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A Sick Life: TLC 'n Me: Stories from On and Off the Stage
by Tionne WatkinsA candid memoir of fame, strength, family, and friendship from the lead singer of TLCAs the lead singer of Grammy-winning supergroup TLC, Tionne “T-Boz” Watkins has seen phenomenal fame, success, and critical acclaim. But backstage, she has lived a dual life. In addition to the balancing act of juggling an all-consuming music career and her family, Tionne has struggled her whole life with sickle-cell disease—a debilitating and incurable condition that can render her unable to perform, walk, or even breathe.A Sick Life chronicles Tionne’s journey from a sickly young girl in Des Moines who was told she wouldn’t live to see 30 through her teen years in Atlanta to how she broke into the music scene and became the superstar musician and sickle-cell disease advocate she is today. Through Tionne’s tough, funny, tell-it-like-it-is voice, she shares how she found the inner strength, grit, and determination to live her dream, despite her often unpredictable and debilitating health issues. She dives deep into never-before-told TLC stories, including accounts of her friendship with Lisa “Left-Eye” Lopes and her tragic death. Tionne’s unvarnished discussion of her remarkable life, disease, unending strength, and ability to power through the odds offers a story like no other.
A Simple Brazilian Song: Journeys Through The Rio Sound
by James WoodallIn 1992, James Woodall was asked to write an article about a Brazilian musician he'd never heard of, called Chico Buarque. He discovered that Buarque was a national hero in his native country and that interviewing him was a bit like a Latin American interviewing Paul McCartney. Woodall fell under Buarque's spell and began an affair with Brazilian pop music which has lasted to this day. His new passion took him to Brazil and in particular to Rio de Janeiro, world capital of Carnival and samba. Over several visits, he met with Chico Buarque, discovered the city's immodest beach culture and took part in Carnival. He met Chico Buarque's great contemporary, Caetano Veloso and other stars. Picking up Portuguese on the hop, he learnt a great deal about Chico Buarque's life and about the strange and dangerous city where he lives. This book is as much a hymn to Rio de Janeiro as it is to the music that beats at its heart.
A Six String History of America
by Jay M. PilzerDrawing on his years of experience as a history professor and longtime guitar dealer, author Jay Pilzer leads us on an entertaining and thoughtful journey through the fascinating, diverse, and sometimes wild history of the guitar in America. Viewed through the broad scope of the American experience, this retrospective cleverly melds together such unexpected guitar-related subjects as the Tulip Mania of 1636, the swaying hips of hula girls in Hawaii, and what really powered Jimi Hendrix's Stratocaster at Woodstock. Our author ponders all aspects of guitar history, including:- How the period of the Enlightenment was an influence on guitars- Why the economics of the 1600s were a prelude to guitar prices of the twenty-first century- The surprising influences on guitar designs and styles- How the advent of American steamboats and railroads helped guitar sales- The development of blues and jazz, and the types of instruments used for each style- The affects of installment buying on guitar sales after the Great Depression- How and why guitar quality declined in the 1970s and why guitar executives cringed at the sound of disco in the 1980sThese, and many other aspects of guitar history, are covered in this fully-readable and enjoyable book. Whether you play or listen, this romp through the history of guitars will truly entertain!
A Smattering Of Ignorance
by Oscar LevantA series of essays on Oscar Levant's various life experiences, his early days, his studies (which included years of lessons with none other than Arnold Schoenberg), his encounters with famous musicians
A Social History of Amateur Music-Making and Scottish National Identity: Scotland’s Printed Music, 1880–1951 (Music in Nineteenth-Century Britain)
by Karen E. McAulayLate Victorian Scotland had a flourishing music publishing trade, evidenced by the survival of a plethora of vocal scores and dance tune books; and whether informing us what people actually sang and played at home, danced to, or enjoyed in choirs, or reminding us of the impact of emigration from Britain for both emigrants and their families left behind, examining this neglected repertoire provides an insight into Scottish musical culture and is a valuable addition to the broader social history of Scotland.The decline of the music trade by the mid-twentieth century is attributable to various factors, some external, but others due to the conservative and perhaps somewhat parochial nature of the publishers’ output. What survives bears witness to the importance of domestic and amateur music-making in ordinary lives between 1880 and 1950. Much of the music is now little more than a historical artefact. Nonetheless, Karen E. McAulay shows that the nature of the music, the song and fiddle tune books’ contents, the paratext around the collections, its packaging, marketing and dissemination all document the social history of an era whose everyday music has often been dismissed as not significant or, indeed, properly ‘old’ enough to merit consideration.The book will be valuable for academics as well as folk musicians and those interested in the social and musical history of Scotland and the British Isles.
A Song Called Home
by Sara ZarrFrom award-winning author Sara Zarr comes a story of the small moments that show us who we are, and how family is not just something you’re part of, but something you make.Lou and her family don’t have much, but for Lou it's enough. Mom. Her sister, Casey. Their apartment in the city. Her best friend, Beth. It would be better if Dad could stop drinking and be there for her and Casey, and if they didn't have to worry about money all the time. But Lou doesn’t need better—she only needs enough.What’s enough for Lou, however, is not enough for Mom. Steve, Mom's boyfriend, isn’t a bad guy, he's just…not what Lou is used to. And now, he and Mom are getting married, and that means moving. Packing up life as they’ve known it and storing it in Steve’s garage. Lou will be separated from everything in her small but predictable life, farther from Dad than ever.Their last night in the city, Lou receives a mysterious birthday gift: A guitar, left for her by their front door. There’s nothing saying who left it, but it must be from Dad. And as she leaves the only place she’s ever known, she starts to believe that if she can learn how to play it, maybe she can bring a piece of him, and of her old life, home.
A Song For Everyone: The Story of Creedence Clearwater Revival
by John LinganThe definitive biography of Creedence Clearwater Revival, exploring the band's legendary rise to fame and how their music embodied the cultural landscape of the late '60s and early '70sFrom 1969 to 1971, as the United States convulsed with political upheaval and transformative social movements, no band was bigger than Creedence Clearwater Revival. They managed a two-year barrage of top-10 singles and LPs that doubled as an ubiquitous soundtrack to one of the most volatile periods in modern American history, and they remain a staple of classic rock radio and films about the era. Yet despite their enduring popularity, no book has ever sought to understand Creedence in conversation with their time. A Song for Everyone finally tells that story: the thirteen-year saga of an unassuming suburban quartet's journey through the wilds of 1960s pop, and their slow accrual of a sound and ethos that were almost mystically aligned with the concerns of decade's end. Starting in middle school, these Californian friends and brothers cut a working-class path through the most expansive decade in American music, playing R&B, country, and rock 'n' roll under a variety of names as each of those genres expanded and evolved. When they finally synthesized those styles under a new name in 1968, Creedence Clearwater Revival became instantly epochal, then fell apart under the weight of personal grievances that dated back to adolescence. As musicians and as men, they embodied the contradictions and difficulties of their time, and those dimensions of their career have never been explored until now.Drawing on wide-ranging research into the social and musical developments of 1959-1972, extensive original interviews with surviving Creedence members and associates, and unpublished memoirs from people who knew the group closely, A Song for Everyone is the definitive account of a legendary and still-beloved American band. At the same time, it is also a cultural history of those same years—from Elvis to Altamont, Eisenhower to Watergate—seen through the eyes of four men who encapsulated them in song for all time, told by one of the rising figures in contemporary music writing.
A Song and A Prayer: 30 Devotions Inspired by My Favorite Songs
by Loretta Lynn Kim McLeanExperience spiritual encouragement from the Queen of Country Music with this collection of devotionals and uplifting lyrics. It&’s been over sixty years since the late Loretta Lynn first rose to stardom, transforming from a coal miner&’s daughter to the Queen of Country Music. Loretta knew she was blessed—to record music, to sing her songs to such great crowds, and to write books. A Song and A Prayer is a collection of devotionals combined with song lyrics that delivers a unique form of worship. Inspired by her songwriting sessions with Kim McLean (a fellow songwriter, music producer, as well as ordained minister and reverend doctor), Loretta's love of God is felt on every page of this book. Readers will learn to experience and maintain an intimate one-on-relationship with God. This volume will become a cherished companion for Loretta Lynn fans and readers everywhere as they strive to live each precious moment to the fullest and happiest. Through A Song and A Prayer, readers of all faiths and walks of life will have the opportunity to bask in a month&’s worth of spiritual encouragement. Loretta&’s thoughts and lyrics not only capture the presence of God, but also capture a presence that transcends Christianity—the spirit of creativity. In a busy world, Loretta&’s lyrics and prayers remind readers that God loves them more than they could imagine.
A Song for Cambodia
by Michelle LordThe true story of Arn Chorn-Pond, Cambodian American musician and human rights activist, who as a young boy survived Khmer Rouge work camps by learning to play a musical instrument.When Arn was a young boy in Cambodia, his days were filled with love, laughter, and the sweet sounds of music. That all changed suddenly in 1975 when Arn's village was invaded by Khmer Rouge soldiers and his family was torn apart. Nine-year-old Arn was taken to a children's work camp, where he labored long hours in the rice fields under the glaring eyes of threatening soldiers. Overworked, underfed, and in constant fear for his life, Arn had to find a way to survive. When guards asked for volunteers to play music one day, Arn bravely raised his hand-taking a chance that would change the course of his life. A Song for Cambodia is the inspirational true story of Arn Chorn-Pond. His heartfelt music created beauty in a time of darkness and turned tragedy into healing.
A Song for China: How My Father Wrote Yellow River Cantata
by Ange ZhangPublished in celebration of the famous Yellow River Cantata’s 80th anniversary, this is the riveting history of how a young Chinese author and passionate militant fought using art to create a socially just China during the period of the struggle against the Japanese and during World War II.This is the fascinating story of how a young Chinese author, Guang Weiran, a passionate militant from the age of twelve, fought, using art, theater, poetry and song, especially the famous Yellow River Cantata — the anthem of Chinese national spirit — to create a socially just China. Set during the period of the struggle against the Japanese and the war against the Kuomintang in the 1920s and ’30s, this book, written and illustrated by Guang Weiran’s award-winning artist son, Ange Zhang, illuminates a key period in China’s history. The passion and commitment of the artists who were born under the repressive weight of the Japanese occupation, the remnants of the decaying imperial order and the times of colonial humiliation are inspiring.Zhang’s words and wood-block style of art tell us the story of his father’s extraordinary youth and very early rise to prominence due to his great talent with words. We see and hear the intensity of what it meant to be alive at such a significant moment in the history of China, a country that understands itself as the heir to one of the greatest civilizations the world has ever known. The humiliations and social injustice the Chinese people had endured in the colonial period were no longer bearable. And yet there were major factional differences between those who wanted to create a modern China. Ange’s words and art paint the picture for us through his father’s story, accompanied by sidebars that explain the historical context.The book ends in a burst of glorious color and song, with the words of Yellow River Cantata in Mandarin, as well as newly translated into English. This great song turns eighty years old in 2019, and will be sung and performed by huge orchestras and choirs around the world, as the Chinese diaspora has embraced the cantata as its own.Key Text Features historical context sidebars illustrations lyricsCorrelates to the Common Core State Standards in English Language Arts:CCSS.ELA-LITERACY.RI.6.2 Determine a central idea of a text and how it is conveyed through particular details; provide a summary of the text distinct from personal opinions or judgments.CCSS.ELA-LITERACY.RI.6.6 Determine an author's point of view or purpose in a text and explain how it is conveyed in the text.CCSS.ELA-LITERACY.RI.6.7 Integrate information presented in different media or formats (e.g., visually, quantitatively) as well as in words to develop a coherent understanding of a topic or issue.
A Song for Europe: Popular Music and Politics in the Eurovision Song Contest (Ashgate Popular And Folk Music Ser.)
by IVAN RAYKOFF and ROBERT DEAM TOBINThe world's largest and longest-running song competition, the Eurovision Song Contest is a significant and extremely popular media event throughout the continent and abroad. The Contest is broadcast live in over 30 countries with over 100 million viewers annually. Established in 1956 as a televised spectacle to unify postwar Western Europe through music, the Contest features singers who represent a participating nation with a new popular song. Viewers vote by phone for their favourite performance, though they cannot vote for their own country's entry. This process alone reveals much about national identities and identifications, as voting patterns expose deep-seated alliances and animosities among participating countries. Here, an international group of scholars from a variety of disciplines, including musicology, communications, history, sociology, English and German studies, explore how the contest sheds light on issues of European politics, national and European identity, race, gender and sexuality, and the aesthetics of camp. For some countries, participation in Eurovision has been simultaneously an assertion of modernity and a claim to membership in Europe and the West. Eurovision is sometimes regarded as a low-brow camp spectacle of little aesthetic or intellectual value. The essays in this collection often contradict this assumption, demonstrating that the contest has actually been a significant force and forecaster for social, cultural and political transformations in postwar Europe.
A Song for You: My Life with Whitney Houston
by Robyn CrawfordAfter decades of silence, Robyn Crawford, close friend, collaborator, and confidante of Whitney Houston, shares her story. Whitney Houston is as big a superstar as the music business has ever known. She exploded on the scene in 1985 with her debut album and spent the next two decades dominating the charts and capturing the hearts of fans around the world. One person was there by her side through it all—her best friend, Robyn Crawford. <P><P>Since Whitney’s death in 2012, Robyn has stayed out of the limelight and held the great joys, wild adventures, and hard truths of her life with Whitney close to her heart. Now, for the first time ever, Crawford opens up in her new memoir, A Song for You. With warmth, candor, and an impressive recall of detail, Robyn describes the two meeting as teenagers in the 1980s, and how their lives and friendship evolved as Whitney recorded her first album and Robyn pursued her promising Division I basketball career. <P><P>Together during countless sold-out world tours, behind the scenes as hit after hit was recorded, through Whitney’s marriage and the birth of her daughter, the two navigated often challenging families, great loves, and painful losses, always supporting each other with laughter and friendship. <P><P>Deeply personal and heartfelt, A Song for You is the vital, honest, and previously untold story that provides an understanding of the complex life of Whitney Houston. Finally, the person who knew her best sets the record straight. <P><b>A New York Times Bestseller</b>
A Song for the Season (American Girl: Tenney Grant #4)
by Kellen HertzBuckle your seatbelts--In this fourth book in the series, Tenney & Logan are taking their show on the road! Christmas is just around the corner, and Tenney can't wait to share their music with fans all over Tennessee. But being on the road is harder than she expected--she's missing out on her favorite holiday traditions at home. . . and why is Logan being such a scrooge? After a series of disappointments, the duo begins to crack under pressure. Can they save the tour--and their holiday spirit--in time for Christmas?
A Song to Save the Salish Sea: Musical Performance as Environmental Activism (Music, Nature, Place)
by Mark PedeltyOn the coast of Washington and British Columbia sit the misty forests and towering mountains of Cascadia. With archipelagos surrounding its shores and tidal surges of the Salish Sea trundling through the interior, this bioregion has long attracted loggers, fishing fleets, and land developers, each generation seeking successively harder to reach resources as old-growth stands, salmon stocks, and other natural endowments are depleted. Alongside encroaching developers and industrialists is the presence of a rich environmental movement that has historically built community through musical activism. From the Wobblies' Little Red Songbook (1909) to Woody Guthrie's Columbia River Songs (1941) on through to the Raging Grannies' formation in 1987, Cascadia's ecology has inspired legions of songwriters and musicians to advocate for preservation through music.In this book, Mark Pedelty explores Cascadia's vibrant eco-musical community in order to understand how environmentalist music imagines, and perhaps even creates, a more sustainable conception of place. Highlighting the music and environmental work of such various groups as Dana Lyons, the Raging Grannies, Idle No More, Towers and Trees, and Irthlingz, among others, Pedelty examines the divergent strategies—musical, organizational, and technological—used by each musical group to reach different audiences and to mobilize action. He concludes with a discussion of "applied ecomusicology," considering ways this book might be of use to activists and musicians at the community level.
A Song to Sing A Life to Live: Reflections on Music as Spiritual Practice
by Don Saliers Emily SaliersThe authors examine the ways that music relates to spirituality, our bodies, to personal growth, a search for justice and a search for God.
A Soprano on Her Head: Right-side-up Reflections on Life and Other Performances
by Eloise RistadIn a playful and experimental way, Eloise Ristad encourages her students to learn a lot about themselves in unconventional ways. New approaches to sight-reading and learning rhythms, and even reading sheet music, delight her students. Students find that they have clearer minds as they confront their "inner judges" and turn them into advisors. And you too, can do the same.
A Soviet Credo: Shostakovich's Fourth Symphony
by Pauline FaircloughComposed in 1935-36 and intended to be his artistic 'credo', Shostakovich's Fourth Symphony was not performed publicly until 1961. Here, Dr Pauline Fairclough tackles head-on one of the most significant and least understood of Shostakovich's major works. She argues that the Fourth Symphony was radically different from its Soviet contemporaries in terms of its structure, dramaturgy, tone and even language, and therefore challenged the norms of Soviet symphonism at a crucial stage of its development. With the backing of prominent musicologists such as Ivan Sollertinsky, the composer could realistically have expected the premiere to have taken place, and may even have intended the symphony to be a model for a new kind of 'democratic' Soviet symphonism. Fairclough meticulously examines the score to inform a discussion of tonal and thematic processes, allusion, paraphrase and reference to musical types, or intonations. Such analysis is set deeply in the context of Soviet musical culture during the period 1932-36, involving Shostakovich's contemporaries Shebalin, Myaskovsky, Kabalevsky and Popov. A new method of analysis is also advanced here, where a range of Soviet and Western analytical methods are informed by the theoretical work of Shostakovich's contemporaries Viktor Shklovsky, Boris Tomashevsky, Mikhail Bakhtin and Ivan Sollertinsky, together with Theodor Adorno's late study of Mahler. In this way, the book will significantly increase an understanding of the symphony and its context.
A Spaniard in the Works
by John LennonAN OMNIBUS EDITION OF JOHN LENNON' S WHIMSICAL POETRY, PROSE, AND DRAWINGS, REISSUED IN CELEBRATION OF THE 70TH ANNIVERSARY OF HIS BIRTH.
A Spiral Way: How the Phonograph Changed Ethnography
by Erika BradyAssociation of Recorded Sound Collections Awards for ExcellenceBest Research in the General History of Recorded Sound (2000)The invention of the cylinder phonograph at the end of the nineteenth century opened up a new world for cultural research. Indeed, Edison's talking machine became one of the basic tools of anthropology. It not only equipped researchers with the means of preserving folk songs but it also enabled them to investigate a wide spectrum of distinct vocal expressions in the emerging fields of anthropology and folklore. Ethnographers grasped its huge potential and fanned out through regional America to record rituals, stories, word lists, and songs in isolated cultures. From the outset the federal government helped fuel the momentum to record cultures that were at risk of being lost. Through the Bureau of American Ethnology, the Smithsonian Institution took an active role in preserving native heritage. It supported projects to make phonographic documentation of American Indian language, music, and rituals before developing technologies and national expansion might futher undermine them. This study of the early phonograph's impact shows traditional ethnography being transformed, for attitudes of both ethnographers and performers were reshaped by this exciting technology. In the presence of the phonograph both fieldwork and the materials collected were revolutionized. By radically altering the old research modes, the phonograph brought the disciplines of anthropology and folklore into the modern era. At first the instrument was as strange and new to the fieldworkers as it was to their subjects. To some the first encounter with the phonograph was a deeply unsettling experience. When it was demonstrated in 1878 before members of the National Academy of Sciences, several members of the audience fainted. Even its inventor was astonished. Of his first successful test of his tinfoil phonograph, Thomas A. Edison said, "I was never taken so aback in my life." The cylinders that have survived from these times offer an unrivaled resource not only for contemporary scholarship but also for a grassroots renaissance of cultural and religious values. In tracing the historical interplay of the talking machine with field research, A Spiral Way underscores the natural adaptablity of cultural study to this new technology.
A Spy in the House of Loud: New York Songs and Stories (American Music Series)
by Chris StameyPopular music was in a creative upheaval in the late 1970s. As the singer-songwriter and producer Chris Stamey remembers, “the old guard had become bloated, cartoonish, and widely co-opted by a search for maximum corporate profits, and we wanted none of it.” In A Spy in the House of Loud, he takes us back to the auteur explosion happening in New York clubs such as the Bowery’s CBGB as Television, Talking Heads, R.E.M., and other innovative bands were rewriting the rules. Just twenty-two years old and newly arrived from North Carolina, Stamey immersed himself in the action, playing a year with Alex Chilton before forming the dB’s and recording the albums Stands for deciBels and Repercussion, which still have an enthusiastic following. A Spy in the House of Loud vividly captures the energy that drove the music scene as arena rock gave way to punk and other new streams of electric music. Stamey tells engrossing backstories about creating in the recording studio, describing both the inspiration and the harmonic decisions behind many of his compositions, as well as providing insights into other people’s music and the process of songwriting. Photos, mixer-channel and track assignment notes, and other inside-the-studio materials illustrate the stories. Revealing another side of the CBGB era, which has been stereotyped as punk rock, safety pins, and provocation, A Spy in the House of Loud portrays a southern artist’s coming-of-age in New York’s frontier abandon as he searches for new ways to break the rules and make some noise.
A Spy in the House of Loud: New York Songs and Stories (American Music Series)
by Chris StameyThe musician & producer reflects on New York City&’s early punk rock scene, as well as the creation of some of his most famous albums in this memoir.Popular music was in a creative upheaval in the late 1970s. As the singer-songwriter and producer Chris Stamey remembers, &“the old guard had become bloated, cartoonish, and widely co-opted by a search for maximum corporate profits, and we wanted none of it.&” In A Spy in the House of Loud, he takes us back to the auteur explosion happening in New York clubs such as the Bowery&’s CBGB as Television, Talking Heads, R.E.M., and other innovative bands were rewriting the rules. Just twenty-two years old and newly arrived from North Carolina, Stamey immersed himself in the action, playing a year with Alex Chilton before forming the dB&’s and recording the albums Stands for deciBels and Repercussion, which still have an enthusiastic following.A Spy in the House of Loud vividly captures the energy that drove the music scene as arena rock gave way to punk and other new streams of electric music. Stamey tells engrossing backstories about creating in the recording studio, describing both the inspiration and the harmonic decisions behind many of his compositions, as well as providing insights into other people&’s music and the process of songwriting. Photos, mixer-channel and track assignment notes, and other inside-the-studio materials illustrate the stories. Revealing another side of the CBGB era, which has been stereotyped as punk rock, safety pins, and provocation, A Spy in the House of Loud portrays a southern artist&’s coming-of-age in New York&’s frontier abandon as he searches for new ways to break the rules and make some noise.&“An endlessly fascinating odyssey through the worlds of Southern pop, New York City art punk, and American indie rock. Stamey&’s stories capture you with same finely etched detail and emotional depth that have always marked his best songs. Both an engrossing personal memoir and an eye-opening peek into the creative process, this is a truly essential work of music lit.&” —Bob Mehr, New York Times–bestselling author of Trouble Boys: The True Story of the Replacements &“Informed, eloquent, and daring, this book stands as a model of excellence for both music writing and memoir. Stamey moves effortlessly between analysis and reminiscence, history and personal revelation, shedding light on his own creative journey as well as the city—&‘planet New York&’—that provided a good deal of the inspiration for it. I simultaneously learned so much and was deeply moved.&” —Anthony DeCurtis, author of Lou Reed: A Life &“Where most musician autobiographies are fueled by backstage drama, this book focuses almost entirely on the creative process, a choice that not only proves to be compelling but helps turn Stamey&’s personal journey into a necessary document of peak-era college rock, illustrating how it was a vibrant scene filled with unexpected cross pollination.&” —Pitchfork
A Star Is Born: Judy Garland and the Film that Got Away (Turner Classic Movies)
by Lorna Luft Jeffrey VanceNew York Times bestselling author and daughter of Judy Garland tells the story of A Star Is Born -- at once the crowning achievement and greatest disappointment in her mother's legendary career. This is a vivid account of a film classic's production, loss, and reclamation.A Star Is Born -- the classic Hollywood tale about a young talent rising to superstardom, and the downfall of her mentor/lover along the way -- has never gone out of style. It has seen five film adaptations, but none compares to the 1954 version starring Judy Garland in her greatest role. But while it was the crowning performance of the legendary entertainer's career, the production turned into one of the most talked about in movie history.The story, which depicts the dark side of fame, addiction, loss, and suicide, paralleled Garland's own tumultuous life in many ways. While hitting alarmingly close to home for the fragile star, it ultimately led to a superlative performance -- one that was nominated for an Academy Award, but lost in one of the biggest upsets in Oscar history. Running far too long for the studio's tastes, Warner Bros. notoriously slashed extensive amounts of footage from the finished print, leaving A Star is Born in tatters and breaking the heart of both the film's star and director George Cukor.Today, with a director's cut reconstructed from previously lost scenes and audio, the 1954 A Star is Born has taken its deserved place among the most critically acclaimed movies of all time, and continues to inspire each new generation that discovers it. Now, Lorna Luft, daughter of Judy Garland and the film's producer, Sid Luft, tells the story of the production, and of her mother's fight to save her career, as only she could. Teaming with film historian Jeffrey Vance, A Star Is Born is a vivid and refreshingly candid account of the crafting, loss, and restoration of a movie classic, complemented by a trove of images from the family collection taken both on and off the set. The book also includes essays on the other screen adaptations of A Star Is Born, to round out a complete history of a story that has remained a Hollywood favorite for close to a century.
A Street Cat Named Bob: And How He Saved My Life
by James BowenThe Instant New York Times Bestseller! James is a street musician struggling to make ends meet. Bob is a stray cat looking for somewhere warm to sleep. When James and Bob meet, they forge a never-to-be-forgotten friendship that has been charming readers from Thailand to Turkey. A Street Cat Named Bob is an international sensation, landing on the bestseller list in England for 52 consecutive weeks and selling in 26 countries around the world. Now, James and Bob are ready to share their true story with the U. S. in this tale unlike any you’ve ever read of a cat who possesses some kind of magic. When street musician James Bowen found an injured cat curled up in the hallway of his apartment building, he had no idea how much his life was about to change. James was living hand to mouth on the streets of London, barely making enough money to feed himself, and the last thing he needed was a pet. Yet James couldn't resist helping the strikingly intelligent but very sick animal, whom he named Bob. He slowly nursed Bob back to health and then sent the cat on his way, imagining that he would never see him again. But Bob had other ideas. Perfect for fans of Marley & Me: Life and Love with the World's Worst Dog and Dewey: The Small-Town Library Cat That Changed the World, this instant classic about the power of love between man and animal has taken the world by storm and is guaranteed to be a huge hit with American fans as well. Note: Does not use standard American spelling or punctuation.
A Student's Guide to Music History (ISI Guides to the Major Disciplines)
by R.J. Stove&“Delightfully sophisticated . . . the only music history that can be savored, muscatel in hand, in the green shade of a beach umbrella&” (John Simon, The Hudson Review). R. J. Stove&’s A Student&’s Guide to Music History is a concise account, written for the intelligent lay reader, of classical music&’s development from the early Middle Ages onwards. Beginning with a discussion of Hildegard von Bingen, a twelfth-century German nun and composer, and the origins of plainchant, Stove&’s narrative recounts the rise (and ever-increasing complexity) of harmony during the medieval world, the differences between secular and sacred music, the glories of the contrapuntal style, and the origins of opera. Stove then relates the achievements of the high baroque period, the very different idioms that prevailed during the late eighteenth century, and the emergence of Romanticism, with its emphasis upon the artist-hero. With the late nineteenth century came a growing emphasis on musical patriotism, writes Stove, especially in Spain, Hungary, Russia, Bohemia, Norway, Denmark, Finland, and the United States. A final section discusses the trends that have characterized music since 1945. Stove&’s guide also singles out eminent composers for special coverage, including Palestrina, Monteverdi, Handel, Bach, Haydn, Mozart, Beethoven, Schubert, Wagner, Verdi, Brahms, Debussy, Richard Strauss, Sibelius, and Messiaen. As a brief orientation to the history and contours of classical music, A Student&’s Guide to Music History is an unparalleled resource.
A Supreme Love: The Music of Jazz and the Hope of the Gospel
by William EdgarFor practitioners and fans, jazz expresses the deepest meanings of life.In this volume, theologian and jazz pianist William Edgar argues that the music of jazz cannot be properly understood apart from the Christian gospel, which like jazz moves from deep lament to inextinguishable joy. By tracing the development of jazz, placing it within the context of the African American experience, and exploring the work of jazz musicians like Miles Davis, Duke Ellington, John Coltrane, Ella Fitzgerald, and Louis Armstrong, Edgar argues that jazz deeply resonates with the hope that is ultimately found in the good news of Jesus Christ.Grab a table. The show is about to begin.