- Table View
- List View
Ethnomusicology: A Research and Information Guide (Routledge Music Bibliographies)
by Jennifer PostFirst published in 2011. Routledge is an imprint of Taylor & Francis, an informa company.
Ethnomusicology: A Contemporary Reader (Routledge Music Bibliographies Ser.)
by Jennifer C. PostEthnomusicology: A Contemporary Reader is designed to supplement a textbook for an introductory course in ethnomusicology. It offers a cross section of the best new writing in the field from the last 15-20 years. Many instructors supplement textbook readings and listening assignments with scholarly articles that provide more in-depth information on geographic regions and topics and introduce issues that can facilitate class or small group discussion. These sources serve other purposes as well: they exemplify research technique and format and serve as models for the use of academic language, and collectively they can also illustrate the range of ethnographic method and analytical style in the discipline of ethnomusicology. Ethnomusicology: A Contemporary Reader serves as a basic introduction to the best writing in the field for students, professors, and music professionals. It is perfect for both introductory and upper level courses in world music.
Ethnomusicology: A Contemporary Reader, Volume II
by Jennifer C. PostEthnomusicology: A Contemporary Reader, Volume II provides an overview of developments in the study of ethnomusicology in the twenty-first century, offering an introduction to contemporary issues relevant to the field. Nineteen essays, written by an international array of scholars, highlight the relationship between current issues in the discipline and ethnomusicologists’ engagement with issues such as advocacy, poverty and social participation, maintaining intangible cultural heritages, and ecological concerns. It provides a forum for rethinking the discipline’s identity in terms of major themes and issues to which ethnomusicologists have turned their attention since Volume I published in 2005. The collection of essays is organized into six sections: Property and Rights Applied Practice Knowledge and Agency Community and Social Space Embodiment and Cognition Curating Sound Volume II serves as a basic introduction to the best writing in the field for students, professors, and music professionals, perfect for both introductory and upper level courses in world music. Together with the first volume, Ethnomusicology: A Contemporary Reader, Volume II provides a comprehensive survey of current research directions.
Ethnomusicology: History, Definitions, and Scope: A Core Collection of Scholarly Articles
by Kay Kaufman ShelemayFirst Published in 1992. Routledge is an imprint of Taylor & Francis, an informa company.
Ethnomusicology and its Intimacies: Essays in Honour of John Baily
by Stephen Cottrell, Dafni Tragaki, and Stephen WilfordEthnomusicology and its Intimacies situates intimacy, a concept that encompasses a wide range of often informal social practices and processes for building closeness and relationality, within the ethnomusicological study of music and sound. These scholarly essays reflect on a range of interactions between individuals and communities that deepen connections and associations, and which may be played out relatively briefly or nurtured over time. Three major sections on Performance, Auto/biographical Strategies, and Film are each prefaced by an interview with a scholar or practitioner with close knowledge of the subject that links the chapters in that section. Often drawing directly on fieldwork experience in a variety of contexts, authors consider how concepts of intimacy can illuminate the ethnographic study of music, addressing questions such as: how can we understand ethnomusicological and ethnographic research and performance as processes of musically mediated intimacy? How are the longstanding relationships we develop with others particularly intimated by and through musicking? How do we understand the musically intimate relationships of others and how do these inflect our own musical intimacies? How does music represent, inscribe, constrain, or provoke social or personal intimacies in particular contexts? The volume will appeal to all scholars with interests in music and how it is used to construct relationships in different contexts around the world.
Ethnomusicology of the Flathead Indians
by Alan MerriamAll people, in no matter what culture, must be able to place their music firmly in the context of the totality of their beliefs, experiences, and activities, for without such ties, music cannot exist. This means that there must be a body of theory connected with any music system - not necessarily a theory of the structure of music sound, although that may be present as well, but rather a theory of what music is, what it does, and how it is coordinated with the total environment, both natural and cultural, in which human beings move.The Flathead Indians of Western Montana (just over 26,000 in number as of the 2000 census) inhabit a reservation consisting of 632,516 acres of land in the Jocko and Flathead Valleys and the Camas Prairie country, which lie roughly between Evaro and Kalispell, Montana. The reservation is bounded on the east by the Mission Range, on the west by the Cabinet National Forest, on the south by the Lolo National Forest, and on the north by an arbitrary line, approximately bisecting Flathead Lake about twenty-four miles south of Kalispell. The area is one of the richest agricultural regions in Montana, and fish and game are abundant. The Flathead are engaged in stocking, timbering, and various agricultural enterprises.For the Flathead, the most important single fact about music and its relationship to the total world is its origin in the supernatural sphere. All true and proper songs, particularly in the past, owe their origin to a variety of contacts experienced by humans with beings which, though a part of this world, are superhuman and the source of both individual and tribal powers and skills. Thus a sharp distinction is drawn by the Flathead between what they call "make-up" and all other songs. Merriam's pioneering work in the relationship of ethnography and musicology remains a primary source in this field in anthropology.
Ethnomusicology, Queerness, Masculinity: Silence=Death
by Stephen AmicoThis open access book explores the disciplinary, disciplined, and recent interdisciplinary sites and productions of ethnomusicology and queerness, arguing that both academic realms are founded upon a destructive masculinity—indissolubly linked to coloniality and epistemic hegemony—and marked by a monologic, ethnocentric silencing of embodied, same-sex desire. Ethnomusicology’s fetishization of masculinizing fieldwork; queerness’s functioning as Anglophone master category; and both domains’ devaluation of sensuality and experience, concomitant with an adherence to provincial, Western conceptions of knowledge production, are revealed as precluding the possibilities for equitable, dialogic pluriversality. Enlisting the sonic as theoretical intervention, the disciplined/disciplining ethno and queer are reimagined in relation to negative emotions and intractable affect, ultimately vanquished, and replaced by explorations of sound, sex/uality, and experiential somaticity within a protean, postdisciplinary space of material/epistemic equity. This uncompromising, long-overdue critique will be of interest to researchers and students from numerous theoretical backgrounds, including music, sound, gender, queer, and postcolonial/decolonial studies.
Etta Extraordinaire
by Roda Ahmed Charnaie GordonEtta Extraordinaire has descriptive copy which is not yet available from the Publisher.
Etudes, Children's Corner, Images Book II: And Other Works for Piano (Dover Classical Piano Music)
by Claude DebussyMany of the most admired of Debussy's piano works, reprinted from authoritative French editions, among them the Etudes (1915), a late work that richly displays the full range and depth of Debussy's genius for the piano, and the magical Children's Corner (1906-8). Also included: Nocturne (1892), Piece pour piano (1903-4), Images, Book II (1907), Hommage a Haydn (1910), The Little Nigar (1909), La plus que lente (1910), Berceuse heroique (1914), Six epigraphes antiques (1914), and Elegie (1915).
Etudes on the Philosophy of Music
by Juozas Rimas Juozas Rimas Jr.Drawing on the author's four decades of experience as a concert oboist, this open access book studies a number of foundational issues in the philosophy of music, such as musical meaning and expression, musical ontology and the existence of the musical work, the relation between music and language, and the phenomenology of music. The book surveys the development of Western classical music from the Baroque era through to the 20th century, both from the perspective of contemporary Lithuanian philosophers such as Girnius, Maceina, Šliogeris, and Jackūnas, and 20th century European philosophy. In addition to discussing key questions in the philosophy of music, the book also analyses technical musical terms such as articulation, phrasing, and rhythm.
Eudaimonia: Perspectives for Music Learning (Routledge New Directions in Music Education Series)
by Gareth Dylan Smith Marissa SilvermanEudaimonia: Perspectives for Music Learning asserts the fertile applications of eudaimonia—an Aristotelian concept of human flourishing intended to explain the nature of a life well lived—for work in music learning and teaching in the 21st century. Drawing insights from within and beyond the field of music education, contributors reflect on what the "good life" means in music, highlighting issues at the core of the human experience and the heart of schooling and other educational settings. This pursuit of personal fulfillment through active engagement is considered in relation to music education as well as broader social, political, spiritual, psychological, and environmental contexts. Especially pertinent in today’s complicated and contradictory world, Eudaimonia: Perspectives for Music Learning is a concise compendium on this oft-overlooked concept, providing musicians with an understanding of an ethically-guided and socially-meaningful music-learning paradigm.
Eudora Entwhistle and the Geese of Macadoodle-by-the-Sea
by Alicia PotterEudora loves her musical geese, but the townfolk of Macadoodle-by-the-Sea find them too noisy and try to get rid of them.
Europe and the Wolf: Political Variations on a Musical Figure
by Sara Nadal-MelsióHow the work of several contemporary artists illuminates and challenges the policing of European borders and identityIn this stunningly original book, Sara Nadal-Melsió explores how the work of several contemporary artists illuminates the current crisis of European universalist values amid the brutal realities of exclusion and policing of borders. The &“wolf&” is the name Baroque musicians gave to the dissonant sound produced in any attempt to temper and harmonize an instrument. Europe and the Wolf brings this musical figure to bear on contemporary aesthetic practices that respond to Europe&’s ongoing social and political contradictions. Throughout, Nadal-Melsió understands Europe as a conceptual problem that often relies on harmonization as an organizing category. The &“wolf&” as an emblem of disharmony, incarnated in the stranger, the immigrant, or the refugee, originates in the Latin proverb &“man is a wolf to man.&” This longstanding phrase evokes the pervasive fear, and even hatred, of what is foreign, unknown, or beyond the borders of a community. The book follows the &“wolf&” in a series of relays between the musical, the visual, and the political, and through innovative readings of artworks—by, among others, Carles Santos, Pere Portabella, Allora&Calzadilla, and Anri Sala. Traversed by the musical, these artworks, as well as Nadal-Melsió&’s writing, present unstable symbolic and material ensembles in an array of variations of political possibilities and impossibilities that evade institutions intolerant of uncertainty and wary of diversity.
Europe, Empire, and Spectacle in Nineteenth-Century British Music (Music In Nineteenth-century Britain Ser.)
by Julian RushtonThis volume illuminates musical connections between Britain and the continent of Europe, and Britain and its Empire. The seldom-recognized vitality of musical theatre and other kinds of spectacle in Britain itself, and also the flourishing concert life of the period, indicates a means of defining tradition and identity within nineteenth-century British musical culture. The objective of the volume has been to add significantly to the growing literature on these topics. It benefits not only from new archival research, but also from fresh musicological approaches and interdisciplinary methods that recognize the integral role of music within a wider culture, including religious, political and social life. The essays are by scholars from the USA, Britain, and Europe, covering a wide range of experience. Topics range from the reception of Bach, Mozart, and Liszt in England, a musical response to Shakespeare, Italian opera in Dublin, exoticism, gender, black musical identities, British musicians in Canada, and uses of music in various theatrical genres and state ceremony, and in articulating the politics of the Union and Empire.
Eurovision and Australia: Interdisciplinary Perspectives from Down Under
by Chris Hay Jessica CarnielThis book investigates Australia’s relationship with the Eurovision Song Contest over time and place, from its first screening on SBS in 1983 to Australia's inaugural national selection in 2019. Beginning with an overview of Australia’s Eurovision history, the contributions explore the contest’s role in Australian political participation and international relations; its significance for Australia’s diverse communities, including migrants and the LGBTQIA+ community; racialised and gendered representations of Australianness; changing ideas of liveness in watching the event; and a reflection on teaching Australia’s first undergraduate course dedicated to the Eurovision Song Contest. The collection brings together a group of scholar-fans from a variety of interdisciplinary perspectives — including history, politics, cultural studies, performance studies, and musicology — to explore Australia’s transition from observer to participant in the first thirty-six years of its love affair with the Eurovision Song Contest.
Evanira Mendes: A Voice from the Brazilian Folklore Movement
by Eric A. GalmThis compilation of Evanira Mendes’s biography and translated publications offers for the first time in English an opportunity to revisit the music and culture of 1950s Brazil. Examining the trajectory of the Brazilian folklore movement, this book provides a new perspective on contemporary accounts that have overlooked the participation of women scholars from that era and seeks to grant Mendes the recognition she so richly deserves. Growing up on a farm in rural São Paulo State, Evanira Mendes (1929–2022) exhibited an early love of folklore, cultivated through the stories, songs, and gossip of wandering travelers in exchange for food and shelter. As she got older, she entered the Conservatório Dramático e Musical de São Paulo to study piano, but her love of folklore persisted, and she was invited to work in the school’s folklore archive and later as a folklore researcher for the São Paulo Folklore Commission from 1949 to 1959. There, she won awards including the national Sílvio Romero Medal; won second place in a national folklore monograph competition; helped to organize the folklore pavilion at the IV° Centenário de São Paulo celebration; and worked closely with important names of the era. Despite these accomplishments, she has essentially been forgotten. This book follows Evanira Mendes’s experiences working as a field researcher as part of the São Paulo Folklore Commission, her participation and organization at national and international folklore conferences, her participatory research in Afro-Brazilian community dances and observation and critique of Brazilian modern artistic expression in the theaters of São Paulo, and her work as editor of the folklore page and later weekly columnist in the Correio Paulistano newspaper. Her first-person accounts of fieldwork and participation in folklore courses are supplemented by separate published accounts from various sources, helping to compile a comprehensive portrait of music and culture in São Paulo and Brazil from that era.
Evening in the Palace of Reason
by James R. GainesFrederick The Great had a conflicted youth. His mother taught him to love art, luxury and intrigue. His father beat him mercilessly and often as he trained his son to be a dedicated leader and warrior. Bach knew and was fulfilled by his lifelong career as a brilliant composer and performer, though he often felt that he was underpaid and that the work he so loved wasn't appreciated. This historic novel illuminates the motives and goals of these major figures in the age of enlightenment. Fascinating and challenging facts about music and history abound. The novel is followed by a discography guiding the reader to J. S. Bach's recordings.
Ever Fallen in Love: The Lost Buzzcocks Tapes
by Pete Shelley Louie Shelley***'Lots of great stories... A fascinating insight.'-JOHN MAHER, Buzzcocks'Perfectly executed, highly detailed, incredibly interesting.'-HENRY ROLLINS, Black Flag'Pete and Buzzcocks were there right from the beginning.'-BERNARD SUMNER, Joy Division, New Order When Pete Shelley, lead singer of legendary punk band Buzzcocks, passed away in 2018 we lost the chance to hear one of music's brightest stars tell his story.Or so it seemed.Now, recordings have surfaced of a series of remarkable interviews in which Pete tells the story of his life, his band and his place at the beating heart of the punk explosion in fascinating detail.Recorded over a series of late-night calls with a close friend, the tapes hear Pete talk song-by-song through Buzzcocks releases to reveal the personal memories behind the music and the inspiration for masterpieces such as 'Ever Fallen in Love (With Someone You Shouldn't've)' and 'What Do I Get?'.Published for the first time and with the blessing of Pete's estate, Ever Fallen In Love: The Lost Buzzcocks Tapes is a tribute to a founding member of punk and a chance to hear one of music's true visionaries tell his own story at last.'A true gentleman and a great artist and songwriter.'-PETER HOOK, Joy Division, New Order 'Shot through with self-doubt and mild regret, Pete Shelley's lovesick pop classics have a bittersweet charm that will forever speak to the young romantic'-JOHN COOPER CLARKE'Buzzcocks were the blue touchpaper for my love of music. Pure pop met punk and the result was perfection.'-TIM BURGESS, The Charlatans
Ever Fallen in Love: The Lost Buzzcocks Tapes
by Pete Shelley Louie Shelley***'Lots of great stories... A fascinating insight.'-JOHN MAHER, Buzzcocks'Perfectly executed, highly detailed, incredibly interesting.'-HENRY ROLLINS, Black Flag'Pete and Buzzcocks were there right from the beginning.'-BERNARD SUMNER, Joy Division, New Order When Pete Shelley, lead singer of legendary punk band Buzzcocks, passed away in 2018 we lost the chance to hear one of music's brightest stars tell his story.Or so it seemed.Now, recordings have surfaced of a series of remarkable interviews in which Pete tells the story of his life, his band and his place at the beating heart of the punk explosion in fascinating detail.Recorded over a series of late-night calls with a close friend, the tapes hear Pete talk song-by-song through Buzzcocks releases to reveal the personal memories behind the music and the inspiration for masterpieces such as 'Ever Fallen in Love (With Someone You Shouldn't've)' and 'What Do I Get?'.Published for the first time and with the blessing of Pete's estate, Ever Fallen In Love: The Lost Buzzcocks Tapes is a tribute to a founding member of punk and a chance to hear one of music's true visionaries tell his own story at last.'A true gentleman and a great artist and songwriter.'-PETER HOOK, Joy Division, New Order 'Shot through with self-doubt and mild regret, Pete Shelley's lovesick pop classics have a bittersweet charm that will forever speak to the young romantic'-JOHN COOPER CLARKE'Buzzcocks were the blue touchpaper for my love of music. Pure pop met punk and the result was perfection.'-TIM BURGESS, The Charlatans
Every Chart Topper Tells a Story: The Seventies
by Sharon DavisThe seventies witnessed great changes not only in dress style but also in music. The psychedelia of the late sixties had mutated into glam rock by the early seventies, while the latter half of the decade is best remembered for the punk and disco explosions which gripped both Britain and America. The number-one singles of the decade are recalled in Every Chart Topper Tells a Story: The Seventies, from artists as diverse as Gary Glitter, David Bowie, Jimi Hendrix, Diana Ross, The Bee Gees, T-Rex, Commodores, Donny Osmond, The Three Degrees and Abba. It is the ideal volume both for those wanting a trip down memory lane and for serious music connoisseurs.
Every Chart Topper Tells a Story: The Sixties
by Sharon DavisThe glorious sixties were a decade for the young and rebellious, of cultural freedom and of sexual liberation. The British music scene had never been so adventurous, taking even the American charts by storm.Every Chart-Topper Tells a Story: The Sixties takes a look at the number-one hit singles of the decade in Britain from artists such as The Rolling Stones, The Beatles, Elvis Presley, Dusty Springfield, Ken Dodd, Cilla Black, The Supremes, Cliff Richard and Helen Shapiro, and is a valuable and entertaining source of information for all those interested in the sixties' music scene.
Every Good Boy Does Fine: A Love Story, in Music Lessons
by Jeremy DenkA beautifully written, witty memoir that is also an immersive exploration of classical music—its power, its meanings, and what it can teach us about ourselves—from the MacArthur "Genius" Grant-winning pianist&“Jeremy Denk has written a love letter to the music, and especially to the music teachers, in his life.&”—Conrad Tao, pianist and composer In Every Good Boy Does Fine, renowned pianist Jeremy Denk traces an implausible journey. His life is already a little tough as a precocious, temperamental six-year-old piano prodigy in New Jersey, and then a family meltdown forces a move to New Mexico. There, Denk must please a new taskmaster, an embittered but devoted professor, while navigating junior high school. At sixteen he escapes to college in Ohio, only to encounter a bewildering new cast of music teachers, both kind and cruel. After many humiliations and a few triumphs, he ultimately finds his way as a world-touring pianist, a MacArthur &“Genius,&” and a frequent performer at Carnegie Hall. Many classical music memoirs focus on famous musicians and professional accomplishments, but this book focuses on the everyday: neighborhood teacher, high school orchestra, local conductor. There are few writers capable of so deeply illuminating the trials of artistic practice—hours of daily repetition, mystifying advice, pressure from parents and teachers. But under all this struggle is a love letter to the act of teaching. In lively, endlessly imaginative prose, Denk dives deeply into the pieces and composers that have shaped him—Bach, Mozart, and Brahms, among others—and offers lessons on melody, harmony, and rhythm. How do melodies work? Why is harmony such a mystery to most people? Why are teachers so obsessed with the metronome?In Every Good Boy Does Fine, Denk shares the most meaningful lessons of his life, and tries to repay a debt to his teachers. He also reminds us that we must never stop asking questions about music and its purposes: consolation, an armor against disillusionment, pure pleasure, a diversion, a refuge, and a vehicle for empathy.
Every Little Step: My Story
by Bobby Brown Nick ChilesA New York Times BestsellerIn Every Little Step, Bobby Brown tells the full story of his life and sets the record straight, particularly about his relationship with Whitney Houston.Bobby Brown has been one of the most compelling American artists of the past thirty years, a magnetic and talented figure who successfully crossed over many musical genres, including R&B and hip hop, as well as the mainstream. In the late 1980s, the former front man of New Edition had a wildly successful solo career—especially with the launch of Don't Be Cruel—garnering multiple hits on the Billboard top ten list, as well as several Grammy, American Music, and Soul Train awards. But Brown put his career on hold to be with the woman he loved—American music royalty Whitney Houston. The marriage between Brown and Houston was perhaps the most closely watched and talked about marriage of the 1990s—a pairing that obsessed the public and the gossip industry. Now, for the first time, the world will be able to hear the truth from the mouth of America’s “bad boy” himself. Raw and powerful, Every Little Step is the story of a man who has been on the top of the mountain and in the depths of the valley and who is now finally ready to talk about his career and family life, from the passion and the excess to his creative inspirations and massive musical success.On the process of writing this book, Bobby says, “Right after I signed on to write my story, I went through one of the most agonizing traumas I had ever experienced with the death of my daughter. But I was surprised by how therapeutic it was to work on this project, to look at the entire arc of my life and to realize that although there has been considerable pain, I have also been incredibly blessed. I hope my fans and other readers of this book will be entertained by this trip into the crazy, exciting, fascinating world of Bobby Brown. And I hope they will feel that I have been as honest and open with them in these pages as I have tried to be my entire life.”
Every Little Thing Gonna Be Alright: The Bob Marley Reader
by Hank BordowitzThroughout Africa, the Caribbean, Europe, and America, Bob Marley represents far more than just the musician who translated spiritual and political beliefs into hypnotic, hard-hitting songs such as "Get Up, Stand Up," "No Woman, No Cry," and "Jammin'. " Marley was born in rural Jamaica and reared in the mean streets of Kingston's Trenchtown; his ascent to worldwide acclaim, first with The Wailers--Peter Tosh and Bunny Livingstone--and later as a solo artist, is a riveting story of the spiritual awakening of a uniquely talented individual. Now, for the first time, a symphony of voices has joined together to offer perspective on one of this century's most compelling figures. Dealing with Bob Marley as a man and myth, from his "rude boy" teens to international fame and his tragic death at the age of thirty-six, Every Little Thing Gonna Be Alright then explores the larger picture, examining Marley as the spokesman for Jamaica's homegrown religion of Rastafarianism, as a flash point for the pressure cooker of Jamaican politics, and his unique status as the first pop musical superstar of the so-called "Third World. "
Every Song Ever: Twenty Ways to Listen in an Age of Musical Plenty, First edition
by Ben RatliffWhat does it mean to listen in the digital era? Today, we can listen to nearly anything, at any time, from Detroit techno to jam bands to baroque opera. The possibilities in this new age of listening overturn old assumptions about what it means to properly appreciate music---to be an “educated” listener. In Every Song Ever, veteran New York Times music critic Ben Ratliff reimagines the very idea of music appreciation in this day and age. As familiar subdivisions like “rock” and “jazz” matter less and less and music’s accessible past becomes longer and broader, listeners can put aside the intentions of composers and musicians and engage music afresh, on their own terms. The result is a new mode of listening that can lead to unexpected connections and astonishing possibilities---as well as dangers. <P><P>Encompassing the sounds of five continents and several centuries, Every Song Ever is a necessary field guide to our musical habitat, and a foundation for the new aesthetics our age demands.