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Feel Good 101: The Outsiders' Guide to a Happier Life
by Emma BlackeryTHIS BOOK WON'T CHANGE YOUR LIFEBut it might just help you change it yourselfOnly you can take the steps you need to help yourself become the strong, independent, fearless person you dream of being. It took me a long time - and a lot of real lows, excruciating heartaches and countless mistakes - to get there. The sole purpose of this book's existence is the hope that it may speed up that journey to happiness for you.In FEEL GOOD 101, YouTube's most outspoken star Emma Blackery is finally putting pen to paper to (over)share all her hard-learned life lessons. From standing up to bullies and bad bosses to embracing body confidence and making peace with her brain, Emma speaks with her trademark honesty about the issues she's faced - including her struggles with anxiety and depression. This is the book Emma wishes she'd had growing up . . . and she's written it for you.Includes an exclusive interview with Holly Bourne, author of AM I NORMAL YET? and WHAT'S A GIRL GOTTA DO? as well as an accompanying pdf that comes with the audiobook download.
Feel Like Going Home: Portraits in Blues and Rock 'n' Roll
by Peter GuralnickThis vivid celebration of blues and early rock 'n' roll includes some of the first and most illuminating profiles of such blues masters as Muddy Waters, Skip James, and Howlin' Wolf; excursions into the blues-based Memphis rock 'n' roll of Jerry Lee Lewis, Charlie Rich, and the Sun record label; and a brilliant depiction of the bustling Chicago blues scene and the legendary Chess record label in its final days. With unique insight and unparalleled access, Peter Guralnick brings to life the people, the songs, and the performance that forever changed not only the American music scene but America itself.
Feel Like Going Home: Portraits in Blues and Rock'n'Roll (Deep Cuts)
by Peter GuralnickThis vivid celebration of blues and early rock 'n' roll includes some of the first and most illuminating profiles of such blues masters as Muddy Waters, Skip James, and Howlin' Wolf; excursions into the blues-based Memphis rock 'n' roll of Jerry Lee Lewis, Charlie Rich, and the Sun record label; and a brilliant depiction of the bustling Chicago blues scene and the legendary Chess record label in its final days. With unique insight and unparalleled access, Peter Guralnick brings to life the people, the songs, and the performance that forever changed not only the American music scene but America itself.
Feel My Big Guitar: Prince and the Sound He Helped Create (American Made Music Series)
by Judson L. Jeffries, Shannon M. Cochran, and Molly ReinhoudtContributions by Ignatius Calabria, H. Zahra Caldwell, Brian Jude de Lima, Sabatino DiBernardo, William Fulton, Antonio Garfias, Judson L. Jeffries, Tony Kiene, Molly Reinhoudt, Fred Shaheen, and Karen Turman With his signature blend of genres and lyrics that touch on myriad societal issues, the artist Prince (1958–2016) has challenged and captivated the minds and hearts of countless listeners. Feel My Big Guitar: Prince and the Sound He Helped Create is a wide-ranging collection that seeks to place Prince at the center of contemporary musical scholarship, putting him in proper cultural and political context. This edited volume includes a mix of essays and reflections by scholars and fans, as well as interviews with people who worked with and knew Prince personally. Employing a blend of methodologies, contributors offer a body of fresh, intriguing, thought-provoking, and mind-bending work about Prince—an artist whose music exemplified those very characteristics.The volume examines Prince's musical influences, his rivalries (both real and imagined), and instrumental eroticism. It includes enlightening interviews with early mentor Pépe Willie and Gayle Chapman, Prince’s first female bandmate. These personal reflections and interviews grant readers a unique lens through which to view Prince, enriching our overall understanding of the man. Ultimately, Feel My Big Guitar serves as a space for sharing musicological analysis and memories about an artist whose work has touched and inspired so many. Years in the making, this is the first book in an ongoing scholarly project, PrincEnlighteNmenT: A Study of Society through Music, intended to investigate and reveal the full spectrum of Prince’s life and work.
Feel Your Way Through: A Book of Poetry
by Kelsea BalleriniThe personal and poignant debut poetry collection from the award-winning singer, songwriter, and producer revolves around the emotions, struggles, and experiences of finding your voice and confidence as a woman. &“I&’ve realized that some feelings can&’t be turned into a song . . . so I&’ve started writing poems. Just like my songs, they are personal and honest. Just like my songs, they have hooks and rhymes. Just like my songs, they talk about what it&’s like to be twenty-something trying to navigate a wildly beautiful and broken world.&” Deeply emotional and candid, Feel Your Way Through explores the challenges and celebrates the experiences faced by Kelsea Ballerini as she navigates the twists and turns of growing into a woman today. In this book of original poetry, Ballerini addresses themes of family, relationships, body image, self-love, sexuality, and the lessons of youth. Her poems speak to the often harsh, and sometimes beautiful, onset of womanhood. Honest, humble, and ultimately hopeful, this collection reveals a new dimension of Ballerini&’s artistry and talent.
Feel the Music Sounds of the Carribbean
by Andrew EinspruchFeel the Music Sounds of the Caribbean by Andrew Einspruch.
Feels Like Home: A Song for the Sonoran Borderlands
by Linda Ronstadt Lawrence DownesA San Francisco Chronicle Bestseller2023 Southwest Book of the Year Selection"The arid land that starts in Arizona and stretches into Mexico's west coast is Ronstadt's foothold in the world. It's a story she has told through music, and now wants to tell through food."—The New York Times"The book is many things at once. It’s a portrait of a place, the Sonoran Desert, and it’s a genealogy of sorts, an archival romp through Ronstadt’s family history."—Vogue"An album of loves for the high desert of Sonora and Ronstadt's hometown of Tucson."—NPRRock and Roll Hall of Famer Linda Ronstadt takes readers on a journey to the place her soul calls home, the Sonoran Desert, in this candid new memoir.In Feels Like Home, Grammy award-winning singer Linda Ronstadt effortlessly evokes the magical panorama of the high desert, a landscape etched by sunlight and carved by wind, offering a personal tour built around meals and memories of the place where she came of age. Growing up the granddaughter of Mexican immigrants and a descendant of Spanish settlers near northern Sonora, Ronstadt’s intimate new memoir celebrates the marvelous flavors and indomitable people on both sides of what was once a porous border whose denizens were happy to exchange recipes and gather around campfires to sing the ballads that shaped Ronstadt’s musical heritage. Following her bestselling musical memoir, Simple Dreams, this book seamlessly braids together Ronstadt’s recollections of people and their passions in a region little understood in the rest of the United States. This road trip through the desert, written in collaboration with former New York Times writer Lawrence Downes and illustrated throughout with beautiful photographs by Bill Steen, features recipes for traditional Sonoran dishes and a bevy of revelations for Ronstadt’s admirers. If this book were a radio signal, you might first pick it up on an Arizona highway, well south of Phoenix, coming into the glow of Ronstadt’s hometown of Tucson. It would be playing something old and Mexican, from a time when the border was a place not of peril but of possibility.
Feenin: R&B Music and the Materiality of BlackFem Voices and Technology
by Alexander Ghedi WeheliyeIn Feenin, Alexander Ghedi Weheliye traces R&B music’s continuing centrality in Black life since the late 1970s. Focusing on various musical production and reproduction technologies such as auto-tune and the materiality of the BlackFem singing voice, Weheliye counteracts the widespread popular and scholarly narratives of the genre’s decline and death. He shows how R&B remains a thriving venue for the expression of Black thought and life and a primary archive of the contemporary moment. Among other topics, Weheliye discusses the postdisco evolution of house music in Chicago and techno in Detroit, Prince and David Bowie in relation to appropriations of Blackness and Euro-whiteness in the 1980s, how the BlackFem voice functions as a repository of Black knowledge, the methods contemporary R&B musicians use to bring attention to Black Lives Matter, and the ways vocal distortion technologies such as the vocoder demonstrate Black music’s relevance to discussions of humanism and posthumanism. Ultimately, Feenin represents Weheliye’s capacious thinking about R&B as the site through which to consider questions of Blackness, technology, history, humanity, community, diaspora, and nationhood.
Fela: Kalakuta Notes (Music/Interview)
by John Collins Banning EyreFela: Kalakuta Notes is an evocative account of Fela Kuti--the Afrobeat superstar who took African music into the arena of direct action. With his antiestablishment songs, he dedicated himself to Pan-Africanism and the down-trodden Nigerian masses, or "sufferheads." In the 1970s, the British/Ghanaian musician and author John Collins met and worked with Fela in Ghana and Nigeria. Kalakuta Notes includes a diary that Collins kept in 1977 when he acted in Fela's autobiographical film, Black President. The book offers revealing interviews with Fela by the author, as well as with band members, friends, and colleagues. For this second edition, Collins has expanded the original introduction by providing needed context for popular music in Africa in the 1960s and the influences on the artist's music and politics. In a new concluding chapter, Collins reflects on the legacy of Fela: the spread of Afrobeat, Fela's musical children, Fela's Shrine and Kalakuta House, and the annual Felabration. As the dust settles over Fela's fiery, creative, and controversial career, his Afrobeat groove and political message live on in Kalakuta Notes. Features a new foreword by Banning Eyre, an up-to-date discography by Ronnie Graham, a timeline, historical photographs, and snapshots by the author.
Fela: This Bitch of a Life
by Carlos Moore Gilberto Gil Margaret BusbyRevealing the hidden facts of this African superstar's complex personality and the truth about his tumultuous existence, this unique biography is based on hours of conversation and close interaction with the legend himself. The full spectrum of Fela's experience is here: the spirits and trances, the paranoia and drugs, the queens (as he called his wives), and always the music. Interviews with 15 queens, providing their personal stories in their own words, contribute to this amazing story of Fela's life and music. As the creator of Afrobeat--the vibrant fusion of jazz, funk, highlife, and Yoruban music--he protested with lyrics that dealt provocatively with everything from sex to politics, always challenging neocolonialism and the ruling elite. Painting him as an advocate of black power, human rights, and pan-Africanism, this book reveals how Fela shocked, disturbed, and inspired the masses.
Felice Giardini and Professional Music Culture in Mid-Eighteenth-Century London (Royal Musical Association Monographs)
by Cheryll DuncanFelice Giardini and Professional Music Culture in Mid-Eighteenth-Century London explores Giardini’s influence on British musical life through his multifaceted career as performer, teacher, composer, concert promoter and opera impresario. The crux of the study is a detailed account of Giardini’s partnership with the music seller/publisher John Cox during the 1750s, presented using new biographical information which contextualizes their business dealings and subsequent disaccord. The resulting litigation, the details of which have only recently come to light, is explored here via a complex set of archival materials. The findings offer new information about the economics of professional music culture at the time, including detailed figures for performers’ fees, the printing and binding of music scores, the charges arising from the administration of concerts and operas, the sale, hire and repair of various instruments and the cost of what today we would call intellectual property rights. This is a fascinating study for musicologists and followers of Giardini, as well as for readers with an interest in classical music, social history and legal history.
Felix Mendelssohn Bartholdy: A Research and Information Guide (Routledge Music Bibliographies)
by Angela R. Mace John Michael CooperFelix Mendelssohn Bartholdy: A Research and Information Guide is a valuable tool for any scholar, performer, or music student interested in accessing the most pertinent resources on the life, works, and cultural context of the composer. It is an updated, annotated bibliography of resources on the biographical, musical, and religious aspects of Mendelssohn's life.
Felix and the Monsters
by Josh Holtsclaw Monica HoltsclawA lonely guard and his beloved keytar headline this timely, humorous look at the walls we create, what they mean, and why they might need to come down.Felix's job is to help guard the wall that protects everyone from the horrible monsters on the other side. But it's a boring job--nothing ever happens at the wall, so he spends his time dreaming of playing his keytar in a band. One day, Felix hears music coming from the other side of the wall, and sets out to investigate. What he discovers will knock some sense into him and show him and the other guards a better way to deal with the unknown. Let the music begin!
Fell in Love with a Band: The Story of the White Stripes
by Chris HandysideWith only two members and no bass player the White Stripes certainly seemed like the ultimate makeshift band. So how is it that this enigmatic couple—who publicize themselves as brother and sister though official documents say they're ex-husband-and-wife—became a multi-platinum musical sensation? From their early days as the darlings of Detroit rock scene to their current status as MTV celebs, they've defied expectations every step of the way. How did it happen that the simple idea of staying true to a lo-fi, blues-based sound became a revolutionary idea in the age digital conformity and complex studio production? Fell in Love with a Band: The Story of the White Stripes is the first biography by a Detroit journalist who has followed their career since the group's inception in 1997. From Meg White's novice attempts at banging the drums to their current incarnation as the face of indie rock. With never before seen photos and exclusive interviews with members of Detroit bands like Blanche and The Von Bondies, Fell in Love with a Band gets to the heart of this enigmatic rock band and for the first time tells the real story of their rise to fame and the power behind their sound.
Female Composers, Conductors, Performers: Musiciennes of Interwar France, 1919-1939
by Laura HamerDrawing upon extensive archival research, interview material, and musical analysis, Female Composers, Conductors, Performers: Musiciennes of Interwar France, 1919–1939 presents an innovative study of women working as professional musicians in France between the two World Wars. Hamer positions the activities, achievements, and reception of women composers, conductors, and performers against a contemporary socio-political climate that was largely hostile to female professionalism. The musical styles and techniques of Marguerite Canal, Jeanne Leleu, Germaine Tailleferre, Yvonne Desportes, Elsa Barraine, and Claude Arrieu are discussed with reference to significant works dating from the interwar period. Hamer highlights the activities of Jane Evrard and her Orchestre féminin de Paris as well as the reception of the Orchestra of the Union des Femmes Professeurs et Compositeurs de Musique, a contemporary pro-suffrage organisation that was dedicated to defending the collective interests of musiciennes and campaigning for their employment rights. Beyond women composers and conductors, Hamer also sheds light on female performers and their contribution to the interwar early music revival.
Female Singers on the French Stage, 1830–1848 (Cambridge Studies in Opera)
by Kimberly WhiteThe study of singers' art has emerged as a prominent area of inquiry within musicology in recent years. Female Singers on the French Stage, 1830–1848 shifts the focus from the artwork onstage to the labour that went on behind the scenes. Through extensive analysis of primary source documents, Kimberly White explores the profession of singing, operatic culture, and the representation of female performers on the French stage between 1830 and 1848, and reveals new perspectives on the social, economic, and cultural status of these women. The book attempts to reconstruct and clarify contemporary practices of the singer at work, including vocal training, débuts, rehearsals and performance schedules, touring, benefit concerts, and retirement, as well as the strategies utilized in publicity and image making. Dozens of case studies, many compiled from singers' correspondence and archival papers, shed light on the performers' successes and struggles at a time when Paris was the operatic centre of Europe.
Female Voices from an Ewe Dance-drumming Community in Ghana: Our Music Has Become a Divine Spirit (Soas Studies In Music Ser.)
by James BurnsEwe dance-drumming has been extensively studied throughout the history of ethnomusicology, but up to now there has not been a single study that addresses Ewe female musicians. James Burns redresses this deficiency through a detailed ethnography of a group of female musicians from the Dzigbordi community dance-drumming club from the rural town of Dzodze, located in South-Eastern Ghana. Dzigbordi was specifically chosen because of the author's long association with the group members, and because it is part of a genre known as adekede, or female songs of redress, where women musicians critique gender relations in society. Burns uses audio and video interviews, recordings of rehearsals and performances and detailed collaborative analyses of song texts, dance routines and performance practice to address important methodological shifts in ethnomusicology that outline a more humanistic perspective of music cultures. This perspective encompasses the inter-linkages between history, social processes and individual creative artists. The voices of Dzigbordi women provide us not only with a more complete picture of Ewe music-making, they further allow us to better understand the relationship between culture, social life and individual creativity. The book will therefore appeal to those interested in African Studies, Gender Studies and Oral Literature, as well as ethnomusicology. Includes a DVD documentary.
Ferruccio Busoni and His Legacy
by Erinn E. KnytAn analysis of the composer’s unconventional teaching style and philosophy, his relationship with his students, and his effect on twentieth century music.Many students of renowned composer, conductor, and teacher Ferruccio Busoni had illustrious careers of their own, yet the extent to which their mentor’s influence helped shape their success was largely unexplored until now. Through rich archival research including correspondence, essays, and scores, Erinn E. Knyt presents an evocative account of Busoni’s idiosyncratic pedagogy—focused on aesthetic ideals rather than methodologies or techniques—and how this teaching style and philosophy can be seen and heard in the Nordic-inspired musical works of Sibelius, the unusual soundscapes of Varèse, the polystylistic meldings of music and technology in Louis Gruenberg’s radio operas and film scores, the electronic music of Otto Luening, and the experimentalism of Philip Jarnach. Equal parts critical biography and interpretive analysis, Knyt’s work compels a reconsideration of Busoni’s legacy and puts forth the notion of a “Busoni School” as one that shaped the trajectory of twentieth-century music.“Erinn Knyt’s Ferruccio Busoni and His Legacy is a most welcome addition to the literature on Busoni as a fine example of research based on primary sources.” —Bach
Fertile Ground in Middle Level General Music
by Stephanie CronenbergFertile Ground in Middle Level General Music guides music educators to inspire their middle level students (grades 5–8) to engage more deeply in the general music classroom, where students are given the opportunity to "try on" a range of roles: musician, composer, listener, and critic. The book outlines the Fertile Ground Framework, a teacher's aide for curricular decision-making that unites the middle level concept with the National Core Arts Standards while emphasizing the developmental needs and cultural identities of students. This resource-rich book provides teachers with an array of adaptable classroom support tools, including: Lesson sequences Activity ideas Teacher resources and worksheets "Do-Now" exercises Featuring the real-world perspectives of thirteen music educators, Fertile Ground in Middle Level General Music is both practical and theoretical, presenting methods for creating rich, inspiring learning environments in middle level general music classrooms of all shapes and sizes, and highlighting the unacknowledged strengths that already exist therein. Focused on the aim of motivating students to pursue lifelong music learning, this book helps instructors find joy and excitement in teaching a wide array of musical topics to diverse groups of middle level music students.
Fertile Ground in Middle Level General Music
by Stephanie CronenbergFertile Ground in Middle Level General Music guides music educators to inspire their middle level students (grades 5–8) to engage more deeply in the general music classroom, where students are given the opportunity to "try on" a range of roles: musician, composer, listener, and critic. The book outlines the Fertile Ground Framework, a teacher's aide for curricular decision-making that unites the middle level concept with the National Core Arts Standards while emphasizing the developmental needs and cultural identities of students. This resource-rich book provides teachers with an array of adaptable classroom support tools, including: Lesson sequences Activity ideas Teacher resources and worksheets "Do-Now" exercises Featuring the real-world perspectives of thirteen music educators, Fertile Ground in Middle Level General Music is both practical and theoretical, presenting methods for creating rich, inspiring learning environments in middle level general music classrooms of all shapes and sizes, and highlighting the unacknowledged strengths that already exist therein. Focused on the aim of motivating students to pursue lifelong music learning, this book helps instructors find joy and excitement in teaching a wide array of musical topics to diverse groups of middle level music students.
Fever: How Rock 'n' Roll Transformed Gender in America
by Tim RileyIn Fever, music critic Tim Riley argues that while political and athletic role models have let us down, rock and roll has provided enduring role models for men and women. From Elvis Presley to Tina Turner to Bruce Springsteen to Kurt Cobain and Courtney Love, Riley makes a persuasive case that rock and roll, far from the corrosive force that conservative critics make it out to be, has instead been a positive influence in people's lives, laying out gender-defying role models far more enduringly than movies, TV, or "real life."
Fever: Little Willie John's Fast Life, Mysterious Death, and the Birth of Soul
by Susan WhitallLittle Willie John lived for a fleeting 30 years, but his dynamic and daring sound left an indelible mark on the history of music. His deep blues, rollicking rock 'n' roll and swinging ballads inspired a generation of musicians, forming the basis for what we now know as soul music. Born in Arkansas in 1937, William Edward John found his voice in the church halls, rec centers and nightclubs of Detroit, a fertile proving ground that produced the likes of Levi Stubbs and the Four Tops, Stevie Wonder, Aretha Franklin, Diana Ross and the Supremes, Smokey Robinson and Hank Ballard and the Midnighters. One voice rose above the rest in those formative years of the 1950s, and Little Willie John went on to have 15 hit singles in the American rhythm & blues chart, with considerable cross-over success in pop. Some of his songs might be best known by their cover versions ("Fever" by Peggy Lee, "Need Your Love So Bad" by Fleetwood Mac and "Leave My Kitten Alone" by The Beatles) but Little Willie John's original recording of these and other songs are widely considered to be definitive, and it is this sound that is credited with ushering in a new age in American music as the 1950s turned into the 60s and rock 'n' roll took its place in popular culture. The soaring heights of Little Willie John's career are matched only by the tragic events of his death, cutting short a life so full of promise. Charged with a violent crime in the late 1960s, an abbreviated trial saw Willie convicted and incarcerated in Walla Walla Washington, where he died under mysterious circumstances in 1968. In this, the first official biography of one of the most important figures in rhythm & blues history, author Susan Whitall, with the help of Little Willie John's eldest son Kevin John, has interviewed some of the biggest names in the music industry and delved into the personal archive of the John family to produce an unprecedented account of the man who invented soul music."Little Willie John is the soul singer's soul singer." - Marvin Gaye. "My mother told me, if you call yourself 'Little' Stevie Wonder you'd better be as good as Little Willie John." - Stevie Wonder "Willie John was one of the most brilliant singers you would ever want to come across, bar none. There are things that were great, there are things that were good. Willie John was past great." - Sam Moore "Little Willie John did not know how to sing wrong, know what I mean?"- Dion "Little Willie John was a soul singer before anyone thought to call it that." -James Brown
Fever: The Life and Music of Miss Peggy Lee
by Peter RichmondThe first major biography of the legendary singer—an enthralling accountof a charismatic artist moving through the greatest, most glamorous era of American music "I learned courage from Buddha, Jesus, Lincoln, and Mr. Cary Grant." So said Peggy Lee, the North Dakota girl who sang like she'd just stepped out of Harlem. Einstein adored her; Duke Ellington dubbed her "the Queen." With her platinum cool and inimitable whisper she sold twenty million records, made more money than Mickey Mantle, and along with pals Frank Sinatra and Bing Crosby presided over music's greatest generation. Yet beneath the diamonds she was still Norma Delores Egstrom, insecure and always looking for acceptance. Drawing on exclusive interviews and new information, Peter Richmond delivers a complex, compelling portrait of an artist and an era that begins with a girl plagued by loss, her father's alcoholism, and her stepmother's abuse. One day she gets on a train hoping her music will lead her someplace better. It does—to a new town and a new name; to cities and clubs where a gallery of brilliant innovators are ushering in a brand-new beat; to four marriages, a daughter, Broadway, Vegas, and finally Hollywood. Richmond traces how Peggy rose, right along with jazz itself, becoming an unstoppable hit-maker ("Fever," "Mañana," "Is That All There Is?"). We see not only how this unforgettable star changed the rhythms of music, but also how—with her drive to create, compose, and perform—she became an artist whose style influenced k.d. lang, Nora Jones, and Diana Krall. Fever brings the lady alive again—and makes her swing.
Fiddle
by Vivian WagnerFiddling suddenly seemed vitally important, even necessary, for me to learn. Perhaps it had to do with grief for my mom's death, and with the fact that I was just starting to feel the inklings of a midlife crisis coming on. All I knew consciously, though, was that I had to learn it.After a chance encounter with fiddle music, Vivian Wagner discovered something she never knew she had lacked. The fiddle had reawakened not only her passion for music, but for life itself. From the remote workshop of a wizened master fiddle maker in the Blue Ridge Mountains to a klezmer band in Cleveland, from Cajun fiddle music in Katrina-ravaged New Orleans to a fiddle camp in Tennessee, Vivian's quest to master the instrument becomes a journey populated by teachers and artisans--and ultimately creates a community that fortifies her through an emotionally crushing loss. Intimate and enlightening, this is a story about the unique gifts of the fiddle, the redeeming power of music, the freedom of improvisation--and the importance of knowing that even though a song may reach its end, there's always a new tune to learn. . ."Charming, smart, lyrical and surprising. I recommend it to anyone--savage beast or not--who needs their soul soothed." --Suzanne Finnamore, international bestselling author of Split
Fiddle Tunes from Mississippi: Commercial and Informal Recordings, 1920-2018 (American Made Music Series)
by Tony Russell Harry BolickIn 2015 University Press of Mississippi published Mississippi Fiddle Tunes and Songs from the 1930s by Harry Bolick and Stephen T. Austin to critical acclaim and commercial success. Roughly half of Mississippi’s rich, old-time fiddle tradition was documented in that volume and Harry Bolick has spent the intervening years working on this book, its sequel. Beginning with Tony Russell’s original mid-1970s fieldwork as a reference, and later working with Russell, Bolick located and transcribed all of the Mississippi 78 rpm string band recordings. Some of the recording artists like the Leake County Revelers, Hoyt Ming and His Pep Steppers, and Narmour & Smith had been well known in the state. Others, like the Collier Trio, were obscure. This collecting work was followed by many field trips to Mississippi searching for and locating the children and grandchildren of the musicians. Previously unheard recordings and stories, unseen photographs and discoveries of nearly unknown local fiddlers, such as Jabe Dillon, John Gatwood, Claude Kennedy, and Homer Grice, followed. The results are now available in this second, companion volume, Fiddle Tunes from Mississippi: Commercial and Informal Recordings, 1920–2018. Two hundred and seventy musical examples supplement the biographies and photographs of the thirty-five artists documented here. Music comes from commercial recordings and small pressings of 78 rpm, 45 rpm, and LP records; collectors’ field recordings; and the musicians’ own home tape and disc recordings. Taken together, these two volumes represent a delightfully comprehensive survey of Mississippi’s fiddle tunes.