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Camila the Singing Star (Camila the Star)
by Alicia SalazarA singing competition is Camila's latest chance to become a star! It will take the perfect song and lots of hard work. Luckily, Camila has both. But will nerves keep Camila from doing her best, or will she discover a secret weapon to keep her calm and confident?
Camille Saint-Saens: A Guide to Research (Routledge Music Bibliographies)
by Timothy FlynnA key figure in establishing an identifiable French musical style in the nineteenth century, this annotated biliography catalogs the studies of Saint-Saens' life and works as well as examining the composer's own correspondence and essays. Included are many lesser-known writings on the composer and his music, as well as recent scholarship which re-examines his place in music history.
Camille Saint-Saëns and His World (The Bard Music Festival #32)
by Jann PaslerA revealing look at French composer and virtuoso Camille Saint-SaënsCamille Saint-Saëns—perhaps the foremost French musical figure of the late nineteenth century and a composer who wrote in nearly every musical genre, from opera and the symphony to film music—is now being rediscovered after a century of modernism overshadowed his earlier importance. In a wide-ranging and trenchant series of essays, articles, and documents, Camille Saint-Saëns and His World deconstructs the multiple realities behind the man and his music. Topics range from intimate glimpses of the private and playful Saint-Saëns, to the composer's interest in astronomy and republican politics, his performances of Mozart and Rameau over eight decades, and his extensive travels around the world. This collection also analyzes the role he played in various musical societies and his complicated relationship with such composers as Liszt, Massenet, Wagner, and Ravel. Featuring the best contemporary scholarship on this crucial, formative period in French music, Camille Saint-Saëns and His World restores the composer to his vital role as innovator and curator of Western music.The contributors are Byron Adams, Leon Botstein, Jean-Christophe Branger, Michel Duchesneau, Katharine Ellis, Annegret Fauser, Yves Gérard, Dana Gooley, Carolyn Guzski, Carol Hess, D. Kern Holoman, Léo Houziaux, Florence Launay, Stéphane Leteuré, Martin Marks, Mitchell Morris, Jann Pasler, William Peterson, Michael Puri, Sabina Teller Ratner, Laure Schnapper, Marie-Gabrielle Soret, Michael Stegemann, and Michael Strasser.
Camp Rock: The Junior Novel
by Lucy RugglesMitchie, a stage-shy fourteen-year-old, loves to sing. So when her mom takes a job as a cook at a summer camp for aspiring rock stars, Mitchie is thrilled. But to get in with Tess, the most popular camper, Mitchie pretends her mother is high up in the music biz. Will her act put her singing in jeopardy? Or will all the high-volume drama make for a summer to remember?
Campfire Songs, Ballads, and Lullabies: Folk Music (North American Folklore for Youth)
by Gus SnedekerYou may turn on the CD player or the radio when you want to hear music--but once, in the days before modern technology, music was enjoyed whenever groups of people got together. You probably know some folk songs, a song that was passed along from person to person. Learn about: * types of folk songs * folk instruments * folk music's European and African roots * Cajun music * the music of Appalachia * Hispanic music * today's folk music. Modern music--Rock, Country, R&B, and more--is rooted deep in North America's musical folklore. And folk music is still alive and well today.
Can I Mix You a Drink?
by T-PAIN Maxwell BrittenGrammy Award winning artist T-Pain brings Can I Mix You A Drink?, a liquor guide inspired by his Platinum hits, combining unique drinks with an experience that only T-Pain can provide.In 2007, "rappa ternt sanga" T-Pain released his hit single "Can I Buy U A Drank (Shawty Snappin')," propelling the artist to mainstream royalty. Since then, the Tallahassee, Florida native has secured his position as one of the most successful and diverse hip-hop artists in the world. It all started, really, with a song about liquor. T-Pain's extensive career has been punctuated by libations. It's been a part of his music, his business acumen (having secured a number of ambassador deals with liquor brands like Jose Cuervo), and his overall persona. Now, T-Pain brings his love of mixology and music in book form, titled Can I Mix You A Drink? Working with Mixologist Maxwell Britten, former Bar Director to Brooklyn's James Beard Award Winning Maison Premiere, T-Pain sets cocktails to music. Each drink has been carefully curated to reflect a sentiment from one of his hit songs. Drink by drink, T-Pain explores levels of new flavors (and potencies) to create a work that can be used for parties, local bars, pre-gaming before the club, or even just a quiet night at home. It's nearly impossible not to hear T-Pain's music as you read through the drinks and their unique combinations and names. Considering T-Pain is known for unorthodox mixes in his music, expect the same from his drinks, along with some classic cocktails modified by T-Pain himself. Whether you're a fan of T-Pain or a fan of drink-making, Can I Mix You A Drink? is the cocktail book for you.
Can I Say: Living Large, Cheating Death, and Drums, Drums, Drums
by Gavin Edwards Travis BarkerTravis Barker's soul-baring memoir chronicles the highlights and lowlights of the renowned drummer's art and his life, including the harrowing plane crash that nearly killed him and his traumatic road to recovery--a fascinating never-before-told-in-full story of personal reinvention grounded in musical salvation and fatherhood.<P><P>After breaking out as the acclaimed drummer of the multiplatinum punk band Blink-182, everything changed for Travis Barker. But the dark side of rock stardom took its toll: his marriage, chronicled for an MTV reality show, fell apart. Constant touring concealed a serious drug addiction. A reckoning did not truly come until he was forced to face mortality: His life nearly ended in a horrifying plane crash, and then his close friend, collaborator, and fellow crash survivor DJ AM died of an overdose.In this blunt, driving memoir, Barker ruminates on rock stardom, fatherhood, death, loss, and redemption, sharing stories shaped by decades' worth of hard-earned insights. His pulsating memoir is as energetic as his acclaimed beats. It brings to a close the first chapters of a well-lived life, inspiring readers to follow the rhythms of their own hearts and find meaning in their lives.
Can You Become a Pop Star?: An Interactive Adventure (You Choose: Chasing Fame and Fortune)
by Allison LassieurDo you dream of belting out a chart-topping single on stage in front of thousands of people? Even with talent and determination, it’s a long, winding journey to the top. Chart your path to stardom, facing real-life choices as you go. Some choices may lead to center stage, while others lead to disappointment or redirection into another career field.
Can You Feel the Noise?
by Stewart FosterA profound story about inner strength and perseverance in the face of a life-changing event, from the award-winning author of The Bubble Boy. Perfect for fans of R. J. Palacio's Wonder and Lisa Thompson's The Goldfish Boy.&‘A wonderful book about overcoming a life-changing event and the remarkable power of music.&’ – Lisa Thompson, author of The Goldfish BoyLife is going well for Sophie. She&’s getting by at school, has some pretty awesome friends, and their band have made it through to the semifinals of the Battle of the Bands competition.But when Sophie wakes up completely deaf one morning, the life she once knew seems like a distant memory. With lessons replaced by endless hospital appointments, and conversations now an exercise in lip-reading, Sophie grows quieter and quieter. Until she discovers the vibrations of sound through an old set of drums and wonders whether life onstage is actually still within reach.Drawing on the author's own hearing impairment, Can You Feel the Noise? is a deeply personal and moving story that will stay with you long after reading.Praise for Can You Feel the Noise? &‘Powerful, moving and uplifting. This beautifully-told story highlights the gift of perseverance.&’ – Polly Ho-Yen, author of Boy in the Tower &‘A moving, empathy-boosting, and hopeful story about a young musician navigating hearing loss.&’ – Rashmi Sirdeshpande, author of Think Like a Boss 'A sensitive and brilliant story of hearing loss, full of humour and hope.&’ – A. M. Howell, author of The Garden of Lost Secrets
Can't Be Satisfied: The Life And Times Of Muddy Waters
by Robert GordonThe definitive biography of the most influential blues musician of them all. In a nutshell: no Muddy Waters, no Rolling Stones. ‘Can’t Be Satisfied is that rare thing in musical biographies: a book that maps out not just a single, extraordinary life but the cultural forces that shaped it.
Can't Be Satisfied: The Life and Times of Muddy Waters
by Robert GordonMuddy Waters invented electric blues and created the template for the rock and roll band and its wild lifestyle. Gordon excavates Muddy's mysterious past and early career, taking us from Mississippi fields to postwar Chicago street corners.
Can't Buy Me Love: The Beatles, Britain and America
by Jonathan GouldNearly twenty years in the making, Can't Buy Me Love is a masterful work of group biography, cultural history, and musical criticism. That the Beatles were an unprecedented phenomenon is a given. In Can't Buy Me Love, Jonathan Gould seeks to explain why, placing the Fab Four in the broad and tumultuous panorama of their time and place, rooting their story in the social context that girded both their rise and their demise. Beginning with their adolescence in Liverpool, Gould describes the seminal influences--from Elvis Presley and Chuck Berry to The Goon Show and Alice's Adventures in Wonderland--that shaped the Beatles both as individuals and as a group. In addition to chronicling their growth as singers, songwriters, and instrumentalists, he highlights the advances in recording technology that made their sound both possible and unique, as well as the developments in television and radio that lent an explosive force to their popular success. With a musician's ear, Gould sensitively evokes the timeless appeal of the Lennon-McCartney collaboration and their emergence as one of the most creative and significant songwriting teams in history. And he sheds new light on the significance of Sgt. Pepper's Lonely Hearts Club Band as rock's first concept album, down to its memorable cover art. Behind the scenes Gould explores the pivotal roles played by manager Brian Epstein and producer George Martin, credits the influence on the Beatles' music of contemporaries like Bob Dylan, Brian Wilson, and Ravi Shankar, and traces the gradual escalation of the fractious internal rivalries that led to the group's breakup after their final masterpiece, Abbey Road. Most significantly, by chronicling their revolutionary impact on popular culture during the 1960s, Can't Buy Me Love illuminates the Beatles as a charismatic phenomenon of international proportions, whose anarchic energy and unexpected import was derived from the historic shifts in fortune that transformed the relationship between Britain and America in the decades after World War II. From the Beats in America and the Angry Young Men in England to the shadow of the Profumo Affair and JFK's assassination, Gould captures the pulse of a time that made the Beatles possible--and even necessary. As seen through the prism of the Beatles and their music, an entire generation's experience comes astonishingly to life. Beautifully written, consistently insightful, and utterly original, Can't Buy Me Love is a landmark work about the Beatles, Britain, and America. From the Hardcover edition.
Can't Buy Me Love: The Beatles, Britain, and America
by Jonathan GouldJonathan Gould's Can't Buy Me Love is more than just a book on the Beatles; it's a stunning recreation of the 1960s in England and America through the prism of the world's most iconic band. The Beatles, perhaps more than any act before or since, were a quintessential product of their time, and Gould brilliantly blends cultural history, musical analysis and group biography to show the unique part they played in the shaping of post-war Britain and America. Gould examines the influence of R&B, rockabilly, skiffle and Motown as the Fab Four forged a sound of their own; he illuminates the mercurial relationship the most productive and lucrative in recording music history between John Lennon and Paul McCartney; he critiques the songs they played and the movies they made, and their impact on competing bands and musicians, as well as on fashion, hairstyles, and humour; and he shows how events on both sides of the Atlantic created exactly the right cultural climate for the biggest music phenomenon of 20th century. Beautifully written, insightful, and wonderfully evocative, this is a magisterial biography by a popular historian of the very first rank.
Can't Help Singing: The Life of Eileen Farrell
by Eileen Farrell Brian KellowEileen Farrell is blessed with two voices. A classically-trained dramatic soprano who also loves to belt pop songs and torch the blues, she successfully conquered the worlds of opera and popular music over the course of her whirlwind career. Now, Farrell shares reminiscences about her remarkable professional and personal life. With candor, humor, and affection, she recalls her New England childhood, her overnight success at age twenty as star of her own CBS radio show, her big break dubbing vocals for Eleanor Parker in the MGM movie Interrupted Melody, and her many guest appearances on television shows. Farrell discusses her rise to fame as an opera star, from her highly acclaimed performance in Medea in 1955, to her historic debut at the Metropolitan Opera in Alceste in 1960. She also fondly recollects her marriage of forty years to New York police officer Robert Reagan and her life outside the limelight, including her frustrating tenure as a faculty member at Indiana University. Farrell speaks frankly about her tumultuous years at the Met, where her head-to-head confrontations with Sir Rudolph Bing brought her promising operatic career to an abrupt close after five seasons. While she loved singing the music of Verdi, Mascagni, and Giordano, Farrell reveals that she never reconciled herself to the life of a diva, preferring the friendliness of show business to the aloofness of the opera world. Populated with such figures as Leonard Bernstein, Arturo Toscanini, Maria Callas, Ethel Merman, Mabel Mercer, and Carol Burnett, this engaging memoir takes the reader from backstage at the Met to behind-the-scenes of the Ed Sullivan Show, providing a fascinating view of opera and the entertainment industry. Eileen Farrell's legion of fans will delight in her inviting story of a career that was like no other singer's.
Can't Nobody Do Me Like Jesus!: Photographs from the Sacred Steel Community
by Robert L. StoneFolklorist Robert L. Stone presents a rare collection of high-quality documentary photos of the sacred steel guitar musical tradition and the community that supports it. The introductory text and extended photo captions in Can’t Nobody Do Me Like Jesus! Photographs from the Sacred Steel Community offer the reader an intimate view of this unique tradition of passionately played music that is beloved among fans of American roots music and admired by folklorists, ethnomusicologists, and other scholars. In 1992, a friend in Hollywood, Florida, introduced Stone to African American musicians who played the electric steel guitar in the African American Holiness-Pentecostal churches House of God and Church of the Living God. With the passion, skill, and unique voice they brought to the instruments, these musicians profoundly impressed Stone. He produced an album for the Florida Folklife Program, which Arhoolie Records licensed and released worldwide. It created a roots music sensation. In 1996, Stone began to document the tradition beyond Florida. He took the photos in this book from 1992 to 2008 in Georgia, the Carolinas, Tennessee, Mississippi, New York, Pennsylvania, Michigan, and Florida, and at concerts in Italy. The images capture musicians as they play for worship services before spirit-filled believers singing, dancing, shouting, praying, and testifying. Stone gives the viewer much to witness, always presenting his passionate subjects with dignity. His sensitive portrayal of this community attests to the ongoing importance of musical traditions in African American life and worship.
Can't Slow Down: How 1984 Became Pop's Blockbuster Year
by Michaelangelo MatosThe definitive account of pop music in the mid-eighties, from Prince and Madonna to the underground hip-hop, indie rock, and club scenesEverybody knows the hits of 1984 - pop music's greatest year. From "Thriller" to "Purple Rain," "Hello" to "Against All Odds," "What's Love Got to Do with It" to "Wake Me Up Before You Go-Go," these iconic songs continue to dominate advertising, karaoke nights, and the soundtracks for film classics (Boogie Nights) and TV hits (Stranger Things). But the story of that thrilling, turbulent time, an era when Top 40 radio was both the leading edge of popular culture and a moral battleground, has never been told with the full detail it deserves - until now. Can't Slow Down is the definitive portrait of the exploding world of mid-eighties pop and the time it defined, from Cold War anxiety to the home-computer revolution. Big acts like Michael Jackson (Thriller), Prince (Purple Rain), Madonna (Like a Virgin), Bruce Springsteen (Born in the U.S.A.), and George Michael (Wham!'s Make It Big) rubbed shoulders with the stars of the fermenting scenes of hip-hop, indie rock, and club music. Rigorously researched, mapping the entire terrain of American pop, with crucial side trips to the UK and Jamaica, from the biz to the stars to the upstarts and beyond, Can't Slow Down is a vivid journey to the very moment when pop was remaking itself, and the culture at large - one hit at a time.
Can't Stop Won't Stop (Young Adult Edition): A Hip-Hop History
by Jeff Chang Dave CookThe American Book Award winner, now completely adapted for a young adult audience! From award-winning author Jeff Chang, Can't Stop Won't Stop is the story of hip-hop, a generation-defining movement and the music that transformed American politics and culture forever. Hip hop is one of the most dominant and influential cultures in America, giving new voice to the younger generation. It defines a generation's worldview. Exploring hip hop's beginnings up to the present day, Jeff Chang and Dave "Davey D" Cook provide a provocative look into the new world that the hip hop generation has created. Based on original interviews with DJs, b-boys, rappers, activists, and gang members, with unforgettable portraits of many of hip hop's forebears, founders, mavericks, and present day icons, this book chronicles the epic events, ideas and the music that marked the hip hop generation's rise.
Can't Stop Won't Stop: A History Of The Hip-hop Generation
by Jeff Chang D. J. Kool HercForged in the fires of the Bronx and Kingston, Jamaica, hip-hop has been a generation-defining global movement. In a post-civil rights era rapidly transformed by deindustrialization and globalization, hip-hop gave voiceless youths a chance to address these seismic changes, and became a job-making engine and the Esperanto of youth rebellion. Hip-hop crystallized a multiracial generation's worldview, and forever transformed politics and culture. But the epic story of how that happened has never been fully told . . . until now. Jeff Chang has been a hip-hop journalist for more than a decade and has written for The San Francisco Bay Guardian,The Village Voice,Vibe,The Nation,URB,Rap Pages,Spin, and Mother Jones. He was a founding editor of Colorlines Magazine, senior editor at Russell Simmons's www.360hiphop.com, and co-founder of the influential hip-hop label SoleSides, now Quannum Projects.
Can't You Hear Me Callin': The Life Of Bill Monroe, Father Of Bluegrass
by Richard A. SmithFrom the book jacket: Elvis Presley chose one of his songs, "Blue Moon of Kentucky," for his first single. A young Jerry Garcia traveled crosscountry to audition for his band. Johnny Cash, Buddy Holly, and even Frank Sinatra were fans. Considering the range of stars and styles that claim him as an influence, no single artist has had as broad an impact on American popular music as Bill Monroe. Born in 1911 in rural Kentucky, Monroe melded the fiddle tunes, ballads, and blues of his youth into the "high lonesome" sound known today as bluegrass, making him perhaps the only performer to create an entire musical genre. His distinctive bluegrass style profoundly influenced country, early rock 'n' roll, and the folk revival of the 1960s. A Grand Ole Opry star for almost sixty years, Monroe was a searing mandolinist who redefined the instrument, a haunting high-range vocalist, and a godlike figure to generations of admirers who became famous in their own right. When Monroe died in 1996, he was universally acclaimed as "the Father of Bluegrass," but the personal life of this taciturn figure remained largely unknown. His childhood feelings of isolation and abandonment- "lonesomeness" he called it-fueled his reckless womanizing in adulthood and inspired his most powerful compositions. From his professional breakthrough in the Monroe Brothers duet act to his bitter rivalry with former sidemen Lester Flatt and Earl Scruggs to his final days as a revered elder statesman of bluegrass, Monroe's career was filled with trials and triumphs. Now, veteran bluegrass journalist Richard D. Smith has interviewed a multitude of Monroe's surviving friends, lovers, colleagues, and contemporaries to create a three-dimensional portrait of this brilliant, complex, and contradictory man. Compel lingly narrated and thoroughly researched, Can't You Hear Me Callin' is the definitive biography of a true giant of American music. RICHARD D. SMITH is a journalist whose work has appeared in a number of national publications, including the NewYork Times, Bloomberg magazine, and the Journal of Country Music. The author of Bluegrass: An Informal Guide, he is also a reviewer for Bluegrass Unlimited magazine and plays mandolin and guitar. He lives in Rocky Hill, New Jersey.
Can't You Hear Me Callin': The Life of Bill Monroe Father of Bluegrass
by Richard D. SmithNow in paperback: The definitive biography of the father of bluegrass, who did what no other individual has done: invented an entire genre of music. -Chicago Tribune.
Canadian Music and American Culture: Get Away From Me (Pop Music, Culture and Identity)
by Tristanne Connolly Tomoyuki IinoThis collection explores Canadian music's commentaries on American culture. 'American Woman, get away from me!' - one of the most resonant musical statements to come out of Canada - is a cry of love and hate for its neighbour. Canada's close, inescapable entanglement with the superpower to the south provides a unique yet representative case study of the benefits and detriments of the global American culture machine. Literature scholars apply textual and cultural analysis to a selection of Anglo-Canadian music - from Joni Mitchell to Peaches, via such artists as Neil Young, Rush, and the Tragically Hip - to explore the generic borrowings and social criticism, the desires and failures of Canada's musical relationship with the USA. This innovative volume will appeal to those interested in Music, Canadian Studies, and American Studies.
Cancionero: Songs of Laughter and Faith in New Mexico
by John Donald RobbComposer John Donald Robb (1892–1989) built an invaluable legacy in the preservation of New Mexico&’s rich musical traditions. His extensive field recordings, compositions, papers, and photographs now comprise the John Donald Robb Archives in the University of New Mexico Libraries&’ Center for Southwest Research. Cancionero presents thirteen Hispanic folk songs from Robb&’s renowned archive. Created for musicians and vocalists, Cancionero features arrangements for voice with piano or guitar accompaniments as well as selected concert versions for voice, oboe, harp, and piano. Introductions include information about song forms, history, and subjects, providing further insight into each song.
Canción de amor definitiva: La vida, como un disco, tiene dos caras
by Jorge Martí AguasLa autobiografía de Jorge Martí, líder de la icónica banda La habitación roja, revela que la vida real es la que uno tiene que mirar de frente cuando baja del escenario. «Cambio de ánimo, de país y de profesión según las circunstancias. Un día estoy cantando sobre el escenario de un festival abarrotado de gente y al siguiente ejerciendo de enfermero en una residencia para pacientes con demencia y alzhéimer en Noruega. Esta doble vida, entre la música y la enfermedad, me obliga a ir y venir constantemente. Vivo entre dos mundos pero no encajo en ninguno, y todo parece estar siempre a punto de resquebrajarse. El escenario y el amor son una tregua, una burbuja a salvo de todo lo que me asfixia. Me he pasado la vida tratando de ser alguien más allá de mi casa para al final llegar a la conclusión de que lo que me importa es ser alguien en ella. Aquí es donde residen el gran amor de mi vida y mis hijas, y es donde sigo manteniendo intacta la esperanza de escribir algún día la canción de amor definitiva». Jorge Martí es líder y cantante de una de las bandas más importantes del indie español: La habitación roja. Pero su vida no es la que se podría esperar del líder de una banda de rock, tiene una cara A: la que muestra en el escenario cuando canta junto a sus fans a pleno pulmón Ayer o Indestructibles, concede entrevistas y viaja promocionando sus discos. Y una cara B, desconocida para sus miles de fans, la del fracaso, las expectativas no cumplidas, la decepción, la enfermedad, y también el amor y la música, que tal vez sean la misma cosa.
Canción del desierto
by Laekan Zea KempUna familia disfruta de la música nocturna del desierto tejano en esta historia de tradición y recuerdo de Laekan Zea Kemp, ganadora de una Mención de Honor Pura Belpré.Todo empieza con un suave golpeteo,cuando el tío Eduardo tamborilea con las manossobre sus polvorientos pantalones. Cuando el rubor del atardecer da paso a la noche en el desierto, emergen coyotes, cigarras y lechuzas, cada uno de ellos llamando a la luna. Observando desde su porche, la familia participa en la canción. Uno por uno, cada familiar ofrece sus tambores, flauta, maracas, cuerdas y voces. Cantan con los insectos, pájaros, serpientes y sapos; y cantan con sus antepasados, una audiencia que brilla entre las estrellas. Con cada rasgueo de instrumentos heredados, los recuerdos se renuevan y los familiares que han fallecido están vivos y cercanos de nuevo. Canción del desierto tararea y suena con toda la música que un porche y el desierto más allá de él pueden contener. El conmovedor texto de Laekan Zea Kemp, ganadora de una Mención de Honor Pura Belpré, baila a través de las encantadoras ilustraciones de Beatriz Gutiérrez Hernández. Los lectores se quedarán con la reconfortante sensación de que cuando la creatividad florece, el pasado nunca está fuera de su alcance y los vínculos importantes nunca se rompen.
Candidly Cline
by Kathryn OrmsbeeA must-read for fans of Julie Murphy and Ashley Herring Blake, this queer coming-of-age story from critically acclaimed author Kathryn Ormsbee sings with heart, warmth, and hope. Born in Paris, Kentucky, and raised on her gram’s favorite country music, Cline Alden is a girl with big dreams and a heart full of song. When she finds out about a young musicians’ workshop a few towns over, Cline sweet-talks, saves, and maybe fibs her way into her first step toward musical stardom.But her big dreams never prepared her for the butterflies she feels surrounded by so many other talented kids—especially Sylvie, who gives Cline the type of butterflies she’s only ever heard about in love songs.As she learns to make music of her own, Cline begins to realize how much of herself she’s been holding back. But now, there’s a new song taking shape in her heart—if only she can find her voice and sing it.“Empowering, affirming, and sweet as all get-out.” —Lisa Jenn Bigelow, author of Drum Roll, Please