- Table View
- List View
Flaco’s Legacy: The Globalization of Conjunto (Music in American Life)
by Erin E. BauerA combination of button accordion and bajo sexto, conjunto originated in the Texas-Mexico borderlands as a popular dance music and became a powerful form of regional identity. Today, listeners and musicians around the world have embraced the genre and the work of conjunto masters like Flaco Jiménez and Mingo Saldívar. Erin E. Bauer follows conjunto from its local origins through three processes of globalization--migration via media, hybridization, and appropriation--that boosted the music’s reach. As Bauer shows, conjunto’s encounter with globalizing forces raises fundamental questions. What is conjunto stylistically and socioculturally? Does context change how we categorize it? Do we consider the music to be conjunto based on its musical characteristics or due to its performance by Jiménez and other regional players? How do similar local genres like Tejano and norteño relate to ideas of categorization? A rare look at a fascinating musical phenomenon, Flaco’s Legacy reveals how conjunto came to encompass new people, places, and styles.
Flagstad: A Personal Memoir
by Edwin McArthurAn intimate, no-holds-barred, light-and-dark portrait of the great Norwegian soprano/opera singer Kirsten Flagstad from her first appearance at the Metropolitan Opera House on February 2, 1935, to her death on December 7, 1962. Edwin McArthur was Flagstad's accompanist--and often her orchestral conductor as well--throughout her American career. He knew her in her hours of triumph, during the dramatic struggles through which the Second World War put her, during her trial in Norway (at which he testified and gave depositions), during her painful return to the United States as a falsely accused "quisling" after the war, and in the strange period of her partial--and then complete--retirement. Not a book about music (McArthur does quote some opinions of Flagstad the artist and occasionally expresses his own reactions, but he preponderantly sticks to the subject of Flagstad the woman), this is an intensely personal portrait. Its subject emerges as devoted, blindly selfish, alternately generous and cruel even to her own children, wayward, overwhelming, finally inscrutable, but always fascinating. The book also provides one view of the strange (and at times dirty) inside business dealings in the world of opera and concert.
Flagstad: Singer of the Century
by Howard VogtA biography of the great Norwegian soprano who had a world-wide reputation but is especially known for her singing at the Met in New York. She returned to Norway during World War II which caused considerable controversy and split her career into two phases. She is especially known for her Wagner roles.
Flamenco Music: History, Forms, Culture
by Peter ManuelAn expert explains and analyzes the beloved art form An iconic symbol of Spain, flamenco has become a global phenomenon. Peter Manuel offers English-language readers a rare portrait of the music’s history, styles, and cultural impact. Beginning with flamenco’s Moorish and Roma influences, Manuel follows the music’s evolution through its consolidation in the mid-1800s and on to the vibrant contemporary scene. An investigation of flamenco’s major song-types looks at rhythm and compás, guitar technique, and many other aspects of the music while Manuel’s description and analysis of the repertoire range from soleares and bulerías to tangos. His overview of contemporary flamenco culture provides insight into issues that surround the music, including globalization, gender dynamics, notions of ownership, and the ongoing debates on purity versus innovation and the relative roles played by Gitanos and non-Gitanos. Multifaceted and entertaining, Flamenco Music is an in-depth study of the indelible art form that inspires enthusiasts and practitioners around the world.
Flamenco, Regionalism and Musical Heritage in Southern Spain (SOAS Musicology Series)
by Matthew Machin-AutenriethFlamenco, Regionalism and Musical Heritage in Southern Spain explores the relationship between regional identity politics and flamenco in Andalusia, the southernmost autonomous community of Spain. In recent years, the Andalusian Government has embarked on an ambitious project aimed at developing flamenco as a symbol of regional identity. In 2010, flamenco was recognised as an Intangible Cultural Heritage of Humanity by UNESCO, a declaration that has reinvigorated institutional support for the tradition. The book draws upon ethnomusicology, political geography and heritage studies to analyse the regionalisation of flamenco within the frame of Spanish politics, while considering responses among Andalusians to these institutional measures. Drawing upon ethnographic research conducted online and in Andalusia, the book examines critically the institutional development of flamenco, challenging a fixed reading of the relationship between flamenco and regionalism. The book offers alternative readings of regionalism, exploring the ways in which competing localisms and disputed identities contribute to a fresh understanding of the flamenco tradition. Matthew Machin-Autenrieth makes a significant contribution to flamenco scholarship in particular and to the study of music, regionalism and heritage in general.
Flamenco: Gypsy Dance and Music from Andalusia
by Claus Schreiner Mollie C. PetersThis book traces the history and development of flamenco, the stirring form of folk dance created by the gypsies of the Andalusian region of Spain in the 19th century and still popular today.
Flannery at the Grammys
by Irwin H. StreightA devout Catholic, a visionary—and some say prophetic—writer, Flannery O’Connor (1925–1964) has gained a growing presence in contemporary popular culture. While O’Connor professed that she did not have an ear for music, allusions to her writing appear in the lyrics and narrative form of some of the most celebrated musicians on the contemporary music scene. Flannery at the Grammys sounds the extensive influence of this southern author on the art and vision of a suite of American and British singer-songwriters and pop groups. Author Irwin H. Streight invites critical awareness of O’Connor’s resonance in the products of popular music culture—in folk, blues, rock, gospel, punk, heavy metal, and indie pop songs by some of the most notable figures in the popular music business. Streight examines O'Connor's influence on the art and vision of multiple Grammy Award winners Bruce Springsteen, Lucinda Williams, R.E.M., and U2, along with celebrated songwriters Nick Cave, PJ Harvey, Sufjan Stevens, Mary Gauthier, Tom Waits, and others. Despite her orthodox religious, and at times controversial, views and limited literary output, O’Connor has left a curiously indelible mark on the careers of the successful musicians discussed in this volume. Still, her acknowledged influence and remarkable presence in contemporary pop and rock songs has not been well noted by pop music critics and/or literary scholars. Many years in the making, Flannery at the Grammys achieves groundbreaking work in cultural studies and combines in-depth literary and pop music scholarship to engage the informed devotee and the casual reader alike.
Fleetwood Mac All the Songs: The Story Behind Every Track (All the Songs)
by Romuald Ollivier Olivier RoubinFleetwood Mac All the Songs dives deep into the unique and often fraught recording history of the mega-bestselling and hugely influential rock band. Packed with captivating photographs and fascinating behind-the-scenes details, it&’s a must-have for any music history fan. Fleetwood Mac is the one of the most enduring, endearing, and drama-filled bands in rock history whose triumphs, struggles, and music continue to resonate with generations of listeners. This thorough dissection of every album and every song ever released by the beloved rock group follows the band's many iterations from their self-titled debut in 1968 (when they were known as Peter Green's Fleetwood Mac) to the classic Rumours era featuring the core line-up of Lindsey Buckingham, Mick Fleetwood, Christine McVie, John McVie, and Stevie Nicks, all the way up to the passing of Christine McVie in November 2022. The writing and recording process of each and every track is dissected, discussed, and analyzed by authors Olivier Roubin and Romuald Ollivier, through the band's many breakups and shakeups.Fleetwood Mac All the Songs draws upon years of research to recount the circumstances that led to the composition of every song the band ever wrote, as well as the details behind their in-studio recording process. Also featuring hundreds of photographs, including rare black-and-white publicity stills, images of instruments used by the band, and engaging shots of the musicians in‑studio, this is a must-have book for any true fan of classic rock.
Fleetwood Mac on Fleetwood Mac: Interviews and Encounters
by Sean EganFleetwood Mac was a triumph from the beginning--their first album was the UK's bestselling album of 1968. After some low points--when founder Peter Green left, some fans felt that the band continuing was sacrilege--Lindsey Buckingham and Stevie Nicks joined, and the band's 1977 album Rumours became one of history's immortals, a true classic that remained in the charts for years and public affection forever. In the press, the ethereal Californian Stevie Nicks, the tormented rocker Lindsey Buckingham, the dignified English rose Christine McVie, the blunt-speaking John McVie, and the loquacious Mick Fleetwood have all regularly been astoundingly candid. This collection of interviews across the entirety of Fleetwood Mac's career features articles from such celebrated publications as Crawdaddy, New Musical Express, Circus, Creem, Mojo, Goldmine, Classic Rock, Blender, and Elle, as well as interviews that have never previously appeared in print. In it, readers will learn the Fleetwood Mac story from the band members' own mouths, and experience it contemporaneously rather than through hindsight.
Fleetwood Mac's Tusk (33 1/3 Ser. #77)
by Rob TrucksAfter Rumours became the best-selling single album of all-time, Fleetwood Mac asked Warner Brothers Records to buy them a studio (the label refused, costing both Warner Brothers and the band significant cash in the long run) and then handed the reins to their guitarist and resident perfectionist Lindsey Buckingham, a fusion of factors that led Tusk to become the first record in history to cross the million dollar threshold in production costs. “You know,” Buckingham told me, “we had this ridiculous success with Rumours. And at some point, at least in my perception, the success of that detached from the music, and it was more about the phenomenon. We were poised to do another album, and I guess because the axiom 'If it works, run it into the ground’ was prevalent then, we were probably poised to do Rumours II. I don’t know how you do that, but somehow my light bulb that went off was, ‘Let’s just not do that. Let’s very pointedly not do that.’” Here, Rob Trucks talks to Lindsey Buckingham, as well as members of Animal Collective, Camper Van Beethoven, the New Pornographers, Wolf Parade, the Fleetwood Mac tribute band. Tusk, and the USC Trojan marching band in order to chart both the story and the impact of an album born of personal obsession and a stubborn unwillingness to compromise.
Fleetwood: My Life and Adventures in Fleetwood Mac
by Mick Fleetwood Stephen DavisHere, for the first time, one of rock-and-roll's mastermusicians of the 60s describes how he nurtured a band that dominated the seventies, came back in the eighties, and survives into the nineties--its fourth decade--as one of the most-loved acts in the world
Flip the Script: European Hip Hop and the Politics of Postcoloniality
by J. Griffith RollefsonHip hop has long been a vehicle for protest in the United States, used by its primarily African American creators to address issues of prejudice, repression, and exclusion. But the music is now a worldwide phenomenon, and outside the United States it has been taken up by those facing similar struggles. Flip the Script offers a close look at the role of hip hop in Europe, where it has become a politically powerful and commercially successful form of expression for the children and grandchildren of immigrants from former colonies. Through analysis of recorded music and other media, as well as interviews and fieldwork with hip hop communities, J. Griffith Rollefson shows how this music created by black Americans is deployed by Senegalese Parisians, Turkish Berliners, and South Asian Londoners to both differentiate themselves from and relate themselves to the dominant culture. By listening closely to the ways these postcolonial citizens in Europe express their solidarity with African Americans through music, Rollefson shows, we can literally hear the hybrid realities of a global double consciousness.
Florence Foster Jenkins: The Life of the World's Worst Opera Singer
by Darryl W. BullockFinally, a biography of Florence Foster Jenkins, considered the world's worst opera singer, soon to be portrayed by Meryl Streep in the forthcoming film. "Probably the most complete and absolute lack of talent ever publicly displayed." --Life Magazine Madame Jenkins couldn't carry a tune in a bucket: despite that, in 1944 at the age of 76, she played Carnegie Hall to a capacity audience and had celebrity fans by the score. Her infamous 1940s recordings are still highly-prized today. In his well-researched and thoroughly entertaining biography, Darryl W. Bullock tells of Florence Foster Jenkins meteoric rise to success and the man who stood beside her, through every sharp note. Florence was ridiculed for her poor control of timing, pitch, and tone, and terrible pronunciation of foreign lyrics, but the sheer entertainment value of her caterwauling packed out theatres around the United States, with the 'singer' firmly convinced of her own talent, partly thanks to the devoted attention for her husband and manager St Clair Bayfield. Her story is one of triumph in the face of adversity, courage, conviction and of the belief that with dedication and commitment a true artist can achieve anything.
Florida Soul: From Ray Charles to KC and the Sunshine Band
by John CapouyaFlorida Historical Society Charlton Tebeau Award University of Tampa College of Arts and Letters Outstanding Scholarship or Creative Work Award When recalling the roots of soul music, most people are likely to name Memphis, Detroit, New Orleans, Muscle Shoals, or Macon. But Florida also has a rich soul music history—an important cultural legacy that has often gone unrecognized. Florida Soul celebrates great artists of the Sunshine State who produced some of the most electric, emotive soul music America has ever heard. This book tells the story of Ray Charles’s musical upbringing in Florida, where he wrote his first songs and made his first recordings. It highlights the careers of Pensacola singers James and Bobby Purify and their producer, Papa Don Schroeder. Florida Soul reveals how Hank Ballard created his international hit song "The Twist" after seeing the dance in Tampa and profiles Gainesville singer Linda Lyndell ("What a Man"). Miami’s Overtown and Liberty City neighborhoods produced Sam Moore of the legendary duo Sam and Dave, Willie Clarke and Johnny Pearsall of Deep City Records, and singer Helene Smith. Miami was also the longtime headquarters of Henry Stone, whose influential company T.K. Productions put out hits by Timmy Thomas, Latimore, Betty Wright, and KC and the Sunshine Band. Stone’s artists and distribution deals influenced charts and radio airplay across the world. Born in the era of segregation with origins in gospel, rhythm and blues, and jazz and reaching maturity during the civil rights movement, soul music is still enjoyed today, still very much a part of our collective culture. John Capouya draws on extensive interviews with surviving musicians to re-create the excitement and honor the achievements of soul’s golden age, establishing Florida as one of the great soul music capitals of the United States.
Flourishing in Music Education: Lessons from Positive Psychology (Routledge New Directions in Music Education Series)
by H. Christian Bernhard IIFlourishing in Music Education: Lessons from Positive Psychology presents research, theory, and best practices about potential pitfalls, as well as strategies for how successful music teachers can negotiate issues in the wake of the COVID-19 climate, both on a daily and long-term basis. Masked and physically distanced classes have been particularly challenging for studio practice and group rehearsals, leading to virtual and digitally edited performances. This concise book is an essential read for those faced with such challenges, addressing key topics including engagement, relationships, meaning, accomplishment, resilience, and hope. Readers are provided with vignettes of struggling and successful music educators, which are then used to examine and consider new techniques and classic reminders for healthy enjoyment of work and life.
Flower
by Elizabeth Craft Shea OlsenThese are the things that I've always wanted: To get the top grades in my class. To make my grandmother proud. And most of all, proof that I could succeed where the rest of my family had not: a Stanford acceptance letter, early admission. My mother and my sister were obsessed with boys and love and sex. So obsessed that they lost sight of their futures, of what they wanted. And in the end, they lost everything. I'll never let a boy distract me. I promised myself that. But that was before Tate. Before the biggest pop star on the planet took an interest in me. Before private planes and secret dates and lyrics meant for me alone. There's so much I don't know. Like why he left music. Where he goes when we're not together. What dark past he's hiding. But when we kiss, the future feels far away. And now...I'm not sure what I want.
Flowers In The Dustbin: The Rise of Rock and Roll, 1947-1977
by James MillerA prizewinning historian and journalist who has covered the pop music scene for more than three decades, James Miller brings a powerful and challenging intellectual perspective to his recounting of some key turning points in the history of rock. Arguing that the music underwent its full creative evolution in little more than twenty-five years, he traces its roots from the jump blues of the forties to the disc jockeys who broadcast the music in the early fifties. He shows how impresarios such as Alan Freed and movie directors such as Richard Brooks (of Blackboard Jungle) joined black music to white fantasies of romance and rebellion, and then mass-marketed the product to teenagers. He describes how rock matured as a form of music, from Chuck Berry and Elvis Presley to the Beatles, Bob Dylan, and Marvin Gaye, defining a decade of rebellious ferment. At the same time, he candidly recounts how trendsetting rock acts from Jim Morrison and the Doors in the late sixties to the Sex Pistols in the late seventies became ever more crude, outrageous, and ugly -- "as if to mark," writes Miller, "the triumph of the psychopathic adolescent." Richly anecdotal and always provocative, Flowers in the Dustbin tells the story of rock and roll as it has never been told before.
Flowers for Sarajevo
by John McCutcheonYoung Drasko is happy working with his father in the Sarajevo market. Then war encroaches. Drasko must run the family flower stand alone.One morning, the bakery is bombed and twenty-two people are killed. The next day, a cellist walks to the bombsite and plays the most heartbreaking music Drasko can imagine. The cellist returns for twenty-two days, one day for each victim of the bombing. Inspired by the musician's response, Drasko finds a way to help make Sarajevo beautiful again.Inspired by real events of the Bosnian War, award-winning songwriter and storyteller John McCutcheon tells the uplifting story of the power of beauty in the face of violence and suffering. The story comes to life with the included CD in which cellist Vedran Smailović accompanies McCutcheon and performs the melody that he played in 1992 to honor those who died in the Sarajevo mortar blast.
Flute and Shakuhachi (Contemporary Music Review)
by Kondō Jō Joaquim BernítezFirst Published in 1994. In their quest for new sound materials, avant-garde musicians often produce sounds which accidentally bear a strong resemblance to traditional instruments. While conventional Western instruments have taken on a functional role, instruments such as the shakuhachi are still closely associated with their cultural, religious, and historical roots. The colorful and unique shakuhachi has become the most widely known and used Japanese instrument. This collection provides a comprehensive historical overview of the shakuhachi, its technical aspects and its relationship to the flute.
Flute, Accordion or Clarinet?: Using the Characteristics of Our Instruments in Music Therapy
by John Preston Caroline Anderson Steve Lyons Susan Greenhalgh George Murray Amelia Oldfield Jo Tomlinson Philippa Derrington Stella Compton-Dickinson Philip Hughes Alex Street Tessa Watson Luke Annesley Annie Tyhurst Holly Mentzer Billy Davidson Trygve Aasgaard Henry Dunn Lisa Margetts Prodromos Stylianou Angela Harrison Katy Bell Nicky Haire Oonagh Jones Jonathan Poole Sharon Warnes Joanna Burley Shlomi Hason Penelope Birnstingl Susanna Crociani Paolo Pizziolo Emily Corke Grace Watts Spela Loti Knoll Sarah Rodgers Trisha Montague Dawn Loombe Caroline Long Colette Salkeld Helen Mottram Catrin Piears-Banton Mary-Clare Fearn Concetta Tomaino Veronica Austin Joseph Piccinnini Catherine Warner Anita Vaz Anna Lockett Nathan Bettany Esther Mitchell Mike Gilroy Rivka GottliebMusic therapists are trained to use their first study instrument in clinical practice, yet existing literature focuses almost exclusively on the use of piano, basic percussion and voice. This illuminating book brings together international music therapists who use a diverse range of musical instruments in their clinical work: the clarinet, the piano accordion, the flute, the cello, the trumpet and flugelhorn, the bassoon, the violin, the viola, the harp, the guitar, lower brass instruments (the trombone and the euphonium), the oboe, the saxophone and bass instruments (double bass and bass guitar). Each therapist reflects on their relationship with their instrument and the ways in which they use it in therapeutic settings, discussing its advantages and disadvantages in a variety of clinical populations: children and adolescents, adults with learning disabilities, adults with mental health problems and older people. This will be essential reading for any music therapist or student music therapist who uses or is interested in using a musical instrument in their work, and will be of interest to other caring and healthcare professionals, teachers, musicians and carers wanting to learn more about instrumental music therapy.
Flute, Accordion or Clarinet?: Using the Characteristics of Our Instruments in Music Therapy
by Amelia Oldfield Jo Tomlinson Dawn LoombeMusic therapists are trained to use their first study instrument in clinical practice, yet existing literature focuses almost exclusively on the use of piano, basic percussion and voice.This illuminating book brings together international music therapists who use a diverse range of musical instruments in their clinical work: the clarinet, the piano accordion, the flute, the cello, the trumpet and flugelhorn, the bassoon, the violin, the viola, the harp, the guitar, lower brass instruments (the trombone and the euphonium), the oboe, the saxophone and bass instruments (double bass and bass guitar). Each therapist reflects on their relationship with their instrument and the ways in which they use it in therapeutic settings, discussing its advantages and disadvantages in a variety of clinical populations: children and adolescents, adults with learning disabilities, adults with mental health problems and older people.This will be essential reading for any music therapist or student music therapist who uses or is interested in using a musical instrument in their work, and will be of interest to other caring and healthcare professionals, teachers, musicians and carers wanting to learn more about instrumental music therapy.
Fly Away Paul: The extraordinary story of how Paul McCartney survived the Beatles and found his Wings
by Lesley-Ann JonesThe first definitive account of Paul McCartney's time in Wings, to be published on the 50th anniversary of the bestselling album Band on the RunNo comprehensive biography of the time Paul McCartney spent with Wings has ever been published. A period often dismissed as McCartney's 'missing' years, in fact the band lasted for a decade: two years longer than the Beatles, and wielded such impact and influence that they at one point achieved the status as the biggest live band in the world. Band on the Run sold over 6 million copies worldwide and became EMI's biggest selling album of the 1970s in the UK.Music biographer Lesley-Ann Jones has met McCartney many times and knew his late wife Linda. Here she shows how crucial Linda was to the evolution of Wings - at great cost to herself given the ridicule she was to encounter. But Linda saw that McCartney needed the band in the wake of the break up of the Beatles.Drawing on extensive interviews and her trademark meticulous research, the author shows how this period in Paul McCartney's career was to become crucial not only to his development as an artist, but to his very survival.(P)2023 Hodder & Stoughton Limited
Fly Away Paul: The extraordinary story of how Paul McCartney survived the Beatles and found his Wings
by Lesley-Ann JonesPre-order the remarkable account of Paul McCartney's time in Wings and ascent into solo stardom, by renowned music biographer Lesley-Ann JonesNo comprehensive biography of the time Paul McCartney spent with Wings has ever been published, until now.A period often dismissed as McCartney's 'missing' years, in fact the band lasted for a decade: two years longer than the Beatles, and wielded such impact and influence that they at one point achieved the status as the biggest live band in the world. Band on the Run sold over 6 million copies worldwide and became EMI's biggest selling album of the 1970s in the UK. Music biographer Lesley-Ann Jones has met McCartney many times and knew his late wife Linda. Here she shows how crucial Linda was to the evolution of Wings - at great cost to herself given the ridicule she was to encounter. But Linda saw that McCartney needed the band in the wake of the break up of the Beatles. Drawing on extensive interviews and her trademark meticulous research, the author shows how this period in Paul McCartney's career was to become crucial not only to his development as an artist, but to his very survival.
Fly a Little Higher: How God Answered One Mom's Small Prayer in a Big Way
by Laura SobiechLaura Sobiech tells the amazing story of how God used her son's battle with cancer to touch the lives of millions. "Okay, Lord, you can have him. But if he must die, I want it to be for something big. I want someone's life to be changed forever. " This is what Laura Sobeich prayed when she found out her seventeen-year-old son had only one year to live. With this desperate prayer, she released her son to God's will. At that point, Zach Sobiech was just another teenager battling cancer. When his mother told him to think about writing good-bye letters to family and friends, he decided instead to write songs. One of them, "Clouds," captured hearts and changed not one life but millions, making him an international sensation. He produced a full-length EP, written and performed by Zach and his lifelong friend, Sammy, including a personal goodbye song to each other. The day of Zach's funeral, "Clouds" was the #1 downloaded song on iTunes, and the EP rose to #2. The music video now has more than 7 million views on YouTube, and the documentary Soul Pancake released on Zach's eighteenth birthday has more than 9 million views. But Zach's story is not just about music. It's a testament to what can happen when you live as if each day might be your last. It's a story about the human spirit. It's about how God used a dying boy from a small town in Minnesota to touch the hearts of millions-including top executives in the music industry, major music artists, news anchors, talk show hosts, actors, priests and pastors, and school children across the globe. Zach once said, "I want to be known as the kid who went down fighting, and didn't really lose. " Fly a Little Higher is about how God used Zach to do something big.