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BluesSpeak: Best of the Original Chicago Blues Annual
by Herb Kent Billy Boy Arnold Koko Taylor Eddie Boyd Famoudou Don Moye Big Daddy Kinsey Lester Bowie Junior Wells Barry Dolins E. B. Redmond Q. Troupe K. Ya Salaam Julie Parson-Nesbitt Hart Leroy BibbsThis incomparable anthology collects articles, interviews, fiction, and poetry from the Original Chicago Blues Annual, one of music history's most significant periodical blues publications. Founded and operated from 1989 to 1995 by African American musician and entrepreneur Lincoln T. Beauchamp Jr., OCBA gave voice to the blues community and often frankly addressed contentious issues within the blues such as race, identity, prejudice, wealth, gender, and inequity. OCBA often expressed an explicitly black perspective, but its contributors were a mix of black and white, American and international. Likewise, although OCBA's roots and main focus were in Chicago, Beauchamp's vision for the publication (and his own activities as a blues performer and promoter) embraced an international dimension, reflecting a broad diversity of blues audiences and activities in locations as farflung as Iceland, Poland, France, Italy, and South Africa. This volume includes key selections from OCBA's seven issues and features candid interviews with blues luminaries such as Koko Taylor, Eddie Boyd, Famoudou Don Moye, Big Daddy Kinsey, Lester Bowie, Junior Wells, Billy Boy Arnold, Herb Kent, Barry Dolins, and many more. Also featured are heartfelt memorials to bygone blues artists, insightful observations on the state of the blues in Chicago and beyond, and dozens of photographs of performers, promoters, and other participants in the worldwide blues scene.
Blutopia: Visions of the Future and Revisions of the Past in the Work of Sun Ra, Duke Ellington, and Anthony Braxton
by Graham LockIn Blutopia Graham Lock studies the music and thought of three pioneering twentieth-century musicians: Sun Ra, Duke Ellington, and Anthony Braxton. Providing an alternative to previous analyses of their work, Lock shows how these distinctive artists were each influenced by a common musical and spiritual heritage and participated in self-conscious efforts to create a utopian vision of the future. A century after Ellington's birth, Lock reassesses his use of music as a form of black history and compares the different approaches of Ra, a band leader who focused on the future and cosmology, and Braxton, a contemporary composer whose work creates its own elaborate mythology. Arguing that the majority of writing on black music and musicians has--even if inadvertently--incorporated racial stereotypes, he explains how each artist reacted to criticism and sought to break free of categorical confines. Drawing on social history, musicology, biography, cultural theory, and, most of all, statements by the musicians themselves, Lock writes of their influential work. Blutopia will be a welcome contribution to the literature on twentieth-century African American music and creativity. It will interest students of jazz, American music, African American studies, American culture, and cultural studies.
Bob Dylan
by David YaffeBob Dylan is an iconic figure in American musical and cultural history, lauded by Time magazine as one of the hundred most important people of the twentieth century. For nearly fifty years the singer-songwriter has crafted his unique brand of music, from his 1962 self-titled debut album to 2009's #1 hit Together Through Life, appealing to everyone from baby boomers to the twenty-somethings who storm the stage at his concerts. In Bob Dylan: Like a Complete Unknown, literary scholar and music critic David Yaffe considers Dylan from four perspectives: his complicated relationship to blackness (including his involvement in the civil rights movement and a secret marriage with a black backup singer), the underrated influence of his singing style, his fascinating image in films, and his controversial songwriting methods that have led to charges of plagiarism. Each chapter travels from the 1960s to the present, offering a historical perspective on the many facets of Dylan's life and career, exploring the mystery that surrounds the enigmatic singer and revealing the complete unknown Dylan.
Bob Dylan
by June Skinner SawyersPacked with information, savvy insights, and surprising facts, this guide to Dylan's years in New York City examines the role that the city played in the creation of his music, the evolution of his creative process, and the continual reinvention of his public persona.In the landscape of Manhattan, Dylan created words and sounds that redefined the possibilities of popular music throughout the world. Chronicling where he lived, worked, and played, this book offers an evocative portrait of the city, especially its folk scene during the 1960s. With street maps featuring more than 50 sites-from fleabag hotels and avant-garde clubs to tiny coffeehouses and vast concert halls-readers can navigate Bob Dylan's New York and experience the sites and sounds that influenced the singer, such as Café Wha?; the Chelsea Hotel; Columbia's Studio A, where he recorded songs such as "Desolation Row" and "Positively 4th Street;" the Decker Building, where he hung out with Andy Warhol and Nico; the Delmonico Hotel, where he introduced the Beatles to marijuana; and the Bitter End, where he spent much of the summer of 1975 playing pool and guitar.
Bob Dylan All the Songs: The Story Behind Every Track (All The Songs)
by Jean-Michel Guesdon Philippe Margotin<P>This is the most comprehensive account of Bob Dylan's work yet published with the full story of every recording session, every album, and every single released during his remarkable and illustrious 53-year career. <P>Bob Dylan: All the Songs focuses on Dylan's creative process and his organic, unencumbered style of recording. It is the only book to tell the stories, many unfamiliar even to his most fervent fans, behind all the 492 songs he released. Organized chronologically by album, Margotin and Guesdon recount the details that led to the composition of Dylan's recorded songs, what went on in the recording studio, what instruments he used, and behind-the-scenes account of the great artists that Dylan worked with. <P><b>A New York Times Bestseller</b>
Bob Dylan All the Songs: The Story Behind Every Track Expanded Edition (All the Songs)
by Jean-Michel Guesdon Philippe MargotinAn updated edition of the most comprehensive account of Bob Dylan's Nobel Prize-winning work yet published, with the full story of every recording session, every album, and every single released during his nearly 60-year career.Bob Dylan: All the Songs focuses on Dylan's creative process and his organic, unencumbered style of recording. It is the only book to tell the stories, many unfamiliar even to his most fervent fans, behind the more than 500 songs he has released over the span of his career. Organized chronologically by album, Margotin and Guesdon detail the origins of his melodies and lyrics, his process in the recording studio, the instruments he used, and the contribution of a myriad of musicians and producers to his canon.
Bob Dylan and the British Sixties: A Cultural History
by Tudor JonesBritain played a key role in Bob Dylan's career in the 1960s. He visited Britain on several occasions and performed across the country both as an acoustic folk singer and as an electric-rock musician. His tours of Britain in the mid-1960s feature heavily in documentary films such as D.A. Pennebaker's Don't Look Back and Martin Scorsese's No Direction Home and the concerts contain some of his most acclaimed ever live performances. Dylan influenced British rock musicians such as The Beatles, The Animals, and many others; they, in turn, influenced him. Yet this key period in Dylan's artistic development is still under-represented in the extensive literature on Dylan. Tudor Jones rectifies that glaring gap with this deeply researched, yet highly readable, account of Dylan and the British Sixties. He explores the profound impact of Dylan on British popular musicians as well as his intense, and at times fraught, relationship with his UK fan base. He also provides much interesting historical context – cultural, social, and political – to give the reader a far greater understanding of a defining period of Dylan's hugely varied career. This is essential reading for all Dylan fans, as well as for readers interested in the tumultuous social and cultural history of the 1960s.
Bob Dylan in the Attic: The Artist as Historian
by Freddy Cristóbal DomínguezBob Dylan is an iconic American artist, whose music and performances have long reflected different musical genres and time periods. His songs tell tales of the Civil War, harken back to 1930s labor struggles, and address racial violence at the height of the civil rights movement, helping listeners to think about history, and history making, in new ways. While Dylan was warned by his early mentor, Dave Van Ronk, that, “You’re just going to be a history book writer if you do those things. An anachronism,” the musician has continued to traffic in history and engage with a range of source material—ancient and modern—over the course of his career. In this beautifully crafted book, Freddy Cristóbal Domínguez makes a provocative case for Dylan as a historian, offering a deep consideration of the musician’s historical influences and practices. Utilizing interviews, speeches, and the close analysis of lyrics and live performances, Bob Dylan in the Attic is the first book to consider Dylan’s work from the point of view of historiography.
Bob Dylan on Film: The Intersection of Music and Visuals (Ashgate Screen Music Series)
by Jonathan HodgersIn May 1967, during a discussion about his yet-to-be-released film Eat the Document, Bob Dylan cryptically remarked, ‘The film is finished. It’s different.’ It would not be the last time he could make this claim. Beyond his musical prowess, Dylan’s career encompasses a lesser-explored facet – that of a filmmaker creating works that defy convention. This book delves into these cinematic forays, unravelling the intriguing interplay of Dylan’s presence both behind and in front of the camera.Dylan’s cinematic experiments, ranging from the ground-breaking Dont Look Back (1967) to the enigmatic Masked and Anonymous (2003), stand as unique and thought-provoking additions to his artistic legacy. Unveiling an experimental and inquisitive sensibility, these films draw inspiration not only from cinematic predecessors but also from Dylan’s songcraft. Often residing in the periphery of Dylan studies, a closer examination of his cinematic oeuvre reveals an underrated auteur who fearlessly transcends the boundaries of the page, stage, and screen.
Bob Dylan's New York
by June Skinner SawyersOn a snowy winter morning in 1961, Robert Zimmerman left Minnesota for New York City with a suitcase, guitar, harmonica and a few bucks in his pocket. Wasting no time upon arrival, he performed at the Cafe Wha? in his first day in the city, under the name Bob Dylan. Over the next decade the cultural milieu of Greenwich Village would foster the emergence of one of the greatest songwriters of all time. From the coffeehouses of MacDougal Street to Andy Warhol's Factory, Dylan honed his craft by drifting in and out of New York's thriving arts scenes of the 1960s and early ,70s. In this revised edition, originally published in 2011, author June Skinner Sawyers captures the thrill of how a city shaped an American icon and the people and places that were the touchstones of a legendary journey.
Bob Dylan's New York: A Historic Guide (Excelsior Editions)
by Dick WeissmanBob Dylan’s New York is a guidebook and a history of New York's key role through Dylan's lengthy career. It places Dylan’s early career in the storied history of Greenwich Village, a hotbed of new developments in the arts. A contemporary of Dylan’s, author Dick Weissman walked the same streets, played music in the same venues, and witnessed the growth of the folk music revival from before Dylan became popular to after the height of his impact on the music scene. The book features ten easy-to-follow walking maps and historic photographs, allowing the reader to retrace Dylan’s footsteps and simultaneously experience Dylan’s New York and contemporary New York. It also goes beyond the Village to include the many areas of the city where Dylan lived and worked, as well as the storied time he spent in Woodstock. Combining cultural history with personal history and anecdotes, Bob Dylan’s New York illuminates the life and times of this seminal artist.
Bob Dylan: American Troubadour (Tempo: A Rowman & Littlefield Music Series on Rock, Pop, and Culture)
by Donald Brown&“The book&’s strength is a thorough assessment of Dylan&’s career, album by album, song by song. Both longtime fans and newcomers . . . will appreciate.&” —Library Journal With Bob Dylan&’s receipt of the Nobel Prize in Literature, his iconic status as an American musical, cultural, and poetic giant has never been more apparent. Bob Dylan: American Troubadour is the first book to look at Dylan&’s career, from his first album to his masterpiece Tempest. Donald Brown provides insightful critical commentary on Dylan&’s prolific body of work, placing Dylan&’s career in the context of its time in order to assess the relationship of Dylan&’s music to contemporary American culture. Each chapter follows the shifting versions of Dylan, from his songs of conscientious social involvement to more personal exploratory songs; from his influential rock albums of the mid-1960s to his adaptations of country music; from his three very different tours in the 1970s to his &“born again&” period as a proselytizer for Christ and his frustrations as a recording and performing artist in the 1980s; from his retrospective importance in the 1990s to the refreshingly vital albums he has been producing in the 21st century. &“This concise examination of the Dylan corpus is especially good for younger generations who may want to better understand how a musician in his early seventies can still be so compelling and relevant in twenty-first-century America.&”. —Booklist &“Fascinating . . . Highly recommended. All readers. —Choice Reviews &“A nearly album by album retrospective of one of the most culturally significant and musically influential musicians in modern history.&” —Examiner &“A must read for Dylan enthusiasts.&” —Journal of American Culture
Bob Dylan: How the Songs Work
by Timothy HamptonA career-spanning account of the artistry and politics of Bob Dylan’s songwritingBob Dylan’s reception of the 2016 Nobel Prize for Literature has elevated him beyond the world of popular music, establishing him as a major modern artist. However, until now, no study of his career has focused on the details and nuances of the songs, showing how they work as artistic statements designed to create meaning and elicit emotion. Bob Dylan: How the Songs Work (originally published as Bob Dylan's Poetics) is the first comprehensive book on both the poetics and politics of Dylan’s compositions. It studies Dylan, not as a pop hero, but as an artist, as a maker of songs. Focusing on the interplay of music and lyric, it traces Dylan’s innovative use of musical form, his complex manipulation of poetic diction, and his dialogues with other artists, from Woody Guthrie to Arthur Rimbaud. Moving from Dylan’s earliest experiments with the blues, through his mastery of rock and country, up to his densely allusive recent recordings, Timothy Hampton offers a detailed account of Dylan’s achievement. Locating Dylan in the long history of artistic modernism, the book studies the relationship between form, genre, and the political and social themes that crisscross Dylan’s work. Bob Dylan: How the Songs Work offers both a nuanced engagement with the work of a major artist and a meditation on the contribution of song at times of political and social change.
Bob Dylan: Prophet, Mystic, Poet
by Seth RogovoyBob Dylan and his artistic accomplishments have been explored, examined, and dissected year in and year out for decades, and through almost every lens. Yet rarely has anyone delved extensively into Dylan's Jewish heritage and the influence of Judaism in his work. In Bob Dylan: Prophet, Mystic, Poet, Seth Rogovoy, an award-winning critic and expert on Jewish music, rectifies that oversight, presenting a fascinating new look at one of the most celebrated musicians of all time. Rogovoy unearths the various strands of Judaism that appear throughout Bob Dylan's songs, revealing the ways in which Dylan walks in the footsteps of the Jewish Prophets. Rogovoy explains the profound depth of Jewish content -- drawn from the Bible, the Talmud, and the Kabbalah -- at the heart of Dylan's music, and demonstrates how his songs can only be fully appreciated in light of Dylan's relationship to Judaism and the Jewish themes that inform them. From his childhood growing up the son of Abe and Beatty Zimmerman, who were at the center of the small Jewish community in his hometown of Hibbing, Minnesota, to his frequent visits to Israel and involvement with the Orthodox Jewish outreach movement Chabad, Judaism has permeated Dylan's everyday life and work. Early songs like "Blowin' in the Wind" derive central imagery from passages in the books of Ezekiel and Isaiah; mid-career numbers like "Forever Young" are infused with themes from the Bible, Jewish liturgy, and Kabbalah; while late-period efforts have revealed a mind shaped by Jewish concepts of Creation and redemption. In this context, even Dylan's so-called born-again period is seen as a logical, almost inevitable development in his growth as a man and artist wrestling with the burden and inheritance of the Jewish prophetic tradition. Bob Dylan: Prophet, Mystic, Poet is a fresh and illuminating look at one of America's most renowned -- and one of its most enigmatic -- talents.
Bob Dylan: The Essential Interviews
by Jonathan Cott“A historical compilation to savor” (Los Angeles Times) that is “invaluable…irresistible” (The New York Times)—the ultimate collection of interviews and encounters with Nobel Laureate Bob Dylan, spanning his entire career from 1962 to today.Bob Dylan: The Essential Interviews features over two dozen of the most significant and revealing conversations with the singer, gathered in one definitive collection that spans his career from street poet to Nobel Laureate. First published in 2006, this acclaimed collection brought together the best interviews and encounters with Bob Dylan to create a multi-faceted, cultural, and journalistic portrait of the artist and his legacy. This edition includes three additional pieces from Rolling Stone that update the volume to the present day. Among the highlights are the seminal Rolling Stone interviews—anthologized here for the first time—by Jann Wenner, Jonathan Cott, Kurt Loder, Mikal Gilmore, Douglas Brinkley, and Jonathan Lethem—as well as Nat Hentoff’s legendary 1966 Playboy interview. Surprises include Studs Terkel’s radio interview in 1963 on WFMT in Chicago, the interview Dylan gave to screenwriter Jay Cocks when he was a student at Kenyon College in 1964, a 1965 interview with director Nora Ephron, and an interview Sam Shepard turned into a one-act play for Esquire in 1987. Introduced by Rolling Stone editor Jonathan Cott, these intimate conversations from America’s most celebrated street poet is a “priceless collection with honest, open, and thoughtful musings…a fascinating window into his one-of-a-kind mind” (Publishers Weekly).
Bob Gibson: I Come for to Sing
by Bob Gibson Carole BenderInspired by a meeting with Pete Seeger, a young Bob Gibson left behind a successful job to collect folk songs. His arrangements, songwriting, and musical innovations took his audiences by storm, lighting the fire that led to the full-blown folk-music revival of the late 1950s. He introduced Joan Baez in 1959, Judy Collins in 1960, and his songs have been recorded by Peter, Paul & Mary, Simon & Garfunkel, The Kingston Trio, and many others. The book follows Bob Gibson through his meteoric rise to fame, his twenty-year struggle with drug addiction, and his never-ending process of reinventing himself to find new expressions for his art. Two years after his life-changing meeting with Pete Seeger, Gibson burst onto the music scene with an unprecedented joy for his music. He not only changed public perception of what folk music was, but he helped introduce a new format for the presentation of music, which became the coffeehouse circuit. His own arrangements of folk music, coupled with his original songs, began the trend of the 1950s and 1960s in which songwriters created their own modern day folk songs, giving expression to that turbulent era. Bob Gibson: I Come For To Sing includes the reminiscences and interviews with many musicians and songwriters including Gordon Lightfoot, Joan Baez, George Carlin, Judy Collins, and Odetta, as well as many others instrumental to the formulation of the folk-music revival of the 1960s.
Bob Marley and the Wailers: The Ultimate Illustrated History
by Richie UnterbergerWell over three decades after Marley&’s death, he and his bandmates remain the most famous reggae artists of all time. Bob Marley and the Wailers explores their legacy. Illustrated with photos and memorabilia from all phases of their journey, Bob Marley and the Wailers illuminates the lives and times of the man and his collaborators. Indeed, the Wailers are one of the most famous bands of all time, period. Their evolution from early-60s Jamaican ska act to international superstars was not just improbable, but unprecedented for an act from a third-world nation. The entire, incredible journey of Marley and the Wailers is covered in this visual history. You will see the crucial role they played in establishing reggae as a globally popular form of music, and the influence that the Rastafari movement had on their lives and sound. Plus, how Marley's socially conscious lyrics and actions made him a universal symbol of pride and justice. This tribute takes you through the entire story, right up to Marley's untimely death in 1981, and his enduring legacy beyond.
Bob Marley: A Life
by Garry StecklesThis biography on reggae legend Bob Marley reflects the growing popularity and legacy that continues to grow more than 27 years after the singer's death from cancer at age 36. Steckles has been writing about the reggae music scene for many years, and he was granted access to an enormous archive of material to produce the most vivid and detailed account of Marley's life to date, concentrating on his Rastafarian faith, devotion to marijuana, turbulent family life and his global influence on World Music.
Bob Marley: The Untold Story
by Chris SalewiczA journalist’s access to the music icon gives this account an “authenticity that sets the book apart from other biographies about the man and the legend” (Steve Richards, The Independent).The man who introduced reggae to a worldwide audience, Bob Marley was a hero figure in the classic, mythological sense. From humble beginnings, with talent and religious belief his only weapons, the Jamaican recording artist applied himself with unstinting perseverance to spreading his prophetic musical message across the globe. In 1980, on tour, Bob Marley and the Wailers played to the largest audiences a musical act had ever experienced in Europe. Less than a year later, Marley would die, only thirty-six years old. Sales of Marley’s albums before his death were spectacular; in the years since he died, they have been phenomenal.Chris Salewicz interviewed Bob Marley in Jamaica in 1979. Now, for the first time, in this thorough, detailed account of Marley’s life and the world in which he grew up and which he came to dominate, Salewicz brings to life not only the Rastafari religion and the musical scene in Jamaica, but also the spirit of the man himself. Interviews with dozens of people who knew Marley and have never spoken before are woven through the narrative as Salewicz seeks to explain why Marley has become such an enigmatic and heroic figure, loved by millions all over the world.“As gritty, entertaining, and starry-eyed as Marley himself.” —Publishers Weekly“The definitive account of the man and the myth.” —Steve Richards, The Independent“[Salewicz] invades and illuminates Marley’s privacy more effectively than previous biographers.” —Robert Sandall, The Sunday Times (London)
Bob Wills: Hubbin' It
by Charles R. Townsend Ruth SheldonUnavailable for decades, this pioneering biography of the King of Western Swing returns to print in a handsome new edition with index and a new critical introduction. Few figures in country music's history have left as distinctive and lasting an impression as Bob Wills (1905-1975). An expert fiddler and a magnetic showman, Wills popularized a style of Southwestern dance music known as western swing, a rhythmic hybrid of Texas fiddle music, blues, and big band swing that set dance halls alight across the Southwest in the thirties and forties. Despite his passing, his legacy has been carried forward in the music of such modern stars as Merle Haggard and George Strait. In 1938, when Wills was thirty-three and nearing the height of his fame, journalist Ruth Sheldon chronicled the rags-to-riches rise of this talented musician, showing remarkable foresight in her choice of subject. Working with the complete cooperation of Wills, Sheldon produced a biography that fully captures the ebullient personality of Wills and reflects the bandleader's vision of himself. Noted country music historian Bill C. Malone has praised this book as a "pioneering biography," a landmark in the recording of country music history. Now restored to print for the first time since its initial 1938 publication, Hubbin' It provides a fascinating window into the daily life of a working musician during the Depression. It is a rich source of historical detail on the life of one of America's great musical innovators. Distributed for the Country Music Foundation Press.
Bobby Braddock: A Life on Nashville's Music Row (Co-published with the Country Music Foundation Press)
by Bobby BraddockIf you know country music, you know Bobby Braddock. Even if you don't know his name, you know the man's work. "He Stopped Loving Her Today." "D-I-V-O-R-C-E." "Golden Ring." "Time Marches On." "I Wanna Talk About Me." "People Are Crazy." These songs and numerous other chart-topping hits sprang from the mind of Bobby Braddock. A working songwriter and musician, Braddock has prowled the streets of Nashville's legendary Music Row since the mid-1960s, plying his trade and selling his songs. These decades of writing songs for legendary singers like George Jones, Tammy Wynette, and Toby Keith are recounted in Bobby Braddock: A Life on Nashville's Music Row, providing the reader with a stunning look at the beating heart of Nashville country music that cannot be matched. If you're looking for insight into Nashville, the life of music in this town, and the story of a force of nature on the Row to this day, Bobby Braddock will take you there.
Bobby Braddock: A Life on Nashville’s Music Row (Co-published with the Country Music Foundation Press)
by Bobby BraddockIf you know country music, you know Bobby Braddock. Even if you don't know his name, you know the man's work. "He Stopped Loving Her Today." "D-I-V-O-R-C-E." "Golden Ring." "Time Marches On." "I Wanna Talk About Me." "People Are Crazy." These songs and numerous other chart-topping hits sprang from the mind of Bobby Braddock. A working songwriter and musician, Braddock has prowled the streets of Nashville's legendary Music Row since the mid-1960s, plying his trade and selling his songs. These decades of writing songs for legendary singers like George Jones, Tammy Wynette, and Toby Keith are recounted in Bobby Braddock: A Life on Nashville's Music Row, providing the reader with a stunning look at the beating heart of Nashville country music that cannot be matched.If you're looking for insight into Nashville, the life of music in this town, and the story of a force of nature on the Row to this day, Bobby Braddock will take you there.
Bobby Darin: Roman Candle (Excelsior Editions)
by David EvanierA multilayered portrait of this brash, gifted artist, whose restless voice and spirit seem as alive today as ever.A performer who rivaled Sinatra, Bobby Darin rose from dire poverty to become one of the biggest stars of his generation. Dogged by chronic illness, he knew that time was not on his side, and so, in a career full of dizzying twists and turns, he did it all, moving from teen idol to Vegas song-and-dance man, from hipster to folkie and back. In this biography, David Evanier offers a multilayered portrait of this brash, gifted artist, including the dark side of his celebrated marriage to America's sweetheart, Sandra Dee, and the incredible family secret that tore him apart at the end.
Bobby Rush: "Blues Singer--Plus"
by William FerrisI try to get the people in my hand, for them to love me, and once I get them in my hand, I can then tell them what I've come to tell them. And I come to tell them about the blues. It's just like a preacher."The consummate Chiltin' Circuit performer talks women, finding his crossover audience, and masquerading as two different people on the same stage in one night.This article appears in the 2011 Music issue of Southern Cultures.Southern Cultures is published quarterly (spring, summer, fall, winter) by the University of North Carolina Press. The journal is sponsored by the University of North Carolina at Chapel Hill's Center for the Study of the American South.
Bodies of Sound: Studies Across Popular Music and Dance (Ashgate Popular and Folk Music Series)
by Sherril Dodds Susan C. CookFrom the ragtime one-step of the early twentieth century to the contemporary practices of youth club cultures, popular dance and music are inextricably linked. This collection reveals the intimate connections between the corporeal and the sonic in the creation, transmission and reception of popular dance and music, which is imagined here as ’bodies of sound’. The volume provokes a wide-ranging, interdisciplinary conversation that includes scholarship from Asia, Europe and the United States, which explores topics from the nineteenth century through to the present day and engages with practices at local, national and transnational levels. In Part I: Constructing the Popular, the authors explore how categories of popular music and dance are constructed and de-stabilized, and their proclivity to appropriate and re-imagine cultural forms and meanings. In Part II: Authenticity, Revival and Reinvention, the authors examine how popular forms produce and manipulate identities and meanings through their attraction to and departure from cultural traditions. In Part III: (Re)Framing Value, the authors interrogate how values are inscribed, silenced, rearticulated and capitalized through popular music and dance. And in Part IV: Politics of the Popular, the authors read the popular as a site of political negotiation and transformation.