer, What Bill Gaither tune was recorded by Elvis Presley in 1969 -- and won a Grammy, What song was born during a carriage ride through Washington, D.C., at the onset of the Civil War. Turn Your radio On is an inspiring journey through the songs that are part of the roots of our faith today.
Turn the Beat Around: The Secret History of Disco
by Peter ShapiroA long-overdue paean to the predominant musical form of the 70s and a thoughtful exploration of the culture that spawned itDisco may be the most universally derided musical form to come about in the past forty years. Yet, like its pop cultural peers punk and hip hop, it was born of a period of profound social and economic upheaval. In Turn the Beat Around, critic and journalist Peter Shapiro traces the history of disco music and culture. From the outset, disco was essentially a shotgun marriage between a newly out and proud gay sexuality and the first generation of post-civil rights African Americans, all to the serenade of the recently developed synthesizer. Shapiro maps out these converging influences, as well as disco's cultural antecedents in Europe, looks at the history of DJing, explores the mainstream disco craze at it's apex, and details the long shadow cast by disco's performers and devotees on today's musical landscape. One part cultural study, one part urban history, and one part glitter-pop confection, Turn the Beat Around is the most comprehensive study of the Me Generation to date.
Turn the Tide
by Elaine DimopoulosTwelve-year-old Mimi Laskaris is inspired by the Wijsen sisters of Bali to turn her focus from classical piano to a new obsession: forming a grassroots, kid-led movement to ban plastic bags in her new island home in Florida. Written in accessible verse, this timely story of environmental activism has extensive back matter for aspiring activists. With a foreword by Melati Wijsen, cofounder of Bye, Bye Plastic Bags.Mimi has a plan for her seventh grade year: play piano in the Young Artists competition at Carnegie Hall with her best friend, Lee; enjoy a good old Massachusetts snow day or two; and work in her community garden plot with her dad. But all that changes when her family’s Greek restaurant falls on hard times.The Laskarises’ relocation to Wilford Island, Florida, is a big key change for Mimi. Where does she fit in in this shell-covered paradise without Lee? Mimi is taken by the beauty of the island and alarmed by the plastic pollution she sees on the beaches.Then her science teacher, Ms. Miller, shows her class a TED Talk by Melati and Isabel Wijsen. At ages twelve and ten, they lobbied to ban single-use plastic bags on their home island of Bali—and won. Their story strikes a chord for Mimi. She’s twelve.Could a kid like her make such a big change in a place that she’s not yet sure feels like home? Can she manage to keep up with piano, her schoolwork, and activism? And does confident and flawless Carmen Alvarez-Hill really want to help her with the movement?In this story of environmental activism, friendship, and self-discovery, Mimi figures out what’s truly important to her, and takes her place in the ranks of real-life youth activists like the Wijsen sisters, Greta Thunberg, and Isra Hirsi.
Twee: The Gentle Revolution in Music, Books, Television, Fashion, and Film
by Marc SpitzNew York Times, Spin, and Vanity Fair contributor Marc Spitz explores the first great cultural movement since Hip Hop: an old-fashioned and yet highly modern aesthetic that’s embraced internationally by teens, twenty and thirty-somethings and even some Baby Boomers; creating hybrid generation known as Twee. Via exclusive interviews and years of research, Spitz traces Generation Twee’s roots from the Post War 50s to its dominance in popular culture today.Vampire Weekend, Garden State, Miranda July, Belle and Sebastian, Wes Anderson, Mumblecore, McSweeney’s, Morrissey, beards, artisanal pickles, food trucks, crocheted owls on Etsy, ukuleles, kittens and Zooey Deschanel—all are examples of a cultural aesthetic of calculated precocity known as Twee.In Twee, journalist and cultural observer Marc Spitz surveys the rising Twee movement in music, art, film, fashion, food and politics and examines the cross-pollinated generation that embodies it—from aging hipsters to nerd girls, indie snobs to idealistic industrialists. Spitz outlines the history of twee—the first strong, diverse, and wildly influential youth movement since Punk in the ’70s and Hip Hop in the ’80s—showing how awkward glamour and fierce independence has become part of the zeitgeist.Focusing on its origins and hallmarks, he charts the rise of this trend from its forefathers like Disney, Salinger, Plath, Seuss, Sendak, Blume and Jonathan Richman to its underground roots in the post-punk United Kingdom, through the late’80s and early ’90s of K Records, Whit Stillman, Nirvana, Wes Anderson, Pitchfork, This American Life, and Belle and Sebastian, to the current (and sometimes polarizing) appeal of Girls, Arcade Fire, Rookie magazine, and hellogiggles.com.Revealing a movement defined by passionate fandom, bespoke tastes, a rebellious lack of irony or swagger, the championing of the underdog, and the vanquishing of bullies, Spitz uncovers the secrets of modern youth culture: how Twee became pervasive, why it has so many haters and where, in a post-Portlandia world, can it go from here?
Tween Pop: Children's Music and Public Culture
by Tyler BickfordIn the early years of the twenty-first century, the US music industry created a new market for tweens, selling music that was cooler than Barney, but that still felt safe for children. In Tween Pop Tyler Bickford traces the dramatic rise of the “tween” music industry, showing how it marshaled childishness as a key element in legitimizing children's participation in public culture. The industry played on long-standing gendered and racialized constructions of childhood as feminine and white—both central markers of innocence and childishness. In addition to Kidz Bop, High School Musical, and the Disney Channel's music programs, Bickford examines Taylor Swift in relation to girlhood and whiteness, Justin Bieber's childish immaturity, and Miley Cyrus/Hannah Montana and postfeminist discourses of work-life balance. In outlining how tween pop imagined and positioned childhood as both intimate and public as well as a cultural identity to be marketed to, Bickford demonstrates the importance of children's music to core questions of identity politics, consumer culture, and the public sphere.
Twentieth Century Drifter: The Life of Marty Robbins (Music in American Life)
by Diane DiekmanDuring his three decades as a country music performer, Marty Robbins (1925-1982) placed 94 songs on Billboard's country music charts, with sixteen number-one hits. In addition to two Grammy awards, he was also honored with the Man of the Decade Award from the Academy of Country Music in 1970. His Hawaiian songs, rockabilly hits, teen-angst ballads, pop standards, and country & western classics showcased his exceptional versatility. Yet even with fame and fortune, Robbins always yearned for more. Twentieth Century Drifter: The Life of Marty Robbins is the first biography of this legendary country music artist and NASCAR driver. Drawing from personal interviews and in-depth research, biographer Diane Diekman explains how Robbins saw himself as a drifter, a man always searching for self-fulfillment and inner peace. Born Martin David Robinson to a hardworking mother and an abusive alcoholic father, he never fully escaped the insecurities burned into him by a poverty-stricken nomadic childhood in the Arizona desert. As Diekman describes, he spent his early teens in trouble with the law and worked an assortment of short-term jobs after serving in combat in World War II. In 1947 he got his first gig as a singer and guitar player. Too nervous to talk, the shy young man walked onstage singing. Soon he changed his name to Marty Robbins, cultivated his magnetic stage presence, and established himself as an entertainer, songwriter, and successful NASCAR driver. As NASCAR's Bobby Allison said, "He started out being a singer driving a race car, but he became a race car driver who could sing." For fans of Robbins, NASCAR, and classic country music, Twentieth Century Drifter: The Life of Marty Robbins is a revealing portrait of this well-loved, restless entertainer, a private man who kept those who loved him at a distance.
Twentieth Century Music and the Question of Modernity (Routledge Advances in Sociology)
by Eduardo de la FuenteIn the first decade of the twentieth-century, many composers rejected the principles of tonality and regular beat. This signaled a dramatic challenge to the rationalist and linear conceptions of music that had existed in the West since the Renaissance. The ‘break with tonality’, Neo-Classicism, serialism, chance, minimalism and the return of the ‘sacred’ in music, are explored in this book for what they tell us about the condition of modernity. Modernity is here treated as a complex social and cultural formation, in which mythology, narrative, and the desire for ‘re-enchantment’ have not completely disappeared. Through an analysis of Schoenberg, Stravinsky, Boulez and Cage, 'the author shows that the twentieth century composer often adopted an artistic personality akin to Max Weber’s religious types of the prophet and priest, ascetic and mystic. Twentieth Century Music and the Question of Modernity advances a cultural sociology of modernity and shows that twentieth century musical culture often involved the adoption of ‘apocalyptic’ temporal narratives, a commitment to ‘musical revolution’, a desire to explore the limits of noise and sound, and, finally, redemption through the rediscovery of tonality. This book is essential reading for those interested in cultural sociology, sociological theory, music history, and modernity/modernism studies.
Twentieth- and Twenty-First-Century Song Cycles: Analytical Pathways Toward Performance
by Gordon Sly Michael R. CallahanTwentieth- and Twenty-First-Century Song Cycles: Analytical Pathways Toward Performance presents analyses of fourteen song cycles composed after the turn of the twentieth century, with a focus on offering ways into the musical and poetic structure of each cycle to performers, scholars, and students alike. Ranging from familiar works of twentieth-century music by composers such as Schoenberg, Britten, Poulenc, and Shostakovich to lesser-known works by Van Wyk, Sviridov, Wheeler, and Sánchez, this collection of essays captures the diversity of the song cycle repertoire in contemporary classical music. The contributors bring their own analytical perspectives and methods, considering musical structures, the composers' selection of texts, how poetic narratives are expressed, and historical context. Informed by music history, music theory, and performance, Twentieth- and Twenty-First-Century Song Cycles offers an essential guide into the contemporary art-music song cycle for performers, scholars, students, and anyone seeking to understand this unique genre.
Twentieth-Century Chamber Music
by James McCallaFirst Published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.
Twentieth-Century Classical Music: A Ladybird Expert Book (The Ladybird Expert Series #20)
by Fiona MaddocksPart of the ALL-NEW LADYBIRD EXPERT SERIES.____________How did modern classical music develop over the 20th Century?What enabled women to get their music performed in the early 1900s?Which classical composers borrowed from jazz?How did composers respond to politics and war?DISCOVER the stories behind Mahler's, Symphony No. 5 (1901-2), Ullman's Piano Sonata No. 7 (1944), Bernstein's West Side Story (1957), as well as learn about minimalism, jazz, swing, opera . . . AND UNDERSTAND TWENTIETH CENTURY CLASSICAL MUSIC.Discover the answers and more inside Fiona Maddocks' Twentieth Century Classical Music, the thrilling and accessible account that explains what happened throughout the 20th century, who the key composers were and what influenced them to write what they did?
Twentieth-Century Music Theory and Practice
by Edward PearsallTwentieth-Century Music Theory and Practice introduces a number of tools for analyzing a wide range of twentieth-century musical styles and genres. It includes discussions of harmony, scales, rhythm, contour, post-tonal music, set theory, the twelve-tone method, and modernism. Recent developments involving atonal voice leading, K-nets, nonlinearity, and neo-Reimannian transformations are also engaged. While many of the theoretical tools for analyzing twentieth century music have been devised to analyze atonal music, they may also provide insight into a much broader array of styles. This text capitalizes on this idea by using the theoretical devices associated with atonality to explore music inclusive of a large number of schools and contains examples by such stylistically diverse composers as Paul Hindemith, George Crumb, Ellen Taffe Zwilich, Steve Reich, Michael Torke, Philip Glass, Alexander Scriabin, Ernest Bloch, Igor Stravinsky, Béla Bartók, Sergei Prokofiev, Arnold Schoenberg, Claude Debussy, György Ligeti, and Leonard Bernstein. This textbook also provides a number of analytical, compositional, and written exercises. The aural skills supplement and online aural skills trainer on the companion website allow students to use theoretical concepts as the foundation for analytical listening.Access additional resources and online material here: http://www.twentiethcenturymusictheoryandpractice.net and https://www.motivichearing.com/.
Twentieth-Century Music and Politics: Essays in Memory of Neil Edmunds
by Pauline FaircloughWhen considering the role music played in the major totalitarian regimes of the century it is music's usefulness as propaganda that leaps first to mind. But as a number of the chapters in this volume demonstrate, there is a complex relationship both between art music and politicised mass culture, and between entertainment and propaganda. Nationality, self/other, power and ideology are the dominant themes of this book, whilst key topics include: music in totalitarian regimes; music as propaganda; music and national identity; émigré communities and composers; music's role in shaping identities of 'self' and 'other' and music as both resistance to and instrument of oppression. Taking the contributions together it becomes clear that shared experiences such as war, dictatorship, colonialism, exile and emigration produced different, yet clearly inter-related musical consequences.
Twentieth-Century Music in the West: An Introduction
by Stephen Graham Tom Perchard Tim Rutherford-Johnson Holly RogersThis is the first introductory survey of western twentieth-century music to address popular music, art music and jazz on equal terms. It treats those forms as inextricably intertwined, and sets them in a wide variety of social and critical contexts. The book comprises four sections – Histories, Techniques and Technologies, Mediation, Identities – with 16 thematic chapters. Each of these explores a musical or cultural topic as it developed over many years, and as it appeared across a diversity of musical practices. In this way, the text introduces both key musical repertoire and critical-musicological approaches to that work. It historicises music and musical thinking, opening up debate in the present rather than offering a new but closed narrative of the past. In each chapter, an overview of the topic's chronology and main issues is illustrated by two detailed case studies.
Twentieth-Century Music: A History of Musical Style in Modern Europe and America (The Norton Introduction to Music History #0)
by Robert P. MorganTo help shape what might otherwise seem a chaotic succession of passing events, historians like to divide the course of time into discrete periods, each exhibiting a significant number of common characteristics.
Twentieth-Century Organ Music
by Christopher S. AndersonThis volume explores twentieth-century organ music through in-depth studies of the principal centers of composition, the most significant composers and their works, and the evolving role of the instrument and its music. The twentieth-century was a time of unprecedented change for organ music, not only in its composition and performance but also in the standards of instrument design and building. Organ music was anything but immune to the complex musical, intellectual, and socio-political climate of the time. Twentieth-Century Organ Music examines the organ's repertory from the entire period, contextualizing it against the background of important social and cultural trends. In a collection of twelve essays, experienced scholars survey the dominant geographic centers of organ music (France, the Netherlands, Scandinavia, the United States, and German-speaking countries) and investigate the composers who made important contributions to the repertory (Reger in Germany, Messiaen in France, Ligeti in Eastern and Central Europe, Howells in Great Britain). Twentieth-Century Organ Music provides a fresh vantage point from which to view one of the twentieth century's most diverse and engaging musical spheres.
Twenty Israeli Composers: Voices of a Culture
by Robert Fleisher Shulamit RanIsrael's contemporary art music reflects a modern society that is an intricate fabric of national and ethnic origins, languages and dialects, customs and traditions-a heterogeneous culture of cultures. It is a rich and distinctive environment-at once ancient and modern, spiritual and secular, traditional and progressive. <P><P> Twenty Israeli Composers, the first published collection of interviews with Israeli composers, explores this developing and distinctive music culture. The featured composers have earned distinction in Israel and abroad, and reflect the pluralism of Israeli art music, culture, and society. In first-person narrative, they discuss the interaction of inspiration, method, and cultural context in their work, revealing both international and national influence and scope. Three generations of contemporary composers-immigrants from Central and Eastern Europe, North and South America, and naïve sabras- share their ideas about music, the creative process, and their experiences as artists living and working in Israel. Robert Fleisher furnishes a biographical sketch of each composer, followed by a summary of recent accomplishments. The book also includes a bibliography, discography, and information for further study.
Twenty Thousand Roads: The Ballad of Gram Parsons and His Cosmic American Music
by David N. MeyerBorn to a wealthy Southern-Gothic family of alcoholics and suicides, Gram Parsons possessed a genius for the American sound. He led the Byrds to create the first country-rock album and taught the joys of American roots music to Mick Jagger. His album, Grievous Angel, remains a haunting masterpiece, but before it was released, Parsons, aged twenty-six, died from a lethal mix of morphine and barbiturates. Author David N. Meyer paints an unprecedented portrait of the man who brought together country music and rock and roll. Masterfully told, Twenty Thousand Roadsis a dazzling evocation of an artist, his music and his times.
Twenty-Three Opera Arias for Sopranos (Dover Vocal Scores)
by Prof. Roelof Oostwoud Henry KrehbielThis rich collection of twenty-three soprano-range opera arias ranges from the dawn of Italian opera through the late 1800s, featuring early opera arias by Caccini, Campra, and Bononcini; works by eighteenth-century composers Rameau, Pergolesi, Gluck, and Mozart; and selections by nineteenth-century composers, including Beethoven, Weber, Meyerbeer, Rossini, Donizetti, Bellini, Verdi, and Bizet. This edition features a detailed and scholarly Preface by musicologist Henry E. Krehbiel and a new Introduction by Roelof Oostwoud. Soprano-range vocal majors, vocal instructors, classically trained professional singers, and enthusiasts of vocal music will appreciate this well-chosen and modestly priced compilation.
Twilight of the Gods: A Journey to the End of Classic Rock
by Steven HydenNational Bestseller * Named one of Rolling Stone's Best Music Books of 2018 * One of Newsweek's 50 Best Books of 2018 * A Billboard Best of 2018 * A New York Times Book Review "New and Noteworthy" selectionThe author of the critically acclaimed Your Favorite Band is Killing Me offers an eye-opening exploration of the state of classic rock, its past and future, the impact it has had, and what its loss would mean to an industry, a culture, and a way of life.Since the late 1960s, a legendary cadre of artists—including the Rolling Stones, Bob Dylan, Neil Young, Bruce Springsteen, Fleetwood Mac, the Eagles, Black Sabbath, and the Who—has revolutionized popular culture and the sounds of our lives. While their songs still get airtime and some of these bands continue to tour, its idols are leaving the stage permanently. Can classic rock remain relevant as these legends die off, or will this major musical subculture fade away as many have before, Steven Hyden asks.In this mix of personal memoir, criticism, and journalism, Hyden stands witness as classic rock reaches the precipice. Traveling to the eclectic places where geriatric rockers are still making music, he talks to the artists and fans who have aged with them, explores the ways that classic rock has changed the culture, investigates the rise and fall of classic rock radio, and turns to live bootlegs, tell-all rock biographies, and even the liner notes of rock’s greatest masterpieces to tell the story of what this music meant, and how it will be remembered, for fans like himself.Twilight of the Gods is also Hyden’s story. Celebrating his love of this incredible music that has taken him from adolescence to fatherhood, he ponders two essential questions: Is it time to give up on his childhood heroes, or can this music teach him about growing old with his hopes and dreams intact? And what can we all learn from rock gods and their music—are they ephemeral or eternal?
Twinkle, Twinkle, Cheetah Stars: Twinkle, Twinkle Cheetah Stars (The Cheetah Girls #16)
by Deborah GregoryAfter what seems like forever, the Cheetah Girls are finally on their way into the recording studio to put together a demo tape with the help of superfamous producer Mouse Almighty. All sorts of things have held them up, from puppies and plagiarism to broken bones and social services, but now they finally have a recording date. There&’s just one problem: Angie and Aqua aren&’t going to be there!The twins&’ smooth vocals are the foundation of every Cheetah track, but the two are going to be in Houston for Christmas when they&’re supposed to be in the studio making music history. When Angie and Aqua have to choose between family and fame, will the Cheetahs ever be the same?
Twinkle, Twinkle, You’re a Star! / ¡Estrellita, brillarás! (Baby Shark)
by John John BajetDive under the sea to sing and dance with Baby Shark and all his friends, in this underwater twist on a preschool-favorite song all about building confidence!¡Canta y baila con Bebé Tiburón en esta versión submarina de "Estrellita, dónde estás"! Bebé Tiburón y sus amigos le recuerdan a Estrella de Mar todos los motivos por los que es una ESTRELLA, ¡y la animan a compartir su luz, centellear con fuerza y brillar! Con un reparto adorable de personajes submarinos y una variación pegajosa de la popular canción, ¡tu pequeño adorará sumergirse en el mar con Bebé Tiburón!Sing and dance with Baby Shark, in this underwater rendition of "Twinkle, Twinkle Little Star"! With messages of encouragement and confidence-building, Baby Shark and his friends remind Starfish all the ways she is a STAR, encouraging her to share her glow, twinkle boldly, and shine bright! Featuring an adorable cast of underwater characters, a catchy twist on a pre-school favorite song, and a page of stickers, your little one will love diving under the sea with Baby Shark!