- Table View
- List View
William B. Gill: From the Goldfields to Broadway (Forgotten Stars of the Musical Theatre)
by Kurt GanzlFirst Published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.
William Byrd: Gentleman of the Chapel Royal
by John HarleyThis is the first comprehensive study of William Byrds life (1540-1623) and works to appear for sixty years, and fully takes into consideration recent scholarship. The biographical section includes many newly discovered facts about Byrd and his family, while in the chapters dealing with his music an attempt is made for the first time to outline the chronology of all his compositions. The book begins with a detailed account of Byrd's life, based on a completely fresh examination of original documents, which are quoted extensively. Several previously known documents have now been identified as being in Byrds hand, and some fresh holographs have been discovered. A number of questions such as his parentage and date of birth have been conclusively settled. The book continues with a survey of Byrds music which pays particular attention to its chronological development, and links it where possible to the events and background of his life. A series of appendices includes additional texts of important documents, and a summary catalogue of works. A bibliography and index complete the book. Besides musical illustrations there is a series of plates illustrating documents and places associated with Byrd.
William Byrd: A Research and Information Guide
by Richard TurbetThis book surveys the most significant published materials relating to William Byrd. It presents a collection of all-new original essays covering everything from feminist to postcolonial readings of his play as well as source queries and analysis of historical performances of the play.
William Byrd: A Research and Information Guide (Routledge Music Bibliographies)
by Richard TurbetThis comprehensive research guide surveys the most significant published materials relating to William Byrd. This new edition includes research since the publication of the last edition.
William Forsythe and the Practice of Choreography: It Starts From Any Point
by Steven SpierWilliam Forsythe’s reinvigoration of classical ballet during his 20-year tenure at the Ballett Frankfurt saw him lauded as one of the greatest choreographers of the postwar era. His current work with The Forsythe Company has gone even further to challenge and investigate fundamental assumptions about choreography itself. William Forsythe and the Practice of Choreography presents a diverse range of critical writings on his work, with illuminating analysis of his practice from an interdisciplinary perspective. The book also contains insightful working testaments from Forsythe’s collaborators, as well as a contribution from the choreographer himself. With essays covering all aspects of Forsythe’s past and current work, readers are provided with an unparalleled view into the creative world of this visionary artist, as well as a comprehensive resource for students, scholars, and practitioners of ballet and contemporary dance today.
William Grant Still: African-American Composer
by Catherine ReefTraces the life of the African American classical composer. Includes bibliographical references and index.
William L. Dawson (American Composers)
by Gwynne Kuhner BrownWilliam L. Dawson is recognized for his genre-defining choral spirituals and for his Negro Folk Symphony, a masterpiece enjoying a twenty-first-century renaissance. Gwynne Kuhner Brown’s engaging and tirelessly researched biography reintroduces a musical leader whose legacy is more important today than ever. Born in 1899, Dawson studied at the Tuskegee Institute in Alabama. He worked as a church, jazz, and orchestral musician in Kansas City and Chicago in the 1920s while continuing his education as a composer. He then joined the Tuskegee faculty, where for 25 years he led the Tuskegee Institute Choir to national prominence through performances of spirituals at the opening of Radio City Music Hall, on radio and television, and at the White House. The Philadelphia Orchestra conducted by Leopold Stokowski premiered Dawson’s Negro Folk Symphony in 1934. Engaging and long overdue, William L. Dawson celebrates a pioneering Black composer whose contributions to African American music, history, and education inspire performers and audiences to this day.
William Lawes: Essays on His Life, Times and Work (Routledge Revivals)
by Andrew AshbeeFirst published in 1998, this volume comprises papers given at a conference on Lawes and his music held at Oxford in September 1995 to commemorate the 350th anniversary of his death. They examine not only Lawes’s music but the milieu in which he worked. Part One examines the musical life of the English Court in Lawes’s day, noting his activities there and his involvement with companies of players. Manuscript studies and a detailed account of the fatal battle are also included. Part Two comprises seven essays exploring the wide range of his instrumental and vocal music. William Lawes is acknowledged as the most exciting and innovative composer working in England during the reign of Charles I. His tragic early death at the Siege of Chester in 1645 only served to heighten his reputation among his contemporaries, lending him also the cloak of martyrdom in the service of his king.
William Levi Dawson: American Music Educator (American Made Music Series)
by Mark Hugh MaloneWilliam Levi Dawson (1899–1990) overcame adversity and Jim Crow racism to become a nationally recognized composer, choral arranger, conductor, and professor of music. In William Levi Dawson: American Music Educator, Mark Hugh Malone tells the fascinating tale of Dawson’s early life, quest for education, rise to success at the Tuskegee Institute, achievement of national notoriety as a composer, and retirement years spent conducting choirs throughout the US and world.From his days as a student at Tuskegee in the final years of Booker T. Washington’s presidency, Dawson continually pursued education in music, despite racial barriers to college admission. Returning to Tuskegee later in life, he became director of the School of Music. Under his direction, the Tuskegee Choir achieved national recognition by singing at Radio City Music Hall, presenting concerts for Presidents Herbert Hoover and Franklin D. Roosevelt, and performing on nationwide radio and television broadcasts.Dawson’s Negro Folk Symphony, only the second extended musical work to be written by an African American, was premiered by Leopold Stokowski and the Philadelphia Orchestra in both Philadelphia and New York City. Dawson’s arrangements of spirituals, the original folk music of African Americans enslaved in America during the antebellum period, quickly became highly sought-after choral works. This biographical account of Dawson's life is narrated with a generous sprinkling of his personal memories and photographs.
William S. Burroughs and the Cult of Rock 'n' Roll
by Casey RaeA history of the writer&’s impact on some of the biggest names in rock music from the Beatles to Bowie, and his role as a secret architect in the genre.William S. Burroughs&’s fiction and essays are legendary—but his influence on music&’s counterculture has been less well documented―until now. Examining how one of America&’s most controversial literary figures altered the destinies of many notable and varied musicians, William S. Burroughs and the Cult of Rock &‘n&’ Roll reveals the transformations in music history that can be traced to Burroughs.A heroin addict and a gay man, Burroughs rose to notoriety outside the conventional literary world; his masterpiece, Naked Lunch, was banned on the grounds of obscenity, but its nonlinear structure was just as daring as its content. Casey Rae brings to life Burroughs&’s parallel rise to fame among daring musicians of the 1960s, &‘70s, and &‘80s, when it became a rite of passage to hang out with the author or to experiment with his cut-up techniques for producing revolutionary lyrics (as the Beatles and Radiohead did). Whether they tell of him exploring the occult with David Bowie, providing Lou Reed with gritty depictions of street life, or counseling Patti Smith about coping with fame—the stories of Burroughs&’s backstage impact will transform the way you see America&’s cultural revolution―and the way you hear its music.&“[Rae] writes with the passion of a teenager discovering new sounds, and the control and self-assuredness of a seasoned academic . . . William S. Burroughs and the Cult of Rock &‘n&’ Roll celebrates not only the gifted mind and bizarre life of a writer who changed literature forever with his magic and ideas; it also finally gives him the place he deserves in the pantheon of rock and roll.&” —NPR &“William S. Burroughs was as much a quiet rock star as he was an artist or a writer. His inroads into audio, spoken word, and music created paths that we still follow. Casey Rae&’s book is a labor of love that offers a map to understanding Burroughs&’s complex relationship to music and other art forms.&” —Chris Stein, co-founder of Blondie &“[A] fascinating new book . . . Rae is an engaging storyteller and often an enlightening one . . . I&’m grateful for Rae&’s study and recommend it highly, not only to those (still) interested in Burroughs and rock music, but to anyone curious about the possibilities for creative synergy between the arts.&” —Journal of Popular Music Studies
William S. Burroughs and the Cult of Rock 'n' Roll
by Casey RaeA history of the writer&’s impact on some of the biggest names in rock music from the Beatles to Bowie, and his role as a secret architect in the genre.William S. Burroughs&’s fiction and essays are legendary—but his influence on music&’s counterculture has been less well documented―until now. Examining how one of America&’s most controversial literary figures altered the destinies of many notable and varied musicians, William S. Burroughs and the Cult of Rock &‘n&’ Roll reveals the transformations in music history that can be traced to Burroughs.A heroin addict and a gay man, Burroughs rose to notoriety outside the conventional literary world; his masterpiece, Naked Lunch, was banned on the grounds of obscenity, but its nonlinear structure was just as daring as its content. Casey Rae brings to life Burroughs&’s parallel rise to fame among daring musicians of the 1960s, &‘70s, and &‘80s, when it became a rite of passage to hang out with the author or to experiment with his cut-up techniques for producing revolutionary lyrics (as the Beatles and Radiohead did). Whether they tell of him exploring the occult with David Bowie, providing Lou Reed with gritty depictions of street life, or counseling Patti Smith about coping with fame—the stories of Burroughs&’s backstage impact will transform the way you see America&’s cultural revolution―and the way you hear its music.&“[Rae] writes with the passion of a teenager discovering new sounds, and the control and self-assuredness of a seasoned academic . . . William S. Burroughs and the Cult of Rock &‘n&’ Roll celebrates not only the gifted mind and bizarre life of a writer who changed literature forever with his magic and ideas; it also finally gives him the place he deserves in the pantheon of rock and roll.&” —NPR &“William S. Burroughs was as much a quiet rock star as he was an artist or a writer. His inroads into audio, spoken word, and music created paths that we still follow. Casey Rae&’s book is a labor of love that offers a map to understanding Burroughs&’s complex relationship to music and other art forms.&” —Chris Stein, co-founder of Blondie &“[A] fascinating new book . . . Rae is an engaging storyteller and often an enlightening one . . . I&’m grateful for Rae&’s study and recommend it highly, not only to those (still) interested in Burroughs and rock music, but to anyone curious about the possibilities for creative synergy between the arts.&” —Journal of Popular Music Studies
The Williamsburg Avant-Garde: Experimental Music and Sound on the Brooklyn Waterfront
by Cisco BradleyIn The Williamsburg Avant-Garde Cisco Bradley chronicles the rise and fall of the underground music and art scene in the Williamsburg neighborhood of Brooklyn between the late 1980s and the early 2010s. Drawing on interviews, archival collections, musical recordings, videos, photos, and other ephemera, Bradley explores the scene’s social, cultural, and economic dynamics. Building on the neighborhood’s punk DIY approach and aesthetic, Williamsburg's free jazz, postpunk, and noise musicians and groups---from Mary Halvorson, Zs, and Nate Wooley to Matana Roberts, Peter Evans, and Darius Jones---produced shows in a variety of unlicensed venues as well as in clubs and cafes. At the same time, pirate radio station free103point9 and music festivals made Williamsburg an epicenter of New York’s experimental culture. In 2005, New York’s rezoning act devastated the community as gentrification displaced its participants farther afield in Brooklyn and in Queens. With this portrait of Williamsburg, Bradley not only documents some of the most vital music of the late twentieth and early twenty-first centuries; he helps readers better understand the formation, vibrancy, and life span of experimental music and art scenes everywhere.
Willie Nelson: An Epic Life
by Joe Nick PatoskiFrom his first performance at age four, Willie Nelson was driven to make music and live life on his own terms. But though he is a songwriter of exceptional depth - "Crazy" was one of his early classics - Willie only found success after abandoning Nashville and moving to Austin, Texas.Red Headed Stranger made country cool to a new generation of fans. Wanted: The Outlaws became the first country album to sell a million copies. And "On the Road Again" became the anthem for Americans on the move. A craggy-faced, pot-smoking philosopher, Willie Nelson is one of America's great iconoclasts and idols.Now Joe Nick Patoski draws on over 100 interviews with Willie and his family, band, and friends to tell Nelson's story, from humble Depression-era roots, to his musical education in Texas honky-tonks and his flirtations with whiskey, women, and weed; from his triumph with #1 hit "Always On My Mind" to his nearly career-ending battles with debt and the IRS; and his ultimate redemption and ascension to American hero
Willie Nelson: The Outlaw
by Graeme ThomsonIn this intimate and engaging biography, Graeme Thomson interviews Nelson himself, his band and those who knew him best en route to discovering the real Willie Nelson. The Outlaw brilliantly describes a complex and compelling man whose life and music reflect something fundamental at the heart of twentieth-century America. Thomson's revealing portrait is a timely reminder of the stature and achievements of a true living legend. Covering everything from dirt poor beginnings in Texas, global fame in the 70s, four marriages, the death of a son and affairs with Amy Irving and Candice Bergen up to his current position as a 73-year-old pot smoking man of the road, Thomson's account emerges as the first detailed, clear-eyed account of Nelson's fascinating life.
Willie Nelson: A Little Golden Book Biography (Little Golden Book)
by Geof SmithHelp your little one dream big with a Little Golden Book biography about country-music star and activist Willie Nelson! Little Golden Book biographies are the perfect introduction to nonfiction for preschoolers!Willie Nelson, singer-songwriter of such hits as "On the Road Again" and "You Were Always on My Mind," is the subject of this terrific Little Golden Book biography. Children--as well as adult fans--will be inspired by Willie's activism and work with Farm Aid and how he always stayed true to himself by dressing how he liked and creating the music he wanted to share! Look for Little Golden Book biographies about these other inspiring people:Carol BurnettHarriet TubmanLucille BallQueen Elizabeth IIBarack ObamaSonia SotomayorDr. FauciJoe BidenDolly PartonKamala HarrisMisty CopelandBetty WhiteFrida KahloRuth Bader GinsburgJackie RobinsonMartin Luther King Jr.
Willie Nelson's Letters to America
by Willie NelsonFollowing his bestselling memoir, It&’s a Long Story, Willie Nelson now delivers his most intimate thoughts and stories in Willie Nelson's Letters to America. From his opening letter &“Dear America&” to his &“Dear Willie&” epilogue, Willie digs deep into his heart and soul--and his music catalog--to lift us up in difficult times, and to remind us of the endless promise and continuous obligations of all Americans--to themselves, to one another, and to their nation.In a series of letters straight from the heart, Willie sends his thanks and his thoughts toAmericans past, present, and future,his closest family members, andhis personal heroes, from our founding fathers to the leaders of future generations.Willie&’s letters are rounded out with the moving lyrics to some of his most famous and insightful songs, including &“Let Me Be a Man,&” &“Family Bible,&” &“Summer of Roses,&” &“Me and Paul,&” and &“Yesterday's Wine.&”
Willie, Waylon, and the Boys: How Nashville Outsiders Changed Country Music Forever
by Brian FairbanksThe tragic and inspiring story of the leaders of Outlaw country and their influence on today&’s Alt-County and Americana superstars, tracing a path from Waylon Jennings&’ survival on the Day the Music Died through to the Highwaymen and on to the current creative and commercial explosion of Chris Stapleton, Brandi Carlile, Zach Bryan, Jason Isbell, and the Highwomen. On February 2, 1959, Waylon Jennings, bassist for his best friend, the rock star Buddy Holly, gave up his seat on a charter flight. Jennings joked that he hoped the plane, leaving without him, would crash. When it did, killing all aboard, on "the Day the Music Died," he was devastated and never fully recovered. Jennings switched to playing country, creating the Outlaw movement and later forming the Highwaymen supergroup, the first in country music, with Johnny Cash, Willie Nelson, and Kris Kristofferson. The foursome battled addiction, record companies, ex-wives, violent fans, and the I.R.S. and D.E.A., en route to unprecedented mainstream success. Today, their acolytes Kacey Musgraves, Ryan Bingham, Sturgill Simpson, and Taylor Swift outsell all challengers, and country is the most popular of all genres. In this fascinating new book, Brian Fairbanks draws a line from Buddy Holly through the Outlaw stars of the 60s and 70s, all the way to the country headliners and more diverse, up-and-coming Nashville rebels of today, bringing the reader deep into the worlds of not only Cash, Nelson, Kristofferson, and Jennings but artists like Chris Stapleton, Simpson, Bingham, and Isbell, stadium-filling masters whose stories have not been told in book form, as well as new, diverse artists like the Highwomen, Brittney Spencer, and Allison Russell. Thought-provoking and meticulously researched, Willie, Waylon, and the Boys ultimately shows how a twenty-one-year-old bass-playing plane crash survivor helped changed the course of American music.
Willin': The Story of Little Feat
by Ben Fong-TorresThe saga of the legendary Los Angeles band Little Feat is one of rock 'n' roll's great stories. Formed in 1969 by ex-members of Frank Zappa's Mothers of Invention, Little Feat created groove-heavy music that was an irresistible mix of rock, blues, R&B, country, jazz, soul, and funk. Fronted by the charismatic but doomed vocalist and brilliant slide guitarist Lowell George, the band recorded such classic studio albums as Sailin' Shoes and Dixie Chicken, as well as Waiting for Columbus, which many consider to be one of the best live albums of all time. Acclaimed journalist Ben Fong-Torres--working with Little Feat's surviving members, their friends, and associates--wrote Willin' based on hours of brand new interviews with the key players. The result? The first definitive biography of this beloved rock 'n' roll institution.
The Wind Band Music of Henry Cowell (CMS Monographs and Sourcebooks in American Music)
by Jeremy S. BrownThe Wind Band Music of Henry Cowell studies the compositions for wind band by twentieth-century composer Henry Cowell, a significant and prolific figure in American fine art music from 1914-1965. The composer is noteworthy and controversial because of his radical early works, his interest in non-Western musics, and his retrogressive mature style—along with notoriety for his imprisonment in San Quentin on a morals charge. Eleven chapters are organized both topically and chronologically. An introduction, conclusion, series of eight appendices, bibliography, and discography complete this comprehensive study, along with an audio playlist of representative works, hosted on the CMS website.
A Windfall of Musicians
by Dorothy Lamb CrawfordThis book is the first to examine the brilliant gathering of composers, conductors, and other musicians who fled Nazi Germany and arrived in the Los Angeles area. Musicologist Dorothy Lamb Crawford looks closely at the lives, creative work, and influence of sixteen performers, fourteen composers, and one opera stage director, who joined this immense migration beginning in the 1930s. Some in this group were famous when they fled Europe, others would gain recognition in the young musical culture of Los Angeles, and still others struggled to establish themselves in an environment often resistant to musical innovation. Emphasizing individual voices, Crawford presents short portraits of Igor Stravinsky, Arnold Schoenberg, and the other musicians while also considering their influence as a group--in the film industry, in music institutions in and around Los Angeles, and as teachers who trained the next generation. The book reveals a uniquely vibrant era when Southern California became a hub of unprecedented musical talent.
Winfield's Walnut Valley Festival
by Seth Bate Dan Crary Beppe Gambetta John McCutcheon Orin FriesenLocal historian Seth Bate tells the story of the Walnut Valley Festival with reflections from staff, emcees, performers, campers, and characters from throughout its history.The Festival was launched in 1972 when a guitar maker, a farmer, and a businessman built their own music festival from the ground up. It has made the small town of Winfield into an annual destination for acoustic musicians and music lovers from around the world and it has always been participatory, with the informal campsite pickin' as much a part of the event as the stage shows and instrumental contests. The Walnut Valley Festival has always been proud of its deep-rooted traditions, but most of all, it is a community celebration.
Wired for Sound
by Tom BromleyThe eighties was a golden era for British pop: Radio One served as the soundtrack of the nation; the chart run-down on Sunday evenings was compulsory listening - ditto watching Top of the Pops and reading Smash Hits. It also saw the launch of the Now That's What I Call Music series. In the States, the arrival of MTV helped usher in what became known as the 'Second British Invasion', echoing the success of the Beatles twenty years earlier. Wired For Sound tells the remarkable story of the great eighties British bands (and Kajagoogoo) and how their music captured the nation's imagination: the more radical beginnings in the early eighties (the new romanticisms of Duran and Spandau, the 'protest pop' of early Wham!); the full pomp of their mid-eighties success (the worldwide tours, the glamorous video shoots, the ubiquitous 'Choose Life' and 'Relax' T-shirts); and their fall from the top of pop's pedestal (the splitting up of Wham!, Boy George's drug problems). Wired for Sound will describe the subsequent descent to Band Aid II (Bros, Wet Wet Wet, Stock, Aitken and Waterman), which bookended the low point of the pop music that followed. For all those who grew up reading Smash Hits, soundtracked their teenage years on C90 cassettes and remember a time when it really mattered who was number one Wired For Sound is an affectionate celebration of both a musical youth and the era when young guns really went for it.
Wireless Networked Music Performance
by Leonardo Gabrielli Stefano SquartiniThisbook presents a comprehensive overview of the state of the art in NetworkedMusic Performance (NMP) and a historical survey of computer music networking. It introduces current technical trends in NMP and technical issues yet to beaddressed. It also lists wireless communication protocols and compares these to the requirements of NMP. Practicaluse cases and advancements are also discussed.
Wise Young Fool
by Sean BeaudoinTeen rocker Ritchie Sudden is pretty sure his life has just jumped the shark. Except he hates being called a teen, his band doesn't play rock, and "jumping the shark" is yet another dumb cliché. Part of Ritchie wants to drop everything and walk away. Especially the part that's serving ninety days in a juvenile detention center. Telling the story of the year leading up to his arrest, Ritchie grabs readers by the throat before (politely) inviting them along for the (max-speed) ride. A battle of the bands looms. Dad split about five minutes before Mom's girlfriend moved in. There's the matter of trying to score with the dangerously hot Ravenna Woods while avoiding the dangerously huge Spence Proffer--not to mention just trying to forget what his sister, Beth, said the week before she died.This latest offering from acclaimed author Sean Beaudoin is alternately raw, razor-sharp, and genuinely hilarious.
Wish You Were Here: An Essential Guide to Your Favorite Music Scenes—from Punk to Indie and Everything in Between
by Leslie Simon“This book was really fun to read and I actually learned a lot. Wait a minute... Does giving a quote for this book mean people will know that I didn’t actually already know this stuff? Lame.” — Hayley Williams, Paramore“Wish You Were Here knows way too much about the history, minute details, and inner-workings of these 11 punk and indie scenes. I don’t know how Leslie figured out all this stuff, but I’m changing my locks and checking the phone for bugs.” — Tim McIlrath, "Rise Against" guitarist and lead singer“Anything you ever wanted to know about your city’s indie scene (plus plenty of snark) is packed into these pages.” — Alternative Press“In what has got to be the best guide book on punk rock… well ever, rock journalist Simon answers a slew of questions never asked about punk rock and indie scenes across the U.S.”. — NeuFutur Magazine“Readers who are part of one of these scenes and fans of a particular genre who will be visiting one of the locales will find this a quick and useful read...an entertaining glimpse at nonmainstream music of today and the recent past.” — Library Journal“The selection of indie music–centric cities is spot-on… Simon’s text is knowledgeable… the book serves as a helpful jumping-off point for readers looking to learn more.” — Publishers Weekly“Simon ensures there’s never a dull moment...Rob Dobi’s spot-on illustrations appear throughout the book as the perfect complement to her enthusiastic and hilarious voice.” — Sacramento Book Review online