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Burning Up: On Tour with the Jonas Brothers
by Joe Jonas Nick Jonas Kevin JonasBurning Up: On Tour with the Jonas Brothers is your backstage pass to life with Kevin, Joe, and Nick Jonas. It includes never-before-seen photos of the Jonas Brothers' Look Me in the Eyes tour and exclusive images taken during Hannah Montana & Miley Cyrus's Best of Both Worlds tour. You'll get a behind-the-scenes look at the band warming up, performing, and having fun backstage. This sizzling souvenir will also give you a glimpse of the downtime that the brothers have between gigs. In addition to pictures of the group laying down tracks at the recording studio for A Little Bit Longer, giving radio interviews, and sight-seeing in London, you'll see snap-shots of them bowling, racing Go-karts, and playing video games with the Bonus Jonas, younger brother Frankie. The dynamic photography is accompanied by a candid narrative by the Jonas Brothers themselves, chronicling their life on the road and their experiences growing up in the music world. They discuss everything from the songwriting process to the importance of family to their favorite kind of ice cream (Kevin's is rocky road!) So pick up your guitar and get ready to strum along--you're going on tour with the Jonas Brothers!
The Business Behind the Song: Navigating a Career in the Music Industry
by Scott BrickellWhether you&’re an aspiring artist, a new college grad, or a seasoned professional, Scott Brickell&’s The Business Behind the Song is a must-have handbook for helping you navigate the often-confusing, seemingly unapproachable world of the music industry.Drawing on his years of experience as a manager for numerous record-breaking artists and bands, Brickell explains the nitty gritty details of what it takes to be an artist, a manager, a promotor, a booking agent, and much more. He shares industry secrets on the formula to a successful song, and he gives invaluable tips on how to put on a successful show and tour. No matter your goal—whether that&’s to be on stage behind a microphone or behind the scenes promoting shows—The Business Behind the Song will help you • Understand the industry before you get started • Learn the insider terminology • Identify the goals you need to set for yourself • Create a clear path for your future career • And start your own journey in the music business You can break into an exciting and fulfilling career in the music industry, and Scott Brickell&’s go-to guide will show you how.
Business Model Innovation in Creative and Cultural Industries (Routledge Research in the Creative and Cultural Industries)
by Pierre Roy Estelle Pellegrin-BoucherBusiness model innovation occurs when an organization discovers a new way of creating revenues or profits via its products or services. This book examines the concept as it applies across the creative and cultural industries in practice.This book examines market, social and political environments which impact creative and cultural organizations' business models, such as sustainability, new forms of competition, digitalization and data management, emerging technologies like AI, and shifting social trends and lifestyles. This book not only analyses these influences but also presents best practices, key success factors, and compelling case studies. Employing a case study format, a range of creative or cultural sectors are analysed, including fashion, architecture and gaming.The result is a book which delivers value for researchers, advanced students, and reflective practitioners involved in the creative economy around the world.
The Business of Opera (Ashgate Interdisciplinary Studies in Opera)
by Anastasia Belina-Johnson Derek B. ScottThe study of the business of opera has taken on new importance in the present harsh economic climate for the arts. This book presents research that sheds new light on a range of aspects concerning marketing, audience development, promotion, arts administration and economic issues that beset professionals working in the opera world. The editors' aim has been to assemble a coherent collection of essays that engage with a single theme (business), but differ in topic and critical perspective. The collection is distinguished by its concern with the business of opera here and now in a globalized market. This includes newly commissioned operas, sponsorship, state funding, and production and marketing of historic operas in the twenty-first century.
But He Doesn't Know the Territory
by Meredith WillsonComposer Meredith Willson once described The Music Man as "an Iowan's attempt to pay tribute to his home state." Never once forgetting his roots, Willson reflects on the ups and downs, surprises and disappointments, and finally successes of the making of one of America's most popular musicals. His whimsical, personable writing style will bring readers back in time with him to the 1950s to experience firsthand the exciting trials and tribulations of creating a Broadway masterpiece. A newfound admiration for The Music Man--and the man behind the music--is sure to follow.
"But He Doesn't Know the Territory": The Story behind Meredith Willson's The Music Man
by Meredith WillsonChronicles the creation of Meredith Willson&’s The Music Man—reprinted now as the Broadway Edition Composer Meredith Willson described The Music Man as &“an Iowan&’s attempt to pay tribute to his home state.&” Now featuring a new foreword by noted singer and educator Michael Feinstein, this book presents Willson&’s reflections on the ups and downs, surprises and disappointments, and finally successes of making one of America&’s most popular musicals. Willson&’s whimsical, personable writing style brings readers back in time with him to the 1950s to experience firsthand the exciting trials and tribulations of creating a Broadway masterpiece. Fresh admiration of the musical—and the man behind the music—is sure to result.
But Will You Love Me Tomorrow?: An Oral History of the '60s Girl Groups
by Laura Flam Emily Sieu LiebowitzFeaturing over 300 hours of new interviews with 100+ subjects, an oral history of the girl groups (such as The Ronettes, The Shirelles, The Supremes, and The Vandellas) that redefined the early 1960s The girl group sound, made famous and unforgettable by acts like The Ronettes, The Shirelles, The Supremes, and The Vandellas, took over the airwaves by capturing the mixture of innocence and rebellion emblematic of America in the 1960s. As songs like "Will You Love Me Tomorrow," "Then He Kissed Me," and "Be My Baby" rose to the top of the charts, girl groups cornered the burgeoning post-war market of teenage rock and roll fans, indelibly shaping the trajectory of pop music in the process. While the songs are essential to the American canon, many of the artists remain all but anonymous to most listeners. With more than 100 subjects that made the music, from the singers to the songwriters, to their agents, managers, and sound engineers—and even to the present-day celebrities inspired by their lasting influence–But Will You Love Me Tomorrow: An Oral History of 60s Girl Groups tells a national coming-of-age story that gives particular insight into the experiences of the female singers and songwriters who created the movement.
Butter-Finger
by Bob Cattell John AgardButter-Finger follows the story of Riccardo Small, who misses a vital catch and is dropped from the cricket team. Riccardo takes refuge in his beloved calypso poems, written by John Agard, when he meets Count Crayfish, who helps him think of a way to still help the team. Ages 7 and up.
The Butterfly Effect: How Kendrick Lamar Ignited the Soul of Black America
by Marcus Moore__________'Essential reading' Rolling Stone'A must read. The best bit of literature currently out there on Kendrick Lamar' VICE __________Kendrick Lamar is at the top of his game.He has been described as perceptive, philosophical, unapologetic, fearless, and an innovative storyteller whose body of work has been compared to James Joyce and James Baldwin.He is a visionary who will go down as history as one of the most important artists of all time.But what's so striking about Kendrick Lamar, aside from his impressive accolades, is how he's effectively established himself as a formidable opponent of oppression, a force for change. Through his confessional poetics, his politically charged anthems, and his radical performances, Lamar has become a beacon of light for many people in America.The Butterfly Effect not only Lamar's powerful impact on music but also on our current society, especially under the weight of police brutality, divisive politics, and social injustice. This is the extraordinary, triumphant story of a modern lyrical prophet and an American icon who has given hope to those buckling under the weight of systemic oppression, reminding everyone that through it all, "we gon' be alright".__________'By the end of listening to his first full album, I felt like I knew everything about him. He brings you into his world with his lyrics in a way that really paints a clear picture' Eminem'I love everything about his music. I can literally listen to his music and become a kid growing up with all the struggles in the inner city, but at the same time [learn] all the lessons it taught that we use as men today.' Lebron James'Kendrick Lamar understands and employs blues, jazz, and soul in his music, which makes it startling. His work is more than merely brilliant; it is magic' Toni Morrison'Lamar is a man living on a real and metaphorical peak, with one eye trained on the heavens, the other searching for stories in the valley below' Guardian
The Butterfly Effect: How Kendrick Lamar Ignited the Soul of Black America
by Marcus Moore'Kendrick Lamar understands and employs blues, jazz, and soul in his music, which makes it startling. His work is more than merely brilliant; it is magic' Toni Morrison'Lamar is a man living on a real and metaphorical peak, with one eye trained on the heavens, the other searching for stories in the valley below' Guardian __________Kendrick Lamar has been described as the poet Laurette of hip-hop, perceptive, philosophical, unapologetic, fearless, and an innovative storyteller whose body of work has been compared to James Joyce and James Baldwin. He is a visionary who will go down as history as one of the most important artists of all time. But what's so striking about Kendrick Lamar, aside from his impressive accolades, is how he's effectively established himself as a formidable opponent of oppression, a force for change. Through his confessional poetics, his politically charged anthems, and his radical performances, Lamar has become a beacon of light for many people in America. Now, for the first time, we will be taken on a journey of Lamar's life. Told through his three albums, The Butterfly Effect gives unparalleled insight into his background, influences and the importance of his music. The book traces not only Lamar's powerful impact on music but also on our current society, especially under the weight of police brutality, divisive politics, and social injustice. With exclusive interviews with his family, friends, and record producers, this book is the must-read for any fan.
The Butterfly Effect: How Kendrick Lamar Ignited the Soul of Black America
by Marcus J. MooreThis &“smart, confident, and necessary&” (Shea Serrano, New York Times bestselling author) first cultural biography of rap superstar and &“master of storytelling&” (The New Yorker) Kendrick Lamar explores his meteoric rise to fame and his profound impact on a racially fraught America—perfect for fans of Zack O&’Malley Greenburg&’s Empire State of Mind.Kendrick Lamar is at the top of his game. The thirteen-time Grammy Award-winning rapper is just in his early thirties, but he&’s already won the Pulitzer Prize for Music, produced and curated the soundtrack of the megahit film Black Panther, and has been named one of Time&’s 100 Influential People. But what&’s even more striking about the Compton-born lyricist and performer is how he&’s established himself as a formidable adversary of oppression and force for change. Through his confessional poetics, his politically charged anthems, and his radical performances, Lamar has become a beacon of light for countless people. Written by veteran journalist and music critic Marcus J. Moore, this is much more than the first biography of Kendrick Lamar. &“It&’s an analytical deep dive into the life of that good kid whose m.A.A.d city raised him, and how it sparked a fire within Kendrick Lamar to change history&” (Kathy Iandoli, author of Baby Girl) for the better.
Buyers Beware: Insurgency and Consumption in Caribbean Popular Culture (Critical Caribbean Studies)
by Patricia Joan SaundersBuyers Beware offers a new perspective for critical inquiries about the practices of consumption in (and of) Caribbean popular culture. The book revisits commonly accepted representations of the Caribbean from “less respectable” segments of popular culture such as dancehall culture and 'sistah lit' that proudly jettison any aspirations toward middle-class respectability. Treating these pop cultural texts and phenomena with the same critical attention as dominant mass cultural representations of the region allows Patricia Joan Saunders to read them against the grain and consider whether and how their “pulp” preoccupation with contemporary fashion, music, sex, fast food, and television, is instructive for how race, class, gender, sexuality and national politics are constructed, performed, interpreted, disseminated and consumed from within the Caribbean.
Buying Pianos for an Institution
by Larry FineThe Piano Buyer Essentials SeriesThe Piano Buyer Essentials Series brings together in one place the very best and most important articles from our 30 years of publishing on the subject of buying and owning a piano. Each e-book is a compilation of articles from current and past issues of Acoustic & Digital Piano Buyer, a semiannual consumer publication devoted to the purchase of new, used, and restored acoustic pianos and digital pianos. The e-books may also contain excerpts from The Piano Book, by Larry Fine, and from pieces published only on PianoBuyer.com. For reader convenience, articles and excerpts have been grouped by subject. However, because some pieces apply to more than one subject, there is some duplication of articles among the e-books in the series.
Buzzin': The Nine Lives of a Happy Monday
by BezAt the height of his initial, turn-of-the-1990's infamy as the maraca-wielding dancer with 'Madchester' giants Happy Mondays, the pop-eyed Mark Berry, forever known to the world as Bez, was visibly a danger to society. He became the so-called Chemical Generation's bug-eyed pied piper, every weekend leading millions out to oblivion and beyond, as they adopted his E-gobbling party lifestyle.Neither an accomplished musician nor even a very good dancer, Bez was a prime candidate for fleeting celebrity, soon to sink into 'Where Are They Now?' obscurity. That, however, never happened, nor does it show any sign of happening. Through Black Grape, the second band he co-fronted with the Mondays' Shaun Ryder, and his ever-presence in the mass media, Bez's popularity has grown exponentially, his star rocketing ever upwards.When he bowled into Celebrity Big Brother in 2005, he ended up winning the series, as viewers came to understand his fundamental decency and sunny outlook. His adult life has been extraordinary: unbelievable scrapes with mortality, periods of financial ruin, mindfuck moments like when David Bowie genuflected before him, and enough narcotic-strewn hi-jinx to fill several more volumes of memoir.This is the story of a bad lad who has turned his life good, tracing his passage from early-thirty-something casualty to middle-aged politician, eco-warrior and bee-aficionado.
Buzzin': The Nine Lives of a Happy Monday
by BezAt the height of his initial, turn-of-the-1990's infamy as the maraca-wielding dancer with 'Madchester' giants Happy Mondays, the pop-eyed Mark Berry, forever known to the world as Bez, was visibly a danger to society. He became the so-called Chemical Generation's bug-eyed pied piper, every weekend leading millions out to oblivion and beyond, as they adopted his E-gobbling party lifestyle.Neither an accomplished musician nor even a very good dancer, Bez was a prime candidate for fleeting celebrity, soon to sink into 'Where Are They Now?' obscurity. That, however, never happened, nor does it show any sign of happening. Through Black Grape, the second band he co-fronted with the Mondays' Shaun Ryder, and his ever-presence in the mass media, Bez's popularity has grown exponentially, his star rocketing ever upwards.When he bowled into Celebrity Big Brother in 2005, he ended up winning the series, as viewers came to understand his fundamental decency and sunny outlook. His adult life has been extraordinary: unbelievable scrapes with mortality, periods of financial ruin, mindfuck moments like when David Bowie genuflected before him, and enough narcotic-strewn hi-jinx to fill several more volumes of memoir.This is the story of a bad lad who has turned his life good, tracing his passage from early-thirty-something casualty to middle-aged politician, eco-warrior and bee-aficionado.
Byron and the Discourses of History (The Nineteenth Century Series)
by Carla PomarèIn her study of the relationship between Byron’s lifelong interest in historical matters and the development of history as a discipline, Carla Pomarè focuses on drama (the Venetian plays, The Deformed Transformed), verse narrative (The Siege of Corinth, Mazeppa) and dramatic monologue (The Prophecy of Dante), calling attention to their interaction with historiographical and pseudo-historiographical texts ranging from monographs to dictionaries, collections of apophthegms, autobiographies and prophecies. This variety of discourses, Pomarè suggests, not only served as a source of the historical information Byron cherished, providing the subject matter for countless episodes in his works, but also and primarily supplied him with epistemological models. From them, Byron drew such trademark textual practices as his massive use of notes and paratexts, which satisfied his ingrained need for ’authenticity’ - a sentiment expressed in his oft-quoted, ’I hate things all fiction’. As Pomarè argues, Byron’s meticulous tracing of the process that links events, documents and historical representations ultimately answers his desire to retrieve what might be lost during the transmission of historical knowledge. Thus does he betray his preoccupation with the ideological uses of history writing, projecting his own discourses of history into the present of their composition.
C.P.E. Bach: A Guide to Research (Routledge Music Bibliographies)
by Doris PowersAlthough he is the son of J. S. Bach, C. P. E. Bach is an important composer in his own right, this long-awaited annotated bibliography presents a complete listing of the works of C. P. E. Bach. This volume in the Routledge Music Bibliographies series includes many different aspects of his work: the editing of his father's masterpieces, his concert
C.P.E. Bach (The\late Eighteenth-century Composers Ser.)
by David SchulenbergThe second son of Johann Sebastian Bach, C.P.E. Bach was an important composer in his own right, as well as a writer and performer on keyboard instruments. He composed roughly a thousand works in all the leading genres of the period, with the exception of opera, and Haydn, Mozart and Beethoven all acknowledged his influence. He was also the author of a two-volume encyclopedic book about performance on keyboard instrument. C.P.E. Bach and his music have always been the subject of significant scholarship and publication but interest has sharply increased over the past two or three decades from performers as well as music historians. This volume incorporates important writings not only on the composer and his chief works but also on theoretical issues and performance questions. The focus throughout is on relatively recent scholarship otherwise available only in hard-to-access sources.
Cabin Boys, Milkmaids, and Rough Seas: Identity in the Unexpurgated Repertoire of Stan Hugill
by Jessica M. FloydDuring his correspondence with erotic folklore collector Gershon Legman, famed chantey singer and collector Stan Hugill (1906–1992) shared unexpurgated versions of the songs in his repertoire. These bawdy songs were meant to be a part of Legman’s larger project concerning erotic folksong. Upon Legman’s death in 1999, the unfinished and unpublished manuscript sank into obscurity and was believed by many to be permanently lost. Thankfully this “holy grail” of chantey texts had been safe in the private collection of Legman’s widow, Judith Legman, all along. Cabin Boys, Milkmaids, and Rough Seas: Identity in the Unexpurgated Repertoire of Stan Hugill is the first critical investigation of this repository, reproduced here for the first time. Training an interdisciplinary lens on twenty-four unexpurgated texts, author Jessica M. Floyd interrogates the articulation of gender, sexuality, and identity as it is expressed in these cultural artifacts of the sea. Opening with both a critical explication of the chantey genre, as well as situating Hugill’s repertoire in the canon of folksong, the book introduces readers to the critical realities that attend this rich cultural tradition. Analytical chapters demonstrate the kaleidoscopic representation of gender and sexuality in this finite repertoire. Each inquiry is connected and overlapping, demonstrating an ebb and flow not unlike the waters on which the songs were sung. Words of warning, heteronormative economies, and queer undercurrents each collide to present an image of sailing life that is nuanced and complicated, provocative and evocative, transgressive and sometimes radical. The volume allows scholars to place a finger on the pulse of maritime life, feeling and experiencing one voice among the din of working-class song traditions.
Cafe Society: The Wrong Place for the Right People (Music in American Life)
by Barney Josephson Terry Trilling-Josephson Dan MorgensternSet against the drama of the Great Depression, the conflict of American race relations, and the inquisitions of the House Un-American Activities Committee, Cafe Society tells the personal history of Barney Josephson, proprietor of the legendary interracial New York City night clubs Cafe Society Downtown and Cafe Society Uptown and their successor, The Cookery. Famously known as "the wrong place for the Right people," Cafe Society featured the cream of jazz and blues performers--among whom were Billie Holiday, Big Joe Turner, Lester Young, Buck Clayton, Big Sid Catlett, and Mary Lou Williams--as well as comedy stars Imogene Coca, Zero Mostel, and Jack Gilford, the boogie-woogie pianists, and legendary gospel and folk artists. A trailblazer in many ways, Josephson welcomed black and white artists alike to perform for mixed audiences in a venue whose walls were festooned with artistic and satiric murals lampooning what was then called "high society." Featuring scores of photographs that illustrate the vibrant cast of characters in Josephson's life, this exceptional book speaks richly about Cafe Society's revolutionary innovations and creativity, inspired by the vision of one remarkable man.
Cairo Pop
by Daniel J. GilmanCairo Pop is the first book to examine the dominant popular music of Egypt, shababiyya. Scorned or ignored by scholars and older Egyptians alike, shababiyya plays incessantly in Cairo, even while Egyptian youth joined in mass protests against their government, which eventually helped oust longtime Egyptian president Hosni Mubarak in early 2011. Living in Cairo at the time of the revolution, Daniel Gilman saw, and more importantly heard, the impact that popular music can have on culture and politics. Here he contributes a richly ethnographic analysis of the relationship between mass-mediated popular music, modernity, and nationalism in the Arab world.Before Cairo Pop, most scholarship on the popular music of Egypt focused on musiqa al-ṭarab. Immensely popular in the 1950s and '60s and even into the '70s, musiqa al-ṭarab adheres to Arabic musical theory, with non-Western scales based on tunings of the strings of the 'ud--the lute that features prominently, nearly ubiquitously, in Arabic music. However, today one in five Egyptians is between the ages of 15 and 24; half the population is under the age of 25. And shababiyya is their music of choice. By speaking informally with dozens of everyday young people in Cairo, Gilman comes to understand shababiyya as more than just a musical genre: sometimes it is for dancing or seduction, other times it propels social activism, at others it is simply sonic junk food.In addition to providing a clear Egyptian musical history as well as a succinct modern political history of the nation, Cairo Pop elevates the aural and visual aesthetic of shababiyya--and its role in the lives of a nation's youth.
Cajun and Zydeco Dance Music in Northern California: Modern Pleasures in a Postmodern World
by Mark F. DeWittQueen Ida, Danny Poullard, documentary filmmaker Les Blank, Chris Strachwitz, and Arhoolie Records. These are names that are familiar to many fans of Cajun music and zydeco, and they have one other thing in common—-longtime residence in the San Francisco Bay Area. They are all part of a vibrant scene of dancing and live Louisiana-French music that has evolved over several decades. Cajun and Zydeco Dance Music in Northern California traces how this region of California has been able to develop and sustain dances several times a week with more than a dozen bands. Description of this active regional scene opens into a discussion of several historical trends that have affected life and music in Louisiana and the nation. The book portrays the diversity of people who have come together to adopt Cajun and Creole dance music as a way to cope with a globalized, media-saturated world. Ethnomusicologist Mark F. DeWitt innovatively weaves together interviews with musicians and dancers (some from Louisiana, some not), analysis of popular media, participant observation as a musician and dancer, and historical perspectives from wartime black migration patterns, the civil rights movement, American folk and blues revivals, California counterculture, and the rise of cultural tourism in “Cajun Country.” In so doing, he reveals the multifaceted appeal of celebrating life on the dance floor, Louisiana-French style.
California Dreamin': The True Story of the Mamas and the Papas
by Michelle PhillipsIt's all here--the years of poverty, struggle, and obscurity... the fateful first meeting with record producer Lou Adler... the incredible burst of work and creativity that led to their first smash album... the band's meteoric rise to stardom ("Monday, Monday" sold 160,000 copies the first day it was released)... the wildly decadent life-style that embraced LSD and free love... the burnout, the arguments, and the final bitterness and breakup of the band.
California Dreams: California Dreams
by Stanley Mouse MillerThe story of Stanley "Mouse" Miller is a story of the cultural and artistic renaissance of the 1960s. It is difficult to separate the narrative of his journey through the music world from the artwork he created. Mouse was indeed an institution of the period- living with the Grateful Dead in their Haight Ashbury Victorian, hosting Janis Joplin for a Big Brother audition at his studio, and calling Eric Clapton a favorite friend. Mouse's work weaves from pop art to rock art to fine art forms, underscoring the longevity and versatility of his mature ouevre. Mouse's tales are as whimsical as they are serendipitous, perfectly depicting San Francisco during the summer of love. Together, Mouse and Kelley became masterminds behind a new media-that of the psychedelic poster-which came to exemplify the Haight-Asbury of the late 1960s. The book will feature over 200 color images.
California Polyphony: Ethnic Voices, Musical Crossroads (Music in American Life)
by Mina YangWhat does it mean to be "Californian"? California Polyphony: Ethnic Voices, Musical Crossroads suggests an answer that lies at the intersection of musicology, cultural history, and politics. Consisting of a series of musical case studies of major ethnic groups in California, this book approaches the notion of Californian identity from diverse perspectives, each nuanced by class, gender, and sexuality. In the early twentieth century, the concept of the Pacific Rim and an orientalist fascination with Asian music and culture dominated the popular imagination of white Californians, influencing their interactions with the Asian Other. Several decades later, as tensions rose between the Los Angeles Police Department and the African American community, the once-thriving jazz and blues nightclub scene of 1940s Central Avenue became a primary target for law enforcement's anti-vice crusade. The reactionary nature of the musical scores for Hollywood's noir films of the World War II and postwar eras negotiated the perceived demise of white female sexuality in the face of black culture and urban corruption. Mina Yang also considers Mexican Americans' conflicted assimilation into the white American mainstream from the early 1900s through the 1970s, as well as contemporary Korean Americans' struggles to express their cultural and national identities through hip-hop, a genre usually associated with African Americans. According to Yang, there has never been a straightforward definition of "Californian." This most populous and most affluent state in the Union has been setting musical and cultural trends for decades, and Yang's study thoughtfully illuminates the multiculutral nature of its musics.