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Beyond the Beat
by Daniel B. CornfieldAt a time when the bulwarks of the music industry are collapsing, what does it mean to be a successful musician and artist? How might contemporary musicians sustain their artistic communities? Based on interviews with over seventy-five popular-music professionals in Nashville, Beyond the Beat looks at artist activists--those visionaries who create inclusive artist communities in today's individualistic and entrepreneurial art world. Using Nashville as a model, Daniel Cornfield develops a theory of artist activism--the ways that artist peers strengthen and build diverse artist communities.Cornfield discusses how genre-diversifying artist activists have arisen throughout the late twentieth-century musician migration to Nashville, a city that boasts the highest concentration of music jobs in the United States. Music City is now home to diverse recording artists--including Jack White, El Movimiento, the Black Keys, and Paramore. Cornfield identifies three types of artist activists: the artist-producer who produces and distributes his or her own and others' work while mentoring early-career artists, the social entrepreneur who maintains social spaces for artist networking, and arts trade union reformers who are revamping collective bargaining and union functions. Throughout, Cornfield examines enterprising musicians both known and less recognized. He links individual and collective actions taken by artist activists to their orientations toward success, audience, and risk and to their original inspirations for embarking on music careers.Beyond the Beat offers a new model of artistic success based on innovating creative institutions to benefit the society at large.
Beyond the Conservatory Model: Reimagining Classical Music Performance Training in Higher Education (CMS Emerging Fields in Music)
by Michael Stepniak Peter SirotinAmid enormous changes in higher education, audience and music listener preferences, and the relevant career marketplace, music faculty are increasingly aware of the need to reimagine classical music performance training for current and future students. But how can faculty and administrators, under urgent pressure to act, be certain that their changes are effective, strategic, and beneficial for students and institutions? In this provocative yet measured book, Michael Stepniak and Peter Sirotin address these questions with perspectives rooted in extensive experience as musicians, educators, and arts leaders. Building on a multidimensional analysis of core issues and drawing upon interviews with leaders from across the performing arts and higher education music fields, Stepniak and Sirotin scrutinize arguments for and against radical change, illuminating areas of unavoidable challenge as well as areas of possibility and hope. An essential read for education leaders contemplating how classical music can continue to thrive within American higher education.
Beyond the Crossroads: The Devil and the Blues Tradition (New Directions in Southern Studies)
by Adam GussowThe devil is the most charismatic and important figure in the blues tradition. He's not just the music's namesake ("the devil's music"), but a shadowy presence who haunts an imagined Mississippi crossroads where, it is claimed, Delta bluesman Robert Johnson traded away his soul in exchange for extraordinary prowess on the guitar. Yet, as scholar and musician Adam Gussow argues, there is much more to the story of the devil and the blues than these cliched understandings.In this groundbreaking study, Gussow takes the full measure of the devil's presence. Working from original transcriptions of more than 125 recordings released during the past ninety years, Gussow explores the varied uses to which black southern blues people have put this trouble-sowing, love-wrecking, but also empowering figure. The book culminates with a bold reinterpretation of Johnson's music and a provocative investigation of the way in which the citizens of Clarksdale, Mississippi, managed to rebrand a commercial hub as "the crossroads" in 1999, claiming Johnson and the devil as their own.
Beyond the Handsomeness: A Biography of Thomas Schippers
by Nancy P. SpadaA lightning rod for powerful emotions, Thomas Schippers began his escalation to fame at nineteen continuing with performances in many renowned venues in the world. Here his career is traced through the accounts of those who knew or performed with him, red
Beyond the Sound Barrier: The Jazz Controversy in Twentieth-Century American Fiction (Literary Criticism and Cultural Theory)
by Kristin K HensonBeyond the Sound Barrier examines twentieth-century fictional representations of popular music-particularly jazz-in the fiction of James Weldon Johnson, F. Scott Fitzgerald, Langston Hughes, and Toni Morrison. Kristin K. Henson argues that an analysis of musical tropes in the work of these four authors suggests that cultural "mixing" constitutes one of the central preoccupations of modernist literature. Valuable for any reader interested in the intersections between American literature and the history of American popular music, Henson situates the literary use of popular music as a culturally amalgamated, boundary-crossing form of expression that reflects and defines modern American identities.
Bhangra and Asian Underground: South Asian Music and the Politics of Belonging in Britain
by Falu BakraniaAsian Underground music--a fusion of South Asian genres with western breakbeats created for the dance club scene by DJs and musicians of Indian, Pakistani, and Bangladeshi descent--went mainstream in the U.K. in the late 1990s. Its success was unprecedented: British bhangra, a blend of Punjabi folk music with hip-hop musical elements, was enormously popular among South Asian communities but had yet to become mainstream. For many, the widespread attention to Asian Underground music signaled the emergence of a supposedly new, tolerant, and multicultural Britain that could finally accept South Asians. Interweaving ethnography and theory, Falu Bakrania examines the social life of British Asian musical culture to reveal a more complex and contradictory story of South Asian belonging in Britain. Analyzing the production of bhangra and Asian Underground music by male artists and its consumption by female club-goers, Bakrania shows that gender, sexuality, and class intersected in ways that profoundly shaped how young people interpreted "British" and "Asian" identity and negotiated, sometimes violently, contests about ethnic authenticity, sexual morality, individual expression, and political empowerment.
Bhangra Moves: From Ludhiana to London and Beyond (Ashgate Popular And Folk Music Ser.)
by AnjaliGera RoyBhangra is commonly understood as the hybrid music produced in Britain by British Asian music producers through mixing Panjabi folk melodies with western pop and black dance rhythms. This is derived from a Punjabi harvest dance of the same name. This book looks at Bhangra's global flows from one of its originary sites, the Indian subcontinent, to contribute to the understanding of emerging South Asian cultural practices such as Bhangra or Bollywood in multi-ethnic societies. It seeks to trace Bhangra's moves from Punjab and its 'return back' to look at the forces that initiate and regulate global flows of local texts and to ask how their producers and consumers redirect them to produce new definitions of culture, identity and nation. The critical importance of this book lies in understanding the difference between the present globalizing wave and previous trans-local movements. Gera Roy contrasts the frames of cultural imperialism with those of cultural invasion to show how Indian cultures have constantly reinvented themselves by cross-pollinating with 'invading' cultures such as Hellenic, Persian, Arabic and many others in the past. By looking at Bhangra's flows to and from India, the book revises the relation between culture, space and identity and challenges boundaries. It weighs both the uses and costs of visibility provided by global networks to marginalized groups in diverse localities and explores whether collaborations between Bhangra practitioners, largely of working class origin, give ordinary people any control over the circulation of culture in the global village. Finally, the book considers whether cultural practices can alter hierarchies and power structures in the real world.
Biblical: Rob Halford's Heavy Metal Scriptures
by Rob HalfordThe Metal God himself, Rob Halford - lead vocalist of Judas Priest and author of the critically acclaimed and reader-beloved autobiography, Confess - delivers a bible of hard rock and heavy metal, all in his enlightening, hilarious, and one-of-a-kind voice.Rob Halford has long been known for his legendary voice. As the front man of Judas Priest, his vocals have always been tremendous, and tremendously influential. In 2020, he brought his voice to the page with a glorious autobiography. Fans and readers loved Halford's frank and open narrative, as well as his terrific insight and sense of humour. Now, in Biblical, Halford runs his expert eye over all facets of the hard rock history and the heavy metal world. Biblical is a lively encyclopaedia in which Halford shares his opinions, memories, and anecdotes regarding every element of the rock and roll work and lifestyle from tours to tattoos, riffs to riders, and drugs to devil horns. In Halford's relaxed and honest tone, the book mixes serious and in-depth pieces with whimsical reflections on lessons learned during his fifty years of a life in music. Biblical is a handed-down-from-on-high holy tome that transports fans behind the scenes and back into their record collections, to the almighty ways of rock.
Biblical: Rob Halford's Heavy Metal Scriptures
by Rob HalfordThe Metal God himself, Rob Halford - lead vocalist of Judas Priest and author of the critically acclaimed and reader-beloved autobiography, Confess - delivers a bible of hard rock and heavy metal, all in his enlightening, hilarious, and one-of-a-kind voice.Rob Halford has long been known for his legendary voice. As the front man of Judas Priest, his vocals have always been tremendous, and tremendously influential. In 2020, he brought his voice to the page with a glorious autobiography. Fans and readers loved Halford's frank and open narrative, as well as his terrific insight and sense of humour. Now, in Biblical, Halford runs his expert eye over all facets of the hard rock history and the heavy metal world. Biblical is a lively encyclopaedia in which Halford shares his opinions, memories, and anecdotes regarding every element of the rock and roll work and lifestyle from tours to tattoos, riffs to riders, and drugs to devil horns. In Halford's relaxed and honest tone, the audiobook mixes serious and in-depth pieces with whimsical reflections on lessons learned during his fifty years of a life in music. Biblical is a handed-down-from-on-high holy tome that transports fans behind the scenes and back into their record collections, to the almighty ways of rock.(P) 2022 Hachette Audio
Biblical: Rob Halford's Heavy Metal Scriptures
by Rob HalfordThe Metal God, himself, Rob Halford—lead vocalist of Judas Priest and author of the critically acclaimed and reader-beloved autobiography, Confess—delivers yet again, now with the bible of hard rock and heavy metal, all in his enlightening, hilarious, and one-of-a-kind voice.Rob Halford has long been known for his legendary voice. As the front man of Judas Priest, his vocals have been tremendous, and tremendously influential. In 2020, he brought his voice to the page with a glorious autobiography. Fans and readers loved Halford&’s frank and open narrative, as well as his terrific insight and sense of humor. In an ideal follow-up, Halford runs his lively eye over all facets of the hard rock history and the heavy metal world. Biblical is an encyclopedia and manifesto in which Halford shares his opinions, memories, and anecdotes regarding every element of the rock and roll work and lifestyle from tours to tattoos, riffs to riders, and drugs to devil horns. In Halford&’s relaxed and honest tone, the book mixes serious and in-depth pieces with whimsical reflections on lessons learned during his fifty years of a life in music. Biblical is a handed-down-from-on-high holy tome that transports fans behind the scenes and back into their record collections, to the almighty ways of rock.
A Bibliography of Electronic Music
by Lowell CrossThis exhaustive bibliography, reflecting current interest in electronic music, includes all available citations of books, articles, and monographs pertaining to "musique concrète," "Elektronische Musik," "tape music," and "computer music" from publications in fourteen languages. Organized alphabetically by author, or, in the case of unsigned works, by title, and including a classified subject index, this book will appeal primarily to persons or organizations who are founding or maintaining electronic music centres, composing or performing electronic music, or pursuing original research in experimental music and related disciplines.
Big Band Jazz in Black West Virginia, 1930–1942 (American Made Music Series)
by Christopher WilkinsonAssociation of Recorded Sound Collections Awards for ExcellenceBest Research in Recorded Jazz Music–Certificate of Merit (2013)The coal fields of West Virginia would seem an unlikely market for big band jazz during the Great Depression. That a prosperous African American audience dominated by those involved with the coal industry was there for jazz tours would seem equally improbable. Big Band Jazz in Black West Virginia, 1930-1942 shows that, contrary to expectations, black Mountaineers flocked to dances by the hundreds, in many instances traveling considerable distances to hear bands led by Count Basie, Duke Ellington, Andy Kirk, Jimmie Lunceford, and Chick Webb, among numerous others. Indeed, as one musician who toured the state would recall, "All the bands were goin' to West Virginia."The comparative prosperity of the coal miners, thanks to New Deal industrial policies, was what attracted the bands to the state. This study discusses that prosperity as well as the larger political environment that provided black Mountaineers with a degree of autonomy not experienced further south. Author Christopher Wilkinson demonstrates the importance of radio and the black press both in introducing this music and in keeping black West Virginians up to date with its latest developments. The book explores connections between local entrepreneurs who staged the dances and the national management of the bands that played those engagements. In analyzing black audiences' aesthetic preferences, the author reveals that many black West Virginians preferred dancing to a variety of music, not just jazz. Finally, the book shows bands now associated almost exclusively with jazz were more than willing to satisfy those audience preferences with arrangements in other styles of dance music.
The Big Bands
by George T. SimonGeorge T. Simon introduces you to the big band leaders during the period spanning 1935 to 1946.
Big Bang, Baby: Rock Trivia
by Richard CrouseIn the middle of the conservative 1950s, rock and roll hit popular culture like an explosion a Big Bang, Baby! And the fallout from that explosion is still electrifying music fans today. Popular music expert Richard Crouse has ventured deep into the far reaches of rock history to bring together this dynamic collection of facts and oddities. Big Bang, Baby will entertain and enlighten music fans of all eras and will challenge even experienced rock trivia junkies.
Big Bangs
by Howard GoodallThe dramatic story of five key turning points in a thousand years of Western music - discoveries that changed the course of history. Who first invented 'Doh Re Mi...'?What do we mean by "in tune"?Looking back down the corridor of a thousand years, Howard Goodall guides us through the stories of five seismic developments in the history of Western music. His "big bangs" may not be the ones we expect - some are surprising and some are so obvious we overlook them - but all have had an extraordinary impact. Goodall starts with the invention of notation by an 11th-century Italian monk, which removed the creation of music from the hands of the players to the pens of the composers; moves on to the first opera; then to the invention of the piano, and ends with the story of the first recording made in history. Howard Goodall has the gift of making these complicated musical advances both clear and utterly fascinating. Racy and vivid in a narrative full of colourful characters and graphic illustrations of technical processes, he also gives a wonderful sense of the culture of trial and error and competition, be it in 11th-century Italy or 19th-century America, in which all progress takes place. Big Bangs opens a window on the crucial moments in our musical culture - discoveries that made possible everything from Bach to the Beatles - and tells us a riveting story of a millennium of endeavour.
The Big Book of Hair Metal: The Illustrated Oral History of Heavy Metal's Debauched Decade
by Martin PopoffIn the 1980s, heavy metal went mainstream. The dark themes and brain-busting riffage of bands like Black Sabbath and Deep Purple suddenly fell out of favor—replaced by a new legion of metalheads whose themes of girls, partying, girls, drugs, and girls were presented amid shredding solos and power ballads and who were somehow more acceptable to the masses. In this ultimate guide to the subgenre, acclaimed heavy-metal journalist Martin Popoff examines hair metal in an all-encompassing oral history jacked up by a kaleidoscope of outrageous and previously unpublished quotes, anecdotes, photos, and memorabilia. The Big Book of Hair Metal features the observations of dozens of musicians, producers, promoters, label execs, and hangers-on in examining hair metal’s rise and fall as well as all the bands that kept Aqua Net in business through the Reagan recession: Twisted Sister, Bon Jovi, Poison, Mötley Crüe, Ratt, Warrant, Great White, Whitesnake, Cinderella, Vixen, Skid Row, L.A. Guns, Guns N’ Roses, and dozens more. In crafting a narrative of hair metal, Popoff also examines the factors that contributed to the movement’s rise (including MTV, Reagan’s “morning in America,” and a general move toward prudish morals); the bands that inspired it (the Sweet, New York Dolls, Alice Cooper, and KISS, for a start); and the scenes that nurtured it (the Sunset Strip, anyone?). The ride finally ended circa 1991, when hair metal was replaced by grunge, but what a ride it was. Here it is in all of its primped-up glory.
The Big Book of Rock & Roll Names: How Arcade Fire, Led Zeppelin, Nirvana, Vampire Weekend, and 532 Other Bands Got Their Names
by Adam DolginsThe Big Book of Rock & Roll Names tells the behind-the-scenes stories of how the world’s most popular and influential rock and pop acts got their names. By turns fascinating, funny, and bizarre, the pages offer insight into the peculiar choices and idiosyncratic psychologies of hundreds of top musicians from the 1960s to the present. Originally published more than two decades ago to great success, it’s been out of print for years and has now been completely updated and expanded to feature dozens of exclusive interviews including conversations with groups like The Black Keys, The Killers, Twenty One Pilots, Coldplay, Cage the Elephant, and Vampire Weekend. From Arcade Fire to ZZ Top, this diverting and handsome collection reveals the often overlooked but defining histories of hundreds of the biggest names in rock and pop.
Big Career in the Big City
by Vicki SalemiThis one-of-a-kind guide deals with the logistics of moving to a new city; reveals how to cope with unfamiliar and sometimes stressful living arrangements; and offers suggestions on how to stick to a budget and stretch the almighty dollar.
Big Chief Harrison and the Mardi Gras Indians
by Al KennedyA biography of the life, work, and legacy of a pivotal figure in New Orleans cultural history. Based on more than seventy interviews with the subject and his close friends and family, this biography delves deep into the life of Donald Harrison—a waiter, performer, mentor to musicians, philosopher, devoted family man, and, most notably, the Big Chief of the Guardians of the Flame, a Mardi Gras Indian tribe. The firsthand accounts and anecdotes from those who knew him offer insight into the electrifying existence of a man who enriched the culture of New Orleans, took pride in his African American heritage, and advocated education throughout the city. Beneath a vibrant costume of colorful feathers and intricate beading stood a man of conviction who possessed a great intellect and intense pride. Harrison grew up during the Great Depression and faced discrimination throughout his life but refused to bow down to oppression. Through determination and an insatiable eagerness to learn, he found solace in philosophy, jazz, and art and spiritual meaning in the Mardi Gras Indian tradition. He shared his ideals and discoveries with his family, whom he protected fiercely, until he took his last breath in 1998. Harrison&’s wife, children, and grandchildren continue to carry his legacy by furthering literacy programs for New Orleans&’ youth. From Harrison&’s birth in 1933 to his desire to become a Mardi Gras Indian to the moment he met his beloved wife, author Al Kennedy shares Harrison&’s significant life experiences. He allows Big Chief Donald to take center stage and explain—in his own words—the mysterious world of the Mardi Gras Indians, their customs, and beliefs. Rare personal photographs from family albums depict the Big Chief with his family, parading through the streets on Carnival Day, and performing the timeless rituals of the Mardi Gras Indians of New Orleans. This well-researched biography presents a side of the Big Chief the public did not see, revealing the rebellious spirit of a man who demanded respect, guarded his family, and guided his tribe with utmost pride. Praise for Big Chief Harrison and the Mardi Gras Indians&“Enormously enjoyable, richly informative, and deeply moving. . . . To meet the Harrisons is to encounter an America you can't help but fall in love with and be inspired by forever, while gaining a glimpse into the powerful and meaningful tradition of the Mardi Gras Indians in New Orleans. It's a story of strength, passion, survival, and resistance. It&’s a story for today.&” —Jonathan Demme, Academy Award–winning director&“Building on his impressive knowledge of New Orleans culture, Al Kennedy delivers a masterpiece of artistic biography. The world needs to know about Big Chief Donald Harrison, Sr. Al Kennedy tells his full story in this wonderful book. . . . A powerful read.&” —Robert Farris Thompson, Col. John Trumbull Professor, History of Art; Master of Timothy Dwight College, Yale University; and author, Tango: The Art History of Love, Face of the Gods, and Aesthetic of the Cool
Big Day Coming: Yo La Tengo and the Rise of Indie Rock
by Jesse JarnowThe first biography of Yo La Tengo, the massively influential band who all but defined indie music. Yo La Tengo has lit up the indie scene for three decades, part of an underground revolution that defied corporate music conglomerates, eschewed pop radio, and found a third way. Going behind the scenes of one of the most remarkable eras in American music history, Big Day Coming traces the patient rise of husband-and-wife team Ira Kaplan and Georgia Hubley, who—over three decades—helped forge a spandex-and-hairspray-free path to the global stage, selling millions of records along the way and influencing countless bands.Using the continuously vital Yo La Tengo as a springboard, Big Day Coming uncovers the history of the legendary clubs, bands, zines, labels, record stores, college radio stations, fans, and pivotal figures that built the infrastructure of the now-prevalent indie rock world. Journalist and freeform radio DJ Jesse Jarnow draws on all-access interviews and archives for mesmerizing trip through contemporary music history told through one of its most creative and singular acts.
Big Day Coming
by Jesse JarnowThe first biography of Yo La Tengo, the massively influential band who all but defined indie music. Yo La Tengo has lit up the indie scene for three decades, part of an underground revolution that defied corporate music conglomerates, eschewed pop radio, and found a third way. Going behind the scenes of one of the most remarkable eras in American music history, Big Day Coming traces the patient rise of husband-and-wife team Ira Kaplan and Georgia Hubley, who--over three decades--helped forge a spandex-and-hairspray-free path to the global stage, selling millions of records along the way and influencing countless bands. Using the continuously vital Yo La Tengo as a springboard, Big Day Coming uncovers the history of the legendary clubs, bands, zines, labels, record stores, college radio stations, fans, and pivotal figures that built the infrastructure of the now-prevalent indie rock world. Journalist and freeform radio DJ Jesse Jarnow draws on all-access interviews and archives for mesmerizing trip through contemporary music history told through one of its most creative and singular acts.
The Big Life of Little Richard
by Mark Ribowsky&“This entertaining, fast-paced biography&” of the legendary singer-songwriter &“will thrill fans of Little Richard and early rock and roll&” (Publishers Weekly). Richard Wayne Penniman, known to the world as Little Richard, blazed the trail for generations of musicians: The Beatles, James Brown, the Everly Brothers, Jimi Hendrix, the Rolling Stones, Elton John, Prince . . . the list seems endless. He was &“The Originator,&” &“The Innovator,&” and the self-anointed &“King and Queen of Rock &’n&’ Roll.&” In The Big Life of Little Richard, Mark Ribowsky shares the raucous story of his life from early childhood in Macon, Georgia, to his death in 2020. Ribowsky, acclaimed biographer of musical icons―including the Supremes, the Temptations, Stevie Wonder, and Otis Redding―takes readers through venues, gigs, and studios, conveying the sweaty energy of music sessions limited to a few tracks on an Ampex tape machine and vocals sung along with a live band. He explores Little Richard&’s musicianship; his family life; his uphill battle against racism; his interactions with famous contemporaries and the media; and his lifelong inner conflict between his religion and his sexuality. By 2020, eighty-seven-year-old Little Richard&’s electrifying smile was still intact, as were his bona fides as rock&’s royal architect: the &’50s defined his reign, and he extended elder statesmanship ever since. The Big Life of Little Richard not only explores a legendary stage persona, but also a complex life under the makeup and pomade
Big Man: Real Life & Tall Tales
by Clarence Clemons Don ReoFor the first time ever comes the inside story of Clarence "Big Man" Clemons--his life before, during and beyond the E-Street Band, including unbelievable, never-before-told adventures with Bruce Springsteen, the band, and an incredible cast of other famous characters recounted by himself and his best friend, television writer/ producer Don Reo. Here are just a few things you'll get from reading it: The truth behind the final hours of making Born To Run; The real story of how the E-Street Band got its name; What happened when Clarence and Ringo Starr were sitting in a hotel room and Clarence got the call that Bruce was breaking up the band; How Bruce and Clarence met that dark, stormy night at the Student Prince; The E-Street band's show at Sing-Sing prison where all of their equipment blows out right as they take the stage; The secret that Robert De Niro told Clarence and Bruce they had to keep for 25 years. But that's merely a glimpse. This is not your average rock book. It is something creative, something unique, something new. It is the story of E-Street. It is the story of stories. It is the story of the Big Man.
Big Man
by Clarence Clemons Don ReoBig Man tells the fascinating story of Clarence Clemons, the larger-than-life saxophone player of the E Street Band. Clarence and his longtime friend, writer/producer Don Reo, take you on a thrilling ride from Clarence's childhood to the present, from beat-up vans to private jets, from boardwalk bars to stadiums and concert halls all over the world. It's a fitting account of a life lived to the full by a man who threw himself wholeheartedly into his music right up until his tragic death in 2011.The book is filled with never-before-told stories about Clarence's life, his friendship with Bruce Springsteen, and his encounters with some of the most famous people in the world. Along the way, Clarence and Don spin their own fictional "legends" that add to the already-mystical lore of E Street.An absolute must for all Springsteen fans, Big Man reveals the heart and soul of the man who brought so much music and love to so many people for so long.
The Big Nothing (Neighborhood Novels Ser. #4)
by Adrian FogelinThis sensitive and often humorous book tells the story of an adolescent boy who begins to find himself after the people he has always depended on let him down. Alone. That's how thirteen-year-old Justin feels these days. His older brother Duane has left home, enlisting in the Army, and his father has walked out, maybe for good this time. His mom is too depressed to get out of bed, much less pay the bills and keep food in the refrigerator. And if that's not enough, his best buddy Ben has a new girlfriend and no longer has time to hang out. There's not much left for Justin to do but to put his brain in neutral and slide into the state he calls "the Big Nothing." But slowly Justin discovers he has more resources than he thinks. With the help of his classmate Jemmie and her grandmother, Nana Grace, he learns that underneath all the noisy confusion in his brain lies a talent for music. As he spends time with Jemmie, he begins to understand how simple notes make complex music, and how simple feelings can turn into deep emotions. Award-winning author Adrian Fogelin once again offers readers an emotionally charged story featuring a sympathetic adolescent trying to make sense of the people and world around him.