- Table View
- List View
Cher: The Memoir, Part One
by CherThe extraordinary life of Cher can be told by only one person . . . Cher herself. After more than seventy years of fighting to live her life on her own terms, Cher finally reveals her true story in intimate detail, in a two-part memoir. Her remarkable career is unique and unparalleled. The only woman to top Billboard charts in seven consecutive decades, she is the winner of an Academy Award, an Emmy, a Grammy, and a Cannes Film Festival Award, and an inductee to the Rock and Roll Hall of Fame who has been lauded by the Kennedy Center. She is a lifelong activist and philanthropist. As a dyslexic child who dreamed of becoming famous, Cher was raised in often-chaotic circumstances, surrounded by singers, actors, and a mother who inspired her in spite of their difficult relationship. With her trademark honesty and humor, Cher: The Memoir traces how this diamond in the rough succeeded with no plan and little confidence to become the trailblazing superstar the world has been unable to ignore for more than half a century. Cher: The Memoir, Part One follows her extraordinary beginnings through childhood to meeting and marrying Sonny Bono—and reveals the highly complicated relationship that made them world-famous, but eventually drove them apart. Cher: The Memoir reveals the daughter, the sister, the wife, the lover, the mother, and the superstar. It is a life too immense for only one book. <br><b>New York Times Bestseller</b></br>
Cherry Ames, Private Duty Nurse (Cherry Ames #7)
by Helen WellsCherry is finally discharged from the Army and takes a job as a private duty nurse to a celebrated musician suffering from a heart condition. Caught up in a fortune-telling scam, Cherry searches to protect her delicate musician heart patient.
Chicago Blues
by Wilbert Jones Kevin JohnsonBlues was once described as the devil's music. It eventually became some of the most beloved American music that was embraced by a global audience. Originating in African American communities in the South in the late 1800s, it was inspired by gospel and spiritual music sung by field hands and sharecroppers who worked on plantations. During the Great Migration from the early 1900s to the mid-1970s, many African Americans moved north for a better quality of life. Chicago was one of America's leading industrialized cites, and manufacturing jobs were plentiful and provided better wages than sharecropping. Many blues musicians who worked as field hands and sharecroppers moved to Chicago not only for those jobs, but also to pursue their love of music. Greats such as Big Bill Broonzy, Tampa Red, Muddy Waters, Jimmy and Estelle Yancey, Robert Nighthawk, Elmore James, Willie Dixon, Earl Hooker, Koko Taylor, Sly Johnson, Buddy Guy, Howlin' Wolf, Eddie Burns, Zora Young, Junior Wells, and a host of others came with their own styles and gave birth to Chicago blues.
Chicago House Music: Culture and Community
by Marguerite L. HarroldAn inside look at the music born, bred, and perfected in Chicago. Chicago house music originated in the city&’s Black, gay underground in the late seventies and became one of the most popular musical genres in the world by the end of the century. In Chicago House Music: Culture and Community, Marguerite Harrold tells the story of the genre&’s rise and the prolific creators who have sustained it for decades. You&’ll learn about house music&’s early innovators, like Ron Hardy and Frankie Knuckles, who transformed the social and political turmoil around them into a revolution in dance music. You&’ll also hear remembrances from contemporary figures in the house community, like DJ Lady D, Avery R. Young, Czboogie and Edgar &“Artek&” Sinio, who have forged new paths as the genre has evolved. It&’s a story about much more than music—it&’s about a community struggling for acceptance, love, liberation, and freedom, and about the creative pioneers whose resilience helped turn house music into a worldwide phenomenon. Full of interviews and first-hand accounts from the people who stood behind the turntables, carried crates of records, or danced until dawn, Chicago House Music is the history of an art form that continues to be a force for social interaction, spiritual liberation, and community today.
Chicago Hustle and Flow: Gangs, Gangsta Rap, and Social Class
by Geoff HarknessOn September 4, 2012, Joseph Coleman, an eighteen-year-old aspiring gangsta rapper, was gunned down in the Englewood neighborhood of Chicago. Police immediately began investigating the connections between Coleman&’s murder and an online war of words and music he was having with another Chicago rapper in a rival gang. In Chicago Hustle and Flow, Geoff Harkness points out how common this type of incident can be when rap groups form as extensions of gangs. Gangs and rap music, he argues, can be a deadly combination. Set in one of the largest underground music scenes in the nation, this book takes readers into the heart of gangsta rap culture in Chicago. From the electric buzz of nightclubs to the sights and sounds of bedroom recording studios, Harkness presents gripping accounts of the lives, beliefs, and ambitions of the gang members and rappers with whom he spent six years. A music genre obsessed with authenticity, gangsta rap promised those from crime-infested neighborhoods a ticket out of poverty. But while firsthand experiences with gangs and crime gave rappers a leg up, it also meant carrying weapons and traveling collectively for protection. Street gangs serve as a fan base and provide protection to rappers who bring in income and help to recruit for the gang. In examining this symbiotic relationship, Chicago Hustle and Flow ultimately illustrates how class stratification creates and maintains inequalities, even at the level of a local rap-music scene.
Chicano Rap
by Pancho McfarlandPowered by a driving beat, clever lyrics, and assertive attitudes, rap music and hip hop culture have engrossed American youth since the mid-1980s. Although the first rappers were African Americans, rap and hip hop culture quickly spread to other ethnic groups who have added their own cultural elements to the music. Chicano Rap offers the first in-depth look at how Chicano/a youth have adopted and adapted rap music and hip hop culture to express their views on gender and violence, as well as on how Chicano/a youth fit into a globalizing world. Pancho McFarland examines over five hundred songs and seventy rap artists from all the major Chicano rap regions--San Diego, San Francisco and Northern California, Texas, and Chicago and the Midwest. He discusses the cultural, political, historical, and economic contexts in which Chicano rap has emerged and how these have shaped the violence and misogyny often expressed in Chicano rap and hip hop. In particular, he argues that the misogyny and violence of Chicano rap are direct outcomes of the "patriarchal dominance paradigm" that governs human relations in the United States. McFarland also explains how globalization, economic restructuring, and the conservative shift in national politics have affected Chicano/a youth and Chicano rap. He concludes with a look at how Xicana feminists, some Chicano rappers, and other cultural workers are striving to reach Chicano/a youth with a democratic, peaceful, empowering, and liberating message.
Chicken Soup for the Soul: Country Music
by Jack Canfield Mark Victor Hansen Randy RudderSongs tell a story, and now many of country music's most famous singers and songwriters are sharing more of the story! These artists reveal the inspiration, influence, and background, and when and why they wrote their most famous songs, in Chicken Soup for the Soul: Country Music. Book includes great photos of the songwriters and lyrics of many of the songs. A great gift for anyone who loves country music!
Chicken Soup for the Soul: The Story behind the Song
by Jack Canfield Mark Victor Hansen Lamont Dozier Jo-Ann GeffenYou will get an inside look at the personal stories behind your favorite songs as songwriters get up close and personal with exclusive stories about how and why they wrote them.Songs tell a story, and now popular singers and songwriters are sharing more of the story! These artists reveal the inspiration, influence, and background, and when and why they wrote their most famous songs, in Chicken Soup for the Soul: The Story Behind the Song. Includes great photos of the songwriters. The print edition contains the lyrics to all 101 songs, and the eBook includes lyrics to 85 of the songs. Songs, with personal stories behind them, many of which are being told for the first time, include: Storyteller/Songwriter Song TitleAaron Lewis, Staind OutsideAaron Neville Yellow MoonAaron Tippin Kiss ThisAmanda McBroom The RoseAngélique Kidjo BatongaAnn Wilson, Heart Dog and ButterflyBarry Manilow One VoiceBilly Bob Thornton The Poor HouseBilly Steinberg True ColorsBrenda Russell Get HereCarly Simon Let the River RunCarol Connors With You I'm Born AgainCarole Bayer Sager That's What Friends Are ForChristina Aguilera FighterChynna Phillips Hold OnClint Black When I Said I DoCorey Taylor (Slipknot) DualityDarius Rucker It Won't Be Like This For LongDaryl Hall Sara SmileDavid Cassidy Stand and Be ProudDiane Warren Because You Loved MeDiane Warren I Don't Want To Miss A ThingDoug Ingle (Iron Butterfly) In-A-Gadda-Da-VidaEd Robertson (Barenaked Ladies) EasyEddie Money Two Tickets To ParadiseEnrique Iglesias Be With YouArt Alexakis (Everclear) Father Of MineGavin Rossdale Love Remains the SameGreg Camp (Smash Mouth) All StarHal David What the World Needs Now Is LoveHoward Hewett Say AmenHowie Dorough (Backstreet Boys) What Makes You Different (Makes You Beautiful) Huey Lewis The Heart Of Rock n' RollIggy Pop Lust For LifeJack Tempchin Peaceful Easy FeelingJanis Ian At SeventeenJeff Barry Walkin' In the SunJeff Barry Tell Laura I Love HerJerry Cantrell (Alice in Chains) RoosterJewel HandsJim Croce (by Ingrid Croce) Bad, Bad Leroy BrownJim Croce (by Ingrid Croce) OperatorJim Peterik (Survivor) Eye Of the TigerJoan Jett Bad ReputationJohn Legend Ordinary PeopleJohn Oates She's GoneJohn Sebastian (Lovin' Spoonful) Do You Believe In MagicJohn Sebastian (Lovin' Spoonful) DaydreamKanye West Welcome To HeartbreakKelly Keagy (Night Ranger) Midnight MadnessKenny Loggins Moose 'n MeKim Carnes Don't Fall In Love With a DreamerLamont Dozier Stop In the Name of LoveLamont Dozier Where Did Our Love GoLarry Gatlin All the Gold In CaliforniaLisa Loeb StayLiz Phair Divorce SongMacy Gray Sweet BabyMark Hoppus (Blink 182) The Rock Sho...
Child-Centred Music Therapy: Integrating Best Interest of the child into Theory, Research, and Practice
by Kathleen M. Murphy Viggo KrügerThis open access book draws on recent developments in children&’s rights, particularly concerning the child&’s right to participation, provision and protection. Since 1989, the UNCRC has become a catalogue of rights that expresses legal norms used by all countries in the world. The UNCRC can be considered a toolkit that expresses a normative order, that is, a human rights standard for how to legitimately protect children, and to facilitate processes of participation. For many children and adolescents&’ music is a significant source for gaining health and social/cultural participation. Music then, has the potential for realizing values inherent in the UNCRC. The main aim of this book is to utilize The United Nations Conventions on the Rights (UNCRC) as a tool to give an overview of relevant themes, and to critically explore what implications the convention has for the profession of music therapy, and more specifically, music therapy for children and adolescents.
Children's Book of Music (DK Children's Book of)
by DKGo on a musical journey around the world in this children&’s introduction.Discover the power of music and be inspired by cultures from all over the world with this extensive children&’s guide. This book is the perfect introduction for young readers to the world of music and celebrates music from every continent!Children aged 9+ can find out how instruments are made and played, and learn about the fascinating lives and achievements of great composers and musicians, from Bach to Bowie, Bjork and Beyoncé. All the essential information about music is covered, including the major movements, composers, instruments and techniques.This music book for children offers: - Chapters which cover a huge range of musical styles, from the very first instruments to the modern day.- Explanations of how music touches our lives, from festivals and religion, to TV and film, pop music and stardom.- Profiles of influential musicians from Bach to Elvis.- A focus on key instruments such as piano and violin, showing their component parts and the famous musicians who play them.Children&’s Book of Music is full of facts and photos highlighting musical styles from across the globe, from the very earliest music through to classical and blues, via reggae, Afropop, hip-hop and dance – making it the perfect gift for budding musicians.More in the seriesThe Children&’s Book of series inspires young learners to dive into their favorite topic and immerse themselves in the ins and outs, from fun facts to experts in the field. If you liked Children&’s Book of Music, then why not try the guide for budding artists, Children&’s Book of Art?
Children’s Guided Participation in Jazz Improvisation: A Study of the ‘Improbasen’ Learning Centre (SEMPRE Studies in The Psychology of Music)
by Guro Gravem JohansenImprobasen is a Norwegian private learning centre that offers beginner's instrumental tuition within jazz improvisation for children between the ages of 7 and 15. This book springs out of a two-year ethnographic study of the teaching and learning activity at Improbasen, highlighting features from the micro-interactions within the lessons, the organisation of Improbasen, and its international activity. Music teachers, students, and scholars within music education as well as jazz research will benefit from the perspectives presented in the book, which shows how children systematically acquire tools for improvisation and shared codes for interplay. Through a process of guided participation in jazz culture, even very young children are empowered to take part in a global, creative musical practice with improvisation as an educational core. This book critically engages in current discussions about jazz pedagogy, inclusion and gender equity, beginning instrumental tuition, creativity, and authenticity in childhood.
Children’s Home Musical Experiences Across the World
by Susan Young Beatriz IlariThis book offers a fresh and diverse perspective on home musical activities of young children from a variety of countries, including; Brazil, Denmark, Greece, Israel, Kenya, the Netherlands, Singapore, Spain, South Africa,Taiwan, the UK, and the United States. Narrowing their study to seven-year-olds from middle-class families, the articles in this volume argue that home musical experiences provide new and important windows into musical childhoods as they relate to issues of identity, family life, gender, culture, social class and schooling. Though childhood musical engagement differs considerably, it has direct implications for a better understanding of music education and childhood development. Using a wiki to share data and research across time and space, this volume is a model for collaborative cross-cultural research and is centered on the home as a primary research site for children's musical engagement.
China and the West: Music, Representation, and Reception
by Hon-Lun Yang Michael SaffleWestern music reached China nearly four centuries ago, with the arrival of Christian missionaries, yet only within the last century has Chinese music absorbed its influence. As China and the West demonstrates, the emergence of “Westernized” music from China—concurrent with the technological advances that have made global culture widely accessible—has not established a prominent presence in the West. China and the West brings together essays on centuries of Sino-Western musical exchange by musicologists, ethnomusicologists, and music theorists from around the world. It opens with a look at theoretical approaches of prior studies of musical encounters and a comprehensive survey of the intercultural and cross-cultural theoretical frameworks—exoticism, orientalism, globalization, transculturation, and hybridization—that inform these essays. Part I focuses on the actual encounters between Chinese and European musicians, their instruments and institutions, and the compositions inspired by these encounters, while Part II examines theatricalized and mediated East-West cultural exchanges, which often drew on stereotypical tropes, resulting in performances more inventive than accurate. Part III looks at the musical language, sonority, and subject matters of “intercultural” compositions by Eastern and Western composers. Essays in Part IV address reception studies and consider the ways in which differences are articulated in musical discourse by actors serving different purposes, whether self-promotion, commercial marketing, or modes of nationalistic—even propagandistic—expression. The volume’s extensive bibliography of secondary sources will be invaluable to scholars of music, contemporary Chinese culture, and the globalization of culture.
Chinaberry Sidewalks
by Rodney CrowellFrom the acclaimed musician comes a tender, surprising, and often uproarious memoir about his dirt-poor southeast Texas boyhood. The only child of a hard-drinking father and a Holy Roller mother, Rodney Crowell was no stranger to bombast from an early age, whether knock-down-drag-outs at a local dive bar or fire-and-brimstone sermons at Pentecostal tent revivals. He was an expert at reading his father's mercurial moods and gauging exactly when his mother was likely to erupt, and even before he learned to ride a bike, he was often forced to take matters into his own hands. He broke up his parents' raucous New Year's Eve party with gunfire and ended their slugfest at the local drive-in (actual restaurants weren't on the Crowells' menu) by smashing a glass pop bottle over his own head. Despite the violent undercurrents always threatening to burst to the surface, he fiercely loved his epilepsy-racked mother, who scorned boring preachers and improvised wildly when the bills went unpaid. And he idolized his blustering father, a honky-tonk man who took his boy to see Hank Williams, Jerry Lee Lewis, Carl Perkins, and Johnny Cash perform live, and bought him a drum set so he could join his band at age eleven. Shot through with raggedy friends and their neighborhood capers, hilariously awkward adolescent angst, and an indelible depiction of the bloodlines Crowell came from, Chinaberry Sidewalks also vividly re-creates Houston in the fifties: a rough frontier town where icehouses sold beer by the gallon on paydays; teeming with musical venues from standard roadhouses to the Magnolia Gardens, where name-brand stars brought glamour to a place starved for it; filling up with cheap subdivisions where blue-collar day laborers could finally afford a house of their own; a place where apocalyptic hurricanes and pest infestations were nearly routine. But at its heart this is Crowell's tribute to his parents and an exploration of their troubled yet ultimately redeeming romance. Wry, clear-eyed, and generous, it is, like the very best memoirs, firmly rooted in time and place and station, never dismissive, and truly fulfilling.
Chinatown Opera Theater in North America
by Nancy Yunhwa RaoThe Chinatown opera house provided Chinese immigrants with an essential source of entertainment during the pre “World War II era. But its stories of loyalty, obligation, passion, and duty also attracted diverse patrons into Chinese American communities Drawing on a wealth of new Chinese- and English-language research, Nancy Yunhwa Rao tells the story of iconic theater companies and the networks and migrations that made Chinese opera a part of North American cultures. Rao unmasks a backstage world of performers, performance, and repertoire and sets readers in the spellbound audiences beyond the footlights. But she also braids a captivating and complex history from elements outside the opera house walls: the impact of government immigration policy; how a theater influenced a Chinatown's sense of cultural self; the dissemination of Chinese opera music via recording and print materials; and the role of Chinese American business in sustaining theatrical institutions. The result is a work that strips the veneer of exoticism from Chinese opera, placing it firmly within the bounds of American music and a profoundly American experience.
China’s Music Industry Unplugged: Business Models, Copyright and Social Entrepreneurship in the Online Platform Economy
by Zhen Troy ChenThis research book is the first of its kind to conduct an interdisciplinary research on the recent and dramatic developments in China’s music industries with a particular focus on business models, copyright protection, and artist compensation. The monograph explores and discusses proper business models through which revenue can be generated and maintained in a changing copyright climate and transforming business environment. It also discusses how musicians can be fairly compensated in the online platform economy informed by social entrepreneurship. This book is distinctive in the sense that it explores the intersection of cultural and creative industries, legal studies, business studies, and new media. It uses a qualitative and mixed-method approach to study business innovations and institutions in the making in the second largest economy which is also gaining cultural and political significance around the world.
Chinese Folklore Studies Today: Discourse and Practice
by Edited by Lijun Zhang and Ziying YouChinese folklorists are well acquainted with the work of their English-language colleagues, but until recently the same could not be said about American scholars' knowledge of Chinese folkloristics. Chinese Folklore Studies Today aims to address this knowledge gap by illustrating the dynamics of contemporary folklore studies in China as seen through the eyes of the up-and-coming generation of scholars. Contributors to this volume focuses on topics that have long been the dominant areas of folklore studies in China, including myth, folk song, and cultural heritage, as well as topics that are new to the field, such as urban folklore and women's folklore. The ethnographic case studies presented here represent a broad range of geographic areas within mainland China and also introduce English-language readers to relevant Chinese literature on each topic, creating the foundation for further cross-cultural collaborations between English-language and Chinese folkloristics.
Chinese Street Music: Complicating Musical Community (Elements in Twenty-First Century Music Practice)
by Samuel HorlorMusical community is a notion commonly evoked in situations of intensive collective activity and fervent negotiation of identities. Passion Square shows, the daily singing of Chinese pop classics in parks and on street corners in the city of Wuhan, have an ambivalent relationship with these ideas. They inspire modest outward signs of engagement and are guided by apparently individualistic concerns; singers are primarily motivated by making a living through the relationships they build with patrons, and reflection on group belonging is of lesser concern. How do these orientations help complicate the foundations of typical musical community discourses? This Element addresses community as a quality rather than as an entity to which people belong, exploring its ebbs and flows as associations between people, other bodies and the wider street music environment intersect with its various theoretical implications. A de-idealised picture of musical community better acknowledges the complexities of everyday musical experiences.
Chinese Street Opera in Singapore
by Tong Soon LeeSince Singapore declared independence from Malaysia in 1965, Chinese street opera has played a significant role in defining Singaporean identity. Carefully tracing the history of amateur and professional performances in Singapore, Tong Soon Lee reflects on the role of street performance in fostering cultural nationalism and entrepreneurship. He explains that the government welcomes Chinese street opera performances because they combine tradition and modernism and promote a national culture that brings together Singapore's four main ethnic groups--Eurasian, Malay, Chinese, and South Asian. Chinese Street Opera in Singapore documents the ways in which this politically motivated art form continues to be influenced and transformed by Singaporean politics, ideology, and context in the twenty-first century. By performing Chinese street opera, amateur troupes preserve their rich heritage, underscoring the Confucian mind-set that a learned person engages in the arts for moral and unselfish purposes. Educated performers also control behavior, emotions, and values. They are creative and innovative, and their use of new technologies indicates a modern, entrepreneurial spirit. Their performances bring together diverse ethnic groups to watch and perform, Lee argues, while also encouraging a national attitude focused on both remembering the past and preparing for the future in Singapore.
Chinese Émigré Composers and Divergent Modernisms: Chen Yi and Zhou Long (Elements in Music since 1945)
by Mia ChungThis Element examines the factors that drove the stylistic heterogeneity of Chen Yi and Zhou Long after the Cultural Revolution. Known as 'New Wave' composers, they entered the Central Conservatory of Music once the Cultural Revolution ended and attained international recognition for their modernisms after their early careers in America. Scholars have often treated their early music as contingent outcomes of that cultural and political moment. This Element proposes instead that unique personal factors shaped their modernisms despite their shared experiences of the Cultural Revolution and educations at the Central Conservatory and Columbia University. Through interviews on six stages of their development, the Element examines and explains the reasons for their stylistic divergence.
Chita \ (Spanish edition)
by Chita RiveraLas memorias tan esperadas y tremendamente entretenidas de la leyenda del escenario Chita Rivera, tres veces ganadora del premio Tony, homenajeada en los Centros Kennedy y ganadora de la Medalla Presidencial de la Libertad.Era conocida como Dolores Conchita Figueroa del Rivero, hasta que Broadway le cambió el nombre. Pero Dolores, el lado irreverente de Chita Rivera, que es sensual, oscura y feroz, nunca se alejó de la acción, y ella informó y dio forma a algunos de los papeles más aclamados del ícono de Broadway, incluidos Anita en WEST SIDE STORY, Rosie en BYE BYE BIRDIE, Velma en CHICAGO y Aurora en EL BESO DE LA MUJER ARAÑA.Con el deseo de llegar a los viejos fanáticos y transmitir su extraordinaria amplitud de experiencia a las nuevas generaciones, Chita lleva al lector a las habitaciones donde sucedió: la fermentación creativa, los choques de egos, los descubrimientos milagrosos, la euforia cuando todo salió bien. , la decepción cuando todo salió mal. Estamos con ella mientras trabaja con Leonard Bernstein, Arthur Laurents, Stephen Sondheim, Bob Fosse, Jerome Robbins, Hal Prince, Liza Minnelli, Sammy Davis Jr, Gwen Verdon y muchos otros.También aprendemos detalles profundamente conmovedores y reveladores sobre su educación y cómo eso ha sido un factor indeleble en su trabajo y carrera. Publicando el año en que Chita cumple 90 espectaculares años de juventud, CHITA es la inolvidable y apasionante historia personal de una artista que abrió su propio camino e inspiró a innumerables artistas a hacer lo mismo.
Chita: A Memoir
by Chita RiveraThe long-awaited and wildly entertaining memoir of the star of stage and screen, the legendary Chita Rivera—three-time Tony Award–winner, Kennedy Centers honoree, and recipient of the Presidential Medal of Freedom.She was born Dolores Conchita Figueroa del Rivero—until the entertainment world renamed her. But Dolores—the irreverent side of the sensual, dark and ferocious Chita—was always present center stage, and was influential in creating some of Broadway most iconic and acclaimed roles, including Anita in West Side Story‚ the part that made her a star—Rosie in Bye Bye, Birdie, Velma in Chicago, and Aurora in Kiss of the Spider Woman.Written in gratitude to her longstanding fans and with the hope that new generations may learn from her extraordinary experience, Chita takes us behind the curtain to reveal the highs and lows of one extraordinary showbusiness career—the creative fermentation, the ego clashes, the miraculous discoveries, the exhilaration when it all went right, and the disappointment when it all went wrong. Chita invites us into workrooms and rehearsal studies, on stage and on set as she works with some of the greatest talents of the age, including Leonard Bernstein, Arthur Laurents, Stephen Sondheim, Bob Fosse, Jerome Robbins, Hal Prince, Liza Minnelli, Sammy Davis Jr, Gwen Verdon, Shirley MacLaine, and many others. We also learn deeply moving, revelatory details about her upbringing and her heritage, and how they indelibly shaped her work and career.This colorful and entertaining memoir—as vital and captivating as Chita herself—is the unforgettable and engrossing personal story of a performer who blazed her own trail and inspired countless performers to forge their own unique path to success.
Chloe x Halle: Issue #2 (Scoop! The Unauthorized Biography #2)
by Jennifer PouxIntroducing a new series of unauthorized biographies on the world's biggest names and rising stars in entertainment, sports, and pop culture! Complete with quizzes, listicles, trivia, and a full-color pull-out poster of the star, this is the definitive collection to get the full Scoop! and more on your favorite celebrities.Is music just the beginning for Chloe x Halle?From their early years as singing sensations on YouTube to being discovered by Queen Bey, Chloe and Halle Bailey are on their way to becoming superstar singers.But when the musical duo was cast as on-screen sisters on the hit show Grown-ish, the real-life sisters took their career to the next level.So what's next?Get the full Scoop! and more on Chloe and Halle Bailey to find out their next move.
Chocolate Surrealism: Music, Movement, Memory, and History in the Circum-Caribbean (Caribbean Studies Series)
by Njoroge M. NjorogeIn Chocolate Surrealism, Njoroge M. Njoroge highlights connections among the production, performance, and reception of popular music at critical historical junctures in the late nineteenth and twentieth centuries. The author sifts different origins and styles to place socio-musical movements into a larger historical framework.Calypso reigned during the turbulent interwar period and the ensuing crises of capitalism. The Cuban rumba/son complex enlivened the postwar era of American empire. Jazz exploded in the Bandung period and the rise of decolonization. And, lastly, Nuyorican Salsa coincided with the period of the civil rights movement and the beginnings of black/brown power. Njoroge illuminates musics of the circum-Caribbean as culturally and conceptually integrated within the larger history of the region. He pays close attention to the fractures, fragmentations, and historical particularities that both unite and divide the region’s sounds. At the same time, he engages with a larger discussion of the Atlantic world.Njoroge examines the deep interrelations between music, movement, memory, and history in the African diaspora. He finds the music both a theoretical anchor and a mode of expression and representation of black identities and political cultures. Music and performance offer ways for the author to re-theorize the intersections of race, nationalism and musical practice, and geopolitical connections. Further music allows Njoroge a reassessment of the development of the modern world system in the context of local, popular responses to the global age. The book analyzes different styles, times, and politics to render a brief history of Black Atlantic sound.
Choir Boy
by Tarell Alvin Mccraney"An exhilarating, multi-layered new play."-The Guardian"Stirring and stylishly told . . . McCraney's crispest and most confident work."-Daily News"Greatly affecting. . . . It takes a brave writer to set his language against the plaintive beauty of the hymns and spirituals . . . but McCraney's speech holds its own, locating poetry even in casual vernacular and again demonstrating his gift for simile and metaphor."-The Village VoiceThe Charles R. Drew Prep School for Boys is dedicated to the creation of strong, ethical black men. Pharus wants nothing more than to take his rightful place as leader of the school's legendary gospel choir, but can he find his way inside the hallowed halls of this institution if he sings in his own key? Known for his unique brand of urban lyricism, Tarrell Alvin McCraney follows up his acclaimed trilogy The Brother/Sister Plays with this affecting portrait of a gay youth trying to find the courage to let the truth about himself be known. Set against the sorrowful sounds of hymns and spirituals, Choir Boy premiered at the Royal Court in London before receiving its Off-Broadway premiere in summer 2013 to critical and popular acclaim.Tarell Alvin McCraney is author of The Brother/Sister Plays: The Brothers Size, In the Red and Brown Water, and Marcus; Or the Secret of Sweet. Other works include Wig Out!, set in New York's drag clubs, and The Breach, which deals with the aftermath of Hurricane Katrina. His awards include the 2009 Steinberg Playwrights Award and the Paula Vogel Playwriting Award.