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The Cambridge History of Western Music Theory
by Thomas ChristensenThe Cambridge History of Western Music Theory is the first comprehensive history of Western music theory to be published in the English language. <p><p>A collaborative project by leading music theorists and historians, the volume traces the rich panorama of music-theoretical thought from the Ancient Greeks to the present day. Recognizing the variety and complexity of music theory as an historical subject, the volume has been organized within a flexible framework. Some chapters are defined chronologically within a restricted historical domain, whilst others are defined conceptually and span longer historical periods. Together the thirty-one chapters present a synthetic overview of the fascinating and complex subject that is historical music theory. Richly enhanced with illustrations, graphics, examples and cross-citations as well as being thoroughly indexed and supplemented by comprehensive bibliographies of the most important primary and secondary literature, this book will be an invaluable resource for students and scholars alike.
The Cambridge History of World Music
by Philip V. BohlmanScholars have long known that world music was not merely the globalized product of modern media, but rather that it connected religions, cultures, languages and nations throughout world history. The chapters in this History take readers to foundational historical moments – in Europe, Oceania, China, India, the Muslim world, North and South America – in search of the connections provided by a truly world music. Historically, world music emerged from ritual and religion, labor and life-cycles, which occupy chapters on Native American musicians, religious practices in India and Indonesia, and nationalism in Argentina and Portugal. The contributors critically examine music in cultural encounter and conflict, and as the critical core of scientific theories from the Arabic Middle Ages through the Enlightenment to postmodernism. Overall, the book contains the histories of the music of diverse cultures, which increasingly become the folk, popular and classical music of our own era.
Cambridge Introductions to Music
by David HileyWhat is Gregorian chant, and where does it come from? What purpose does it serve, and how did it take on the form and features which make it instantly recognizable? Designed to guide students through this key topic, this book answers these questions and many more. David Hiley describes the church services in which chant is performed, takes the reader through the church year, explains what Latin texts were used, and, taking Worcester Cathedral as an example, describes the buildings in which it was sung. The history of chant is traced from its beginnings in the early centuries of Christianity, through the Middle Ages, the revisions in the sixteenth and seventeenth centuries, and the restoration in the nineteenth and twentieth. Using numerous music examples, the book shows how chants are made and how they were notated. An indispensable guide for all those interested in the fascinating world of Gregorian chant.
The Cambridge Stravinsky Encyclopedia
by Edward Campbell Peter O’HaganIgor Stravinsky is one of a small number of early modernist composers whose music epitomises the stylistic crisis of twentieth-century music, from the Russian nationalist heritage of the early works, the neo-classical works which anticipate the stylistic diversity of the contemporary musical scene in the early twenty-first century and the integration of serial techniques during his final period. With entries written by more than fifty international contributors from Russian, European and American traditions, The Cambridge Stravinsky Encyclopedia presents multiple perspectives on the life, works, writings and aesthetic relationships of this multi-faceted creative artist. This important resource explores Stravinsky's relationships with virtually all the major artistic figures of his time, painters, dramatists, choreographers and producers as well musicians and brings together fresh insights into to the life and work of one of the twentieth century's greatest composers.
Cambridge Studies in Linguistics: The Phonology of Consonants
by Wm. G. BennettThe most comprehensive work on dissimilation (the avoidance or repair of combinations of similar sounds) to date, this book proposes a novel analysis that handles dissimilation as the avoidance of surface correspondence relationships. It draws on recent work in Agreement By Correspondence to show that dissimilation is a natural outcome predicted by the same theory of Surface Correspondence. The theory is developed in more detail than ever before, and its predictions are tested and evaluated through ten in-depth analyses of diverse languages from Quechua to Kinyarwanda, together with a typological survey of over 150 dissimilation patterns drawn from over 130 languages, from Acehnese to Zulu. The book redefines the core of Surface Correspondence theory to a level of formal specificity and theoretical precision surpassing previous work. The book's findings are made more accessible by numerous examples featuring data from 47 languages from around the world.
Cambridge Studies in Opera: Foreign Opera at the London Playhouses
by Christina FuhrmannIn the early nineteenth century over forty operas by foreign composers, including Mozart, Rossini, Weber and Bellini, were adapted for London playhouses, often appearing in drastically altered form. Such changes have been denigrated as 'mutilations'. The operas were translated into English, fitted with spoken dialogue, divested of much of their music, augmented with interpolations and frequently set to altered libretti. By the end of the period, the radical changes of earlier adaptations gave way to more faithful versions. In the first comprehensive study of these adaptations, Christina Fuhrmann shows how integral they are to our understanding of early nineteenth-century opera and the transformation of London's theatrical and musical life. This book reveals how these operas accelerated repertoire shifts in the London theatrical world, fostered significant changes in musical taste, revealed the ambiguities and inadequacies of copyright law and sparked intense debate about fidelity to the original work.
Cambridge Studies in Opera: Technology and the Diva
by Karen HensonIn Technology and the Diva, Karen Henson brings together an interdisciplinary group of scholars to explore the neglected subject of opera and technology. Their essays focus on the operatic soprano and her relationships with technology from the heyday of Romanticism in the 1820s and 1830s to the twenty-first-century digital age. The authors pay particular attention to the soprano in her larger than life form, as the 'diva', and they consider how her voice and allure have been created by technologies and media including stagecraft and theatrical lighting, journalism, the telephone, sound recording, and visual media from the painted portrait to the high definition simulcast. In doing so, the authors experiment with new approaches to the female singer, to opera in the modern - and post-modern - eras, and to the often controversial subject of opera's involvement with technology and technological innovation.
The Cambridge Verdi Encyclopedia
by Roberta Montemorra MarvinVerdi's enduring presence on the opera stages of the world and as a subject for scholarly study by researchers in various disciplines has placed him as a central figure within modern culture. The composer's undisputed popularity from the mid-nineteenth century to the present day, among enthusiasts and scholars alike, lies at the heart of The Cambridge Verdi Encyclopedia. This comprehensive resource covers all aspects of Verdi's music and his world, including the people he knew and worked with, his compositions, and their reception. Extensive appendices list all of Verdi's known works, both published and unpublished, and the characters in his operas. As a starting point for information on specific works, people, places, and concepts, the Encyclopedia reflects the very latest scholarship, presented by an international array of experts in a manner that will have a broad appeal for opera lovers, students, and scholars.
The Cambridge Wagner Encyclopedia
by Nicholas VazsonyiRichard Wagner is one of the most controversial figures in Western cultural history. He revolutionized not only opera but the very concept of art, and his works and ideas have had an immeasurable impact on both the cultural and political landscapes of the late nineteenth and twentieth centuries. From "absolute music" to "Zurich" and from "Theodor Adorno" to "Hermann Zumpe," the vividly-written entries of The Cambridge Wagner Encyclopedia have been contributed by recognized authorities and cover a comprehensive range of topics. More than eighty scholars from around the world, representing disciplines from history and philosophy to film studies and medicine, provide fascinating insights into Wagner's life, career, and influence. Multiple appendices include listings of Wagner's works, historic productions, recordings, and addresses where he lived, to round out a volume that will be an essential and reliable resource for enthusiasts and academics alike.
Camila la estrella del canto (Camila la estrella)
by Alicia SalazarLa siguiente oportunidad para Camila de convertirse en una estrella es ¡un concurso de canto! El ganador necesitará la canción perfecta y mucha práctica, y por suerte, Camila cuenta con las dos cosas. ¿Será que los nervios se apoderarán de ella, o descubrirá un arma secreta para mantenerse calmada y segura?
Camila the Singing Star (Camila the Star)
by Alicia SalazarA singing competition is Camila's latest chance to become a star! It will take the perfect song and lots of hard work. Luckily, Camila has both. But will nerves keep Camila from doing her best, or will she discover a secret weapon to keep her calm and confident?
Camille Saint-Saens: A Guide to Research (Routledge Music Bibliographies)
by Timothy FlynnA key figure in establishing an identifiable French musical style in the nineteenth century, this annotated biliography catalogs the studies of Saint-Saens' life and works as well as examining the composer's own correspondence and essays. Included are many lesser-known writings on the composer and his music, as well as recent scholarship which re-examines his place in music history.
Camille Saint-Saëns and His World (The Bard Music Festival #32)
by Jann PaslerA revealing look at French composer and virtuoso Camille Saint-SaënsCamille Saint-Saëns—perhaps the foremost French musical figure of the late nineteenth century and a composer who wrote in nearly every musical genre, from opera and the symphony to film music—is now being rediscovered after a century of modernism overshadowed his earlier importance. In a wide-ranging and trenchant series of essays, articles, and documents, Camille Saint-Saëns and His World deconstructs the multiple realities behind the man and his music. Topics range from intimate glimpses of the private and playful Saint-Saëns, to the composer's interest in astronomy and republican politics, his performances of Mozart and Rameau over eight decades, and his extensive travels around the world. This collection also analyzes the role he played in various musical societies and his complicated relationship with such composers as Liszt, Massenet, Wagner, and Ravel. Featuring the best contemporary scholarship on this crucial, formative period in French music, Camille Saint-Saëns and His World restores the composer to his vital role as innovator and curator of Western music.The contributors are Byron Adams, Leon Botstein, Jean-Christophe Branger, Michel Duchesneau, Katharine Ellis, Annegret Fauser, Yves Gérard, Dana Gooley, Carolyn Guzski, Carol Hess, D. Kern Holoman, Léo Houziaux, Florence Launay, Stéphane Leteuré, Martin Marks, Mitchell Morris, Jann Pasler, William Peterson, Michael Puri, Sabina Teller Ratner, Laure Schnapper, Marie-Gabrielle Soret, Michael Stegemann, and Michael Strasser.
El camino del héroe
by KlanUno de los máximos referentes del freestyle, último campeón argentino de la Red Bull, cuenta su historia. La historia de Lucas comienza en Glew, su ciudad natal, en el Conurbano bonaerense. Nacido en el seno de una familia trabajadora, empezó de muy joven a apasionarse por el arte callejero, el grafiti y la música. Las batallas en el emblemático Halabalusa le dieron un nombre: Klan. Luego vino El quinto escalón, la competencia de freestyle que marcó un antes y un después en Argentina; decenas de trofeos ganados en competencias nacionales e internacionales; la FMS y, por supuesto, la Red Bull, la competencia más importante, que se convirtió en uno de los objetivos principales de su carrera. Recientemente consagrado campeón argentino de la Red Bull, después de muchos años de esfuerzo, preparación, discos, viajes y búsquedas, Klan repasa el camino que lo trajo hasta aquí: sus comienzos, el nacimiento de una pasión que le cambió la vida y las decisiones que tuvo que tomar para concretar sus sueños sin traicionarse a sí mismo.
Camp Rock: The Junior Novel
by Lucy RugglesMitchie, a stage-shy fourteen-year-old, loves to sing. So when her mom takes a job as a cook at a summer camp for aspiring rock stars, Mitchie is thrilled. But to get in with Tess, the most popular camper, Mitchie pretends her mother is high up in the music biz. Will her act put her singing in jeopardy? Or will all the high-volume drama make for a summer to remember?
Campfire Songs, Ballads, and Lullabies: Folk Music (North American Folklore for Youth)
by Gus SnedekerYou may turn on the CD player or the radio when you want to hear music--but once, in the days before modern technology, music was enjoyed whenever groups of people got together. You probably know some folk songs, a song that was passed along from person to person. Learn about: * types of folk songs * folk instruments * folk music's European and African roots * Cajun music * the music of Appalachia * Hispanic music * today's folk music. Modern music--Rock, Country, R&B, and more--is rooted deep in North America's musical folklore. And folk music is still alive and well today.
Can I Mix You a Drink?
by T-PAIN Maxwell BrittenGrammy Award winning artist T-Pain brings Can I Mix You A Drink?, a liquor guide inspired by his Platinum hits, combining unique drinks with an experience that only T-Pain can provide.In 2007, "rappa ternt sanga" T-Pain released his hit single "Can I Buy U A Drank (Shawty Snappin')," propelling the artist to mainstream royalty. Since then, the Tallahassee, Florida native has secured his position as one of the most successful and diverse hip-hop artists in the world. It all started, really, with a song about liquor. T-Pain's extensive career has been punctuated by libations. It's been a part of his music, his business acumen (having secured a number of ambassador deals with liquor brands like Jose Cuervo), and his overall persona. Now, T-Pain brings his love of mixology and music in book form, titled Can I Mix You A Drink? Working with Mixologist Maxwell Britten, former Bar Director to Brooklyn's James Beard Award Winning Maison Premiere, T-Pain sets cocktails to music. Each drink has been carefully curated to reflect a sentiment from one of his hit songs. Drink by drink, T-Pain explores levels of new flavors (and potencies) to create a work that can be used for parties, local bars, pre-gaming before the club, or even just a quiet night at home. It's nearly impossible not to hear T-Pain's music as you read through the drinks and their unique combinations and names. Considering T-Pain is known for unorthodox mixes in his music, expect the same from his drinks, along with some classic cocktails modified by T-Pain himself. Whether you're a fan of T-Pain or a fan of drink-making, Can I Mix You A Drink? is the cocktail book for you.
Can I Say: Living Large, Cheating Death, and Drums, Drums, Drums
by Gavin Edwards Travis BarkerTravis Barker's soul-baring memoir chronicles the highlights and lowlights of the renowned drummer's art and his life, including the harrowing plane crash that nearly killed him and his traumatic road to recovery--a fascinating never-before-told-in-full story of personal reinvention grounded in musical salvation and fatherhood.<P><P>After breaking out as the acclaimed drummer of the multiplatinum punk band Blink-182, everything changed for Travis Barker. But the dark side of rock stardom took its toll: his marriage, chronicled for an MTV reality show, fell apart. Constant touring concealed a serious drug addiction. A reckoning did not truly come until he was forced to face mortality: His life nearly ended in a horrifying plane crash, and then his close friend, collaborator, and fellow crash survivor DJ AM died of an overdose.In this blunt, driving memoir, Barker ruminates on rock stardom, fatherhood, death, loss, and redemption, sharing stories shaped by decades' worth of hard-earned insights. His pulsating memoir is as energetic as his acclaimed beats. It brings to a close the first chapters of a well-lived life, inspiring readers to follow the rhythms of their own hearts and find meaning in their lives.
Can You Become a Pop Star?: An Interactive Adventure (You Choose: Chasing Fame and Fortune)
by Allison LassieurDo you dream of belting out a chart-topping single on stage in front of thousands of people? Even with talent and determination, it’s a long, winding journey to the top. Chart your path to stardom, facing real-life choices as you go. Some choices may lead to center stage, while others lead to disappointment or redirection into another career field.
Can You Feel the Noise?
by Stewart FosterA profound story about inner strength and perseverance in the face of a life-changing event, from the award-winning author of The Bubble Boy. Perfect for fans of R. J. Palacio's Wonder and Lisa Thompson's The Goldfish Boy.&‘A wonderful book about overcoming a life-changing event and the remarkable power of music.&’ – Lisa Thompson, author of The Goldfish BoyLife is going well for Sophie. She&’s getting by at school, has some pretty awesome friends, and their band have made it through to the semifinals of the Battle of the Bands competition.But when Sophie wakes up completely deaf one morning, the life she once knew seems like a distant memory. With lessons replaced by endless hospital appointments, and conversations now an exercise in lip-reading, Sophie grows quieter and quieter. Until she discovers the vibrations of sound through an old set of drums and wonders whether life onstage is actually still within reach.Drawing on the author's own hearing impairment, Can You Feel the Noise? is a deeply personal and moving story that will stay with you long after reading.Praise for Can You Feel the Noise? &‘Powerful, moving and uplifting. This beautifully-told story highlights the gift of perseverance.&’ – Polly Ho-Yen, author of Boy in the Tower &‘A moving, empathy-boosting, and hopeful story about a young musician navigating hearing loss.&’ – Rashmi Sirdeshpande, author of Think Like a Boss 'A sensitive and brilliant story of hearing loss, full of humour and hope.&’ – A. M. Howell, author of The Garden of Lost Secrets
Canadian Music and American Culture: Get Away From Me (Pop Music, Culture and Identity)
by Tristanne Connolly Tomoyuki IinoThis collection explores Canadian music's commentaries on American culture. 'American Woman, get away from me!' - one of the most resonant musical statements to come out of Canada - is a cry of love and hate for its neighbour. Canada's close, inescapable entanglement with the superpower to the south provides a unique yet representative case study of the benefits and detriments of the global American culture machine. Literature scholars apply textual and cultural analysis to a selection of Anglo-Canadian music - from Joni Mitchell to Peaches, via such artists as Neil Young, Rush, and the Tragically Hip - to explore the generic borrowings and social criticism, the desires and failures of Canada's musical relationship with the USA. This innovative volume will appeal to those interested in Music, Canadian Studies, and American Studies.
Canción de amor definitiva: La vida, como un disco, tiene dos caras
by Jorge Martí AguasLa autobiografía de Jorge Martí, líder de la icónica banda La habitación roja, revela que la vida real es la que uno tiene que mirar de frente cuando baja del escenario. «Cambio de ánimo, de país y de profesión según las circunstancias. Un día estoy cantando sobre el escenario de un festival abarrotado de gente y al siguiente ejerciendo de enfermero en una residencia para pacientes con demencia y alzhéimer en Noruega. Esta doble vida, entre la música y la enfermedad, me obliga a ir y venir constantemente. Vivo entre dos mundos pero no encajo en ninguno, y todo parece estar siempre a punto de resquebrajarse. El escenario y el amor son una tregua, una burbuja a salvo de todo lo que me asfixia. Me he pasado la vida tratando de ser alguien más allá de mi casa para al final llegar a la conclusión de que lo que me importa es ser alguien en ella. Aquí es donde residen el gran amor de mi vida y mis hijas, y es donde sigo manteniendo intacta la esperanza de escribir algún día la canción de amor definitiva». Jorge Martí es líder y cantante de una de las bandas más importantes del indie español: La habitación roja. Pero su vida no es la que se podría esperar del líder de una banda de rock, tiene una cara A: la que muestra en el escenario cuando canta junto a sus fans a pleno pulmón Ayer o Indestructibles, concede entrevistas y viaja promocionando sus discos. Y una cara B, desconocida para sus miles de fans, la del fracaso, las expectativas no cumplidas, la decepción, la enfermedad, y también el amor y la música, que tal vez sean la misma cosa.
Canción del desierto
by Laekan Zea KempUna familia disfruta de la música nocturna del desierto tejano en esta historia de tradición y recuerdo de Laekan Zea Kemp, ganadora de una Mención de Honor Pura Belpré.Todo empieza con un suave golpeteo,cuando el tío Eduardo tamborilea con las manossobre sus polvorientos pantalones. Cuando el rubor del atardecer da paso a la noche en el desierto, emergen coyotes, cigarras y lechuzas, cada uno de ellos llamando a la luna. Observando desde su porche, la familia participa en la canción. Uno por uno, cada familiar ofrece sus tambores, flauta, maracas, cuerdas y voces. Cantan con los insectos, pájaros, serpientes y sapos; y cantan con sus antepasados, una audiencia que brilla entre las estrellas. Con cada rasgueo de instrumentos heredados, los recuerdos se renuevan y los familiares que han fallecido están vivos y cercanos de nuevo. Canción del desierto tararea y suena con toda la música que un porche y el desierto más allá de él pueden contener. El conmovedor texto de Laekan Zea Kemp, ganadora de una Mención de Honor Pura Belpré, baila a través de las encantadoras ilustraciones de Beatriz Gutiérrez Hernández. Los lectores se quedarán con la reconfortante sensación de que cuando la creatividad florece, el pasado nunca está fuera de su alcance y los vínculos importantes nunca se rompen.
Candidly Cline
by Kathryn OrmsbeeA must-read for fans of Julie Murphy and Ashley Herring Blake, this queer coming-of-age story from critically acclaimed author Kathryn Ormsbee sings with heart, warmth, and hope. Born in Paris, Kentucky, and raised on her gram’s favorite country music, Cline Alden is a girl with big dreams and a heart full of song. When she finds out about a young musicians’ workshop a few towns over, Cline sweet-talks, saves, and maybe fibs her way into her first step toward musical stardom.But her big dreams never prepared her for the butterflies she feels surrounded by so many other talented kids—especially Sylvie, who gives Cline the type of butterflies she’s only ever heard about in love songs.As she learns to make music of her own, Cline begins to realize how much of herself she’s been holding back. But now, there’s a new song taking shape in her heart—if only she can find her voice and sing it.“Empowering, affirming, and sweet as all get-out.” —Lisa Jenn Bigelow, author of Drum Roll, Please
Candombe beat: Orígen y creadores de un sonido con identidad
by Nelson CaulaEl nuevo libro de Nelson Caula, en el que la pasión y la historia se mezclan para crear un ritmo propio de nuestro país. Del candombe beat, conocido género de la música popular uruguaya germinado en la década del sesenta, directamente vinculado al rock, su esencia más distintiva en el país, se ocupa este libro, abordado aquí en amplias aristas: historia, autores e intérpretes, discos y canciones, hitos preponderantes y su contexto político, social y cultural. Combinando historia, crónica, memoria y análisis, Nelson Caula nos ofrece una mirada muy personal, basada en una profunda reflexión a partir de la sistematización e investigación de su propio archivo, reunido en más de cuatro décadas e inédito hasta el momento. Desde los orígenes, un protocandombe beat prácticamente desconocido del afrouruguayo Pedro Ferreira y los Candombes de Vanguardia impulsados por Georges Roos, hasta la aparición de El Kinto, el primer conjunto emblemático que estrenó el género, pasando por todo su rutero de fuerte presencia en el país hasta los años setenta, cuya expresión local sólida concentra el grupo Totem, y su fuerte proyección de ahí en más, con sus referentes principales emigrados a Argentina, Europa y Estados Unidos, donde florece otro emblema de la corriente, ya muy abierta al jazz-rock y el funky: el grupo Opa. En esta obra coral desfilan los testimonios: los hermanos Fattoruso, Rada, Dino, Mateo, Jaime Roos, Diane Denoir, Urbano, Chichito Cabral, Juan Des Crescenzio, Manolo Guardia, Daniel Lagarde, Federico García Vigil; la historia de un país. De narrativa amena, disfrutable en anécdotas, aporta un completo panorama de un rico patrimonio musical uruguayo.