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A Symphony Of Whales
by Steve Schuch Peter SylvadaGlashka can understand whale song--but with that mysterious power comes great responsibility. When she discovers thousands of whales trapped in a rapidly freezing inlet, she knows it is up to her to gather the people of her town to help them. Based on an actual event, this inspiring story follows Glashka and her people as they come to understand the importance of all life. Full-color illustrations.
A Texas-Mexican Cancionero: Folksongs of the Lower Border
by Manuel PeñaThe folksongs of Texas's Mexican population pulsate with the lives of folk heroes, gringos, smugglers, generals, jailbirds, and beautiful women. In his cancionero, or songbook, Américo Paredes presents sixty-six of these songs in bilingual text—along with their music, notes on tempo and performance, and discography. Manuel Peña's new foreword situates these songs within the main currents of Mexican American music.
A Theory of Harmony: With A New Introduction by Paul Wilkinson
by Ernst LevyErnst Levy was a visionary Swiss pianist, composer, and teacher who developed an approach to music theory that has come to be known as "negative harmony." Levy's theories have had a wide influence, from young British performer/composer Jacob Collier to jazz musicians like Steve Coleman. His posthumous text, A Theory of Harmony, summarizes his innovative ideas. A Theory of Harmony is a highly original explanation of the harmonic language of the modern era, illuminating the approaches of diverse styles of music. By breaking through age-old conceptions, Levy was able to reorient the way we experience musical harmony.British composer/music pedagogue Paul Wilkinson has written a new introduction that offers multiple points of entry to Levy’s work to make this text more accessible for a new generation of students, performers, and theorists. He relates Levy's work to innovations in improvisation, jazz, twentieth-century classical music, and the theoretical writings of a wide range of musical mavericks, including Harry Partch, Hugo Riemann, and David Lewin. Wilkinson shows how A Theory of Harmony continues to inspire original musical expression across multiple musical genres.
A Theory of Musical Narrative (Musical Meaning and Interpretation)
by Byron AlménByron Almén proposes an original synthesis of approaches to musical narrative from literary criticism, semiotics, historiography, musicology, and music theory, resulting in a significant critical reorientation of the field. This volume includes an extensive survey of traditional approaches to musical narrative illustrated by a wide variety of musical examples that highlight the range and applicability of the theoretical apparatus. Almén provides a careful delineation of the essential elements and preconditions of musical narrative organization, an eclectic analytical model applicable to a wide range of musical styles and repertoires, a classification scheme of narrative types and subtypes reflecting conceptually distinct narrative strategies, a wide array of interpretive categories, and a sensitivity to the dependence of narrative interpretation on the cultural milieu of the work, its various audiences, and the analyst. A Theory of Musical Narrative provides both an excellent introduction to an increasingly important conceptual domain and a complex reassessment of its possibilities and characteristics.
A Theory of Virtual Agency for Western Art Music (Musical Meaning and Interpretation)
by Robert S. HattenIn his third volume on musical expressive meaning, Robert S. Hatten examines virtual agency in music from the perspectives of movement, gesture, embodiment, topics, tropes, emotion, narrativity, and performance. Distinguished from the actual agency of composers and performers, whose intentional actions either create music as notated or manifest music as significant sound, virtual agency is inferred from the implied actions of those sounds, as they move and reveal tendencies within music-stylistic contexts. From our most basic attributions of sources for perceived energies in music, to the highest realm of our engagement with musical subjectivity, Hatten explains how virtual agents arose as distinct from actual ones, how unspecified actants can take on characteristics of (virtual) human agents, and how virtual agents assume various actorial roles. Along the way, Hatten demonstrates some of the musical means by which composers and performers from different historical eras have staged and projected various levels of virtual agency, engaging listeners imaginatively and interactively within the expressive realms of their virtual and fictional musical worlds.
A Thousand Threads: A Memoir
by Neneh Cherry*Named a Most Anticipated Book by New York magazine, The Associated Press, Town and Country, The Guardian, The BBC, and more* A vibrant memoir from Grammy-nominated singer-songwriter Neneh Cherry who shares an inside look at her fascinating career and globe-traversing journeys in a life of love and music. Born in Sweden in 1964, Neneh Cherry&’s father Ahmadu was a musician from Sierra Leone. Her mother, Moki, was a twenty-one-year-old Swedish textile artist. Her parents split up just after Neneh was born, and not long afterwards Moki met and fell in love with acclaimed jazz musician Don Cherry. Eventually, the strong pull New York City in the 1970s drew him them there, but they made a home wherever they traveled. Neneh and her brother Eagle-Eye experienced a life of creativity, freedom, and, of course, music. In A Thousand Threads, Neneh takes readers from the charming old schoolhouse in the woods of Sweden where she grew up, to the village in Sierra Leone that was birthplace of her biological father, to the early punk scene in London and New York, to finding her identity with her stepfather&’s family in Watts, California. Neneh has lived an extraordinary life of connectivity and creativity and she recounts in intimate detail how she burst onto the scene as a teenager in the punk band The Slits, and went on to release her first album in 1989 with a worldwide hit single &“Buffalo Stance.&” Neneh&’s inspiring and deeply compelling memoir both celebrates female empowerment and shines a light on the global music scene—and is perfect for anyone interested in the artistic life in all its forms.
A Tone Parallel to Duke Ellington: The Man in the Music (American Made Music Series)
by Jack ChambersIn this insightful new volume, Jack Chambers explores Edward Kennedy “Duke” Ellington’s music thematically, collating motifs, memes, and predilections that caught Ellington's attention and inspired his restless muse. In presenting Ellington’s work in this manner, Chambers situates the music in the context in which it was created—historical, political, musical, biographic, and personal. Chambers offers a novel kind of access to the man and the music. Ellington’s music presents a daunting task for listeners because of its sheer volume. The numbers defy credulity. Ellington (1899–1974) wrote more than two thousand compositions in numerous genres, including pop songs, big band swing, revues, hymns, tone poems, soundtracks, suites, ballets, concertos, and symphonies. Where to start? The themes in this book offer natural entry points. They provide the context in which the music came into being, with enough biography to satisfy music lovers, even those who come to the book knowing very little about Ellington’s life. Each chapter features its own playlist as a guide to the music discussed, and, in some cases, fuller listings in case readers might want to pursue a topic further. In the early chapters, Chambers covers topics that occupied Ellington through much of his career, and in later chapters he covers more specific themes, some of them from Ellington's last decades, which are less well studied. The music, Ellington said, is his “continuing autobiography,” and it reveals the man behind it.
A Town Bewitched
by Suzanne De MontignyIt’s tough for Kira, growing up in the small town of Hope as a child prodigy in classical violin, especially when her dad just died. And to make matters worse, Kate McDonough, the red-haired fiddler appears out of nowhere, bewitching the town with her mysterious Celtic music. Even Uncle Jack succumbs to her charms, forgetting his promise to look after Kira’s family. But when someone begins vandalizing the town leaving dead and gutted birds as a calling card, Kira knows without a doubt who’s behind it. Will anyone believe her?
A Transatlantic History of Haitian Vodou: Rasin Figuier, Rasin Bwa Kayiman, and the Rada and Gede Rites
by Benjamin HebblethwaiteConnecting four centuries of political, social, and religious history with fieldwork and language documentation, A Transatlantic History of Haitian Vodou analyzes Haitian Vodou’s African origins, transmission to Saint-Domingue, and promulgation through song in contemporary Haiti.Split into two sections, the African chapters focus on history, economics, and culture in Dahomey, Allada, and Hueda while scrutinizing the role of Europeans in fomenting tensions. The political, military, and slave trading histories of the kingdoms in the Bight of Benin reveal the circumstances of enslavement, including the geographies, ethnicities, languages, and cultures of enslavers and enslaved. The study of the spirits, rituals, structure, and music of the region’s religions sheds light on important sources for Haitian Vodou. Having royal, public, and private expressions, Vodun spirit-based traditions served as cultural systems that supported or contested power and enslavement. At once suppliers and victims of the European slave trade, the people of Dahomey, Allada, and Hueda deeply shaped the emergence of Haiti’s creolized culture. The Haitian chapters focus on Vodou’s Rada Rite (from Allada) and Gede Rite (from Abomey) through the songs of Rasin Figuier’s Vodou Lakay and Rasin Bwa Kayiman’s Guede, legendary rasin compact discs released on Jean Altidor’s Miami label, Mass Konpa Records. All the Vodou songs on the discs are analyzed with a method dubbed “Vodou hermeneutics” that harnesses history, religious studies, linguistics, literary criticism, and ethnomusicology in order to advance a scholarly approach to Vodou songs.
A Treasury of Early Music: Masterworks of the Middle Ages, the Renaissance and the Baroque Era (Dover Books on Music)
by Carl ParrishFifty first-rate musical compositions document the development of musical style from the early Middle Ages to the Middle of the 18th century. Among the selections are a Gregorian hymn, an English lute piece, operatic arias, instrumental and vocal motets, a French ballad, as well as works by Vivaldi, Telemann, Pergolesi, Scarlatti, Buxtehude, and other masters. Commentary evaluates style, form and historical setting, and complete compositions or sections of compositions are supplied when possible.
A Trumpet around the Corner: The Story of New Orleans Jazz (American Made Music Series)
by Samuel ChartersSamuel Charters has been studying and writing about New Orleans music for more than fifty years. A Trumpet around the Corner: The Story of New Orleans Jazz is the first book to tell the entire story of a century of jazz in New Orleans. Although there is still controversy over the racial origins and cultural sources of New Orleans jazz, Charters provides a balanced assessment of the role played by all three of the city's musical lineages--African American, white, and Creole--in jazz's formative years. Charters also maps the inroads blazed by the city's Italian immigrant musicians, who left their own imprint on the emerging styles. The study is based on the author's own interviews, begun in the 1950s, on the extensive material gathered by the Oral History Project in New Orleans, on the recent scholarship of a new generation of writers, and on an exhaustive examination of related newspaper files from the jazz era. The book extends the study area of his earlier book Jazz: New Orleans, 1885-1957, and breaks new ground with its in-depth discussion of the earliest New Orleans recordings. A Trumpet around the Corner for the first time brings the story up to the present, describing the worldwide interest in the New Orleans jazz revival of the 1950s and 1960s, and the exciting resurgence of the brass bands of the last decades. The book discusses the renewed concern over New Orleans's musical heritage, which is at great risk after the catastrophe of Hurricane Katrina's floodwaters.
A Version of Reason: The Search for Richey Edwards
by Rob JovanovicThe missing Manic - an authoritative look into the life and times of Richey Edwards, the Manic Street Preachers' guitarist who disappeared in 1995.The disappearance of Richey Edwards, troubled guitarist with the Manic Street Preachers, is one of rock and roll's great unresolved mysteries. His Vauxhall Cavalier was found abandoned in a service station car park near the Severn Bridge, a notorious suicide spot, in February 1995, a fortnight after Edwards had last been seen. The location of the car and the tape left in the deck - Nirvana's album In Utero - tended to point to one conclusion. However, it almost seemed too obvious a statement, and in A VERSION OF REASON, Rob Jovanovic unravels the complicated life and final days of Richey Edwards. Piecing together testimony from those close to Edwards Jovanovic seeks to produce an authoritative account of the life and times of Richey Edwards.
A Version of Reason: The Search for Richey Edwards
by Rob JovanovicThe missing Manic - an authoritative look into the life and times of Richey Edwards, the Manic Street Preachers' guitarist who disappeared in 1995.The disappearance of Richey Edwards, troubled guitarist with the Manic Street Preachers, is one of rock and roll's great unresolved mysteries. His Vauxhall Cavalier was found abandoned in a service station car park near the Severn Bridge, a notorious suicide spot, in February 1995, a fortnight after Edwards had last been seen. The location of the car and the tape left in the deck - Nirvana's album In Utero - tended to point to one conclusion. However, it almost seemed too obvious a statement, and in A VERSION OF REASON, Rob Jovanovic unravels the complicated life and final days of Richey Edwards. Piecing together testimony from those close to Edwards Jovanovic seeks to produce an authoritative account of the life and times of Richey Edwards.
A Very Irregular Head: The Life of Syd Barrett
by Rob ChapmanSyd Barrett was the lead guitarist, vocalist, and principle songwriter in the original line up of Pink Floyd. During his brief time with the band (1966-68) he was the driving force behind the unit. After he left the band he made just two further solo albums which were both released in 1970, before withdrawing from public view to lead a quiet, and occasionally troubled life in Cambridge, the town of his birth. Rob Chapman's book will be the first authoritative and exhaustively researched biography of Syd Barrett that fully celebrates his life and legacy as a musician, lyricist and artist, and which highlights the influence that he continues to have over contemporary bands and music fans alike.
A View of Berg's Lulu: Through the Autograph Sources
by Patricia HallAfter 50 years of analysis we are only beginning to understand the quality and complexity of Alban Berg's most important twelve-tone work, the opera Lulu. Patricia Hall's new book represents a primary contribution to that understanding—the first detailed analysis of the sketches for the opera as well as other related autograph material and previously inaccessible correspondence to Berg. In 1959, Berg's widow deposited the first of Berg's autograph manuscripts in the Austrian National Library. The complete collection of autographs for Lulu was made accessible to scholars in 1981, and a promising new phase in Lulu scholarship unfolded. Hall begins her study by examining the format and chronology of the sketches, and she demonstrates their unique potential to clarify aspects of Berg's compositional language. In each chapter Hall uses Berg's sketches to resolve a significant problem or controversy that has emerged in the study of Lulu. For example, Hall discusses the dramatic symbolism behind Berg's use of multiple roles and how these roles contribute to the large-scale structure of the opera. She also revises the commonly held view that Berg frequently invoked a free twelve-tone style. Hall's innovative work suggests important techniques for understanding not only the sketches and manuscripts of Berg but also those of other twentieth-century composers. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1996.
A Vision of Voices: John Crosby and the Santa Fe Opera
by Craig A. SmithA destination for thousands of opera lovers every year and the anchor of Santa Fe&’s thriving arts scene, the Santa Fe Opera owes its existence to the vision and hard work of one man: John O&’Hea Crosby (1926–2002), who created the company when he was only thirty years old and guided its fortunes for the next forty-five years. This book, the first in-depth exploration of Crosby&’s career, shows how the Opera reflected his passions for music and the arts.A Vision of Voices depicts the many sides of Crosby—a dreamer and tough-minded businessman, an artistic explorer and conservative programmer, and a competent conductor and sharp critic. His devotion to quality and his obsessive oversight bore an enduring harvest that forever changed Santa Fe, the state of New Mexico, and the operatic world.
A Watch of Nightingales
by Liza WielandA modest, quiet woman, Mara Raynor never dreamed she'd one day find herself in charge of the small private school in Washington, D. C. , where for many years she taught music and choir. But after the unexpected death of her husband, the school's headmaster, Mara finds herself thrust into the public eye, burdened not just with the responsibilities of acting headmaster---a role she never wanted---but also with a potentially explosive political and religious controversy that tests parents' and school administrators' spirit of tolerance. When a Sikh student is caught wearing a ceremonial knife on school grounds, fear spreads among parents and the school board. Coming at the same moment as the disappearance of Mara's teenage daughter, the controversy quickly assumes a far more personal nature. Not just any student, the Sikh boy is both the son of a woman with whom Mara shares a complicated past and---as Mara soon discovers---her own daughter's boyfriend. As it moves back and forth in time between the school in contemporary Washington and a girls' boarding school in the British countryside in 1977, A Watch of Nightingales weaves a rich and textured exploration of fear and remorse, the mysteries of love, and the complicated tensions that ring down the generations from parent to child.
A Wayfaring Stranger: Ernst von Dohnányi's American Years, 1949-1960 (California Studies in 20th-Century Music #25)
by Veronika KuszOn March 10, 1948, world-renowned composer and pianist Ernst von Dohnányi (1877−1960) embarked for the United States, leaving Europe for good. Only a few years earlier, the seventy-year-old Hungarian had been a triumphant, internationally admired musician and leading figure in Hungarian musical life. Fleeing a political smear campaign that sought to implicate him in intellectual collaboration with fascism, he reached American shores without a job or a home. A Wayfaring Stranger presents the final period in Dohnányi’s exceptional career and uses a range of previously unavailable material to reexamine commonly held beliefs about the musician and his unique oeuvre. Offering insights into his life as a teacher, pianist, and composer, the book also considers the difficulties of émigré life, the political charges made against him, and the compositional and aesthetic dilemmas faced by a conservative artist. To this rich biographical account, Veronika Kusz adds an in-depth examination of Dohnányi’s late works—in most cases the first analyses to appear in musicological literature. This corrective history provides never-before-seen photographs of the musician’s life in the United States and skillfully illustrates Dohnányi’s impact on European and American music and the culture of the time.
A Whole Lot of History
by Kimberley WalshIn 2002 - along with Cheryl Cole, Nadine Coyle, Sarah Harding and Nicola Roberts - Kimberley Walsh won a place in the Popstars The Rivals band Girls Aloud, and her life changed forever. Ten years later, after six platinum albums, twenty top-ten singles, a Brit Award, an entry in the Guinness Book of Records and a triumphant sell-out reunion tour, the girls have decided to go their separate ways. What better time for Kimberley - a professional, hardworking businesswoman as well as a multi-talented actress and songstress - to tell her story. What was it like behind the scenes of a such a hugely successful band? Was there any truth in the rumours of endless feuds within Girls Aloud? How did she manage to maintain such a strong loving relationship with her partner Justin during the 10 years she was in the band? And how does it feel when your best friend becomes the most famous person in the land? Full of the warmth and laughter that makes Kimberley such a national treasure, with lots of insider secrets revealed too, this book is like curling up on the sofa for a gossip with a friend. There is lots still to come from the UK's favourite Northern lass. Just watch this space.
A Whole Lot of History
by Kimberley WalshIn 2002 - along with Cheryl Cole, Nadine Coyle, Sarah Harding and Nicola Roberts - Kimberley Walsh won a place in the Popstars The Rivals band Girls Aloud, and her life changed forever.Ten years later, after six platinum albums, twenty top-ten singles, a Brit Award, an entry in the Guinness Book of Records and a triumphant sell-out reunion tour, the girls have decided to go their separate ways. What better time for Kimberley - a professional, hardworking businesswoman as well as a multi-talented actress and songstress - to tell her story. What was it like behind the scenes of a such a hugely successful band? Was there any truth in the rumours of endless feuds within Girls Aloud? How did she manage to maintain such a strong loving relationship with her partner Justin during the 10 years she was in the band? And how does it feel when your best friend becomes the most famous person in the land? Full of the warmth and laughter that makes Kimberley such a national treasure, with lots of insider secrets revealed too, this book is like curling up on the sofa for a gossip with a friend. There is lots still to come from the UK's favourite Northern lass. Just watch this space.(P)2013 Headline Digital
A Windfall of Musicians
by Dorothy Lamb CrawfordThis book is the first to examine the brilliant gathering of composers, conductors, and other musicians who fled Nazi Germany and arrived in the Los Angeles area. Musicologist Dorothy Lamb Crawford looks closely at the lives, creative work, and influence of sixteen performers, fourteen composers, and one opera stage director, who joined this immense migration beginning in the 1930s. Some in this group were famous when they fled Europe, others would gain recognition in the young musical culture of Los Angeles, and still others struggled to establish themselves in an environment often resistant to musical innovation. Emphasizing individual voices, Crawford presents short portraits of Igor Stravinsky, Arnold Schoenberg, and the other musicians while also considering their influence as a group--in the film industry, in music institutions in and around Los Angeles, and as teachers who trained the next generation. The book reveals a uniquely vibrant era when Southern California became a hub of unprecedented musical talent.
A Woman Like Me
by David Ritz Bettye LavetteNow in paperback, "an un-inching and uncompromising look at a life lived across the tracks from fame . . " (Detroit Free Press) As a teenager in Detroit, Bettye LaVette scored a hit single with "My Man--He's a Lovin' Man." But by twenty, she had faded into obscurity, and bad luck repeatedly sabotaged her career. Then, after forty years of singing in clubs, her unforgettable performances at the 2008 Kennedy Center Honors and at President Obama's preinaugural concert put her back in the spotlight. A chronicle of LaVette's incredible life, A Woman Like Me is a poignant, brazen, take-no-prisoners memoir as thrilling and fearless as her music.
A Woman's Voice in Baroque Music: Mariane von Ziegler and J.S. Bach
by MarkA. PetersAt the end of his second year in Leipzig, J.S. Bach composed nine sacred cantatas to texts by Leipzig poet Mariane von Ziegler (1695-1760). Despite the fact that these cantatas are Bach's only compositions to texts by a female poet, the works have been largely ignored in the Bach literature. Ziegler was Germany's first female poet laureate, and the book highlights her significance in early eighteenth-century Germany and her commitment to advancing women's rights of self-expression. Peters enriches and enlivens the account with extracts from Ziegler's four published volumes of poetry and prose, and analyses her approach to cantata text composition by arguing that her distinctive conception of the cantata as a genre encouraged Bach's creative musical realizations. In considering Bach's settings of Ziegler's texts, Peters argues that Bach was here pursuing a number of compositional procedures not common in his other sacred cantatas, including experimentation with the order of movements within a cantata, with formal considerations in arias and recitatives, and with the use of instruments, as well as innovative approaches to Vox Christi texts and to texts dealing with speech and silence. A Woman's Voice in Baroque Music is the first book to deal in depth with issues of women in music in relation to Bach, and one of the few comprehensive studies of a specific repertory of Bach's sacred cantatas. It therefore provides a significant new perspective on both Ziegler as poet and cantata librettist and Bach as cantata composer.
A Year at the Met
by Patrick J. SmithA study of the Metropolitan Opera presents a behind-the-scenes look at its public, private, artistic, financial, and organizational operations and discusses the traditions, achievements, and innovations of the opera company.
A brillar, mi amor: Mitología no autorizada de Patricio Rey y sus Redonditos de Ricota
by Jorge BoimvaserLa historia de la banda y de los músicos de Patricio Rey y susredonditos de ricota contada por un especialista y fanático en unaedición ampliada. «El sueño del hombre es un mito individual. El mito es un sueñocolectivo». Joseph CampbellSin publicidad, solo con el recurso del boca a boca, las nuevas camadasde seguidores ya comienzan desde niños a escuchar a los Redondos y aadoptar las frases de los temas como dogmas. Chicos que escucharon desdeel vientre materno a Los Redondos hoy piden ir con sus padres a lasmisas paganas del Indio Solari y Skay. «A brillar, mi amor» se hatransformado en un libro de culto. Boimvaser es uno de los más antiguosseguidores del grupo, conoce el fenómeno ricotero porque es parte de él.Esta es una nueva edición ampliada, donde el autor rescata lareligiosidad del fuego sagrado (el que nunca se apaga) y tamiza elrelato jugando con una suerte de psicoanálisis mitológico aplicado areflejar la historia de la banda y de sus solistas.