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Hand Me My Travelin' Shoes: In Search of Blind Willie McTell
by Michael Gray<P>Evoking the turbulent past of the subject's time and place, this odyssey to rural Georgia peels back the many layers of Blind Willie McTell's compelling, occasionally shocking, but ultimately uplifting story. <P>Portraying him as one of the most gifted artists of his generation, this account uncovers the secrets of McTell's ancestry, the hardships he suffered--including being blind from birth--and the successes he enjoyed. <P>Traveling throughout the South and beyond, this personal and moving journey unearths a lost world of black music, exploring why he drifted in and out of the public eye, how he was "rediscovered" time and again through chance meetings, and why, until now, so little has been written about the life of this extraordinary man. <P>Part biography, part travelogue, part social history, this atmospheric, unforgettable tale connects the subject's life to the tumultuous sweep of history, exploding every stereotype about blues musicians and revealing a vulnerable milieu of poverty and discrimination, demonstrating that little may have changed in the Deep South, even today.
Handbook for Folklore and Ethnomusicology Fieldwork
by Lisa Gilman John FennA comprehensive review of the ethnographic process for developing a project, implementing the plan, and completing and preserving the data collected.In Handbook for Folklore and Ethnomusicology Fieldwork, readers will find a detailed methodology for conducting different types of fieldwork such as digital ethnography or episodic research, tips and tricks for key elements like budgeting and funding, and practical advice and examples gleaned from the authors own fieldwork experiences. This handbook also helps fieldworkers fully grasp and understand the ways in which power, gender, ethnicity, and other identity categories are ever present in fieldwork, and guides students to think through these dynamics at each stage of research. Written accessibly for lay researchers working in different mediums and on projects of varying size, this step-by-step manual will prepare the reader for the excitement, challenges, and rewards of ethnographic research.
Handbook of Artificial Intelligence for Music: Foundations, Advanced Approaches, and Developments for Creativity
by Eduardo Reck MirandaThis book presents comprehensive coverage of the latest advances in research into enabling machines to listen to and compose new music. It includes chapters introducing what we know about human musical intelligence and on how this knowledge can be simulated with AI. The development of interactive musical robots and emerging new approaches to AI-based musical creativity are also introduced, including brain–computer music interfaces, bio-processors and quantum computing.Artificial Intelligence (AI) technology permeates the music industry, from management systems for recording studios to recommendation systems for online commercialization of music through the Internet. Yet whereas AI for online music distribution is well advanced, this book focuses on a largely unexplored application: AI for creating the actual musical content.
Handbook of Materials for Percussion Musical Instruments
by Voichita BucurThis book describes the properties of materials used for making percussion instruments for classical music played by a symphony orchestra in which the instruments could be played as a soloist instrument or as a group or several groups of instruments, as they are included into a musical work. A chapter is devoted to the bells. The scope of this book is primarily confined to percussion instruments of symphony orchestras taking into account the centuries of musical art and tradition. This book bridges the gap in the technical literature on describing the properties of materials for percussion instruments—timpani, other drums, marimba, xylophone, vibraphone, gong, cymbal, triangle, celesta, castanets.
Handbook of Materials for String Musical Instruments
by Voichita BucurThis book addresses core questions about the role of materials in general and of wood in particular in the construction of string instruments used in the modern symphony orchestra - violins, violas, cellos and basses. Further attention is given to materials for classical guitars, harps, harpsichords and pianos. While some of the approaches discussed are traditional, most of them depend upon new scientific approaches to the study of the structure of materials, such as for example wood cell structure, which is visible only using modern high resolution microscopic techniques. Many examples of modern and classical instruments are examined, together with the relevance of classical techniques for the treatment of wood. Composite materials, especially designed for soundboards could be a good substitute for some traditional wood species. The body and soundboard of the instrument are of major importance for their acoustical properties, but the study also examines traditional and new wood species used for items such as bows, the instrument neck, string pegs, etc. Wood species' properties for musical instruments and growth origins of woods used by great makers such as Antonio Stradivari are examined and compared with more recently grown woods available to current makers. The role of varnish in the appearance and acoustics of the final instrument is also discussed, since it has often been proposed as a 'secret ingredient' used by great makers. Aspects related to strings are commented. As well as discussing these subjects, with many illustrations from classical and contemporary instruments, the book gives attention to conservation and restoration of old instruments and the physical results of these techniques. There is also discussion of the current value of old instruments both for modern performances and as works of art having great monetary value. The book will be of interest and value to researchers, advanced students, music historians, and contemporary string instrument makers. Musicians in general, particularly those playing string instruments, will also find its revelations fascinating. It will also attract the attention of those using wood for a variety of other purposes, for its use in musical instruments uncovers many of its fundamental features. Professor Neville H. Fletcher Australian National University, Canberra
Handbuch Funktionale Musik
by Günther RötterDas vorliegende Handbuch gibt nicht nur einen Überblick über den aktuellen Forschungsstand, sondern zeigt außerdem die Möglichkeiten und Grenzen des Einsatzes Funktionaler Musik auf. Neben der Theorie soll insbesondere die gegenwärtige Praxis berücksichtigt werden. Dies wird durch die Auswahl der Autorinnen und Autoren deutlich, die sowohl aus der Wissenschaft, als auch der Industrie und dem therapeutischen sowie künstlerischen Bereich entstammen. Das Werk wendet sich damit zum einen an einen wissenschaftlichen Leserkreis, zum anderen aber auch an Personen, die sich mit der praktischen Anwendung Funktionaler Musik befassen.
Handbuch Musik und Medien: Interdisziplinärer Überblick über die Mediengeschichte der Musik (Springer Reference Sozialwissenschaften Ser.)
by Holger SchrammDie Geschichte der Musik ist ohne die Mediengeschichte der Musik nicht denkbar, denn Konservierung und Reproduktion von Musik war stets auf Medien angewiesen. Musik spielt heutzutage in allen Medien – ob Tonträger, Radio, Film, Fernsehen, Zeitschriften oder Onlinemedien – eine große Rolle. Das Handbuch dokumentiert die Entwicklungsgeschichte der Musik in den verschiedenen Medien und nimmt neben der historischen auch technische, ökonomische, ästhetische, kulturelle und gesellschaftliche Perspektiven ein. Namhafte Autorinnen und Autoren aus der Medien-, Kommunikations-, Musik- und Kulturwissenschaft gewährleisten den interdisziplinären Charakter und Anspruch des Handbuchs.
Handel: The Man and His Music
by Jonathan KeatesA thorough biography of the great composer and brief analyses of most of his operas and oratorios by a noted British musicologist.
Handel: The Man & His Music
by Jonathan KeatesJonathan Keates original biography of Handel was hailed as a masterpiece on its publication in 1985. This fully revised and updated new edition - published to commemorate the 250th anniversary of the composers death - charts in detail Handel's life, from his youth in Germany, through his brilliantly successful Italian sojourn, to the opulence and squalor of Georgian London where he made his permanent home. For over two decades Handel was absorbed in London's heady but precarious operatic world. But even his phenomenal energy and determination could not overcome the public's growing indifference to Italian opera in the 1730s, and he turned finally to oratorio, a genre which he made peculiarly his own and in which he created some of his finest works, such as Saul, Messiah, Belshazzar and Jephtha.Over the last two decades a complete revolution in Handel's status has taken place. He is now seen both as a titanic figure in music, whose compositions have found a permanent place in the international repertoire, and as one of the world's favourite composers, with snatches of his work accompanying weddings, funerals and television commercials the world over.Skillfully interwoven with the account of Handel's life are commentaries on all his major works, as well as many less familiar pieces by this most inventive, expressive and captivating of composers. Handel was an extraordinary genius whose career abounded in reversals that would have crushed anyone with less resilience and will power, and Jonathan Keates writes about his life and work with sympathy and scrutiny.
Handel (Routledge Revivals)
by Romain RollandRolland’s biography attempts to provide an overview of Handel’s life and works from his early lessons in music to the classical context in which he is commonly placed. Originally published in English in 1916, Hull’s translation gives an insight into biographical facts and the musical pieces composed by Handel including his operas, oratorios and chamber music. This title will be of interest to students of music and musical history.
Handel (The\baroque Composers Ser.)
by David VickersThis anthology represents scholarly literature devoted to Handel over the last few decades, and contains different kinds of studies of the composer's biography, operatic career, singers, librettists, and his relationship with the music of other composers. Case studies range from recent research that transforms our knowledge of large-scale English works to an interdisciplinary exploration of an individual opera aria. Designed to bring easy and convenient access to students, performers and music lovers, the wide-ranging articles are selected by David Vickers (co-editor of the recent Cambridge Handel Encyclopedia) from diverse sources - not only familiar important journals, but also specialist yearbooks, festschrifts, not easily accessible newsletters, conference proceedings and exhibition catalogues. Many of these represent an up-to-date understanding of modern Handel studies, deal with fascinating biographical issues (such as the composer's art collection, his chronic health problems, and the nature of popular anecdotal evidence), and fill gaps in the mainstream Handelian literature.
Handel in London: A Genius And His Craft
by Jane GloverA rich and evocative account of the life and work of one of the world's favorite composers—from the acclaimed author of Mozart’s Women. In 1712, a young German composer followed his princely master to London and would remain there for the rest of his life. That master would become King George II and the composer was George Freidrich Handel. Handel, then still only twenty-seven and largely self-taught, would be at the heart of music activity in London for the next four decades, composing masterpiece after masterpiece, whether the glorious coronation anthem, Zadok the Priest, operas such as Rinaldo and Alcina or the great oratorios, culminating, of course, in Messiah. Here, Jane Glover, who has conducted Handel’s work in opera houses and concert halls throughout the world, draws on her profound understanding of music and musicians to tell Handel’s story. It is a story of music-making and musicianship, but also of courts and cabals of theatrical rivalries and of eighteenth-century society. It is also, of course the story of some of the most remarkable music ever written, music that has been played and sung, and loved, in this country—and throughout the world—for three hundred years.
Handel on the Stage
by David KimbellOf all the great composers of the eighteenth century, Handel was the supreme cosmopolitan, an early and extraordinarily successful example of a freelance composer. For thirty years the opera-house was the principal focus of his creative work and he composed more than forty operas over this period. In this book, David Kimbell sets Handel's operas in their biographical and cultural contexts. He explores the circumstances in which they were composed and performed, the librettos that were prepared for Handel, and what they tell us about his and his audience's values and the music he composed for them. Remarkably no Handel operas were staged for a period of 170 years between 1754 and the 1920s. The final chapter in this book reveals the differences and similarities between how Handel's operas were performed in his time and ours.
Handel (Revised Edition)
by Christopher Hogwood Anthony HicksThis is a concise biography, updated in 2007, of one of the greatest composers of Western music. Originally published in 1984, this edition has been revised and updated with an Afterward and a new Bibliography. Christopher Hogwood is a highly regarded and frequently recorded conductor and performer of the music of Handel and a major figure in the revival of Handel's operas and use of period performance practice. In addition, Anthony Hicks provides a brief biographical summary and a list of performances. The book closes with a complete list of Handel's works.
Handel, Who Knew What He Liked
by M. T. AndersonA droll biography reveals the high notes--and the low notes- in the life of the world's foremost composer of Baroque music. This is not your usual picture book biography. Nor was George Frideric Handel your everyday eighteenth-century composer. This witty and yet rigorously researched and accessible biography captures Handel's essential spirit--from a child who smuggled a clavichord into the attic to play music against his father's orders to a young man who imported forty-five pounds of mountain snow to chill wine for a gala--as well as his remarkable, enduring musical triumphs. But M. T. Anderson also shows Handel's struggles and chronicles the illness, ill fortune, and despair that led to his greatest achievement, the Messiah.
Handel's Bestiary: In Search of Animals in Handel's Operas
by Donna Leon Michael SowaWhen acclaimed novelist Donna Leon is not conjuring up tales of crime and corruption in Venice, or reveling in delicious cuisine, she is listening to music. For Leon, patron of conductor Alan Curtis and his celebrated orchestra Il Complesso Barocco, that usually means the work of her favorite composer, George Frideric Handel. Over the years, Leon has noticed that the great musician filled his operas with arias that make reference to animals; rich in symbolism, the perceived virtues and vices of the lion, bee, nightingale, snake, elephant, and tiger, among others, resonate in his works. In Handel’s Bestiary, Leon draws on her love of Handel and her expertise in medieval bestiaries illustrated collections of animal stories to assemble a bestiary of her own. Twelve chapters trace twelve animals through history, mythology, and the arias. Each is joined by whimsical original illustrations by German painter Michael Sowa, and an accompanying CD includes each aria, expertly recorded by Il Complesso Barocco. A fascinating, utterly original book, Handel’s Bestiary springs to life with Leon’s knowledge, passion, and wit.
Handful of Keys: Conversations with 30 Jazz Pianists (Popular Music History Ser.)
by Alyn ShiptonFirst Published in 2005. Routledge is an imprint of Taylor & Francis, an informa company.
Handmade Electronic Music: The Art of Hardware Hacking
by Nicolas CollinsHandmade Electronic Music: The Art of Hardware Hacking provides a long-needed, practical, and engaging introduction to the craft of making—as well as creatively cannibalizing—electronic circuits for artistic purposes. With a sense of adventure and no prior knowledge, the reader can subvert the intentions designed into devices such as radios and toys to discover a new sonic world. You will also learn how to make contact microphones, pickups for electromagnetic fields, oscillators, distortion boxes, mixers, and unusual signal processors cheaply and quickly. At a time when computers dominate music production, this book offers a rare glimpse into the core technology of early live electronic music, as well as more recent developments at the hands of emerging artists. This revised and expanded third edition has been updated throughout to reflect recent developments in technology and DIY approaches. New to this edition are chapters contributed by a diverse group of practitioners, addressing the latest developments in technology and creative trends, as well as an extensive companion website that provides media examples, tutorials, and further reading. This edition features: Over 50 new hands-on projects. New chapters and features on topics including soft circuitry, video hacking, neural networks, radio transmitters, Arduino, Raspberry Pi, data hacking, printing your own circuit boards, and the international DIY community A new companion website at www.HandmadeElectronicMusic.com, containing video tutorials, video clips, audio tracks, resource files, and additional chapters with deeper dives into technical concepts and hardware hacking scenes around the world With a hands-on, experimental spirit, Nicolas Collins demystifies the process of crafting your own instruments and enables musicians, composers, artists, and anyone interested in music technology to draw on the creative potential of hardware hacking.
Hank: The Short Life and Long Country Road of Hank Williams
by Mark RibowskyA heartbreaking and unforgettable portrait of country music's founding father. After he died in the backseat of a Cadillac at the age of twenty-nine, Hank Williams?a frail, flawed man who had become country music's most compelling and popular star?instantly morphed into its first tragic martyr. Having hit the heights in the postwar era with simple songs of heartache and star-crossed love, he would, with that outlaw swagger, become in death a template for the rock generation to follow. But unlike those other musical giants who never made thirty, no legacy endures quite like that of the "Hillbilly King." Now presenting the first fully realized biography of Hiram King Williams in a generation, Mark Ribowsky vividly returns us to the world of country's origins, in this case 1920s Alabama, where Williams was born into the most trying of circumstances, which included a dictatorial mother, a henpecked father, and an agonizing spinal condition. Forced by his overbearing matriarch to do odd jobs--selling peanuts, shining shoes--young Hank soon found respite in street-corner blues man Rufus "Tee Tot" Payne, who showed him how to make a guitar sing. It wasn't long before young Hank found his way onto those nascent American radio airwaves, where his melodic voice and timely tunes slowly garnered a following. On that dusty path to early stardom, Hank was indefatigably supported by his overbearing mother, who would shepherd his band, the Driftin' Cowboys, to shows along backroads of the Jim Crow South. Yet it was a different woman who would supply Hank with the fuel he needed to explode out of the local spotlight: his sometimes wife, Audrey Mae Sheppard. As Ribowsky brilliantly evokes, their fiery relationship--as abusive as it was passionate--would inform nearly every song he ever wrote, and provide a template for country music for generations to follow. In chronicling Hank's rise to stardom, Ribowsky also explores all those cautionary tales that have, until now, remained secreted beneath the grooves of his records. Drawing from new interviews, Ribowsky connects those seemingly eternal afternoons and nights spent choked in booze and desperation to the music that Williams would create. With remarkable nuance and insight, Ribowsky allows us to witness the man behind the tipped cowboy hat--the charismatic troubadour who hid the wounds of his domestic quarrels, relied on painkillers to get through the day, and was always teetering on the edge of tragedy, even when he saw the light. Tracing the singular rise of a music legend from the street corners of the Depression-era South to the now-immortal stage of the Grand Ole Opry, and finally to a haunting, lonely end on New Year's Day 1953, Hank uncovers the real man beneath the myths, reintroducing us to an American original whose legacy, like a good night at the honkytonk, promises to carry on and on.
Hank Williams: The Complete Lyrics
by Hank Williams Don CusicHank Williams was one of the greatest songwriters America has ever known. In the few years of fame before his tragic death in 1953, Williams gave us a songbook of classics--songs of misery and joy, of love won and love lost, of dancing and devotion--including "Your Cheatin' Heart", "Hey, Good Lookin'", and "Cold, Cold Heart". Now comes this collection of lyrics of all his songs--over 140 in all.
Hanna-Barbera, the Recorded History: From Modern Stone Age to Meddling Kids
by Greg EhrbarFeaturing the first extensive Hanna-Barbera discography ever published and over 140 photos and illustrations!Whether it’s Tom and Jerry, Scooby-Doo, the Jetsons, Yogi Bear, Top Cat, Huckleberry Hound, or hundreds of others, the creations of the Hanna-Barbera studio continue to delight generations worldwide. The groundbreaking company employed thousands in the art and business of animation. Some of them were vintage-era veterans, others were up-and-coming talents, some of whom found blockbuster success at other studios. The power of the sounds that Hanna-Barbera crafted to accompany the compelling visuals was a key factor in its spectacular success. Legendary vocal performances and signature sound effects evoke countless visual images. Catchy music cues and theme songs are recalled instantly.Hanna-Barbera, the Recorded History: From Modern Stone Age to Meddling Kids chronicles, for the first time, the story of this entertainment phenomenon from one century to the next and reveals unexplored aspects of its artistry. Hanna-Barbera’s impact on the music industry is chief among these aspects. Author Greg Ehrbar chronicles the partnership between Bill Hanna, Joe Barbera, and their talented associates—and, at the same time, parallels the impact of their artistry on the recording industry. Page after page abounds with exclusive interviews, surprising facts, and previously unpublished anecdotes. Also featuring the first extensive H-B discography ever published, Hanna-Barbera, the Recorded History earns its place on the go-to shelf of every animation, music, television, and film enthusiast.
Hans Christian Andersen and Music: The Nightingale Revealed
by AnnaHarwell CelenzaHans Christian Andersen was the most prominent Danish author of the nineteenth century. Now known primarily for his fairy tales, during his lifetime he was equally famous for his novels, travelogues, poetry, and stage works, and it was through these genres that he most often reflected on the world around him. With the bicentennial of Andersen's birth in 2005, there is still much about the writer that is not yet common knowledge. This book explores a single aspect of that void - his interest in and relationship to the musical culture of nineteenth-century Europe. Why look to Andersen for information about music? To begin, Andersen had a musical background. He enjoyed a brief career as an opera singer and dancer at the Royal Theater in Copenhagen, and in later years he went on to produce opera libretti for the Danish and German stage. Andersen was also an avid music devotee. He made thirty major European tours during his seventy years, and on each of these trips he regularly attended opera and concert performances, recording his impressions in a series of travel diaries. In short, Andersen was a well-informed listener, and as this book reveals, his reflections on the music of his age serve as valuable sources for the study of music reception in the nineteenth century. Over the course of his life, Andersen embraced and then later rejected performers such as Maria Malibran, Franz Liszt, and Ole Bull, and his interest in opera and instrumental music underwent a series of dramatic transformations. In his final years, Andersen promoted figures as disparate as Wagner and Mendelssohn, while strongly objecting to Brahms. Although such changes in taste might be interpreted as indiscriminate by modern-day readers, this study shows that such shifts in opinion were not contradictory, but rather quite logical given the social and cultural climate of the age.
Hans Holbein the Younger: A Guide to Research (Artists Resource Manuals Ser. #Vol. 2)
by Erika MichaelIn this quincentennial year of Holbein's birth, this is the first comprehensive annotated bibliography of texts relating to this important Northern European Renaissance artist, with an accompanying historiographic essay on various aspects of Holbein's reception.The first part of the book, "Some Notes on Reception," contains overviews of texts about
Hans Keller 1919 - 1985: A musician in dialogue with his times
by Alison Garnham Susi WoodhouseHans Keller 1919–1985: A musician in dialogue with his times is the first full biography of Hans Keller and the first appearance in print of many of his letters. Eight substantial chapters, integrating original documents with their historical context, show the development of Keller’s ideas in response to the people and events that provoked them. A musician of penetrating insight, Keller was also an exceptional writer and broadcaster, whose remarkable mind dominated British musical life for forty years after the Second World War. It was a vital time for music in Britain, fuelled by unprecedented public investment in the arts and education and the rapid development of recording and broadcasting. Keller was at the centre of all that was happening and his far-sighted analysis of the period is deeply resonant today. Illustrated throughout by extracts from Keller’s writings, diaries and correspondence with musicians including Arnold Schoenberg, Benjamin Britten and Yehudi Menuhin, this book vividly conveys the depth of his thought and the excitement of the times. Published for the centenary of Keller’s birth, it is an illuminating celebration of his life and works for all those interested in the music and history of post-war Britain.
Hans Keller and the BBC: The Musical Conscience of British Broadcasting 1959-1979
by A. M. GarnhamOriginally published in 2003, Hans Keller and the BBC is a vivid portrait of the changing face of British broadcasting seen through the work of one of its most significant personalities. Starting with an examination of Keller’s early psychological interests, and the evolution of his method of ‘functional analysis’ of music (with which the BBC was intimately concerned), the book charts the huge contribution Keller made to British music during his BBC years. Also explored in detail are the successive crises of the Third Programme and its replacement by Radio 3, together with Keller’s leading role in opposing the decline of the BBC’s cultural idealism. Drawing on a wealth of primary sources, much of which has never been previously examined, this study paints a striking picture of Keller’s personality in combination with the BBC’s turbulent inner workings, showing the effect of one remarkable individual on the most powerful musical institution in 20th-century Britain.