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Funny Peculiar: The Autobiography
by Will YoungIn 2001 Will Young shot to fame as the first winner of Pop Idol. It was clear from the start that he would never be a typical pop star - and more than ten years later he has become one of our best-loved and most intriguing artists.From his dramatic experiences on Pop Idol; to coming out in the glare of the media spotlight; to his valiant struggles against depression; to the crazy reality of being famous, Will is open about both the highs and lows of his life. He also provides sound and practical advice on dealing with the DVLA helpline - something that has been woefully neglected by all other celebrity memoirs.If you have ever wondered what it's like to attend a fashion show (and find yourself accidentally waving at Anna Wintour); how it feels to sing in front of thousands while fighting a catastrophic bout of low self-esteem; or be subjected to the terror that is a This Morning 'makeover', then Funny Peculiar reveals all. It also reveals what not to say if you ever meet David Beckham.Moving, witty and scrupulously honest, Funny Peculiar is a refreshingly different and fascinating autobiography by a true original.
A Funny Thing Happened on the Way to Heaven: (Or, How I Made Peace with the Paranormal and Stigmatized Zealots and Cynics in the Process)
by Corey TaylorIn this book, Corey Taylor undertakes something never before attempted in the history of rock superstardom: he takes you with him as he journeys undercover through various ghostbusting groups who do their best to gather information and evidence about the existence of spirits. Some are more credible than others, and, frankly, some are completely insane, but all are observed with appropriate seriousness as Taylor attempts to better understand some of the spooky things that have happened to him in his life, especially that night at the Cold House.But that's not all, folks. Taylor once again gives you a behind-the-scenes tour of his crazy life and the many beyond-the-grave events he's encountered. (You'll be shocked how often Slipknot has been invaded by the supernatural.) Taylor also touches on his religious background and how it led him to believe in much more than the Man in the Sky.
Further Steps 2: Fourteen Choreographers on What's the R.A.G.E. in Modern Dance
by Constance KreemerFurther Steps 2 brings together New York’s foremost choreographers – among them MacArthur ‘Genius’ award winners Meredith Monk and Bill T. Jones – to discuss the past, present and future of dance in the US. In a series of exclusive and enlightening interviews, this diverse selection of artists discuss the changing roles of race, gender, politics, and the social environment on their work. Bringing her own experience of the New York dance scene to her study, Constance Kreemer traces the lives and works of the following choreographers: Lucinda Childs, Douglas Dunn, Molissa Fenley, Rennie Harris, Bill T. Jones, Kenneth King, Nancy Meehan, Meredith Monk, Rosalind Newman, Gus Solomons jr, Doug Varone, Dan Wagoner, Mel Wong and Jawole Zollar.
Furtwänler on Music: Essays and Addresses by Wilhelm Furtwänler
by Ronald TaylorWilhelm Furtw ler left not only some of the greatest interpretations of operatic and symphonic music on record, but also expressed his views on musical issues of the moment in a number of outspoken essays and talks. His writings range from practical matters of performance and interpretation to aesthetic reflections on what he saw as the alarming direction in which music was developing in the wake of Schoenberg and the twelve-tone system of composition. Professor Ronald Taylor has here, for the first time, translated and annotated a selection of Furtw ler's writings covering the four decades from the First World War to the conductor's death in 1954, and prefaced them with an essay on Furtw ler's controversial career and complicated personality. The result is a collection of stimulating pieces with a claim on our attention, made all the greater for reflecting the musical and philosophical ideals of one of the great conductors of the twentieth century.
Fury's Hour: A (Sort-of) Punk Manifesto
by Warren KinsellaNo-holds-barred political strategist Warren Kinsella’s colourful, no-holds-barred look at punk rock, and how it influenced him and millions of other kids to strive for nothing less than changing the world. Playing bass for Calgary punk-rock quartet the Hot Nasties might seem a strange way for one of Canada’s top political strategists to have spent his formative years, but inFury’s Hour— Warren Kinsella’s exploration of punk’s history and heroes, its factions, failures and triumphs — he shares his unique view into a subculture that has long encouraged people to think big about the world. From early meetings with icons Joey Ramone and Joe Strummer, Kinsella has gone on to interview a who’s who of punk: Sex Pistols Johnny Rotten and Glen Matlock, Fugazi’s Ian MacKaye, Billy Idol, DOA’s Joey “Shithead” Keithly, Bad Religion’s Brett Gurewitz, Blink 182, Good Charlotte and many more. Since he was a teenager, Kinsella has challenged his heroes to put into words the true value of the music. How, after decades of co-optation by the record industry, neo-Nazis and misdirected radicals, are new generations continuing what he calls punk’s “search for the real”? InFury’s Hour, with the iconoclasm and passion that have marked his career in politics, Warren Kinsella searches for the soul of a sound that invigorated the way he and millions of others have grown up — finding a way to turn anger into energy.
Future Days
by David StubbsA sweeping history of the men and women who transformed postwar Germany--and created a musical genre that revolutionized rock and roll and gave birth to hip-hop. West Germany after World War II was a country in shock: estranged from its recent history, and adrift from the rest of Europe. But this orphaned landscape proved fertile ground for a generation of musicians who, from the 1960s onwards, would develop the strange and beautiful sounds that became known as Krautrock. Eschewing the easy pleasures of rock and roll and the more substantive seductions of blues and jazz, they took their inspiration from elsewhere: the mysticism of the East; the fractured classicism of Stockhausen; the grinding repetition of industry; the dense forests of the Rhineland; the endless winding of Autobahns. Faust, Neu!, Cluster, Ash Ra Tempel, Amon Düül II, Can, Kraftwerk--the influence of these groups' music on Western popular music is incalculable. They were key to the development of movements ranging from post-punk to electronica and hip-hop and have directly inspired artists as diverse as David Bowie, Talking Heads, and LCD Soundsystem. Future Days is the brilliantly reported, deeply researched story of the groups that created Krautrock, and a social and cultural history of the Germany that challenged, inspired, and repelled them.From the Hardcover edition.
The Future Is the Beginning: The Words and Wisdom of Bob Marley
by Gerald Hausman Bob MarleyIn this one-of-a-kind collection, edited by Gerald Hausman and with an introduction by Cedella Marley, the words of reggae legend Bob Marley are gathered together to give readers a sense of his deeply felt and powerfully motivated sense of spirit. The texts, many unpublished in book form, were gathered at 56 Hope Road, Kingston, Jamaica, where Bob lived and worked in the 1970s. Bob Marley's wisdom came not only through his songs but also from his poetic, spoken words. The short selections in this book, which are gathered from interviews he gave over years, will give readers a true sense of who Bob Marley really was and are bound to inspire them with his timeless faith, unity, and love.
The Future of Music: Towards a Computational Musical Theory of Everything
by Guerino Mazzola Yan Pang Jason Noer Shuhui Yao Jay Afrisando Christopher Rochester William NeaceThe idea of this monograph is to present an overview of decisive theoretical, computational, technological, aesthetical, artistic, economical, and sociological directions to create future music. It features a unique insight into dominant scientific and artistic new directions, which are guaranteed by the authors' prominent publications in books, software, musical, and dance productions.Applying recent research results from mathematical and computational music theory and software as well as new ideas of embodiment approaches and non-Western music cultures, this book presents new composition methods and technologies. Mathematical, computational, and semiotic models of artistic presence (imaginary time, gestural creativity) as well as strategies are also covered.This book will be of interest to composers, music technicians, and organizers in the internet-based music industry, who are offered concrete conceptual architectures and tools for their future strategies in musical creativity and production.
The Future of Songwriting
by Kristin HershThrowing Muses frontwoman and critically acclaimed solo artist Kristin Hersh meditates on the future of her craft in this wry, existential and passionate addition to Melville House&’s new series, FUTURES.Over a long, hot Christmas in Australia, Throwing Muses frontwoman and critically acclaimed solo artist Kristin Hersh considers her future as a songwriter.Is it possible to create music and not show off about it? How can artists establish and refine a following without becoming part of the commercial problem? And just how many times is it healthy to watch It's A Wonderful Life in 3 weeks?In The Future of Songwriting, Hersh chooses to interrogate these questions through philosophical dialogue. From in-depth conversations with a comedian friend about the similarities between songs and jokes, via a fruitful visit to Sydney's 'bone museums', to a revelation from an acupuncturist in New Orleans, she delivers a fierce, funny and existential meditation on the art of the song – and its future.
Futuromania: Electronic Dreams, Desiring Machines and Tomorrow’s Music Today
by Simon ReynoldsSimon Reynolds's first book in eight years is a celebration of music that feels like a taste of tomorrow. Sounds that prefigure pop music's future - the vanguard genres and heroic innovators whose discoveries eventually get accepted by the wider mass audience. But it's also about the way music can stir anticipation for a thrillingly transformed world just around the corner: a future that might be utopian or dystopian, but at least will be radically changed and exhilaratingly other. Starting with an extraordinary chapter on Giorgio Moroder and Donna Summer, taking in illuminating profiles of Ryuichi Sakamoto, Boards of Canada, Burial, and Daft Punk, and arguing for Auto-Tune as the defining sound of 21st century pop, Futuromania shapes over two-dozen essays and interviews into a chronological narrative of machine-music from the 1970s to now. Reynolds explores the interface between pop music and science fiction's utopian dreams and nightmare visions, always emphasising the quirky human individuals abusing the technology as much as the era-defining advances in electronic hardware and digital software. A tapestry of the scenes and subcultures that have proliferated in that febrile, sexy and contested space where man meets machine, Futuromania is an enthused listening guide that will propel readers towards adventures in sound. There is a lifetime of electronic listening here.
Futuromania: Electronic Dreams, Desiring Machines and Tomorrow’s Music Today
by Simon ReynoldsSimon Reynolds's first book in eight years is a celebration of music that feels like a taste of tomorrow. Sounds that prefigure pop music's future - the vanguard genres and heroic innovators whose discoveries eventually get accepted by the wider mass audience. But it's also about the way music can stir anticipation for a thrillingly transformed world just around the corner: a future that might be utopian or dystopian, but at least will be radically changed and exhilaratingly other. Starting with an extraordinary chapter on Giorgio Moroder and Donna Summer, taking in illuminating profiles of Ryuichi Sakamoto, Boards of Canada, Burial, and Daft Punk, and arguing for Auto-Tune as the defining sound of 21st century pop, Futuromania shapes over two-dozen essays and interviews into a chronological narrative of machine-music from the 1970s to now. Reynolds explores the interface between pop music and science fiction's utopian dreams and nightmare visions, always emphasising the quirky human individuals abusing the technology as much as the era-defining advances in electronic hardware and digital software. A tapestry of the scenes and subcultures that have proliferated in that febrile, sexy and contested space where man meets machine, Futuromania is an enthused listening guide that will propel readers towards adventures in sound. There is a lifetime of electronic listening here.
Futuromania: Electronic Dreams, Desiring Machines, and Tomorrow's Music Today
by Simon ReynoldsA collection of writing by Simon Reynolds, centered on music that seemed, in its moment, to prefigure the Future Simon Reynolds's first book in eight years is a celebration of music that feels like a taste of tomorrow. Sounds that prefigure pop music's future—the vanguard genres and heroic innovators whose discoveries eventually get accepted by the wider mass audience. But it's also about the way music can stir anticipation for a thrillingly transformed world just around the corner: a future that might be utopian or dystopian, but at least will be radically changed and exhilaratingly other. Starting with an extraordinary chapter on Giorgio Moroder and Donna Summer, taking in illuminating profiles of Ryuichi Sakamoto, Boards of Canada, Burial, and Daft Punk, and arguing for Auto-Tune as the defining sound of 21st century pop, Futuromania shapes over two dozen essays and interviews into a chronological narrative of machine-music from the 1970s to now. Reynolds explores the interface between pop music and science fiction's utopian dreams and nightmare visions, always emphasizing the quirky human individuals abusing the technology as much as the era-defining advances in electronic hardware and digital software. A tapestry of the scenes and subcultures that have proliferated in that febrile, sexy, and contested space where man meets machine, Futuromania is an enthused listening guide that will propel readers towards adventures in sound. There is a lifetime of electronic listening here.
G. F. Handel: A Guide to Research (Routledge Music Bibliographies)
by Mary Ann ParkerFirst Published in 2005. Routledge is an imprint of Taylor & Francis, an informa company.
Gabriel Fauré: The Songs And Their Poets
by Graham JohnsonThe career of Gabriel Faur‘s a composer of songs for voice and piano traverses six decades (1862-1921); almost the whole history of French m die is contained within these parameters. In the 1860s Faur the lifelong prot of Camille Saint-Sa was a suavely precocious student; he was part of Pauline Viardot's circle in the 1870s and he nearly married her daughter. Pointed in the direction of symbolist poetry by Robert de Montesquiou in 1886, Faur as the favoured composer from the early 1890s of Winnarretta Singer, later Princesse de Polignac, and his songs were revered by Marcel Proust. In 1905 he became director of the Paris Conservatoire, and he composed his most profound music in old age. His existence, steadily productive and outwardly imperturbable, was undermined by self-doubt, an unhappy marriage and a tragic loss of hearing. In this detailed study Graham Johnson places the vocal music within twin contexts: Faur own life story, and the parallel lives of his many poets. We encounter such giants as Charles Baudelaire and Paul Verlaine, the patrician Leconte de Lisle, the forgotten Armand Silvestre and the Belgian symbolist Charles Van Lerberghe. The chronological range of the narrative encompasses Faur first poet, Victor Hugo, who railed against Napoleon III in the 1850s, and the last, Jean de La Ville de Mirmont, killed in action in the First World War. In this comprehensive and richly illustrated study each of Faur 109 songs receives a separate commentary. Additional chapters for the student singer and serious music lover discuss interpretation and performance in both aesthetical and practical terms. Richard Stokes provides parallel English translations of the original French texts. In the twenty-first century musical modernity is evaluated differently from the way it was assessed thirty years ago. Faur‘s no longer merely a 'Master of Charms' circumscribed by the belleque. His status as a great composer of timeless
Gabriel Faure: A Guide to Research (Routledge Music Bibliographies Ser.)
by Edward R. PhillipsFirst published in 2000. Gabriel Urbain Fauré was brn 12 May 1845, in Pamiers in the south of France. Faure’s compositional style has proven difficult to classify. Some music historians consider him a figure of the nineteenth century, a traditionalist, even a neo-romantic; others consider him part of the twentieth century—at the least, a predecessor of modem French music or, at the other extreme, a quiet revolutionary and a great influence upon France’s musical future. This research guide offers a selective, annotated list of writings, biographical information and lists of works and photographs.
Gabriel Faure: A Guide to Research (Routledge Music Bibliographies)
by Edward R. PhillipsFirst published in 2011, this research study includes a biography section as well as the works of Gabriel Urbain Fauré born on 12 May 1845. Much of Fauré’s music, especially the late pieces, remain little played and little known—as a result, his reputation as a salon composer of pleasant music continues even among educated musicians. The author suggests that it is more likely that the difficulty of much of Fauré’s music for the listener and the demands it places upon him or her are the principal reasons for its omission from concert programs and for a misunderstanding of Fauré’s place in the history of French music
Gaetano Donizetti: A Research and Information Guide (Routledge Music Bibliographies)
by James P. CassaroGaetano Donizetti: A Research and Information Guide offers an annotated reference guide to the life and works of this important Italian opera composer. The book opens with a complete chronology of Donizetti's life (1797-1848) and career, relating it to contemporary events. The balance of the book details secondary resources and other works, including general sources, catalogs, correspondence, biographical sources, critical works; production/review sources, singers and theaters, and the individual operas.
Gainesville Punk: A History of Bands & Music
by Matt WalkerKnown for The Fest, Less Than Jake and Hot Water Music, Gainesville became a creative hub in the 1980s and '90s for many of punk rock's greats. Whether playing at the Hardback or wild house parties, earnest acts like Against Me!, Spoke and Roach Motel all emerged and thrived in the small northern Florida city. Radon burst onto the scene with chaotic energy while Mutley Chix helped inspire local torchbearers No Idea Records. Through this succinct history, author Matt Walker traces each successive generation's contributions and amplifies the fidelity of the Gainesville scene.
The Gaithers and Southern Gospel: Homecoming in the Twenty-First Century (American Made Music Series)
by Ryan P. HarperIn The Gaithers and Southern Gospel, Ryan P. Harper examines songwriters Bill and Gloria Gaither's Homecoming video and concert series--a gospel music franchise that, since its beginning in 1991, has outperformed all Christian and much secular popular music on the American music market.The Homecomings represent "southern gospel." Typically that means a musical style popular among white evangelical Christians in the American South and Midwest, and it sometimes overlaps in style, theme, and audience with country music. The Homecomings' nostalgic orientation--their celebration of "traditional" kinds of American Christian life--harmonize well with southern gospel music, past and present. But amidst the backward gazes, the Homecomings also portend and manifest change. The Gaithers' deliberate racial integration of their stages, their careful articulation of a relatively inclusive evangelical theology, and their experiments with an array of musical forms demonstrate that the Homecoming is neither simplistically nostalgic, nor solely "southern."Harper reveals how the Gaithers negotiate a tension between traditional and changing community norms as they seek simultaneously to maintain and expand their audience as well as to initiate and respond to shifts within their fan base. Pulling from his field work at Homecoming concerts, behind the scenes with the Gaithers, and with numerous Homecoming fans, Harper reveals the Homecoming world to be a dynamic, complicated constellation in the formation of American religious identity.
Gallagher: The Fall and Rise of Oasis: the must-read new biography of one of the world's biggest bands
by PJ Harrison'WHEN AN ARTIST IS RELENTLESSLY AUTHENTIC, IT ALLOWS PEOPLE TO BELIEVE IN THEM AND TO BELIEVE IN THEIR WORK. AND THE GALLAGHERS BELIEVE IN EACH OTHER ONCE MORE.'Gallagher chronicles the fall and rise again of one of the world's biggest bands: Oasis. With a focus on Noel Gallagher and Liam Gallagher's individual journeys, this absorbing biography starts from the shattered remnants of Oasis in 2009, taking fans through 15 years of high and lows as the brothers become formidable solo artists, pinpointing the significant events that allowed them to bridge their fraternal rift and stage the greatest comeback of all time.Inside, PJ Harrison, a former label owner and artist manager (but above all Oasis fan) who spent time on the road and in the studio with the band, takes fans on a journey to the heart of Oasis and everything they stand for. Through meticulous research, exclusive interviews and inside access, Harrison strives to understand how two brothers rose from a council estate in Manchester to create the dominant musical force of their generation throughout the 1990s and 2000s and why they have such enduring legacies both together and apart.For three decades, the question of why Liam and Noel, two brothers with the world at their feet, simply couldn't get along has fascinated the world. Gallagher aims to explore that question and offer some answers. What drove them apart in 2009, and what led to their reunion in 2024?With a foreword from legendary Rolling Stones manager and producer, Andrew Loog Oldham, this unique telling of the Oasis story allows fans new and old to draw their own comparisons between two very different brothers; casting a new light on how they navigated fame, feuds and family to create music history before shocking the world with the reunion nobody thought could happen.
Gallagher: The Fall and Rise of Oasis: the must-read new biography of one of the world's biggest bands
by PJ Harrison'Harrison...goes further than most in getting to the core of who the Gallaghers are' Stuart Curran, TheiPaper***'WHEN AN ARTIST IS RELENTLESSLY AUTHENTIC, IT ALLOWS PEOPLE TO BELIEVE IN THEM AND TO BELIEVE IN THEIR WORK. AND THE GALLAGHERS BELIEVE IN EACH OTHER ONCE MORE.'Gallagher chronicles the fall and rise again of one of the world's biggest bands: Oasis. With a focus on Noel Gallagher and Liam Gallagher's individual journeys, this absorbing biography starts from the shattered remnants of Oasis in 2009, taking fans through 15 years of high and lows as the brothers become formidable solo artists, pinpointing the significant events that allowed them to bridge their fraternal rift and stage the greatest comeback of all time.Inside, PJ Harrison, a former label owner and artist manager (but above all Oasis fan) who spent time on the road and in the studio with the band, takes fans on a journey to the heart of Oasis and everything they stand for. Through meticulous research, exclusive interviews and inside access, Harrison strives to understand how two brothers rose from a council estate in Manchester to create the dominant musical force of their generation throughout the 1990s and 2000s and why they have such enduring legacies both together and apart.For three decades, the question of why Liam and Noel, two brothers with the world at their feet, simply couldn't get along has fascinated the world. Gallagher aims to explore that question and offer some answers. What drove them apart in 2009, and what led to their reunion in 2024?With a foreword from legendary Rolling Stones manager and producer, Andrew Loog Oldham, this unique telling of the Oasis story allows fans new and old to draw their own comparisons between two very different brothers; casting a new light on how they navigated fame, feuds and family to create music history before shocking the world with the reunion nobody thought could happen.
Gallery of Best Cover Letters
by David F. NobleA diverse collection of more than 300 new and updated cover letters and 23 corresponding resumes gives readers a wide range of exemplary models that showcase the most attractive and impressive materials written by professionals.
Gallus Dressler's Praecepta musicae poeticae (Studies in the History of Music Theory and Literature)
by Gallus DresslerNow available for the first time in English translation, this new edition of Gallus Dressler's Praecepta musicae poeticae corrects and expands upon earlier editions of one of the most important sixteenth-century treatments of musical theory and rhetoric. Robert Forgács’ detailed study of the Latin text reveals significant and original insights into the invention of fugues and the composition of opening, middle, and concluding sections. Forgács introduces the reader to Dressler's life and work and the design and sources of Praecepta musicae poeticae, places the treatise more fully in its humanist environment, presents additional classical sources for the text, and relates it to the work of Dressler’s contemporary music theorists. Copious annotations and indexes of words, names, and subjects place the treatise within the broader context of German theoretical discussion, the teaching and practice of music in the sixteenth century, and the musical life of the Lutheran Church.
Galuppi to Vorotnikov: Music of the Russian Court Chapel Choir I (Music Archive Publications #7)
by Carolyn C. DunlopFirst Published in 2000. Routledge is an imprint of Taylor & Francis, an informa company.
Gamble Rogers: A Troubadour's Life
by Bruce HorovitzFlorida Book Awards, Bronze Medal for Florida Nonfiction Florida Historical Society Charlton Tebeau Award Beloved raconteur, environmentalist, and down-home philosopher, Gamble Rogers (1937–1991) ushered in a renaissance of folk music to a place and time that desperately needed it. In this book, Bruce Horovitz tells the story of how Rogers infused Florida's rapidly commercializing landscape with a refreshing dose of homegrown authenticity and how his distinctive music and personality touched the nation. As a college student, motivated by personal advice from William Faulkner to stay true to himself, Rogers broke away from his family's prestigious architecture business. Rogers was a skilled guitar player and storyteller who soon began performing extensively on the national folk music circuit alongside Pete Seeger, Doc Watson, and Jimmy Buffett. He discovered a special knack for public radio, appearing frequently as a guest commentator on NPR’s All Things Considered. Rogers was known across the country for his intricate fingerpicking guitar style and rapid-fire stage act. Audiences welcomed his humorous homespun tales set in the fictitious Oklawaha County, which was based on places from his own upbringing and populated by a cast of unforgettable characters. His stories evoked rural life in Florida, celebrated the state's natural resources, and called attention to life's many small ironies. As Florida was experiencing colossal growth embodied by the new Kennedy Space Center and Disney World, Rogers's folksy style cheered and reassured listeners in the state who worried that their traditional livelihoods and locales were disappearing. Horovitz shows that even beyond his genius as a performing artist, Rogers was loved for his compassion, integrity, connection with people, and courage. Rogers displayed these widely admired traits for the last time when—on a camping trip to the beach—he tried to save a drowning stranger despite back problems that made it almost impossible for him to swim. This heroic effort led to his untimely death. The life of Gamble Rogers is a window into an important creative subculture that continues to flourish today as contemporary folk artists take on roles similar to the one Rogers established for himself. A modern-day troubadour, Rogers delighted in entertaining audiences with what was familiar and real—by championing the ordinary people of his home community who were closest to his heart.