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The Worst Songs in the World: The Terrible Truth About National Anthems

by David Pate

The best-known songs in the world are violent, sexist, and religious — so why do we celebrate national anthems when we should be rewriting them?“Fascinating and thoughtful ... showcases how anthems divide us even as they promise to bring communities together.” — MARK CLAGUE, author of O Say Can You Hear?: A Cultural Biography of The Star-Spangled BannerThis fascinating popular history of national anthems begins in a London theatre in 1745 when the modern idea of anthems was born. They started out as triumphant expressions of national superiority by glorifying violence, claiming the support of God, and mostly ignoring women.David Pate has experienced the violent side of anthems firsthand: as a schoolboy in Scotland, he was caned for refusing to sing “God Save the Queen.” He says it’s time to dump lyrics about cutting throats, watering fields with blood, building walls with the bodies of enemies, and celebrating the sound of machine guns.The Worst Songs in the World looks at the origins of many of the world’s anthems, from the movie theme song that became China’s national anthem to the English tune used for “The Star-Spangled Banner.”This wide-ranging and deeply researched narrative combines politics, personalities, humour, and vivid storytelling to argue for better national songs.

Wouldn't It Be Nice: Brian Wilson and the Making of the Beach Boys' Pet Sounds

by Charles L. Granata Tony Asher

When he first started working on Pet Sounds, Brian Wilson said that he was going to write "the greatest rock album ever made." That album, released in 1966, fifty years ago, changed the face of popular music.From conception and composition to arrangement and production, Pet Sounds was the work of one extraordinary man. Turning his back on the protest songs and folk rock of his contemporaries and even on the bright surf sound of his own creation, Brian Wilson reached deep within himself to make music that struck an emotional chord and touched people's souls. Embracing the rapidly advancing recording technology of the time, he expertly created an original studio sound that would inspire generations of listeners and musicians.Featuring a detailed track-by-track analysis of the songs and extensive interviews with key personalities, this unique book reveals the influences--musical, personal, and professional--that together created this groundbreaking album. Now revised to include new information and recent developments, this is the definitive book on one of the greatest albums ever made.

The Wow Factor: A Comprehensive Guide for Performers

by Steve Zegree

Dr. Steve Zegree of Western Michigan University, choral arranger and conductor of Western Michigan's Gold Company has developed this practical guide for performers, students, teachers and parents which offers fundamental philosophies and concepts that are essential to a person's growth and development and will contribute to a successful professional life in music.

Wrecking Crew: The Really Bad News Griffith Park Pirates

by John Albert

"You never know what's going to save you. "After years of dingy nightclubs and drug addiction, John Albert and his hard-luck friends certainly never expected their salvation to arrive in the form of a pastime most often associated with Mom, God, and apple pie. Wrecking Crew -- a highly unusual chronicle of recovery and redemption -- documents the transformation of a group of musicians, struggling screenwriters, and wannabe actors into a competitive band of hardballers. For over a decade, it seemed to be enough: the narcotics, gambling, whores, and aimless rebellion. But as they stumbled into their thirties, the blithe pursuit of self-destruction had simply become exhausting to these battle-scarred denizens of the L. A. counterculture. The romantic squalor of being perpetually broken-down, periodically drug-addled, and irresponsible began to lose its charm. The idea of fielding a baseball team to compete in a hard-knocks amateur league seemed merely the latest in a string of half-hearted stabs at restoring order to their ragged lives. But this escapade was different. When these men donned their team uniforms, the old obsessions started to fade and something incredible began to happen. This is the unforgettable story of the Griffith Park Pirates.

Write and Produce Your Own Songs: Audio eBook

by Sam Inglis

Is this the right book for me?This book is an essential companion for any aspiring songwriter, and is ideal for those with no formal musical education. Covering every genre of popular contemporary music, from rock and pop to musical theatre and country/western, it tracks everything from what harnessing your creative potential to finding a hook and selling, performing and promoting your songs. It also offers some material for those at a slightly more advanced level who'd like to understand things such as chords and sequencing. With straightforward notation and embedded audio which showcases the process at work, this accessible guide from a professional songwriter will prove indispensable for creating and peforming your own songs.Write and Produce Your Own Songs includes:Chapter 1: Tools of the tradeChapter 2: HooksChapter 3: Basic theoryChapter 4: Developing a hookChapter 5: Developing lyricsChapter 6: Song structureChapter 7: Arranging and recording your songsChapter 8: Playing live and forming a bandChapter 9: Promoting your music on the InternetChapter 10: The professional songwriteLearn effortlessly with a new easy-to-read page design and added features: Not got much time?One, five and ten-minute introductions to key principles to get you started.Author insightsLots of instant help with common problems and quick tips for success, based on the author's many years of experience.Test yourselfTests in the book and online to keep track of your progress.Extend your knowledgeExtra online articles to give you a richer understanding of the subject.Five things to rememberQuick refreshers to help you remember the key facts.Try thisInnovative exercises illustrate what you've learnt and how to use it.

Write and Produce Your Own Songs: Teach Yourself

by Sam Inglis

Is this the right book for me?This book is an essential companion for any aspiring songwriter, and is ideal for those with no formal musical education. Covering every genre of popular contemporary music, from rock and pop to musical theatre and country/western, it tracks everything from what harnessing your creative potential to finding a hook and selling, performing and promoting your songs. It also offers some material for those at a slightly more advanced level who'd like to understand things such as chords and sequencing. With straightforward notation and embedded audio which showcases the process at work, this accessible guide from a professional songwriter will prove indispensable for creating and peforming your own songs.Write and Produce Your Own Songs includes:Chapter 1: Tools of the tradeChapter 2: HooksChapter 3: Basic theoryChapter 4: Developing a hookChapter 5: Developing lyricsChapter 6: Song structureChapter 7: Arranging and recording your songsChapter 8: Playing live and forming a bandChapter 9: Promoting your music on the InternetChapter 10: The professional songwriteLearn effortlessly with a new easy-to-read page design and added features: Not got much time?One, five and ten-minute introductions to key principles to get you started.Author insightsLots of instant help with common problems and quick tips for success, based on the author's many years of experience.Test yourselfTests in the book and online to keep track of your progress.Extend your knowledgeExtra online articles to give you a richer understanding of the subject.Five things to rememberQuick refreshers to help you remember the key facts.Try thisInnovative exercises illustrate what you've learnt and how to use it.

Write Songs Right Now

by Alex Forbes

Write Songs Right Now is a hands-on, step-by-step guide to creating original pop songs—an approach that has been road-tested by thousands of Alex’s students and coaching clients in New York City, some of whom have gone on to achieve great success. With insight, enthusiasm, and humor, Alex guides listeners through the process of brainstorming for ideas, crafting effective lyrics, and putting those lyrics to music. Whether you’ve written one song or one hundred, this audiobook will show you how to take your songwriting to new levels. Each chapter lays out the basics of a different element of songwriting, including song form, lyrics, melodies, chord construction, song dynamics, and the essential ingredients of a killer hook. There are lots of fun exercises to strengthen your songwriting muscles and increase your confidence. Alex also encourages up-and-coming writers to participate in songwriting communities locally and online, and makes a strong case for collaborating as a way to generate even better material.

Writing about Music

by D. Kern Holoman

How do you spell "Mendelssohn"? Where do you place the hyphen in "Beethoven" if it breaks between two lines? Is it "premiere" or "première"? The answers and much more can be found in this completely revised and updated resource for authors, students, editors, concert producers--anyone who deals with classical music in print. This essential volume covers some of the thorniest issues of musical discourse: how to go about describing musical works and procedures in prose, the rules for citations in notes and bibliography, and proper preparation of such materials as musical examples, tables, and illustrations. One section discusses program notes, another explains the requirements for submitting manuscripts and electronic files. A new section outlines best practices for student writers. An appendix lists common problem words.

Writing about Music

by D. Kern Holoman

How do you spell "Mendelssohn"? Where do you place the hyphen in "Beethoven" if it breaks between two lines? Is it "premiere" or "première"? The answers and much more can be found in this completely revised and updated resource for authors, students, editors, concert producers--anyone who deals with classical music in print. This essential volume covers some of the thorniest issues of musical discourse: how to go about describing musical works and procedures in prose, the rules for citations in notes and bibliography, and proper preparation of such materials as musical examples, tables, and illustrations. One section discusses program notes, another explains the requirements for submitting manuscripts and electronic files. A new section outlines best practices for student writers. An appendix lists common problem words.

Writing Better Lyrics Second Edition: Essential Guide To Lyric Form And Structure: Tools And Techniques For Writing Better Lyrics (Songwriting And Lyrics Ser.)

by Pat Pattison

Pattison presents a unique, in-depth approach to the process of lyric writing. Songwriters will examine 17 extraordinary songs and learn the distinct elements that make them so effective. Pattison then presents more than 30 lyric-writing exercises designed to achieve the same results. From generating lyric ideas and managing repetition to developing verses, it's all here. Songwriters will: find warm-up exercises that revolutionize songwriting imagery; use a rhyming dictionary and a thesaurus to generate ideas and find snappy rhyme; create meaningful metaphors and similes while avoiding cliches; develop verses by using or breaking conventional rules; experiment with point of view in every lyric to make a song stand out

Writing Gordon Lightfoot: The Man, the Music, and the World in 1972

by Dave Bidini

From acclaimed musician and author Dave Bidini comes a brilliantly original look at a folk-rock legend and the momentous week in 1972 that culminated in the Mariposa Folk Festival.July, 1972. As musicians across Canada prepare for the nation's biggest folk festival, held on Toronto Island, a series of events unfold that will transform the country politically, psychologically--and musically. As Bidini explores the remarkable week leading up to Mariposa, he also explores the life and times of one of the most enigmatic figures in Canadian music: Gordon Lightfoot, the reigning king of folk at the height of his career. Through a series of letters, Bidini addresses Lightfoot directly, questioning him, imagining his life, and weaving together a fascinating, highly original look at a musician at the top of his game. By the end of the week, the country is on the verge of massive change and the '72 Mariposa folk fest--complete with surprise appearances by Bob Dylan, Neil Young, Joni Mitchell, and yes, Lightfoot--is on its way to becoming legendary.From the Hardcover edition.

Writing Interactive Music for Video Games: A Composer's Guide (Game Design)

by Michael Sweet

Written by the developer of Berklee School of Music’s pioneering game scoring program, this guide covers everything professional composers and music students need to know about composing interactive music for video games, and contains exclusive tools for interactive scoring―tools that were previously available only at Berklee. <p><p> Drawing on twenty years of professional experience in the game industry, Michael Sweet helps you master the unique language of music storytelling in games. Next, he walks you through the entire music composition process, from initial conceptualization and creative direction through implementation. <p><p> Inside, you’ll find dozens of examples that illustrate adaptive compositional techniques, from small downloadable games to multimillion dollar console titles. In addition, this guide covers the business side of video game composition, sharing crucial advice about contracts, pricing, sales, and marketing.

Writing Sounds in Carolingian Europe: The Invention of Musical Notation (Cambridge Studies in Palaeography and Codicology #15)

by Susan Rankin

Musical notation has not always existed: in the West, musical traditions have often depended on transmission from mouth to ear, and ear to mouth. Although the Ancient Greeks had a form of musical notation, it was not passed on to the medieval Latin West. This comprehensive study investigates the breadth of use of musical notation in Carolingian Europe, including many examples previously unknown in studies of notation, to deliver a crucial foundational model for the understanding of later Western notations. An overview of the study of neumatic notations from the French monastic scholar Dom Jean Mabillon (1632–1707) up to the present day precedes an examination of the function and potential of writing in support of a musical practice which continued to depend on trained memory. Later chapters examine passages of notation to reveal those ways in which scripts were shaped by contemporary rationalizations of musical sound. Finally, the new scripts are situated in the cultural and social contexts in which they emerged.

Writing the Record: The Village Voice and the Birth of Rock Criticism

by Devon Powers

During the mid-1960s, a small group of young journalists made it their mission to write about popular music, especially rock, as something worthy of serious intellectual scrutiny. Their efforts not only transformed the perspective on the era's music but revolutionized how Americans have come to think, talk, and write about popular music ever since. In Writing the Record, Devon Powers explores this shift by focusing on The Village Voice, a key publication in the rise of rock criticism. Revisiting the work of early pop critics such as Richard Goldstein and Robert Christgau, Powers shows how they stood at the front lines of the mass culture debates, challenging old assumptions and hierarchies and offering pioneering political and social critiques of the music. Part of a college-educated generation of journalists, Voice critics explored connections between rock and contemporary intellectual trends such as postmodernism, identity politics, and critical theory. In so doing, they became important forerunners of the academic study of popular culture that would emerge during the 1970s. Drawing on archival materials, interviews, and insights from media and cultural studies, Powers not only narrates a story that has been long overlooked but also argues that pop music criticism has been an important channel for the expression of public intellectualism. This is a history that is particularly relevant today, given the challenges faced by criticism of all stripes in our current media environment. Powers makes the case for the value of well-informed cultural criticism in an age when it is often suggested that "everyone is a critic."

The Writings and Letters of Konrad Wolff (Contributions To The Study Of Music And Dance Ser. #No. 48)

by Ruth Gillen

"[Wolff] is a remarkable pianist, an excellent theoretician, a learned teacher, a brilliant thinker and writer." --Artur Schnabel"This collection of [Wolff's] writings and letters should bear ample testimony to a musician who happily combined the artist, the teacher, the musicologist, and the charm and integrity of a human being." --Alfred Brendel"Konrad Wolff writes about music with the verve and enthusiasm of a great teacher who has never lost his sense of music as an adventure. To read him is to enter into a lively dialogue with a superior musical mind and a buoyant spirit." --Richard GoodeThis collection provides elegant and thorough portraits of an important 20th-century performer and lover of music, as well as of his greatest influences.

Written in My Soul

by Bill Flanagan

Written in My Soul, first published in 1986, is a snapshot of some of rock & roll's most iconic artists at the same moment. Bill Flanagan, who would go on to create VH1 Storytellers and CMT Crossroads, spoke about songwriting and creativity with Bob Dylan, Chuck Berry, Carl Perkins, Joni Mitchell, Mick Jagger, Paul Simon, Van Morrison, Bruce Springsteen, Elvis Costello, Bono and nineteen more music legends. Long a collector's item, second hand copies of Written in My Soul have sold for over a hundred dollars. It is a look at rock & roll history from inside the heads of the people who made it. ABOUT THE AUTHOR Bill Flanagan is executive vice president and editorial director of MTV Networks. He is also the author of A&R, New Bedlam, U2 at the End of the World, Last of the Moe Haircuts, and the novel Evening's Empire. Flanagan has written for several magazines, including Esquire, GQ, Rolling Stone, Spy, and Vanity Fair.

The Wu-Tang Manual

by The RZA Chris Norris

The Wu-Tang Manual is The RZA&’s first written introduction to the philosophy and history of Hip-Hop&’s original Dynasty, the Wu-Tang Clan.Written in a style that is at once personal and philosophical, The Wu-Tang Manual unravels the intricate web of personalities (and alter egos), warrior codes, numerological systems, and Eastern spiritual ethics that define the Wu-Tang dynasty. Packed with information that reflects the breadth and depth of the RZA&’s — and rest of the Clan&’s — intellectual interests and passions, The Wu-Tang Manual is divided into four books of nine chambers each, for a total of 36 chambers. All together, the book provides the breakdown of essential Wu-Tang components, from basic information about each of the nine core members of Wu-Tang Clan to deeper explorations of the key themes of the Wu-Tang universe, a dictionary-like Wu-Slang lexicon, and an entire section of Wu-Tang lyrics with densely annotated explanations of what they mean. For the hardcore Wu-Tang disciple and the recent initiate alike, The Wu-Tang Manual is the definitive guide to the essence of Wu, one of the most innovative hip-hop groups of all time.The RZA's most recent book, The Tao of Wu, is also available from Riverhead Books.

Wurlitzer of Cincinnati: The Name That Means Music To Millions

by Mark Palkovic

Established in Cincinnati in 1856 by German immigrant Franz Rudolph Wurlitzer, the music dealer became the largest outlet for band instruments in the United States by 1865. During the silent film era in the early twentieth century, Wurlitzer manufactured nearly 2,250 theater organs, affectionately dubbed "Mighty Wurlitzers." Many of these instruments still provide concert music today. During the Big Band era of the 1930s to 1950s, the company's colorful coin-operated jukeboxes were such popular fixtures in bars and dance halls that the U.S. Postal Service honored them with a commemorative stamp. Although the company was sold in 1988, the Wurlitzer name continues to be held in high esteem by the city of Cincinnati.

X: Straight Edge and Radical Sobriety

by Gabriel Kuhn

Straight edge—hardcore punk's drug-free offshoot—has thrived as a subculture since the early 1980s. Its influence has reached far beyond musical genres and subcultural divides. Today it is more diverse and richly complex than ever, and in the past decade alcohol and drug use have become a much-discussed issue in radical politics, not least due to the hard work, dedication, and commitment to social and environmental justice found among straight-edge activists.X: Straight Edge and Radical Sobriety is Gabriel Kuhn's highly anticipated follow-up to his critically acclaimed Sober Living for the Revolution. In this impressive volume, Kuhn continues his reconnaissance of straight edge culture and how it overlaps with radical politics. Extensively illustrated and combining original interviews and essays with manifestos and reprints from zines and pamphlets, X is a vital portrait of the wide spectrum of people who define straight edge culture today. In the sprawling scope of this book, the notion of straight edge as a bastion of white, middle-class, cis males is confronted and challenged. X takes a piercing look at religion, identity, feminism, aesthetics, harm reduction, and much more. It is both a call to action and an elaborate redefinition of straight edge and radical sobriety. Promising to inspire discussion, reflection, and unearth hidden chapters of hardcore punk history, X is of crucial importance to anybody interested in the politics of punk and social constructive thought.

X-Ray: The Unauthorized Autobiography

by Ray Davies

The shocking and edgy memoirs of a dedicated enemy of fashion and the lead singer of The Kinks. This subversively brilliant, one-of-a-kind rock autobiography ingeniously styled as a biography, is written by a nameless, faceless writer hired by an Orwellian entity called "the Corporation" to capture the essence of Ray Davies, lead singer and songwriter of The Kinks and one of the greatest rock and rollers of all time. The Kinks front man reveals his life and times to the young writer, often seemingly passing his stories directly into the writer's consciousness. Carnaby Street, "Top of the Pops," the Cavern Club, The Beatles, The Rolling Stones, The Who and other fixtures of the times fade in and out of this compelling narrative. Part autobiography, part social history, part psychological thriller, this elusive and daring book exposes rock stardom as the heaven, hell, and purgatory it is.

Xenakis: His Life in Music

by James Harley

Xenakis: His Life in Music is a full-length study of the influential contemporary composer Iannis Xenakis. Following the trajectory of Xenakis’s compositional development, James Harley, who studied with Xenakis, presents the works together with clear explanations of the technical and conceptual innovations that shaped them. Harley examines the relationship between the composer and two early influences: Messiaen and Le Corbusier. Particular attention is paid to analyzing works which were vital to the composer’s creative development, from early, unpublished works to the breakthrough pieces Metastasis and Pithoprakta, through the oft-discussed decade of formalization and the evolving styles of the succeeding three decades.

Xenakis Creates in Architecture and Music: The Reynolds Desert House

by Roger Reynolds Karen Reynolds

Xenakis Creates in Architecture and Music describes the collaborative interaction of internationally acclaimed composer Roger Reynolds, musician Karen Reynolds, and musically inspired composer, engineer, and architect Iannis Xenakis (1922-2001) to create a house design, The Reynolds Desert House. The process combined aesthetics and intuition with mathematical systems, showcasing how art and science are balanced—by way of music and architecture—to address the essential technical aspects of music along with the role of emotion and energy. The book analyzes three representative chamber works and presents a trove of primary sources: letters, diaries, notes, photographs, sketches, and person-to-person conversations. What emerges are patterns of direct parallels between how Xenakis characterized the process of musical creation and his design of The Reynolds Desert House. Xenakis Creates in Architecture and Music is a testament to the singularly innovative and creative mind of Iannis Xenakis. Supplementary materials—including color reproductions of black and white images in the book—can be found at: www.rogerreynolds.com/xenakisreynoldsroutledge.html

XOMG Pop! Sparkle Queens: This is who we are!

by Maria S. Barbo

Meet pop's newest superstars! This official guide to XOMG Pop has all the stats and facts kids want to know about the musical sensation.Discover the true story behind XOMG Pop -- the rising stars and teen music sensations -- in this full-color photographic memoir!Learn everything there is to know about Brooklynn, Dallas, Tinie T., and Penelope! Find out how these four future superstars decided to follow their singing and dancing dreams. With exclusive content and full-color photos on every page, this biographic scrapbook is a must-have for XOMG Pop fans everywhere!

Y'all Eat Yet?: Welcome to the Pretty B*tchin' Kitchen

by Miranda Lambert

From country music sensation Miranda Lambert, comes a gorgeous cookbook sharing a wide array of tasty favorite recipes, straight outta Texas and collected from all the fabulous women who helped make Miranda who she is today. If you’re going to have a Bitchin Kitchen, you’re going to need a few things—plenty of room, plenty of good food for sharing, high spirits (in both senses) and all the friends and family you can fit. For Miranda Lambert, a good time means sharing a great meal with the women who helped raise her back in Texas—her mom and a colorful bunch of best friends who could raise the roof, come through in a pinch, celebrate, cry, and really, really cook. Miranda Lambert invites readers into this special circle of sisterhood with collection of recipes and stories. Y’all Eat Yet? is full of recipes for meals that fill your belly, and your soul, food meant to be shared, meant to be eaten with your fingers off of paper plates, or on your fanciest antique China. Some were handed down to Miranda from her mom and grandma, some come from the circle of cherished friends who helped raise her, and all of them are meant to be easy to prepare and shared with those you love. True to Miranda’s personality, Y’all Eat Yet? is sassy and inviting. Whether she’s cooking up omelets in her tricked-out Airstream to serve with Mimosas or laying out the Whiskey cupcakes next to Nonny’s Banana pudding, Y’all Eat Yet? delivers food you want to make alongside charming stories that show just why Miranda Lambert is one of the most beloved artists in country music today.

Yankee Twang: Country and Western Music in New England (Music in American Life)

by Clifford R. Murphy

Merging scholarly insight with a professional guitarist's keen sense of the musical life, Yankee Twang delves into the rich tradition of country & western music that is played and loved in the mill towns and cities of the American northeast. Clifford R. Murphy draws on a wealth of ethnographic material, interviews, and encounters with recorded and live music to reveal the central role of country and western in the social lives and musical activity of working-class New Englanders. As Murphy shows, an extraordinary multiculturalism informed by New England's kaleidoscope of ethnic groups created a distinctive country and western music style. But the music also gave--and gives--voice to working-class feeling. Yankee country and western emphasizes the western, reflecting the longing for the mythical cowboy's life of rugged but fulfilling individualism. Indeed, many New Englanders use country and western to comment on economic disenfranchisement and express their resentment of a mass media, government, and Nashville music establishment they believe neither reflects nor understands their life experiences.

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