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Can’t Be Faded: Twenty Years in the New Orleans Brass Band Game (American Made Music Series)
by Stooges Brass Band Kyle DeCosteThe Stooges Brass Band always had big dreams. From playing in the streets of New Orleans in the mid-1990s to playing stages the world over, they have held fast to their goal of raising brass band music and musicians to new heights—professionally and musically. In the intervening years, the band’s members have become family, courted controversy, and trained a new generation of musicians, becoming one of the city’s top brass bands along the way. Two decades after their founding, they have decided to tell their story. Can’t Be Faded: Twenty Years in the New Orleans Brass Band Game is a collaboration between musician and ethnomusicologist Kyle DeCoste and more than a dozen members of the Stooges Brass Band, past and present. It is the culmination of five years of interviews, research, and writing. Told with humor and candor, it’s as much a personal account of the Stooges’ careers as it is a story of the city’s musicians and, even more generally, a coming-of-age tale about black men in the United States at the turn of the twenty-first century. DeCoste and the band members take readers into the barrooms, practice rooms, studios, tour vans, and streets where the music is made and brotherhoods are shaped and strengthened. Comprised of lively firsthand accounts and honest dialogue, Can’t Be Faded is a dynamic approach to collaborative research that offers a sensitive portrait of the humans behind the horns.
Can't Be Satisfied: The Life And Times Of Muddy Waters
by Robert GordonThe definitive biography of the most influential blues musician of them all. In a nutshell: no Muddy Waters, no Rolling Stones. ‘Can’t Be Satisfied is that rare thing in musical biographies: a book that maps out not just a single, extraordinary life but the cultural forces that shaped it.
Can't Be Satisfied: The Life and Times of Muddy Waters
by Robert GordonMuddy Waters invented electric blues and created the template for the rock and roll band and its wild lifestyle. Gordon excavates Muddy's mysterious past and early career, taking us from Mississippi fields to postwar Chicago street corners.
Can't Buy Me Love: The Beatles, Britain and America
by Jonathan GouldNearly twenty years in the making, Can't Buy Me Love is a masterful work of group biography, cultural history, and musical criticism. That the Beatles were an unprecedented phenomenon is a given. In Can't Buy Me Love, Jonathan Gould seeks to explain why, placing the Fab Four in the broad and tumultuous panorama of their time and place, rooting their story in the social context that girded both their rise and their demise. Beginning with their adolescence in Liverpool, Gould describes the seminal influences--from Elvis Presley and Chuck Berry to The Goon Show and Alice's Adventures in Wonderland--that shaped the Beatles both as individuals and as a group. In addition to chronicling their growth as singers, songwriters, and instrumentalists, he highlights the advances in recording technology that made their sound both possible and unique, as well as the developments in television and radio that lent an explosive force to their popular success. With a musician's ear, Gould sensitively evokes the timeless appeal of the Lennon-McCartney collaboration and their emergence as one of the most creative and significant songwriting teams in history. And he sheds new light on the significance of Sgt. Pepper's Lonely Hearts Club Band as rock's first concept album, down to its memorable cover art. Behind the scenes Gould explores the pivotal roles played by manager Brian Epstein and producer George Martin, credits the influence on the Beatles' music of contemporaries like Bob Dylan, Brian Wilson, and Ravi Shankar, and traces the gradual escalation of the fractious internal rivalries that led to the group's breakup after their final masterpiece, Abbey Road. Most significantly, by chronicling their revolutionary impact on popular culture during the 1960s, Can't Buy Me Love illuminates the Beatles as a charismatic phenomenon of international proportions, whose anarchic energy and unexpected import was derived from the historic shifts in fortune that transformed the relationship between Britain and America in the decades after World War II. From the Beats in America and the Angry Young Men in England to the shadow of the Profumo Affair and JFK's assassination, Gould captures the pulse of a time that made the Beatles possible--and even necessary. As seen through the prism of the Beatles and their music, an entire generation's experience comes astonishingly to life. Beautifully written, consistently insightful, and utterly original, Can't Buy Me Love is a landmark work about the Beatles, Britain, and America. From the Hardcover edition.
Can't Buy Me Love: The Beatles, Britain, and America
by Jonathan GouldJonathan Gould's Can't Buy Me Love is more than just a book on the Beatles; it's a stunning recreation of the 1960s in England and America through the prism of the world's most iconic band. The Beatles, perhaps more than any act before or since, were a quintessential product of their time, and Gould brilliantly blends cultural history, musical analysis and group biography to show the unique part they played in the shaping of post-war Britain and America. Gould examines the influence of R&B, rockabilly, skiffle and Motown as the Fab Four forged a sound of their own; he illuminates the mercurial relationship the most productive and lucrative in recording music history between John Lennon and Paul McCartney; he critiques the songs they played and the movies they made, and their impact on competing bands and musicians, as well as on fashion, hairstyles, and humour; and he shows how events on both sides of the Atlantic created exactly the right cultural climate for the biggest music phenomenon of 20th century. Beautifully written, insightful, and wonderfully evocative, this is a magisterial biography by a popular historian of the very first rank.
Can't Help Singing: The Life of Eileen Farrell
by Eileen Farrell Brian KellowEileen Farrell is blessed with two voices. A classically-trained dramatic soprano who also loves to belt pop songs and torch the blues, she successfully conquered the worlds of opera and popular music over the course of her whirlwind career. Now, Farrell shares reminiscences about her remarkable professional and personal life. With candor, humor, and affection, she recalls her New England childhood, her overnight success at age twenty as star of her own CBS radio show, her big break dubbing vocals for Eleanor Parker in the MGM movie Interrupted Melody, and her many guest appearances on television shows. Farrell discusses her rise to fame as an opera star, from her highly acclaimed performance in Medea in 1955, to her historic debut at the Metropolitan Opera in Alceste in 1960. She also fondly recollects her marriage of forty years to New York police officer Robert Reagan and her life outside the limelight, including her frustrating tenure as a faculty member at Indiana University. Farrell speaks frankly about her tumultuous years at the Met, where her head-to-head confrontations with Sir Rudolph Bing brought her promising operatic career to an abrupt close after five seasons. While she loved singing the music of Verdi, Mascagni, and Giordano, Farrell reveals that she never reconciled herself to the life of a diva, preferring the friendliness of show business to the aloofness of the opera world. Populated with such figures as Leonard Bernstein, Arturo Toscanini, Maria Callas, Ethel Merman, Mabel Mercer, and Carol Burnett, this engaging memoir takes the reader from backstage at the Met to behind-the-scenes of the Ed Sullivan Show, providing a fascinating view of opera and the entertainment industry. Eileen Farrell's legion of fans will delight in her inviting story of a career that was like no other singer's.
Can't Nobody Do Me Like Jesus!: Photographs from the Sacred Steel Community
by Robert L. StoneFolklorist Robert L. Stone presents a rare collection of high-quality documentary photos of the sacred steel guitar musical tradition and the community that supports it. The introductory text and extended photo captions in Can’t Nobody Do Me Like Jesus! Photographs from the Sacred Steel Community offer the reader an intimate view of this unique tradition of passionately played music that is beloved among fans of American roots music and admired by folklorists, ethnomusicologists, and other scholars. In 1992, a friend in Hollywood, Florida, introduced Stone to African American musicians who played the electric steel guitar in the African American Holiness-Pentecostal churches House of God and Church of the Living God. With the passion, skill, and unique voice they brought to the instruments, these musicians profoundly impressed Stone. He produced an album for the Florida Folklife Program, which Arhoolie Records licensed and released worldwide. It created a roots music sensation. In 1996, Stone began to document the tradition beyond Florida. He took the photos in this book from 1992 to 2008 in Georgia, the Carolinas, Tennessee, Mississippi, New York, Pennsylvania, Michigan, and Florida, and at concerts in Italy. The images capture musicians as they play for worship services before spirit-filled believers singing, dancing, shouting, praying, and testifying. Stone gives the viewer much to witness, always presenting his passionate subjects with dignity. His sensitive portrayal of this community attests to the ongoing importance of musical traditions in African American life and worship.
Can't Slow Down: How 1984 Became Pop's Blockbuster Year
by Michaelangelo MatosThe definitive account of pop music in the mid-eighties, from Prince and Madonna to the underground hip-hop, indie rock, and club scenesEverybody knows the hits of 1984 - pop music's greatest year. From "Thriller" to "Purple Rain," "Hello" to "Against All Odds," "What's Love Got to Do with It" to "Wake Me Up Before You Go-Go," these iconic songs continue to dominate advertising, karaoke nights, and the soundtracks for film classics (Boogie Nights) and TV hits (Stranger Things). But the story of that thrilling, turbulent time, an era when Top 40 radio was both the leading edge of popular culture and a moral battleground, has never been told with the full detail it deserves - until now. Can't Slow Down is the definitive portrait of the exploding world of mid-eighties pop and the time it defined, from Cold War anxiety to the home-computer revolution. Big acts like Michael Jackson (Thriller), Prince (Purple Rain), Madonna (Like a Virgin), Bruce Springsteen (Born in the U.S.A.), and George Michael (Wham!'s Make It Big) rubbed shoulders with the stars of the fermenting scenes of hip-hop, indie rock, and club music. Rigorously researched, mapping the entire terrain of American pop, with crucial side trips to the UK and Jamaica, from the biz to the stars to the upstarts and beyond, Can't Slow Down is a vivid journey to the very moment when pop was remaking itself, and the culture at large - one hit at a time.
Can’t Stand Still: Taylor Gordon and the Harlem Renaissance (Margaret Walker Alexander Series in African American Studies)
by Michael K. JohnsonBorn in 1893 into the only African American family in White Sulphur Springs, Montana, Emmanuel Taylor Gordon (1893–1971) became an internationally famous singer in the 1920s at the height of the Harlem Renaissance. With his musical partner, J. Rosamond Johnson, Gordon was a crucially important figure in popularizing African American spirituals as an art form, giving many listeners their first experience of black spirituals.Despite his fame, Taylor Gordon has been all but forgotten, until now. Michael K. Johnson illuminates Gordon’s personal history and his cultural importance to the legacy of the Harlem Renaissance, arguing that during the height of his celebrity, Gordon was one of the most significant African American male vocalists of his era. Gordon’s story—working in the White Sulphur Springs brothels as an errand boy, traveling the country in John Ringling’s private railway car, performing on vaudeville stages from New York to Vancouver to Los Angeles, performing for royalty in England, becoming a celebrated author with a best-selling 1929 autobiography, and his long bout of mental illness—adds depth to the history of the Harlem Renaissance and makes him one of the most fascinating figures of the twentieth century. Through detailed documentation of Gordon’s career—newspaper articles, reviews, letters, and other archival material—the author demonstrates the scope of Gordon’s cultural impact. The result is a detailed account of Taylor’s musical education, his career as a vaudeville performer, the remarkable performance history of Johnson and Gordon, his status as an in-demand celebrity singer and author, his time as a radio star, and, finally, his descent into madness. Can’t Stand Still brings Taylor Gordon back to the center of the stage.
Can't Stop Won't Stop: A History Of The Hip-hop Generation
by Jeff Chang D. J. Kool HercForged in the fires of the Bronx and Kingston, Jamaica, hip-hop has been a generation-defining global movement. In a post-civil rights era rapidly transformed by deindustrialization and globalization, hip-hop gave voiceless youths a chance to address these seismic changes, and became a job-making engine and the Esperanto of youth rebellion. Hip-hop crystallized a multiracial generation's worldview, and forever transformed politics and culture. But the epic story of how that happened has never been fully told . . . until now. Jeff Chang has been a hip-hop journalist for more than a decade and has written for The San Francisco Bay Guardian,The Village Voice,Vibe,The Nation,URB,Rap Pages,Spin, and Mother Jones. He was a founding editor of Colorlines Magazine, senior editor at Russell Simmons's www.360hiphop.com, and co-founder of the influential hip-hop label SoleSides, now Quannum Projects.
Can't Stop Won't Stop (Young Adult Edition): A Hip-Hop History
by Jeff Chang Dave CookThe American Book Award winner, now completely adapted for a young adult audience! From award-winning author Jeff Chang, Can't Stop Won't Stop is the story of hip-hop, a generation-defining movement and the music that transformed American politics and culture forever. Hip hop is one of the most dominant and influential cultures in America, giving new voice to the younger generation. It defines a generation's worldview. Exploring hip hop's beginnings up to the present day, Jeff Chang and Dave "Davey D" Cook provide a provocative look into the new world that the hip hop generation has created. Based on original interviews with DJs, b-boys, rappers, activists, and gang members, with unforgettable portraits of many of hip hop's forebears, founders, mavericks, and present day icons, this book chronicles the epic events, ideas and the music that marked the hip hop generation's rise.
Can't You Hear Me Callin': The Life Of Bill Monroe, Father Of Bluegrass
by Richard A. SmithFrom the book jacket: Elvis Presley chose one of his songs, "Blue Moon of Kentucky," for his first single. A young Jerry Garcia traveled crosscountry to audition for his band. Johnny Cash, Buddy Holly, and even Frank Sinatra were fans. Considering the range of stars and styles that claim him as an influence, no single artist has had as broad an impact on American popular music as Bill Monroe. Born in 1911 in rural Kentucky, Monroe melded the fiddle tunes, ballads, and blues of his youth into the "high lonesome" sound known today as bluegrass, making him perhaps the only performer to create an entire musical genre. His distinctive bluegrass style profoundly influenced country, early rock 'n' roll, and the folk revival of the 1960s. A Grand Ole Opry star for almost sixty years, Monroe was a searing mandolinist who redefined the instrument, a haunting high-range vocalist, and a godlike figure to generations of admirers who became famous in their own right. When Monroe died in 1996, he was universally acclaimed as "the Father of Bluegrass," but the personal life of this taciturn figure remained largely unknown. His childhood feelings of isolation and abandonment- "lonesomeness" he called it-fueled his reckless womanizing in adulthood and inspired his most powerful compositions. From his professional breakthrough in the Monroe Brothers duet act to his bitter rivalry with former sidemen Lester Flatt and Earl Scruggs to his final days as a revered elder statesman of bluegrass, Monroe's career was filled with trials and triumphs. Now, veteran bluegrass journalist Richard D. Smith has interviewed a multitude of Monroe's surviving friends, lovers, colleagues, and contemporaries to create a three-dimensional portrait of this brilliant, complex, and contradictory man. Compel lingly narrated and thoroughly researched, Can't You Hear Me Callin' is the definitive biography of a true giant of American music. RICHARD D. SMITH is a journalist whose work has appeared in a number of national publications, including the NewYork Times, Bloomberg magazine, and the Journal of Country Music. The author of Bluegrass: An Informal Guide, he is also a reviewer for Bluegrass Unlimited magazine and plays mandolin and guitar. He lives in Rocky Hill, New Jersey.
Can't You Hear Me Callin': The Life of Bill Monroe Father of Bluegrass
by Richard D. SmithNow in paperback: The definitive biography of the father of bluegrass, who did what no other individual has done: invented an entire genre of music. -Chicago Tribune.
Canta conmigo: La historia de Selena Quintanilla
by Diana LópezUn libro de cuentos ilustrado que celebra la vida y el legado de Selena Quintanilla, la querida Reina de la Música Tejana.Desde su etapa mas temprana, la joven Selena sabía como conectarse con la gente y unirlos con la música. Canta conmigo sigue su ascenso al estrellato, desde su puesto al frente de la banda familiar, cantando en rodeos y fiestas de quinceañera, hasta su presentación frente a miles en el Astrodomo de Houston. Los lectores jóvenes se sentirán empoderados por la dedicación de Selena--aprendiendo el idioma español aún siendo adolescente, diseñando su propio vestuario, y viajando por toda la nación, compartiendo con el mundo el orgullo por sus raíces mexico-americanas y su amor a la música y a la moda.
Cantaba la rana / The Frog Was Singing
by Rita Rosa Ruesga ScholasticScholastic and Latin Grammy nominee Rita Rosa Ruesga have joined together to bring a wonderful bilingual songbook.¡Las canciones infantiles más populares de Latinoamérica! Con la letra de las canciones en español e inglés, las partituras correspondientes y hermosas ilustraciones, esta colección es una introducción ideal a la rica tradición musical de los países hispanohablantes. A los chicos les encantará.
Cantabile: A Manual about Beautiful Singing for Singers, Teachers of Singing and Choral Conductors
by Katharin RundusThis vocal pedagogy textbook breaks the mold. Filled with anatomical drawings, pictures, graphs and valuable vocal exercises, this book is wisely and attractively organized. Plus, every chapter includes a section specifically for the choral director!
Cantaoras: Music, Gender and Identity in Flamenco Song (Current Research in Ethnomusicology: Outstanding Dissertations #7)
by Loren ChuseThis book provides an in-depth ethnographic investigation of the greatly underestimated and underappreciated contributions of women singers, the cantaoras, to the creation, transmission and innovation in flamenco song. Situating the study of flamenco in the context of social and political currents that have shaped twentieth-century Spain, and drawing on interviews with the cantaoras themselves, Loren Chuse shows how flamenco is a complex of cultural practices at once musical, physical, verbal and social, involving the expression and negotiation of complex multi-layered identities, including notions of Andalusian, regional, gypsy and gender identity. Chuse shows how women are engaged in the formation of flamenco today, and how they respond to the balance and tensions between tradition and innovation. In so doing, she encourages a deeper appreciation of flamenco and initiates new approaches within ethnomusicology, feminist scholarship, flamenco, gender and popular music studies.
Cantar es mi mundo - Singen ist meine Welt: Spielräume zur Ermöglichung allgemeiner Bildungserfahrungen im Musikunterricht
by Stefan LückelStefan Lückel untersucht in der vorliegenden Arbeit, inwiefern im Kontext des vokalen Musizierens innerhalb des Musikunterrichtes der Sekundarstufen I und II - im Besonderen beim Singen - neben musikspezifischen auch allgemeine Bildungserfahrungen erzielt und nachgewiesen werden können. Grundlage dieser Untersuchung sind zunächst theoretische Vorüberlegungen zum allgemeinen und zum ästhetisch-musikalischen Bildungsbergriff sowie zum anderen eine Feldstudie, in der in Form einer musikpädagogisch-konzertierten Intervention verschiedene Kategorien Allgemeiner Bildung beobachtet und anschließend beschrieben werden. Hieraus entwickelt er eine musikdidaktische Konzeption (Didaktische Skizze), die theoretisch elaboriert und praxisbezogen eine didaktische Orientierung und Planungshilfe für Musiklehrer*innen bietet, unter welchen Bedingungen und in welcher Weise auch Erfahrungen und Kategorien Allgemeiner Bildung im Musikunterricht beim Singen erzielt werden können.
El canto de los elefantes / Singing with Elephants
by MARGARITA ENGLEUna poderosa novela en verso escrita por Margarita Engle, ganadora de los prestigiosos premios Newbery y Pura Belpré. Una historia sobre la sanadora amistad que surge entre una jovencita nacida en Cuba y la poeta Gabriela Mistral. Oriol nació en Cuba, pero vive en Santa Bárbara, California, donde no logra encontrar su sitio. Sin embargo, pasa muchos buenos momentos cuando ayuda a sus padres en la clínica veterinaria de la familia, donde cuidan animales heridos. La primera ganadora latinoamericana de un Premio Nobel de Literatura, la poeta Gabriela Mistral, se muda entonces a Santa Bárbara, y Oriol se descubre confesándole que aspira a ser escritora. Cuando la jovencita descubra que alguien está amenazando la vida de un pequeño elefante en la clínica de sus padres, decide tomar acción para protegerlo. Necesitará poesía, coraje y fortaleza para hacer lo que cree correcto. Una historia escrita con una profunda belleza lírica, que ilumina el poder de la amistad entre generaciones, entre humanos y animales, así como el poder de la poesía para inspirar acción, justicia y aceptación.
Canton Entertainment
by Kimberly A. KenneyEveryone loves to have fun! Over the years, Cantonians have enjoyed a wide variety of amusements, from traveling theatrical shows to community-wide celebrations. Louis Schaefer opened the town's first opera house in 1868, attracting some of the 19th century's biggest stars to Canton. The tradition of first-rate entertainment continued in the 20th century, with stars like Benny Goodman, Tommy Dorsey, and Guy Lombardo gracing the stage of the Moonlight Ballroom. During the Great Depression in the 1930s, Canton enjoyed a cultural renaissance with the development of many arts organizations still cherished today, including the Players' Guild, Canton Symphony Orchestra, and Canton Museum of Art. In 1955, the city celebrated its sesquicentennial with the biggest parade in Canton's history.
Cantora: Mercedes Sosa, the Voice of Latin America
by Melisa Fernández NitscheSing out! With a stunning, graphic style and a melodious text, this picture book tells the story of Latin American icon Mercedes Sosa and how she became the voice of a people from exile to triumph.What if a voice became a symbol of justice?I&’m here to offer my heart, said that voice.The folk rhythm of the bombo drum beats like a heart, with a resonant voice singing the truth of her people. Mercedes Sosa sang about what it means to be human, and her songs of struggle always spoke the truth of the injustice that so many workers and families in Latin America faced. As a teen, she won a local radio contest, and as her confidence grew, so did her fame. From a folk festival to Carnegie Hall and the Sistine Chapel, Mercedes performed the world over, sharing stories through song. But not everyone loved her singing: a military dictatorship ruled over Argentina, and they saw the power of her voice. Even from exile, Mercedes Sosa was a beacon of freedom for her people, and when she returned to her homeland, she persisted in her work: to be the voice of the voiceless.Adding a personal touch as a fellow Argentinean, Melisa Fernández Nitsche fills her debut picture book with bright and breathtaking illustrations that will surely inspire and empower young readers as they read about the impact one person's voice can have.
Cantora (Spanish Edition): Mercedes Sosa, la voz de Latinoamérica
by Melisa Fernández NitscheSing out! With a stunning, graphic style and a melodious text, this picture book tells the story of Latin American icon Mercedes Sosa and how she became the voice of a people from exile to triumph.What if a voice became a symbol of justice?I&’m here to offer my heart, said that voice.The folk rhythm of the bombo drum beats like a heart, with a resonant voice singing the truth of her people. Mercedes Sosa sang about what it means to be human, and her songs of struggle always spoke the truth of the injustice that so many workers and families in Latin America faced. As a teen, she won a local radio contest, and as her confidence grew, so did her fame. From a folk festival to Carnegie Hall and the Sistine Chapel, Mercedes performed the world over, sharing stories through song. But not everyone loved her singing: a military dictatorship ruled over Argentina, and they saw the power of her voice. Even from exile, Mercedes Sosa was a beacon of freedom for her people, and when she returned to her homeland, she persisted in her work: to be the voice of the voiceless.Adding a personal touch as a fellow Argentinean, Melisa Fernández Nitsche fills her debut picture book with bright and breathtaking illustrations that will surely inspire and empower young readers as they read about the impact one person's voice can have.
The canzone villanesca alla napolitana: Social, Cultural and Historical Contexts (Variorum Collected Studies #901)
by Donna G. CardamoneThe printed debut of the canzone villanesca alla napolitana occurred on 24 October 1537, in Naples. Fifteen anonymous 'rustic songs' were published by Johannes de Colonia in a pocket-sized anthology with a cover featuring three women with hoes tilling the soil. The adjective villanesca (from villano or peasant) in the strict sense of the word means rustic or crude, but in this new context it also intimates that Neapolitan poet-musicians had been affected by the instinctive lyrical traditions of everyday people. The articles in this volume trace the Neapolitan origins of this song form, and its subsequent development as it spread quickly throughout Italy in a succession of editions published in Venice and Rome, providing a diverse repertory of lively songs to amuse the privileged that held and attended academies. Several studies focus on key figures in this process, notably Ferrante Sanseverino, Prince of Salerno, and Orlando di Lasso. At the same time the author relates these developments to the contemporary political context, notably the rivalry of Spain and France for control of the Kingdom of Naples.
Cape Cod Jazz: From Colombo to The Columns
by John A. Basile Foreword By GoldenThe first notes of jazz hit Cape Cod in the very early days of the genre. Bournehurst-on-the-Canal hosted top bands, and emerging swing era dancers packed the hall. Cape Cod’s “First Lady of Jazz,” Marie Marcus, was a child prodigy in Boston and found some of her most important instruction in the art of stride piano during lessons with great pianist Fats Waller in New York. At the very tip of the Cape, the Atlantic House in Provincetown showcased performances from some of the biggest names like Gerry Mulligan, Billie Holiday and Stan Getz. Author John Basile details the fascinating history and amazing musicians that made Cape Cod a music destination.
Cape Verde, Let's Go: Creole Rappers and Citizenship in Portugal
by Derek PardueMusicians rapping in kriolu --a hybrid of Portuguese and West African languages spoken in Cape Verde--have recently emerged from Lisbon's periphery. They popularize the struggles with identity and belonging among young people in a Cape Verdean immigrant community that shares not only the kriolu language but its culture and history. Drawing on fieldwork and archival research in Portugal and Cape Verde, Derek Pardue introduces Lisbon's kriolu rap scene and its role in challenging metropolitan Portuguese identities. Pardue demonstrates that Cape Verde, while relatively small within the Portuguese diaspora, offers valuable lessons about the politics of experience and social agency within a postcolonial context that remains poorly understood. As he argues, knowing more about both Cape Verdeans and the Portuguese invites clearer assessments of the relationship between the experience and policies of migration. That in turn allows us to better gauge citizenship as a balance of individual achievement and cultural ascription. Deftly shifting from domestic to public spaces and from social media to ethnographic theory, Pardue describes an overlooked phenomenon transforming Portugal, one sure to have parallels in former colonial powers across twenty-first-century Europe.