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VIP: Battle of the Bands (VIP #2)
by Jen Calonita Kristen GudsnukMackenzie "Mac" Lowell is living a dream come true on tour with her favorite boy band. Spending time on the road with Perfect Storm hasn't been what Mac expected, though-it's even BETTER! But with screaming fans and big-time recording sessions come haters and copycats, like Thunder and Lightning, a new band on the label whose first single sounds suspiciously like the song Perfect Storm's guitarist wrote for Mac. As the two bands set out on a joint summer tour, more and more of Perfect Storm's secrets are leaked to the public.Where's the one place all these lyrics and secrets are supposedly being kept safe? In Mac's journal, of course! Can Mac-and her comic-book alter ego, Mac Attack-stop the leaks and nab the culprit?With black-and-white illustrations and action-packed Mac Attack comics throughout, Jen Calonita's VIP series is more exciting than a backstage pass!
VIP: Freedom's Voice (VIP #3)
by Denise Lewis PatrickGet ready to sing for justice with Mahalia Jackson in this exciting middle grade nonfiction biography. Perfect for fans of the Who Was and Little Leaders series, the books in the VIP series tell the true—and amazing—stories of some of history's greatest trailblazers. Meet the VERY IMPORTANT PEOPLE who changed the world! Mahalia Jackson was known as the queen of gospel music. A close friend of Dr. Martin Luther King Jr.’s, she was also a civil rights activist who sang at the March on Washington. And she traveled the world, too! Experience all the inspiring moments in Mahalia’s big life in this thrilling biography, packed with two-color illustrations and fun facts, like who invented rock and roll! Short and engaging chapters are interspersed with special lists and other information made to order to engage kids, whether they're already biography fans or "have to" write a report for school. Extras include a timeline, a bibliography, and a hall of fame of other musicians and civil rights activists. The VIP series features stirring adventures and fun facts about some of history's greatest trailblazers—smart, tough, persevering innovators who will excite today's kids. Featuring underappreciated historical figures and groups, with a focus on leaders in science, activism, and the arts, the nonfiction biographies in the VIP series are fun and appealing. Just looking at the cover will make kids want to learn more about these VIPs, and once they dive in they will zoom through stories that read like adventures. Each book in the VIP series allows your middle grader to experience all the fascinating moments in some very important but lesser known lives. These biographies for kids age 9-12 include: VIP: Dr. Mae Jemison: Brave Rocketeer; VIP: Lewis Latimer: Engineering Wizard; VIP: Mahalia Jackson: Freedom's Voice; and VIP: Lydia Darragh: Unexpected Spy.
VIP: I'm With the Band (VIP #1)
by Jen Calonita Kristen GudsnukTwelve-year-old Mackenzie "Mac" Lowell's dreams have come true. Thanks to her mom scoring the coolest job EVER, Mac is going from boy band fanatic to official tour member of her favorite group, Perfect Storm. Good thing she's brought along her journal so she can record every moment, every breath, and every one of lead singer Zander Welling's killer smiles in written detail and daydreamy doodles.But between a zillion tour stops and pranks gone wrong, Zander and his fellow band members, Heath Holland and Kyle Beyer, become more like brothers to Mac. When the boys' differences start to drive them apart, can Perfect Storm's biggest fan remind them why they'reperfect together? It'll be up to Mac--and her comic-book alter ego, Mac Attack--to keep the band together and on the road to stardom Chronicling her experiences on tour, Mac's journal springs to life with black-and-white illustrations and comic-book panels throughout its pages.
VJ
by Gavin Edwards Mark Goodman Nina Blackwood Martha Quinn Alan HunterThe original MTV VJs offer a behind-the-scenes oral history of the early years of MTV, circa 1981 to 1985, when it was exploding, reshaping the culture, and forming "the MTV generation."MTV's first VJs (along with the late J.J. Jackson) had front-row seats to a cultural revolution--and the hijinks of rock stars from Adam Ant to Cyndi Lauper. Their worlds collided, of course: John Cougar invited Nina Blackwood to a late night "party" that proved to be a seduction attempt. Mark Goodman partied with David Lee Roth, who offered him cocaine and groupies. Aretha Franklin made chili for Alan Hunter. After Martha Quinn interviewed Bob Dylan, he whisked her off to Ireland in his private jet. While the book has plenty of dish--secret romances, nude photographs, incoherent celebrities--it also tells the story of four VJs growing up alongside MTV's devoted viewers. Using MTV as a focal point, the book tells the story of the 1980s, from the neon-colored drawstring pants to the Reagan administration. Readers don't just get the inside scoop on music stars like Bob Dylan, Madonna, and Duran Duran, but a deeper understanding of how MTV changed our culture. Or as the VJs put it: "We're the reason you have no attention span."
Valiant Minstrel: The Story of Harry Lauder
by Gladys MalvernThe winner of the 1943 Julia Ellsworth Ford Foundation Award, Valiant Minstrel tells the life story of beloved Scottish entertainer Harry Lauder, presented as a biographical novel. Gladys Malvern's intimate account of Lauder's humble beginnings in mills and coalmines and incredible thirty-year career, which saw him knighted, makes it clear why he was the highest paid theatrical performer of his time. Malvern uses her gift for enthralling prose to recreate Lauder's experiences in this page-turner, available for the first time in ebook.
Values That Pay: Complicity, Sincerity, and Hip Hop in Contemporary Moroccan Life (California Series in Hip Hop Studies)
by Kendra SaloisA free ebook version of this title is available through Luminos, University of California Press’s Open Access publishing program. Visit www.luminosoa.org to learn more. Today, Morocco's hip hop artists are vital to their country's reputation as diverse, creative, and modern. But in the 1990s and 2000s, teenage amateurs shaped their craft and ideals together as the profound socioeconomic changes of neoliberalization swept through their neighborhoods. Values That Pay traces Moroccan hip hop's trajectory from sidewalk cyphers and bedroom studios to royal commendations and international festivals. Kendra Salois draws from more than ten years of research into her interlocutors' music and moral reasoning to explore the constitutive tensions of institutionalization, hip hop aesthetics, and neoliberal life. Entrepreneurial artists respond to their unavoidable complicity with an extractive state through aesthetic and interpersonal sincerity, educating their fans on the risks and responsibilities of contemporary citizenship. Salois argues that over the past forty years, Moroccan hip hop practitioners have transformed not only themselves but also what it means to be an ethical citizen in a deeply unequal nation.
Valuing Musical Participation
by Stephanie PittsIncreasingly, it is becoming evident that those involved in socio-musical studies must focus their investigative lens on musical practice and articulation of the self, on music and community involvement and on music as a social medium for social relationships. What motivates people to be involved in musical performance, and how do they articulate these needs and drives? What do performers gain from their involvement in musical activities? How do audience members perceive their relationship to the performer, the music and the event? These questions and many more are addressed here with the benefit of detailed empirical work, including case studies of a chamber music festival and a contemporary music summer school. Pitts investigates the value of musical participation for performers and audience members in a range of contexts, using a multi-disciplinary approach to place new empirical data in the framework of existing theory and literature. Themes examined include: the shared musical experience; the social structures of performing societies; how people identify with music; the values implicit in musical preferences; the social responsibilities of the performer; the audience view of concerts and festivals; the social power of music and educational implications and responsibilities. Pitts draws upon literature from musicology, sociology and psychology of music, ethnomusicology, music education and community music to demonstrate the diversity of enquiry about musical behaviours. The conclusions of the book are based upon empirical evidence gleaned through case studies, with the data integrated thematically throughout, to enable a greater depth of discussion than individual studies usually permit.
Valuing Nineteenth-Century Italian Opera Fantasias for Woodwind Instruments: Trash Music (Routledge Research in Music)
by Rachel N. BeckerThis book approaches opera fantasias – instrumental works that use themes from a single opera as the body of their virtuosic and flamboyant material – both historically and theoretically, concentrating on compositions for and by woodwind-instrument performers in Italy in the nineteenth century.Important overlapping strands include the concept of virtuosity and its gradual demonization, the strong gendered overtones of individual woodwind instruments and of virtuosity, the distinct Italian context of these fantasias, the presentation and alteration of opera narratives in opera fantasias, and the technical and social development of woodwind instruments. Like opera itself, the opera fantasia is a popular art form, stylistically predictable yet formally flexible, based heavily on past operatic tradition and prefabricated materials. Through archival research in Italy, theoretical analysis, and exploration of European cultural contexts, this book clarifies a genre that has been consciously stifled and societal resonances that still impact music reception and performance today.
Van Halen
by Neil Zlozower David Lee RothFrom their eponymous 1978 debut through their colossal 1984 album (they've sold over 75 million albums worldwide), Van Halen rewrote all the rules. Nobody rockedor partiedharder. Photographer Neil Zlozower first met the band in 1978, worked with them again on Van Halen II, and soon became their friend, hanging out in L.A. and hitting the road on tour with them. Van Halen collects more than 250 backstage, candid, and full rock-out photos of the all-powerful, spandexed, high-kicking, guitar blazing, stadium-shaking, original Van Halen lineup. Accompanying Zlozower's amazing photos are an introduction about his wild ride with VH, a foreword by David Lee Roth, and testimony from the rock pantheon paying homage to the band, including members of Led Zeppelin, Guns N' Roses, Def Leppard, Judas Priest, KISS, Motley Cre, and more. Turn it up!
Van Halen Rising: How a Southern California Backyard Party Band Saved Heavy Metal
by Greg RenoffAfter years of gigging everywhere from suburban backyards to dive bars, Van Halen - led by frontman extraordinaire David Lee Roth and guitar virtuoso Edward Van Halen - had the songs, the swagger and the talent to turn the rock world on its ear. The quartet's classic 1978 debut, Van Halen, sold more than a million copies within months of release and sky-rocketed the band to the stratosphere of rock success. Their high-energy shows left fans and bands alike floored. Based on more than 230 original interviews, Van Halen Rising tells of the band's electric rise to fame.
Vandal
by Michael SimmonsThe love-hate relationship between high school musician Will and his older brother Jason is fueled by the abuse Will suffers at Jason's hands but a devastating accident changes everything for the boys and their family.
Vanishing Act: The third book in a suspenseful and chilling mystery series (The Eden House Mysteries, Book Three) (The Eden House Mysteries #3)
by Bill Kitson'Reading this book for the second time' ***** Reader Review1965 - the heyday of Rock & Roll. Northern Lights are tipped to become as big as The Beatles. But after a gig in Newcastle, lead singer and creative genius, Gerry Crowther, vanishes into the foggy night. Later, his body is recovered from the River Tyne. Now, almost twenty years on, teen singing sensation Trudi Bell dominates the charts. As she prepares to release a new album, her manager Lew Pattison receives a demo tape from an unknown songwriter. Realising the music is unmistakeably the work of Gerry Crowther, Lew enlists the help of Adam and Eve to uncover the truth. But some people will stop at nothing to keep it buried . . .Vanishing Act is the third instalment in Bill Kitson's chilling and suspenseful Eden House mystery series. Perfect for fans of Peter James's Cold Hill series, Val McDermid and J M Dalgliesh.Readers are hooked on The Eden House Mysteries:'I couldn't sleep until I had finished this book' ***** Reader Review'The best book I have read in a while' ***** Reader Review'Captivating from start to finish. Brilliant page turner. I couldn't put it down' ***** Reader Review'Read the whole thing in a day' ***** Reader Review'One of the best authors I have come across' ***** Reader Review'More twists than a corkscrew' ***** Reader Review'The characters are brilliant and the story keeps you on the edge of your seat the whole time. Would highly recommend this book!' ***** Reader Review
Vanishing Act: The third book in a suspenseful and chilling mystery series (The Eden House Mysteries, Book Three) (The Eden House Mysteries #3)
by Bill Kitson'Reading this book for the second time' ***** Reader Review1965 - the heyday of Rock & Roll. Northern Lights are tipped to become as big as The Beatles. But after a gig in Newcastle, lead singer and creative genius, Gerry Crowther, vanishes into the foggy night. Later, his body is recovered from the River Tyne. Now, almost twenty years on, teen singing sensation Trudi Bell dominates the charts. As she prepares to release a new album, her manager Lew Pattison receives a demo tape from an unknown songwriter. Realising the music is unmistakeably the work of Gerry Crowther, Lew enlists the help of Adam and Eve to uncover the truth. But some people will stop at nothing to keep it buried . . .Vanishing Act is the third instalment in Bill Kitson's chilling and suspenseful Eden House mystery series. Perfect for fans of Peter James's Cold Hill series, Val McDermid and J M Dalgliesh.Readers are hooked on The Eden House Mysteries:'I couldn't sleep until I had finished this book' ***** Reader Review'The best book I have read in a while' ***** Reader Review'Captivating from start to finish. Brilliant page turner. I couldn't put it down' ***** Reader Review'Read the whole thing in a day' ***** Reader Review'One of the best authors I have come across' ***** Reader Review'More twists than a corkscrew' ***** Reader Review'The characters are brilliant and the story keeps you on the edge of your seat the whole time. Would highly recommendthis book!' ***** Reader Review(P) 2021 Headline Publishing Group Ltd
Vanishing Act: The third book in a suspenseful and chilling mystery series (The Eden House Mysteries, Book Three) (The\eden House Mysteries Ser. #3)
by Bill Kitson'Reading this book for the second time' ***** Reader Review1965 - the heyday of Rock & Roll. Northern Lights are tipped to become as big as The Beatles. But after a gig in Newcastle, lead singer and creative genius, Gerry Crowther, vanishes into the foggy night. Later, his body is recovered from the River Tyne. Now, almost twenty years on, teen singing sensation Trudi Bell dominates the charts. As she prepares to release a new album, her manager Lew Pattison receives a demo tape from an unknown songwriter. Realising the music is unmistakeably the work of Gerry Crowther, Lew enlists the help of Adam and Eve to uncover the truth. But some people will stop at nothing to keep it buried . . .Vanishing Act is the third instalment in Bill Kitson's chilling and suspenseful Eden House mystery series. Perfect for fans of Peter James's Cold Hill series, Val McDermid and J M Dalgliesh.Readers are hooked on The Eden House Mysteries:'I couldn't sleep until I had finished this book' ***** Reader Review'The best book I have read in a while' ***** Reader Review'Captivating from start to finish. Brilliant page turner. I couldn't put it down' ***** Reader Review'Read the whole thing in a day' ***** Reader Review'One of the best authors I have come across' ***** Reader Review'More twists than a corkscrew' ***** Reader Review'The characters are brilliant and the story keeps you on the edge of your seat the whole time. Would highly recommend this book!' ***** Reader Review
Variations and Variation Technique in the Music of Chopin
by Zofia ChechlińskaWhile Chopin composed only a few works in variation form, he employed variations and variation technique in the majority of his works. Multiple modified repetitions of musical units on different levels of a work are so typical of Chopin’s works that this may be considered one of the chief determinants of his style. Focusing on a broad range of Chopin’s works, this book explores the extent to which Chopin’s oeuvre is suffused with variations, the role that variation technique plays in his work, to what extent it interacts with other techniques for developing and modifying musical material, and how the variation technique itself evolved. Beginning with a comprehensively documented investigation of the concept of variation in its own right, Zofia Chechlińska employs Riemannian and Schenkerian theory to consider, in turn, the ways in which Chopin constructs variations on the level of microstructure (motif and phrase) and macrostructure (thematic areas, sections, movements and form). This is the first English translation of one of the classics of musicological literature in Poland and is essential reading for scholars of Chopin and nineteenth-century music and music analysts.
Variations, Rondos and Other Works for Piano
by Wolfgang Amadeus MozartThe elegance, grace, and clarity of Mozart's piano music has charmed generations of music lovers. Now 37 of the composer's delightful piano pieces have been collected in this attractive volume, reproduced from the authoritative Breitkopf & Härtel edition. Among the selections are:Variations on "Mio caro Andone" by Salieri, K.180/173cVariations on "Je suis Lindor" by Baudron, K. 354/299aVariations on "Ah vous dirai-je, maman," K. 265/300eVariations on "La belle françoise," K.353/300fVariations on "Salve tu, Domine" by Paisiello, K. 398/416eVariations on "Unser dummer Pöbel meint" by Gluck, K.455 Variations on a Minuet by Duport, K.573Rondo in D Major, K.485Rondo in A Minor, K.511Minuet in G Major, K.1/1eMinuet in F Major, K.2Minuet in D Major, K.355/576bAllegro in B-flat Major, K.3Allegro in B-flat Major, K.400/372aAllegro in G Minor, K.312/590dFugue in G Minor, K.401/3753Fugue in E-flat Major, K.153/375fFugue in G Minor, K.154/385kCapriccio in C Major, K.395/300gAllegro and Andante, K.533Adagio in B Minor, K.540Gigue in G Major, K.574... and more.
Varieties of Musical Irony: From Mozart to Mahler
by Michael CherlinIrony, one of the most basic, pervasive, and variegated of rhetorical tropes, is as fundamental to musical thought as it is to poetry, prose, and spoken language. In this wide-ranging study of musical irony, Michael Cherlin draws upon the rich history of irony as developed by rhetoricians, philosophers, literary scholars, poets, and novelists. With occasional reflections on film music and other contemporary works, the principal focus of the book is classical music, both instrumental and vocal, ranging from Mozart to Mahler. The result is a surprising array of approaches toward the making and interpretation of irony in music. Including nearly ninety musical examples, the book is clearly structured and engagingly written. This interdisciplinary volume will appeal to those interested in the relationship between music and literature as well as to scholars of musical composition, technique, and style.
Vaudeville Melodies: Popular Musicians and Mass Entertainment in American Culture, 1870-1929
by Nicholas GebhardtIf you enjoy popular music and culture today, you have vaudeville to thank. From the 1870s until the 1920s, vaudeville was the dominant context for popular entertainment in the United States, laying the groundwork for the music industry we know today. In Vaudeville Melodies, Nicholas Gebhardt introduces us to the performers, managers, and audiences who turned disjointed variety show acts into a phenomenally successful business. First introduced in the late nineteenth century, by 1915 vaudeville was being performed across the globe, incorporating thousands of performers from every branch of show business. Its astronomical success relied on a huge network of theatres, each part of a circuit and administered from centralized booking offices. Gebhardt shows us how vaudeville transformed relationships among performers, managers, and audiences, and argues that these changes affected popular music culture in ways we are still seeing today. Drawing on firsthand accounts, Gebhardt explores the practices by which vaudeville performers came to understand what it meant to entertain an audience, the conditions in which they worked, the institutions they relied upon, and the values they imagined were essential to their success.
Vaudeville and the Making of Modern Entertainment, 1890–1925
by David MonodToday, vaudeville is imagined as a parade of slapstick comedians, blackface shouters, coyly revealed knees, and second-rate acrobats. But vaudeville was also America's most popular commercial amusement from the mid-1890s to the First World War; at its peak, 5 million Americans attended vaudeville shows every week. Telling the story of this pioneering art form's rise and decline, David Monod looks through the apparent carnival of vaudeville performance and asks: what made the theater so popular and transformative? Although he acknowledges its quirkiness, Monod makes the case that vaudeville became so popular because it offered audiences a guide to a modern urban lifestyle. Vaudeville acts celebrated sharp city styles and denigrated old-fashioned habits, showcased new music and dance moves, and promulgated a deeply influential vernacular modernism. The variety show's off-the-rack trendiness perfectly suited an era when goods and services were becoming more affordable and the mass market promised to democratize style, offering a clear vision of how the quintessential twentieth-century citizen should look, talk, move, feel, and act.
Vaughan Williams Essays
by Robin Wells Byron AdamsSerious scholarship on the music of Ralph Vaughan Williams is currently enjoying a lively revival after a period of relative quiescence, and is only beginning to address the enduring affection of concert audiences for his music. The essays that comprise this volume extend the study of Vaughan Williams's music in new directions that will be of interest to scholars, performers and listeners alike. This volume contains the work of eleven North American scholars who have been recipients of the Ralph Vaughan Williams Fellowship based at the composer's own school, Charterhouse, which was created and has been supported by the Carthusian Trust since 1985. This wide-ranging and detailed collection of essays covers the spectrum of genres in which Vaughan Williams wrote, including dance, symphony, opera, song, hymnody and film music. The contributors also employ a range of analytical and historical methods of investigation to illuminate aspects of Vaughan Williams's compositional techniques and influences, musical, literary and visual.
Vaughan Williams and His World
by Byron Adams and Daniel M. GrimleyA biography of Ralph Vaughan Williams, published in collaboration with the Bard Music Festival. Ralph Vaughan Williams (1872–1958) was one of the most innovative and creative figures in twentieth-century music, whose symphonies stand alongside those of Sibelius, Nielsen, Shostakovich, and Roussel. After his death, shifting priorities in the music world led to a period of critical neglect. What could not have been foreseen is that by the second decade of the twenty-first century, a handful of Vaughan Williams’s scores would attain immense popularity worldwide. Yet the present renown of these pieces has led to misapprehension about the nature of Vaughan Williams’s cultural nationalism and a distorted view of his international cultural and musical significance.Vaughan Williams and His World traces the composer’s stylistic and aesthetic development in a broadly chronological fashion, reappraising Vaughan Williams’s music composed during and after the Second World War and affirming his status as an artist whose leftist political convictions pervaded his life and music. This volume reclaims Vaughan Williams’s deeply held progressive ethical and democratic convictions while celebrating his achievements as a composer.
Vaughan Williams and His World (The Bard Music Festival)
by Byron Adams and Daniel M. GrimleyA biography of Ralph Vaughan Williams, published in collaboration with the Bard Music Festival. Ralph Vaughan Williams (1872–1958) was one of the most innovative and creative figures in twentieth-century music, whose symphonies stand alongside those of Sibelius, Nielsen, Shostakovich, and Roussel. After his death, shifting priorities in the music world led to a period of critical neglect. What could not have been foreseen is that by the second decade of the twenty-first century, a handful of Vaughan Williams’s scores would attain immense popularity worldwide. Yet the present renown of these pieces has led to misapprehension about the nature of Vaughan Williams’s cultural nationalism and a distorted view of his international cultural and musical significance. Vaughan Williams and His World traces the composer’s stylistic and aesthetic development in a broadly chronological fashion, reappraising Vaughan Williams’s music composed during and after the Second World War and affirming his status as an artist whose leftist political convictions pervaded his life and music. This volume reclaims Vaughan Williams’s deeply held progressive ethical and democratic convictions while celebrating his achievements as a composer.
Vaughan Williams in Context (Composers in Context)
by Julian Onderdonk Ceri OwenChallenging residual doubts about Vaughan Williams's role and significance within twentieth-century music and culture, this book places and explores his life and music in their broad musical, cultural, social, and political contexts. Chapters by scholars from a range of disciplines re-evaluate the composer's life and career within a world marked by both rapid change and refigured traditions. Building on scholarship that has established Vaughan Williams as aesthetically and politically progressive, the book furthers a revisionist perspective by broadening understandings of the nature of his responses to the twentieth century. This portrait of a modern composer emerges not merely by focusing on under-represented interests and pursuits, but also by contextualizing those activities that have been misrepresented as conservative or backward-looking.
Venetian Music in the Age of Vivaldi (Variorum Collected Studies)
by Michael TalbotThis book contains sixteen essays on Venetian music in its last great period, stretching from the second half of the 17th century to the fall of the Republic in 1797. Two essays deal with musical institutions (academies and conservatories), nine with the life and works of Antonio Vivaldi, and five with contemporaries of Vivaldi active in Venice (Albinoni, Marcello, Vinaccesi). A substantial supplementary chapter updates, and where necessary revises, the facts and arguments of the original essays, which collectively date from the years 1973-1995. All the essays are written in English, but many originally appeared in Italian journals and conference proceedings that are hard for English-speaking readers to obtain. The volume is carefully indexed, enabling the reader easily to make connections between the essays.
Verdades a medias
by India MartínezLa gran artista India Martínez nos muestra en su primer libro sus emociones más íntimas a través un precioso conjunto de textos relatados con sensibilidad y emoción y acompañados de sus propias ilustraciones. «La verdad es muy subjetiva, depende de la piel que la percibe». Bellamente ilustrado por la propia artista, Verdades a medias es una colección de textos poéticos y dibujos en los que la cantante India Martínez indaga en lo más profundo de sí misma y de sus vivencias, transportándonos a su universo más personal. Nostalgia, dolor, amor, fantasía y hondura llenan las páginas de esta declaración de intenciones, de esta rasgadura de alma de la artista, que se desnuda de canción para vestirse de letras y ofrecernos su faceta más transparente y cercana. «Iré dando una de cal y otra arena. Una de voz y otra de música, una de India y otra de Jenny».