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Wagner's Melodies
by David TrippettSince the 1840s, critics have lambasted Wagner for lacking the ability to compose melody. But for him, melody was fundamental – 'music's only form'. This incongruity testifies to the surprising difficulties during the nineteenth century of conceptualizing melody. Despite its indispensable place in opera, contemporary theorists were unable even to agree on a definition for it. In Wagner's Melodies, David Trippett re-examines Wagner's central aesthetic claims, placing the composer's ideas about melody in the context of the scientific discourse of his age: from the emergence of the natural sciences and historical linguistics to sources about music's stimulation of the body and inventions for 'automatic' composition. Interweaving a rich variety of material from the history of science, music theory, music criticism, private correspondence and court reports, Trippett uncovers a new and controversial discourse that placed melody at the apex of artistic self-consciousness and generated problems of urgent dimensions for German music aesthetics.
Wagner's Ring: Turning the Sky Around - An Introduction to the Ring of The Nibelung
by M. Owen LeeShort synopses and analyses of Wagner's Ring cycle by a knowledgeable and thoughtful opera lover who delivered talks on the Metropolitan Opera broadcasts. This is an excellent and short introduction to the Ring. You'll learn the story and also learn something of the philosophical underpinnings of the work. The author also includes short reviews of other literary commentators on the Ring and some of the major recordings up to 1994 when this work was last published.
Wagner's Ring Cycle and the Greeks
by Daniel H. FosterVolumes for Cambridge Studies in Opera explore the cultural, political, and social influences of the genre. As a cultural art form, opera is not produced in a vacuum. Rather, it is influenced, whether directly or in more subtle ways, by its social and political environment. In turn, opera leaves its mark on society and contributes to shaping the cultural climate.
Wagner's Ring of the Nibelung: A Companion
by Barry Millington Stewart Spencer"Scrupulous . . . planned and executed with quite unusual care." —Opera There has long been a need for a modern English translation of Wagner's Ring—a version that is reliable and readable yet at the same time is a true reflection of the literary quality of the German libretto. This acclaimed translation, which follows the verse form of the original exactly, fills that niche. It reads smoothly and idiomatically, yet is the result of prolonged thought and deep background knowledge. The translation is accompanied by Stewart Spencer's introductory essay on the libretto and a series of specially commissioned texts by Barry Millington, Roger Hollinrake, Elizabeth Magee and Warren Darcy that discuss the cycle's musical structure, philosophical implications, medieval sources and Wagner's own changing attitude to its meaning. With a glossary of names, a review of audio and video recordings, and a select bibliography, the book is an essential complement to Wagner's great epic.
Waiting for Buddy Guy: Chicago Blues at the Crossroads
by Alan HarperIn the late 1970s and early 1980s, British blues fan Alan Harper became a transatlantic pilgrim to Chicago. "I've come here to listen to the blues," he told an American customs agent at the airport, and listen he did, to the music in its many styles, and to the men and women who lived it in the city's changing blues scene. Harper's eloquent memoir conjures the smoky redoubts of men like harmonica virtuoso Big Walter Horton and pianist Sunnyland Slim. Venturing from stageside to kitchen tables to the shotgun seat of a 1973 Eldorado, Harper listens to performers and others recollect memories of triumphs earned and chances forever lost, of deep wells of pain and soaring flights of inspiration. Harper also chronicles a time of change, as an up-tempo, whites-friendly blues eclipsed what had come before, and old Southern-born black players held court one last time before an all-conquering generation of young guitar aces took center stage.
Waiting for Verdi: Opera and Political Opinion in Nineteenth-Century Italy, 1815-1848
by Mary Ann SmartThe name Giuseppe Verdi conjures images of Italians singing opera in the streets and bursting into song at political protests or when facing the firing squad. While many of the accompanying stories were exaggerated, or even invented, by later generations, Verdi's operas—along with those by Rossini, Donizetti, and Mercadante—did inspire Italians to imagine Italy as an independent and unified nation. Capturing what it was like to attend the opera or to join in the music at an aristocratic salon, Waiting for Verdi shows that the moral dilemmas, emotional reactions, and journalistic polemics sparked by these performances set new horizons for what Italians could think, feel, say, and write. Among the lessons taught by this music were that rules enforced by artistic tradition could be broken, that opera could jolt spectators into intense feeling even as it educated them, and that Italy could be in the vanguard of stylistic and technical innovation rather than clinging to the glories of centuries past. More practically, theatrical performances showed audiences that political change really was possible, making the newly engaged spectator in the opera house into an actor on the political stage.
Waiting on the Moon: Artists, Poets, Drifters, Grifters, and Goddesses
by Peter WolfIn the tradition of classic collections of observations and musings such as Christopher Isherwood&’s I Am a Camera and Truman Capote&’s The Dogs Bark, Waiting on the Moon is a treasure trove of vignettes from a legendary musical figure whose career spans more than six decades and is still going strong. Peter Wolf grew up in the Bronx, a child of &“fellow travelers&” whose artistic inclinations influenced both his love of music and his initial desire to become a painter. Stories of his loving and sometimes eccentric parents complement scenes depicting a very young Bob Dylan as he arrived on the Greenwich Village folk scene. Reflections on Wolf&’s studies in Boston—where he shared an apartment with David Lynch—are braided with accounts of first love, an untraditional literary education, and early musical influences such as Muddy Waters. After Wolf joined the J. Geils Band as their front man and his musical fame grew, he rubbed shoulders with other notables who left significant impressions on him, including members of the Rolling Stones, Sly Stone, Tennessee Williams, Alfred Hitchcock, and Van Morrison. Wolf&’s marriage to Faye Dunaway is presented in a clear yet balanced and nuanced light. Told with gentle humor and often heart-rending poignancy, the word portraits in Waiting on the Moon provide a revealing glimpse of artists, writers, actors, and musicians as they work—the creative forces that drive them to achievement; the demons they battle; the patterns of their human relationships. They are meant to inspire not only empathy but also admiration. Like Isherwood, Wolf remains &“a camera with its shutter open.&”
Waiting to Derail: Ryan Adams and Whiskeytown, Alt-Country's Brilliant Wreck
by Thomas O'KeefeLong before the Grammy nominations, sold-out performances at Carnegie Hall, and Hollywood friends and lovers, Ryan Adams fronted a Raleigh, North Carolina, outfit called Whiskeytown. Lumped into the burgeoning alt-country movement, the band soon landed a major label deal and recorded an instant classic: Strangers Almanac. That's when tour manager Thomas O'Keefe met the young musician. <p><p> For the next three years, Thomas was at Ryan's side: on the tour bus, in the hotels, backstage at the venues. Whiskeytown built a reputation for being, as the Detroit Free Press put it, "half band, half soap opera," and Thomas discovered that young Ryan was equal parts songwriting prodigy and drunken buffoon. Ninety percent of the time, Thomas could talk Ryan into doing the right thing. Five percent of the time, he could cover up whatever idiotic thing Ryan had done. But the final five percent? Whiskeytown was screwed. <p> Twenty-plus years later, accounts of Ryan's legendary antics are still passed around in music circles. But only three people on the planet witnessed every Whiskeytown show from the release of Strangers Almanac to the band's eventual breakup: Ryan, fiddle player Caitlin Cary, and Thomas O'Keefe. Packed with behind-the-scenes road stories, and, yes, tales of rock star debauchery, Waiting to Derail provides a firsthand glimpse into Ryan Adams at the most meaningful and mythical stage of his career.
Wake the Town and Tell the People: Dancehall Culture in Jamaica
by Norman C. StolzoffJamaican dancehall has long been one of the most vital and influential cultural and artistic forces within contemporary global music. Wake the Town and Tell the People presents, for the first time, a lively, nuanced, and comprehensive view of this musical and cultural phenomenon: its growth and historical role within Jamaican society, its economy of star making, its technology of production, its performative practices, and its capacity to channel political beliefs through popular culture in ways that are urgent, tangible, and lasting. Norman C. Stolzoff brings a fan's enthusiasm to his broad perspective on dancehall, providing extensive interviews, original photographs, and anthropological analysis from eighteen months of fieldwork in Kingston. Stolzoff argues that this enormously popular musical genre expresses deep conflicts within Jamaican society, not only along lines of class, race, gender, sexuality, and religion but also between different factions struggling to gain control of the island nation's political culture. Dancehall culture thus remains a key arena where the future of this volatile nation is shaped. As his argument unfolds, Stolzoff traces the history of Jamaican music from its roots in the late eighteenth century to 1945, from the addition of sound systems and technology during the mid-forties to early sixties, and finally through the post-independence years from the early sixties to the present. Wake the Town and Tell the People offers a general introduction for those interested in dancehall music and culture. For the fan or musicologist, it will serve as a comprehensive reference book.
Walk Like a Man
by Robert J. WiersemaThere are dozens of books about the Boss, exploring every facet of his career. So what's left to say? Nothing objective, perhaps. But when it comes to music, objectivity is highly overrated. Robert Wiersema has been a Springsteen fan since he was a teenager. By most definitions, he's a fanatic: following tours to see multiple shows in a row, watching set lists develop in real time via the Internet, ordering bootlegs from shady vendors in Italy. His attachment is deeper than fandom, though: he's grown up with Springsteen's music as the soundtrack to his life, beginning with his working-class youth in rural British Columbia and continuing on through dreams of escape, falling in love, and becoming a father.Walk Like a Man is liner notes for a mix tape, a frank and inventive blend of biography, music criticism, and memoir over the course of thirteen tracks. Like the best mix tapes, it balances joy and sorrow, laughter seasoning the dark-night-of-the-soul questions that haunt us all. Wiersema's book is the story of a man becoming a man (despite getting a little lost along the way), and of the man and the music that have accompanied him on his journey.
Walk This Way: Run-DMC, Aerosmith, and the Song that Changed American Music Forever
by Geoff EdgersWashington Post national arts reporter Geoff Edgers takes a deep dive into the story behind “Walk This Way,” Aerosmith and Run-DMC's legendary, groundbreaking mashup that forever changed music. The early 1980s were an exciting time for music. Hair metal bands were selling out stadiums, while clubs and house parties in New York City had spawned a new genre of music. At the time, though, hip hop's reach was limited, an art form largely ignored by mainstream radio deejays and the rock-obsessed MTV network.But in 1986, the music world was irrevocably changed when Run-DMC covered Aerosmith's hit “Walk This Way” in the first rock-hip hop collaboration. Others had tried melding styles. This was different, as a pair of iconic arena rockers and the young kings of hip hop shared a studio and started a revolution. The result: Something totally new and instantly popular. Most importantly, "Walk This Way" would be the first rap song to be played on mainstream rock radio. In Walk This Way, Geoff Edgers sets the scene for this unlikely union of rockers and MCs, a mashup that both revived Aerosmith and catapulted hip hop into the mainstream. He tracks the paths of the main artists—Steven Tyler, Joe Perry, Joseph “Run” Simmons, and Darryl “DMC” McDaniels—along with other major players on the scene across their lives and careers, illustrating the long road to the revolutionary marriage of rock and hip hop. Deeply researched and written in cinematic style, this music history is a must-read for fans of hip hop, rock, and everything in between.
Walking Back Home
by Ricky RossThe first memoir by Deacon Blue singer and music icon Ricky Ross.In 1986, Ricky Ross started a full-time career in music, which has lasted for over 35 years. His earlier working life was spent in youth work and teaching in his home city of Dundee, and his adopted home of Glasgow. It was in these two cities where he spent his formative years learning how to write and play songs. Having always written about the people and places who've made an impact on his life, it's no surprise that this is how he has approached Walking Back Home, his first ever memoir, which takes the reader on a journey from Ricky's childhood to the rollercoaster of leading his band Deacon Blue to top of the charts and the band's eventual break-up and his solo career. 'I started to write about the years I spent putting the band together, on the first time we ever played in America, and about some of the musical characters I've met along the way. I gave some thought to growing up in suburban Dundee in a family with no record player and no sense that someone like me could, one day, make a record. That's one part of the story. However, I still want to talk about the smell of Born To Run when I first got it home and how I saw the Buzzcocks looking at a Cliff Richard album sleeve in a Dundee Record Shop window. I still want to tell the stories of my Grandparents and parents and the woman whose voice was so vulnerable when she got up to sing at our church.For all these years I've told stories. Sometimes these days I also tell them on the radio. I've met some amazing people and their stories need told too. The first time Deacon Blue ever played Wembley Arena I started to introduce a song only to hear, 'Get on with it' shouted from Row Z. We proceeded with the song, but I often thought I'd quite like to finish that story.'(P) 2022 Headline Publishing Group Ltd
Walking Back Home
by Ricky Ross'For all these years I've told stories. Sometimes these days I also tell them on the radio. I've met some amazing people and their stories need told too. The first time Deacon Blue ever played Wembley Arena I started to introduce a song only to hear, "Get on with it" shouted from Row Z. We proceeded with the song, but I often thought I'd quite like to finish that story.'In 1986, Ricky Ross started a full-time career in music, which has lasted for over 35 years. His earlier working life was spent in youth work and teaching in his home city of Dundee, and his adopted home of Glasgow. It was in these two cities where he spent his formative years learning how to write and play songs. Having always written about the people and places who've made an impact on his life, it's no surprise that this is how he has approached Walking Back Home, his first ever memoir, which takes the reader on a journey from Ricky's childhood to the rollercoaster of leading his band to top of the charts and their break-up, his solo career and Deacon Blue's recent renaissance.
Walking Back Home
by Ricky Ross'For all these years I've told stories. Sometimes these days I also tell them on the radio. I've met some amazing people and their stories need told too. The first time Deacon Blue ever played Wembley Arena I started to introduce a song only to hear, "Get on with it" shouted from Row Z. We proceeded with the song, but I often thought I'd quite like to finish that story.'In 1986, Ricky Ross started a full-time career in music, which has lasted for over 35 years. His earlier working life was spent in youth work and teaching in his home city of Dundee, and his adopted home of Glasgow. It was in these two cities where he spent his formative years learning how to write and play songs. Having always written about the people and places who've made an impact on his life, it's no surprise that this is how he has approached Walking Back Home, his first ever memoir, which takes the reader on a journey from Ricky's childhood to the rollercoaster of leading his band to top of the charts and their break-up, his solo career and Deacon Blue's recent renaissance.
Walking Bass Guitar Lines: 15 Original Walking Jazz Bass Lines with Audio & Video (Bass Guitar Lines #2)
by Gareth Evans15 Original Walking Bass Guitar lines in tablature and notation for the intermediate to advanced bassist. >> 176 bars of music over 15 Bass lines (average Bass line length 11.7 bars) >> Audio demonstrations and backing tracks for each Bass line at slow (70bpm), medium (135bpm) and fast (200bpm) speeds with video demonstrations for medium speed (Downloadable). >> Each Bass line includes an interval analysis of all of its notes and theory explanations of various approaches to chord changes. Please Note: This eBook has written music and is not suitable for smaller screens.
Walking Disaster
by Deryck WhibleyThis candid memoir of punk rock, fame, and endurance from Deryck Whibley, lead singer of Sum 41, follows Whibley's rise from a punk kid in Canada to an international star.From his earliest days as a kid in Canada, Deryck Whibley was a punk who loved music and couldn't wait to achieve something bigger and better than the humble path that lay before him. Raised by a single mom and constantly moving from place to place, Deryck was used to being the new kid, starting fights (or finishing them), and finding friends who shared his sensibility for chaotic fun and loud music. Sum 41 was born of a group of friends who loved to jam, shared a DIY ethos, and were determined to be rock stars one day.Walking Disaster is Deryck's story, but it is also the untold story of Sum 41. Deryck takes you backstage, into the recording booth, and through the highest highs and lowest lows of the band whose story is inextricably woven with his own.With his insightful, earnest, and genuine voice, Deryck gets real about fame, fortune, and the music industry. From winning at the MTV Video Music Awards, being nominated for a Grammy, his high-profile relationships and friendships, contending with invasive paparazzi, and suffering from health issues that brought him to the brink, Deryck offers a forthright and unforgettable memoir.
Walking Disaster: My Life Through Heaven and Hell
by Deryck WhibleyThis candid memoir of music, fame, and endurance from Deryck Whibley, lead singer of Sum 41, follows his rise from a punk kid to an international star. From his earliest days growing up in Canada, Deryck Whibley was a punk who loved music and couldn&’t wait to achieve something bigger and better than the humble path that lay before him. Whibley was raised by a single mom and their small family constantly moved from place to place, so he was used to being the new kid, starting fights (or finishing them), and connecting with people who shared his sensibility for chaotic fun and loud music. Sum 41 was born of a group of friends who loved to jam, shared a DIY ethos, and were determined to be rock stars one day. Walking Disaster is Whibley&’s story, but it is also the untold story of Sum 41. Whibley takes you backstage, into the recording booth, and through the highest highs and lowest lows of the band whose story is inextricably woven with his own. With his insightful, earnest, and genuine voice, Whibley gets real about fame, fortune, and the music industry. Detailing everything from winning at the MTV Video Music Awards and being nominated for a Grammy to revisiting his high-profile relationships and friendships, contending with invasive paparazzi, and suffering from health issues that brought him to the brink, Whibley offers a forthright and unforgettable memoir.
Walking with Legends: Barry Martyn's New Orleans Jazz Odyssey
by Mick Burns Bruce Boyd RaeburnDrummer, record producer, bandleader, jazz researcher, and cigar-chomping raconteur Barry Martyn is a New Orleans original who happens to have been born in England. Implausible though this may seem, it makes perfect sense to members of the New Orleans traditional jazz community, who view themselves as an extended family based on merit as much as nativity. For more than forty years, Martyn has been a fixture in the Crescent City's jazz scene, laying down the beat for generations of celebrated musicians and avidly promoting the city's unique musical heritage around the world. In Walking with Legends -- based on over forty hours of interviews with Martyn by fellow British jazz enthusiast and author Mick Burns -- Martyn reflects upon his life in jazz and offers a window into a musical world that few have understood, let alone witnessed from the inside. At the age of nineteen, jazz fanatic Martyn found his way to the Crescent City and began working as a professional drummer in clubs and studios. The first white man in the United States to join a black musician's union, he eventually started his own record label and recorded hundreds of jam sessions that today are regarded as classics in Europe. In 1972, he formed the Legends of Jazz, an old-style New Orleans jazz band that toured the world and took New Orleans jazz into the American showbiz mainstream.Martyn's life story provides unique intimate glimpses of a vanished generation of New Orleans musicians, including Louis Armstrong, Kid Sheik Cola, Harold Dejan, Joe Watkins, Albert Nicholas, Kid Thomas, Andrew Blakeney, and many others. Throughout his chronicle, Martyn highlights the continual clash of cultures that arose from an avid British pupil learning lessons of life and music from elderly African American strangers who take him under their wing both out of curiosity and self-interest. Together, they find a way to connect through music, even if the road gets a little bumpy at times. A standard-bearer for New Orleans's jazz drumming tradition, Martyn remains one of the city's busiest musicians and most avid promoters of New Orleans music. In Walking with Legends, he honors the legacies of the African American musicians who taught and inspired him and affirms the importance of the human relationships that make the music possible.
Wally the World's Greatest Piano-Playing Wombat
by Ratha TepWally was the world's greatest piano-playing wombat—until he realized there was an even more talented piano-playing wombat in town! This funny picture book's bright colors and imaginative musical scenes teach children to have self-confidence when faced with competition. When Wally, the world's greatest piano-playing wombat, hears Wylie play, he becomes envious. Wally tries toe-tapping and ball-twirling as he plays piano, but every time Wally thinks he's one-upping the competition, he discovers Wylie can do all the same tricks. Although Wally is discouraged at first, he soon realizes that competing with Wylie inspires them both to play better. And finding a friend to share what you love? That's the best win of all. Both affirming and motivating, Wally's story will resonate with young readers as they learn how to deal with competition and to do what makes them happy—even when they're not the very best.
The Walrus and the Elephants
by James A. MitchellNineteen-seventy-one was the year John Lennon left London and pop stardom for a life in New York City as a solo artist, record producer and activist looking to help end the war in Vietnam. He settled in Greenwich Village and quickly came to be seen by the leaders of the faltering anti-war movement as someone who was capable of reinvigorating it. The government was acutely aware of Lennon's power as well, seeing him as a viable threat to Nixon's reelection hopes, initiating extradition proceedings against him. Lennon's second solo album, Imagine, appeared in 1971, followed the following year by Sometime in New York City. Meanwhile, John and Yoko are searching for her daughter, a primary reason they came to America in the first place. And John is struggling to embrace feminism. The Walrus and the Elephants tells a double-barreled story of music and politics, how the personal is political and the political is personal, of upheavals in one life amid the larger cultural upheavals of an era. From the Hardcover edition.
Walt Whitman and Modern Music: War, Desire, and the Trials of Nationhood (Border Crossings #Vol. 10)
by Lawrence KramerWalt Whitman's poetry, especially his Civil War poetry, attracted settings by a wide variety of modern composers in both English- and German-speaking countries. The essays in this volume trace the transformation of Whitman's nineteenth-century texts into vehicles for confronting twentieth-century problems-aesthetic, social, and political. The contributors pay careful attention to music and poetry alike in examining how the Whitman settings become exemplary means of dealing with both the tragic and utopian faces of modernism. The book is accompanied by a CD recording by Joan Heller and Thomas Stumpf of complete Whitman cycles composed by Kurt Weill, George Crumb, and Lawrence Kramer, and the first recording of four Whitman songs composed in the 1920s by Marc Blitzstein.
Waltzes and Scherzos (Dover Classical Piano Music)
by Frédéric ChopinSparkling, graceful and tinged with an ineffable melancholy, Chopin's waltzes succeed in conveying an air of mystery while retaining their ballroom splendor. His scherzos are truly novel metamorphoses of the form -- tumultuous emotional outpourings that frequently attain tragic heights. Prepared by Carl Mikuli, Chopin's student and teaching assistant, this edition of these innovative works is particularly authoritative, reflecting Mikuli's knowledge and understanding of Chopin's music. This volume includes: Waltzes Op. 18 Op. 70, Nos. 1-3 Op. 34, Nos. 1-3 E Minor, (Op. posth.) Op. 42 E Major (Op. posth.) Op. 64, Nos. 1-3 Op. 69, Nos. 1-2 Scherzos Opp. 20, 31, 39, 54 Republication of works from an authoritative early edition. New unified table of contents.
Want to Be in a Band?
by Giselle Potter Suzzy RocheDo you want to be in a band? Well, here's how! First, bug your two older sisters to start a band, and then beg them to join. (It helps if they already know how to sing and play guitar.) Then there are some tricky parts, like getting over STAGEFRIGHT and practicing until the tips of your fingers ache and playing gigs at not-so-big-time music clubs. At least, that's the way our little sister narrator explains it in her "guide" on how to start a band, based on the real-life experiences of author Suzzy Roche.From the Hardcover edition.
War and Death in the Music of George Crumb: A Crisis of Collective Memory (Ashgate Studies in Theory and Analysis of Music After 1900)
by Abigail ShupeThis book studies George Crumb’s The Winds of Destiny (2004) and Black Angels (1970) as artifacts of collective memory and cultural trauma. It situates these two pieces in Crumb’s output and unpacks the complex methodologies needed to understand these pieces as contributions and challenges to traditional narratives of the Civil War and the Vietnam War. The Winds of Destiny is shown to be a critical commentary on the legacy of American wars and militarism, both concepts crucial to American identity. The Winds of Destiny also acts as an ironic war memorial as a means of critiquing such concepts. Black Angels has long been associated with the Vietnam War. This book shows how this association began and how it endures through connections to iconic Vietnam War media, including films and books. Together these analyses show the legacy of trauma in American collective memory, which is in a continuous crisis. Crumb’s musical critiques point to a need to resist conventional narratives and to begin to heal trauma on a collective level. This book will be of interest to students of contemporary American music, American studies, and memory studies. It benefits readers by newly situating Crumb’s music within these three fields of study.
War, Exile and the Music of Afghanistan: The Ethnographer’s Tale (SOAS Studies in Music)
by John BailyIn the 1970s John Baily conducted extensive ethnomusicological research in Afghanistan, principally in the city of Herat but also in Kabul. Then, with Taraki’s coup in 1978, came conflict, war, and the dispersal of many musicians to locations far and wide. This new publication is the culmination of Baily’s further research on Afghan music over the 35 years that followed. This took him to Afghanistan, Pakistan, Iran, the USA, Australia and parts of Europe - London, Hamburg and Dublin. Arranged chronologically, the narrative traces the sequence of political events - from 1978, through the Soviet invasion, to the coming of the Taliban and, finally, the aftermath of the US-led invasion in 2001. He examines the effects of the ever-changing situation on the lives and works of Afghan musicians, following individual musicians in fascinating detail. At the heart of his analysis are privileged vignettes of ten musical personalities - some of friends, and some newly discovered. The result is a remarkable personal memoir by an eminent ethnomusicologist known for his deep commitment to Afghanistan, Afghan musicians and Afghan musical culture. John Baily is also an ethnographic filmmaker. Four of his films relating to his research are included on the downloadable resources that accompanies the text.