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When Marian Sang: The True Recital of Marian Anderson, The Voice of a Century
by Pam Muñoz RyanAn introduction to the life of Marian Anderson, extraordinary singer and the first African American to perform with the Metropolitan Opera, whose life and career encouraged social change.<P><P> Winner of the Sibert Honor
When Music Mattered: American Music in the Sixties
by James WierzbickiThis book examines the American Sixties, and how that period’s socio-political essence was reflected and refracted in certain forms of the period’s music. Its five main chapters bear the names of familiar musical categories: ’Folk,’ ‘Rock,’ ‘Jazz,’ ‘Avant-Garde,’ ‘Classical.’ But the book’s real subject matter—treated at length in the Prologue and the Epilogue but spread throughout all that comes between—is the Sixties’ tangled mess of hopes and frustrations, of hungers as much for self-identity as for self-indulgence, of crises of conscience that bothered Americans of almost all ages and regardless of political persuasion.
When Music Migrates: Crossing British and European Racial Faultlines, 1945–2010 (Ashgate Popular and Folk Music Series)
by Jon StrattonWhen Music Migrates uses rich material to examine the ways that music has crossed racial faultlines that have developed in the post-Second World War era as a consequence of the movement of previously colonized peoples to the countries that colonized them. This development, which can be thought of in terms of diaspora, can also be thought of as postmodern in that it reverses the modern flow which took colonizers, and sometimes settlers, from European countries to other places in the world. Stratton explores the concept of ’song careers’, referring to how a song is picked up and then transformed by being revisioned by different artists and in different cultural contexts. The idea of the song career extends the descriptive term ’cover’ in order to examine the transformations a song undergoes from artist to artist and cultural context to cultural context. Stratton focuses on the British faultline between the post-war African-Caribbean settlers and the white Britons. Central to the book is the question of identity. For example, how African-Caribbean people have constructed their identity in Britain can be considered through an examination of when ’Police on My Back’ was written and how it has been revisioned by Lethal Bizzle in its most recent iteration. At the same time, this song, written by the Guyanese migrant Eddy Grant for his mixed-race group The Equals, crossed the racial faultline when it was picked up by the punk-rock group, The Clash. Conversely, ’Johnny Reggae’, originally a pop-ska track written about a skinhead by Jonathan King and performed by a group of studio artists whom King named The Piglets, was revisioned by a Jamaican studio group called The Roosevelt Singers. After this, the character of Johnny Reggae takes on a life of his own and appears in tracks by Jamaican toasters as a Rastafarian. Johnny’s identity is, then, totally transformed. It is this migration of music that will appeal not only to those studying popular music, but
When Music Takes Over in Film (Palgrave Studies in Audio-Visual Culture)
by Anna K. Windisch Claus Tieber Phil PowrieThis open access collection deals with musical moments in film as one of the most pivotal and compelling issues of current film music research. Musical moments as defined by Amy Herzog occur when a musical number inverts the normal relationship between the image track and the soundtrack in a film in such a way that what we see is determined by what we hear. As one potential approach, this definition provokes a variety of perspectives to investigate the disruptive potential of these moments and numbers as a creative device in the production of audiovisual narratives. In this sense, the book responds to a need for an anthology that introduces students as well as scholars of cinema, musicology, media studies and cultural studies more broadly, to recent discourses in film music scholarship. The volume includes contributions by early career researchers as well as by established experts in the fields of musicology, film studies, media studies, and cultural studies, promoting cross-disciplinary collaboration in film music research.
When Opera Meets Film
by Marcia J. CitronOpera can reveal something fundamental about a film, and film can do the same for an opera, argues Marcia J. Citron. Structured by the categories of Style, Subjectivity, and Desire, this volume advances our understanding of the aesthetics of the opera/film encounter. Case studies of a diverse array of important repertoire including mainstream film, opera-film, and postmodernist pastiche are presented. Citron uses Werner Wolf's theory of intermediality to probe the roles of opera and film when they combine. The book also refines and expands film-music functions, and details the impact of an opera's musical style on the meaning of a film. Drawing on cinematic traditions of Hollywood, France, and Britain, the study explores Coppola's Godfather trilogy, Jewison's Moonstruck, Nichols's Closer, Chabrol's La C_r_monie, Schlesinger's Sunday, Bloody Sunday, Boyd's Aria, and Ponnelle's opera-films.
When Sunday Comes: Gospel Music in the Soul and Hip-Hop Eras (Music in American Life #517)
by Claudrena N. HaroldGospel music evolved in often surprising directions during the post-Civil Rights era. Claudrena N. Harold's in-depth look at late-century gospel focuses on musicians like Yolanda Adams, Andraé Crouch, the Clark Sisters, Al Green, Take 6, and the Winans, and on the network of black record shops, churches, and businesses that nurtured the music. Harold details the creative shifts, sonic innovations, theological tensions, and political assertions that transformed the music, and revisits the debates within the community over groundbreaking recordings and gospel's incorporation of rhythm and blues, funk, hip-hop, and other popular forms. At the same time, she details how sociopolitical and cultural developments like the Black Power Movement and the emergence of the Christian Right shaped both the art and attitudes of African American performers. Weaving insightful analysis into a collective biography of gospel icons, When Sunday Comes explores the music's essential place as an outlet for African Americans to express their spiritual and cultural selves.
When That Rough God Goes Riding: Listening to Van Morrison
by Greil Marcus"Van Morrison," says Greil Marcus, "remains a singer who can be compared to no other in the history of modern popular music. " When Astral Weeks was released in 1968, it was largely ignored.<P><P> When it was rereleased as a live album in 2009 it reached the top of the Billboard charts, a first for any Van Morrison recording. The wild swings in the music, mirroring the swings in Morrison's success and in people's appreciation (or lack of it) of his music, make Van Morrison one of the most perplexing and mysterious figures in popular modern music, and a perfect subject for the wise and insightful scrutiny of Greil Marcus, one of America's most dedicated cultural critics. This book is Marcus's quest to understand Van Morrison's particular genius through the extraordinary and unclassifiable moments in his long career, beginning in 1965 and continuing in full force to this day. In these dislocations Marcus finds the singer on his own artistic quest precisely to reach some extreme musical threshold, the moments that are not enclosed by the will or the intention of the performer but which somehow emerge at the limits of the musician and his song.
When the Drumming Stops
by Steven WishniaBass player and rapidly aging punk rocker Underend Vicodini is an unlikely hero. He loves New York City like nobody's business but does it still love him despite his lack of affluence and influence? His former band, The Gutter Astronomers, was riding high in the 1980s, releasing albums and touring across the country playing to packed nightclubs filled with eager fans, but the Great Recession finds the band members middle-aged and struggling not to drown in the seas of gentrification and disillusion. When lead singer Mickey gets an offer to reunite the band, he jumps at it. But can the old bandmates overcome their acrimonious break up? Can they get back into it without shredding their lives? Can Underend Vicodini find inner peace and, more importantly, a reasonably priced apartment below 14th Street or in Brooklyn? Steven Wishnia is a New York-based musician and journalist. Born on the Lower East Side, he grew up in Brooklyn, New England, Edinburgh, and Long Island. He has played in numerous bands, including the False Prophets, an eclectic punk group that recorded two albums released by Alternative Tentacles. After the False Prophets broke up in 1987, he earned an MA at New York University's School of Journalism, writing for failing newspapers before working for many years as news editor at High Times. Recipient of two New York City Independent Press Association awards, he currently works as a freelance writer and editor, most often for AlterNet.org and Junior Scholastic, and often performs musically with artist Mac McGill.
When the Uncertainty Principle Goes to 11: Or How to Explain Quantum Physics with Heavy Metal
by Philip MoriartyThere are deep and fascinating links between heavy metal and quantum physics. No, really!While teaching at the University of Nottingham, physicist Philip Moriarty noticed something odd, a surprising number of his students were heavily into metal music. Colleagues, too: a Venn diagram of physicists and metal fans would show a shocking amount of overlap. What's more, it turns out that heavy metal music is uniquely well-suited to explaining quantum principles.In When the Uncertainty Principle Goes to Eleven, Moriarty explains the mysteries of the universe's inner workings via drum beats and feedback: You'll discover how the Heisenberg uncertainty principle comes into play with every chugging guitar riff, what wave interference has to do with Iron Maiden, and why metalheads in mosh pits behave just like molecules in a gas.If you're a metal fan trying to grasp the complexities of quantum physics, a quantum physicist baffled by heavy metal, or just someone who'd like to know how the fundamental science underpinning our world connects to rock music, this book will take you, in the words of Pantera, to "A New Level." For those who think quantum physics is too mind-bendingly complex to grasp, or too focused on the invisibly small to be relevant to our full-sized lives, this funny, fascinating book will show you that physics is all around us . . . and it rocks.
When the World Stopped to Listen: Van Cliburn's Cold War Triumph, and Its Aftermath
by Stuart IsacoffFrom the acclaimed author of A Natural History of the Piano, the captivating story of the 1958 international piano competition in Moscow, where, at the height of Cold War tensions, an American musician showed the potential of art to change the world. April of 1958--the Iron Curtain was at its heaviest, and the outcome of the Tchaikovsky International Piano Competition seemed preordained. Nonetheless, as star musicians from across the globe descended on Moscow, an unlikely favorite emerged: Van Cliburn, a polite, lanky Texan whose passionate virtuosity captured the Russian spirit. This is the story of what unfolded that spring--for Cliburn and the other competitors, jurors, party officials, and citizens of the world who were touched by the outcome. It is a behind-the-scenes look at one of the most remarkable events in musical history, filled with political intrigue and personal struggle as artists strove for self-expression and governments jockeyed for prestige. And, at the core of it all: the value of artistic achievement, the supremacy of the heart, and the transcendent freedom that can be found, through music, even in the darkest moments of human history.
When They Were Boys: The True Story of the Beatles' Rise to the Top
by Larry KaneThis is the story of the Beatles’ harrowing rise to fame: focusing on that seven-year stretch from the time the boys met as teenagers to early 1964, when the Fab Four made their momentous first appearance on The Ed Sullivan Show. From the boys’ humble beginnings in Liverpool, to the cellars of Hamburg, When They Were Boys includes stories never before told, including the heartbreaks and the lucky breaks. Included are an eyewitness account of that first meeting between Lennon and McCartney, the inside story of how Ringo replaced Pete Best, an exploration of the brilliant but troubled soul of manager Brian Epstein, and the real scoop on their disastrous first visit to Germany and the death of Stu Sutcliffe. With an eye for life in Liverpool during the 50’s and 60’s and over 65 eyewitness accounts from those closest to the Beatles, Larry Kane brings to life the evolution of the group that changed music forever.
When We Was Fab: The Birth of the Beatles
by Judith KristenFour lads from a small town called Liverpool changed the face of Rock and Roll--forever. But their story is far more than one of music. It's about having dreams and making them come true. It's about the power of genuine friendship; it's about believing in yourself--and others--and living a life filled with heart, tenacity, and passion. John, Paul, George, and Ringo gave the musical world its Happily Ever After, and for this, a billion fans are eternally grateful. But, maybe even more than that, The Beatles' story is a heartfelt reminder to every one of us that it's not where you start that counts--it's how you finish.
When Ziggy Played Guitar: David Bowie, The Man Who Changed The World
by Dylan JonesAnd then there was David Bowie, the uber-freak with the mismatched pupils, the low-tech space face from the planet Sparkle. This was Bowie's third appearance on TOTP but this was the one that properly resonated with its audience, the one that would go on to cause a seismic shift in the Zeitgeist. This is the performance that turned Bowie into a star, embedding his Ziggy Stardust persona into the nation's consciousness. With a tall, flame-orange cockade quiff (stolen from a Kansai Yamamoto model on the cover of Honey), lavishly applied make-up, white nail polish, and wearing a multi-coloured jump-suit that looked as though it were made from fluorescent fish skin (chosen by Ziggy co-shaper, the designer Freddie Buretti), and carrying a brand spanking new, blue acoustic guitar, a bone-thin Bowie appeared not so much as a pop singer, but rather as some sort of benevolent alien, a concept helped along by the provocative appearance of his guitarist, the chicken-headed Mick Ronson, with both of them unapologetically sporting knee-length patent leather wrestler's boots (Bowie's were red). 'Most people are scared of colour,' Bowie said later. 'Their lives are built up in shades of grey. It doesn't matter how straight the style is, make it brightly coloured material and everyone starts acting weird.' Suddenly Bowie - a man called alias - had the world at his nail-varnished fingertips, and in no time at all he would be the biggest star in the world.
Where Are You Now, Bo Diddley?: The Stars Who Made Us Rock and Where They Are Now
by Edward KiershFrom the jumping rock and blues joints of the 1950s to Woodstock and beyond, Where Are You Now, Bo Diddley? takes a close look at forty-seven musicians whose unique contributions to their thrilling era will never be forgotten.
Where Are Your Boys Tonight?: The Oral History of Emo's Mainstream Explosion 1999-2008
by Chris PayneAn explosive oral history of emo’s takeover from 1999 to 2008, featuringMY CHEMICAL ROMANCE, FALL OUT BOY, PARAMORE, PANIC! AT THE DISCO, TAKING BACK SUNDAY, JIMMY EAT WORLD, DASHBOARD CONFESSIONAL, AND MANY MOREIf Meet Me in the Bathroom traced New York City's early 2000’s rock scene, Where Are Your Boys Tonight? gives the inside story of the turn-of-the-millennium emo subculture that became bigger than anyone thought possible. There was Pete Wentz, the Fall Out Boy leader who launched a litany of scene-stealing bands and preposterous side-hustles, and Gerard Way, the wizard behind My Chemical Romance and The Black Parade. Panic! At the Disco and Paramore emerged soon after—a pair of intrepid outsiders who got massive playing by their own rules. As they ascended, MySpace took over the internet and the age of influencers dawned, with emo its choice aesthetic. Music journalist Chris Payne experienced emo's mainstream takeover from sweaty crowds and mosh pits growing up in New Jersey. In Where Are Your Boys Tonight? he offers an authoritative, impassioned, and occasionally absurd account told through interviews with more than 150 people, from the scene's biggest bands, producers, and managers to the teenage fans who helped redefine American music culture.
Where Dead Voices Gather
by Nick ToschesNick Tosches - author of HELLFIRE and DINO - spent twenty years searching for facts about Emmett Miller, a forgotten figure from the early days of jazz. A yodelling blackface performer wit an unforgettable voice, Miller's songs prefigured jaxx, country, blues and much of the popular music of the twentieth century. Starting with a handful of 78 records and ending in a graveyard in Macon, Georgia, WHERE DEAD VOICES GATHER is part biography, part meditation on the meaning and power of music.
Where Is Broadway? (Where Is?)
by Douglas Yacka Francesco Sedita Who HQTake your seats, because Where Is Broadway? is ready to take center stage!In a lively and engaging style, authors Douglas Yacka and Francesco Sedita cover the development of the first theaters and the birth of the American musical, as well as the shows and stars that have become Broadway legends. Readers will get the inside story on their favorite shows and may even discover some new ones.
Where Is My Mind?: A Children's Picture Book
by Black Francis Alex Eben MeyerBlack Francis's cult classic song from Pixies' album Surfer Rosa is brought to life as a whimsical adventure story in this vibrant picture book. "Where is my mind? Where is my mind? Way out in th
Where Music Helps: Community Music Therapy In Action And Reflection (Ashgate Popular And Folk Music Ser.)
by Brynjulf StigeThis book explores how people may use music in ways that are helpful for them, especially in relation to a sense of wellbeing, belonging and participation. The central premise for the study is that help is not a decontextualized effect that music produces. The book contributes to the current discourse on music, culture and society and it is developed in dialogue with related areas of study, such as music sociology, ethnomusicology, community psychology and health promotion. Where Music Helps describes the emerging movement that has been labelled Community Music Therapy, and it presents ethnographically informed case studies of eight music projects (localized in England, Israel, Norway, and South Africa). The various chapters of the book portray "music's help" in action within a broad range of contexts; with individuals, groups and communities - all of whom have been challenged by illness or disability, social and cultural disadvantage or injustice. Music and musicing has helped these people find their voice (literally and metaphorically); to be welcomed and to welcome, to be accepted and to accept, to be together in different and better ways, to project alternative messages about themselves or their community and to connect with others beyond their immediate environment. The overriding theme that is explored is how music comes to afford things in concert with its environments, which may suggest a way of accounting for the role of music in music therapy without reducing music to a secondary role in relation to the "therapeutic," that is, being "just" a symbol of psychological states, a stimulus, or a text reflecting socio-cultural content.
Where Rivers and Mountains Sing: Sound, Music, and Nomadism in Tuva and Beyond
by Theodore Levin Valentina SüzükeiTheodore Levin takes readers on a journey through the rich sonic world of inner Asia, where the elemental energies of wind, water, and echo; the ubiquitous presence of birds and animals; and the legendary feats of heroes have inspired a remarkable art and technology of sound-making among nomadic pastoralists. As performers from Tuva and other parts of inner Asia have responded to the growing worldwide popularity of their music, Levin follows them to the West, detailing their efforts to nourish global connections while preserving the power and poignancy of their music traditions.
Where She Went (If I Stay Ser. #Bk.2)
by Gayle FormanThe highly anticipated sequel to the New York Times bestselling and critically acclaimed If I StayPicking up several years after the dramatic conclusion of If I Stay, Where She Went continues the story of Adam and Mia, from Adam's point of view. Ever since Mia's decision to stay - but not with him - Adam's career has been on a wonderful trajectory. His album, borne from the anguish and pain of their breakup, has made him a bona fide star. And Mia herself has become a top-rate cellist, playing in some of the finest venues in the world. When their respective paths put them both in New York City at the same time, the result is a single night in which the two reunite - with wholly satisfying results.And don't miss Gayle's newest novel, JUST ONE DAY and the forthcoming companion, JUST ONE YEAR.
Where the Dark and the Light Folks Meet: Race and the Mythology, Politics, and Business of Jazz (Studies in Jazz)
by Randall SandkeWhere the Dark and the Light Folks Meet tackles a controversial question: Is jazz the product of an insulated African-American environment, shut off from the rest of society by strictures of segregation and discrimination, or is it more properly understood as the juncture of a wide variety of influences under the broader umbrella of American culture? This book does not question that jazz was created and largely driven by African Americans, but rather posits that black culture has been more open to outside influences than most commentators are likely to admit. The majority of jazz writers, past and present, have embraced an exclusionary viewpoint. Where the Dark and the Light Folks Meet begins by looking at many of these writers, from the birth of jazz history up to the present day, to see how and why their views have strayed from the historical record. This book challenges many widely held beliefs regarding the history and nature of jazz in an attempt to free jazz of the socio-political baggage that has s
Where the Wild Cooks Go: Recipes, Music, Poetry, Cocktails
by Cerys Matthews'A joyous treasure trove' Michael Morpurgo'A delight' Tom Jones'A Tour De Force' Roger PhillipsCook your way around the world with Cerys Matthews' Where the Wild Cooks Go, with a Spotify playlist ready for each country, as well as poems, proverbs, curiosities and some very surprising aspects of world history. The pages of her 'folk cookbook' are brim-full of generations' old nuggets of wisdom, as well as stories about Catatonia touring days and other escapades, plus over a hundred recipes and cocktail ideas from 15 countries.Easy haggis, vegan haggis, jambalaya, cawl, traditional and vegan Welsh cakes, tequila prawns, chocolate and Guinness fondants, thousand hole pancakes, pineapple and chilli, potato, chickpea and coconut curry, dahl and hedgerow salad are just some of delicious, sustainable and fuss free ideas served in this beautiful book.
Wherever the Sound Takes You: Heroics and Heartbreak in Music Making
by David RowellDavid Rowell is a professional journalist and an impassioned amateur musician. He’s spent decades behind a drum kit, pondering the musical relationship between equipment and emotion. In Wherever the Sound Takes You, he explores the essence of music’s meaning with a vast spectrum of players, trying to understand their connection to their chosen instrument, what they’ve put themselves through for their music, and what they feel when they play. This wide-ranging and openhearted book blossoms outward from there. Rowell visits clubs, concert halls, street corners, and open mics, traveling from the Rock and Roll Hall of Fame in Cleveland to a death metal festival in Maryland, with stops along the way in the Swiss Alps and Appalachia. His keen reportorial eye treats us to in-depth portraits of musicians from platinum-selling legend Peter Frampton to a devout Christian who spends his days alone in a storage unit bashing away on one of the largest drum sets in the world. Rowell illuminates the feelings that both spur music’s creation and emerge from its performance, as well as the physical instruments that enables their expression. With an uncommon sensitivity and grace, he charts the pleasure and pain of musicians consumed with what they do—as all of us listen in.
Which Side Are You On? An Inside History of the Folk Music Revival in America
by Dick WeissmanIn 1932 Florence Reece, the wife of a Kentucky coal miner, wrote one of the classic topical songs preserved in the folk musical revival. The song, "Which Side Are You On?," contrasts the lot of the working class and the bosses, and asks the listener to choose. This politically charged song was performed again during the Civil Rights Movement, with its lyrics appropriate to the 1960s. It was recorded more recently by Billy Bragg. Indeed, the story of this song might serve as a microcosm of the entire history of the folk music revival. Dick Weissman, former member of the Journeymen and a musician still releasing CDs of his original compositions, brings his personal and professional involvement to this definitive history. Which Side Are You On? includes chapters and sections on the Lomaxes, Harry Smith, the little known Lawrence Gellert, Woody Guthrie, Josh White, Leadbelly, Pete Seeger, groups such as the Weavers and the Kingston Trio, Dave Van Ronk, Bob Dylan, Joan Baez, Paul Simon, Joni Mitchell, Judy Collins, Mary Chapin Carpenter, Natalie Merchant, Ani Difranco, Bela Fleck, Nickel Creek, the Indigo Girls, and many others. Which Side Are You On? also explores the folk music business in depth: how it all works, where the power really lies, how the artists have been manipulated and often exploited, the dynamic between artist and audience.