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The Harpsichord Owner's Guide
by Edward L. KottickKottick presents technical information in an accessible, but entertaining, way: the forms and styles of harpsichords, advice on purchasing decisions, maintenance techniques (such as voicing, regulating, and changing strings, tongues, plectra, springs, and dampers), aids in troubleshooting common problems, and detailed instructions on tuning and temperament. As builder of some thirty keyboard instruments, Kottick is well qualified to speak on the subject.
Harrison Birtwistle: The Mask Of Orpheus (Landmarks In Music Since 1950 Ser.)
by Jonathan CrossHailed at its premiere at the London Coliseum in 1986 as the most important musical and theatrical event of the decade, The Mask of Orpheus is undoubtedly a key work in Harrison Birtwistle's output. His subsequent stage and concert pieces demand to be evaluated in its light. Increasingly, it is also viewed as a key work in the development of opera since the Second World War, a work that pushed at the boundaries of what was possible in lyrical theatre. In its imaginative fusion of music, song, drama, myth, mime and electronics, it has become a beacon for many younger composers, and the object of wide critical attention. Jonathan Cross begins his detailed study of this 'lyric tragedy' by placing it in the wider context of the reception of the Orpheus myth. In particular, the significance of Orpheus for the twentieth century is discussed, and this provides the backdrop for an examination of Birtwistle's preoccupation with the story in a variety of works across his creative life. The sources and genesis of The Mask of Orpheus are explored. This is followed by a close reading of the work's three acts, analysing their structure and meaning, investigating the relationship between music, text and drama, drawing on Zinovieff's textual drafts and Birtwistle's compositional sketches. The book concludes by suggesting a range of contexts within which The Mask of Orpheus might be understood. Its central themes of time, memory and identity, loss, mourning and melancholy, touch a deep sensibility in late-modern society and culture. Interviews with the librettist and composer round off this important study.
Harrison Birtwistle Studies
by Beard, David and Gloag, Kenneth and Jones, Nicholas David Beard Kenneth Gloag Nicholas JonesThis collection of essays celebrates the work of Sir Harrison Birtwistle, one of the key figures in European contemporary music. Representing current research on Birtwistle's music, this book reflects the diversity of his work in terms of periods, genres, forms, techniques and related issues through a wide-range of critical, theoretical and analytical interpretations and perspectives. Written by a team of international scholars, all of whom bring a deep research-based knowledge and insight to their chosen study, this collection extends the scholarly understanding of Birtwistle through new engagements with the man and the music. The contributors provide detailed studies of Birtwistle's engagement with electronic music in the 1960s and 1970s, and develop theoretical explanations of his fascination with pulse, rhythm and time. They also explore in detail Birtwistle's interest in poetry, instrumental drama, gesture, procession and landscape, and consider the compositional processes that underpin these issues.
Harrison Birtwistle's Operas and Music Theatre
by David BeardDavid Beard presents the first definitive survey of Harrison Birtwistle's music for the opera house and theatre, from his smaller-scale works, such as Down by the Greenwood Side and Bow Down, to the full-length operas, such as Punch and Judy, The Mask of Orpheus and Gawain. Blending source study with both music analysis and cultural criticism, the book focuses on the sometimes tense but always revealing relationship between abstract musical processes and the practical demands of narrative drama, while touching on theories of parody, narrative, pastoral, film, the body and community. Each stage work is considered in terms of its own specific musico-dramatic themes, revealing how compositional scheme and dramatic conception are intertwined from the earliest stages of a project's genesis. The study draws on a substantial body of previously undocumented primary sources and goes beyond previous studies of the composer's output to include works unveiled from 2000 onwards.
Harry and the Lady Next Door
by Gene Zion"One day Harry's family gave a party. They invited the lady next door. She came with her music. When she started to sing, Harry almost bit her leg. ... That night, Harry slept in the doghouse." What can Harry do? He tries many things in this hilarious adventure, but the lady next door just sings higher and louder until ... This is a delightful, fast-paced story for younger readers. This file should make an excellent embossed braille copy.
Harry B. Smith: Dean of American Librettists (Forgotten Stars of the Musical Theatre)
by John FranceschinaHarry B. Smith was the most prolific writer of librettos for the American musical theatre in history, with nearly half of his 300 works actually opening in New York City. In addition, Smith was instrumental in adapting and popularizing foreign musicals in America, significantly influencing writing and composing styles of American shows. He worked with every major composer in America between 1880 and 1920, and consequently this examination of his work and process is highly instructive of the history of the American musical.
Harry Belafonte: A Little Golden Book Biography (Little Golden Book)
by Lavaille LavetteCreated in partnership with Ebony Jr., this Little Golden Book biography celebrates the life and legacy of singer, performer, and activist Harry Belafonte.When Harry Belafonte was a little boy, he moved from Harlem, New York, to live with his grandmother in Jamaica. There, Harry fell in love with Calypso music. It was the seed that blossomed into a life dedicated to inspiring people through music. This moving biography chronicles his life and career—as an actor, a singer, and a civil rights activist who has always sought to make a difference while encouraging people to treat each other with respect and kindness. Since 1945, Ebony magazine has shined a spotlight on the worlds of Black people in America and worldwide, telling their stories. Ebony Jr! was created in 1973 to give Black children a magazine that was all their own. The magazine included stories, comics, puzzles, and cartoons centering Black children. Its mission was to ignite a love of reading and a love of self in Black kids, and we&’re continuing that with our branded LGB program.
Harry Partch: An Anthology of Critical Perspectives (Contemporary Music Review #Vol. 19)
by David DunnThis anthology of writings about the American experimental composer Harry Partch is the most comprehensive collection of commentaries about the composer and his work ever assembled. Eleven major figures of contemporary music voice their views on Partch (1901-1974) and his radical contributions to twentieth-century music. These include composers and theorists who worked closely with him and important comments from his contemporaries and musical inheritors.
Harry Smith's Anthology of American Folk Music: America changed through music
by Ross Hair Thomas Ruys SmithReleased in 1952, The Anthology of American Folk Music was the singular vision of the enigmatic artist, musicologist, and collector Harry Smith (1923–1991). A collection of eighty-four commercial recordings of American vernacular and folk music originally issued between 1927 and 1932, the Anthology featured an eclectic and idiosyncratic mixture of blues and hillbilly songs, ballads old and new, dance music, gospel, and numerous other performances less easy to classify. Where previous collections of folk music, both printed and recorded, had privileged field recordings and oral transmission, Smith purposefully shaped his collection from previously released commercial records, pointedly blurring established racial boundaries in his selection and organisation of performances. Indeed, more than just a ground-breaking collection of old recordings, the Anthology was itself a kind of performance on the part of its creator. Over the six decades of its existence, however, it has continued to exert considerable influence on generations of musicians, artists, and writers. It has been credited with inspiring the North American folk revival—"The Anthology was our bible", asserted Dave Van Ronk in 1991, "We all knew every word of every song on it"—and with profoundly influencing Bob Dylan. After its 1997 release on CD by Smithsonian Folkways, it came to be closely associated with the so-called Americana and Alt-Country movements of the late 1990s and early 2000s. Following its sixtieth birthday, and now available as a digital download and rereleased on vinyl, it is once again a prominent icon in numerous musical currents and popular culture more generally. This is the first book devoted to such a vital piece of the large and complex story of American music and its enduring value in American life. Reflecting the intrinsic interdisciplinarity of Smith’s original project, this collection contains a variety of new perspectives on all aspects of the Anthology.
Harry Somers
by Brian CherneyHarry Somers is one of Canada's leading composers, and one of the most original. In the 1950s he experimented with contrapuntal writing, serialism, and style juxtaposition; in more recent years he has been concerned with the development of new vocal resources and improvisation. Harry Somers, a detailed study of the composer and his works, has been commissioned by the Canadian Music Centre as the first of a series, each volume of which will cover in depth the career and works of a major Canadian composer. Within the framework provided by major biographical events, Brian Cherney traces Somers' development as a composer from 1939 to 1973 by analysing works from various stages in his career. He discusses in particular the influences on Somers of Bartók, Debussy, and Weinzweig, the interrelationships between his works, and his stylistic traits and compositional techniques. A chronological list of Somers' works is included, and, because of its importance, an entire chapter is devoted to the opera Louis Riel. In view of the scarcity of in-depth critical literature on Canadian composers, this thorough and objective book will be of interest to music students, professional musicians, composers, and the general music public, both in Canada and abroad.
Harry Styles
by Alex Bilmes Aya Kanai Jem Aswad"A stunning new photo-packed book" –E! News The perfect gorgeous pocket-sized hardcover gift book for all Harry Styles fans, packed with 100+ amazing photos and with a gold-foil stamped cover.Plus, top cultural, music and fashion contributors discuss Harry&’s cultural significance and answer the question: Why Harry, why now and just what makes him the man of the moment? Fabulously dressed with a flair all his own, unapologetic yet vulnerable, talented yet supremely humble: Harry Styles is a cultural phenomenon and icon for our times. This photo-packed, gold-foiled luxe gift book celebrates the global superstar&’s impact on music and fashion and how his choice of positive and authentic self-expression and tolerance has helped redefine modern masculinity and celebrity worldwide. Divided into three sections–each with a short introduction about the music, the fashion, and the joyful magic of his appeal– this amazing collection of Harry&’s signature moments includes: The Met Gala and his Gucci sheer pussy-bow black blouse and heeled boots The sparkling Coachella performance with Shania TwainThe incredible launch of the #1 hit and video, As It WasHis stunning appearances at red carpets, the Grammys, BRIT Awards, and more! If a person could be a smile, then that would be Harry–and that essence of Harry is what this exciting book captures. Stylers and Harries will adore and treasure this keepsake. Contributors include: Jem Aswad, executive music editor at VarietyAlex Bilmes, journalist and editor-in-chief of Esquire UKNikki Cardiello, music and portrait photographer Aya Kanai, Head of Creative and Editorial at Google Shopping and former fashion editor at Hearst
Harry Styles: Issue #9 (Scoop! The Unauthorized Biography #9)
by C. H. MitfordA new series of unauthorized biographies on the world's biggest names and rising stars in entertainment, sports, and pop culture! Complete with quizzes, listicles, trivia, and a full-color pull-out poster of the star, this is the definitive collection to get the full Scoop! and more on your favorite celebrities.Harry Styles seemed like your average boy-band-turned-solo-musician act. But when he took a leading role in Christopher Nolan's Dunkirk, Harry showed the world he was anything but a one-trick pony. And with a sophomore smash to follow up his debut album, things are really starting to heat up for this British bloke!So, what's next?Get the full Scoop! and more on Harry Styles: America's favorite Brit-pop super star.
Harry Styles
by Alice MontgomeryFind out all about Harry Styles - the sexiest member of the hottest boy band on the planet - in this Sunday Times bestselling biography by Alice Montgomery. When Harry Styles auditioned for the X-Factor, little did he know he'd soon be leaving behind school, his Saturday bakery job, obscurity and an ordinary life. One Direction made it to the final and won a record deal, and it wasn't long before Harry's face covered bedroom walls up and down the country. But how did Harry cope with his new-found fame? And what happens when you take America by storm in a 'British Invasion'? With gorgeous green eyes and curls that send girls wild, Harry has found himself surrounded by beautiful women. But what's the truth behind the rumours? Here, his relationships with Caroline Flack, Taylor Swift and the married Lucy Horobin are laid bare. And what next for Harry and 1D? This book by Alice Montgomery will give you the low down on how Harry Styles and the rest of 1D are set to take on the world.Alice Montgomery works in London and is a freelance author. She has written several bestselling biographies, including Susan Boyle: Dreams Can Come True and Katy Perry.
Harry Styles: A Baby's First Biography (Tiny Idols)
by J. D. ForesterIntroduce your little ones to Harry Styles with this read-aloud biography that&’s perfect for Harries young and old.From The X Factor to One Direction to his solo career, Harry Styles has charmed millions with his songs. Follow his career in this inspiring biography for the youngest readers, with an empowering message and fun Easter eggs that fans of any age will love!Tiny Idols biographies feature BIG stars for the littlest of hands.
Harry Styles: A Little Golden Book Biography (Little Golden Book)
by Wendy LoggiaDream big with a Little Golden Book biography about superstar singer, actor, and fashion icon, Harry Styles. Little Golden Book biographies are the perfect introduction to nonfiction for young readers—as well as fans of all ages!This Little Golden Book about Harry Styles—the world famous performer who got his start on the singing competition show The X Factor, and as a member of One Direction—is an inspiring read-aloud for all Harries!Look for more Little Golden Book biographies: • The Beatles • Beyoncé • Lady Gaga • Taylor Swift • Dolly Parton
Harry T. Burleigh: From the Spiritual to the Harlem Renaissance
by Jean E SnyderHarry T. Burleigh (1866-1949) played a leading role in American music and culture in the twentieth century. Celebrated for his arrangements of spirituals, Burleigh was also the first African American composer to create a significant body of art song. An international roster of opera and recital singers performed his works and praised them as among the best of their time. Jean E. Snyder traces Burleigh's life from his Pennsylvania childhood through his fifty-year tenure as soloist at St. George's Episcopal Church in Manhattan. As a composer, Burleigh's pioneering work preserved and transformed the African American spiritual; as a music editor, he facilitated the work of other black composers; as a role model, vocal coach, and mentor, he profoundly influenced American song; and in private life he was friends with AntonÃn DvoÅTMák, Marian Anderson, Will Marion Cook, and other America luminaries. Snyder provides rich historical, social, and political contexts that explore Burleigh's professional and personal life within an era complicated by changes in race relations, class expectations, and musical tastes.
The Harvard Concise Dictionary of Music and Musicians (Economics And Business Victorian Curriculum Ser. #17)
by Don Michael RandelThis new compact guide to the history and performance of music is both authoritative and a pleasure to use. With entries drawn and condensed from the widely acclaimed Harvard Dictionary of Music (now in its fourth edition) and its companion The Harvard Biographical Dictionary of Music, it is a dependable reference for home and classroom and for professional and amateur musicians. This concise dictionary offers definitions of musical terms; succinct characterizations of the various forms of musical composition; entries that identify individual operas, oratorios, symphonic poems, and other works; illustrated descriptions of instruments; and capsule summaries of the lives and careers of composers, performers, and theorists. Like its distinguished parent volumes, The Harvard Concise Dictionary of Music and Musicians provides information on all periods in music history, with particularly comprehensive coverage of the twentieth century. Clearly written and based on vast expertise, The Harvard Concise Dictionary of Music and Musicians is an invaluable handbook for everyone who cares about music.
The Harvard Dictionary of Music: Fourth Edition (Harvard University Press Reference Library #10)
by Don Michael RandelThis classic reference work, the best one-volume music dictionary available, has been brought completely up to date in this new edition. Combining authoritative scholarship and lucid, lively prose, the Fourth Edition of The Harvard Dictionary of Music is the essential guide for musicians, students, and everyone who appreciates music.
Hating Jazz: A History of Its Disparagement, Mockery, and Other Forms of Abuse
by Andrew S. BerishA deep dive into the meaning behind the hatred of jazz. A rock guitarist plays four notes in front of one thousand people, while a jazz guitarist plays one thousand notes in front of four people. You might laugh or groan at this jazz joke, but what is it about jazz that makes people want to disparage it in the first place? Andrew S. Berish’s Hating Jazz listens to the voices who have denounced, disparaged, and mocked the music. By focusing on the rejection of the music, Berish says, we see more holistically jazz’s complicated place in American cultural life. Jazz is a display of Black creativity and genius, an art form that is deeply embedded in African American life. Though the explicit racial tenor of jazz jokes has become muted over time, making fun of jazz, either in a lighthearted or aggressive way, is also an engagement with the place of Blackness in America. An individual’s taste in music may seem personal, but Berish’s analysis of jazz hatred demonstrates that musical preferences and trends are a social phenomenon. Criticism of jazz has become inextricable from the ways we understand race in America, past and present. In addition to this form of criticism, Berish also considers jazz hate as a form of taste discrimination and as a conflict over genre boundaries within different jazz cultures. Both enlightening and original, Hating Jazz shows that our response to music can be a social act, unique to our historical moment and cultural context—we react to music in certain ways because of who we are, where we are, and when we are.
The Hatred of Music
by Pascal Quignard Fredrik Rönnbäck Matthew AmosThroughout Pascal Quignard's distinguished literary career, music has been a recurring obsession. As a musician he organized the International Festival of Baroque Opera and Theatre at Versailles in the early 1990s, and thus was instrumental in the rediscovery of much forgotten classical music. Yet in 1994 he abruptly renounced all musical activities. The Hatred of Music is Quignard's masterful exploration of the power of music and what history reveals about the dangers it poses. From prehistoric chants to challenging contemporary compositions, Quignard reflects on music of all kinds and eras. He draws on vast cultural knowledge--the Bible, Greek mythology, early modern history, modern philosophy, the Holocaust, and more--to develop ten accessible treatises on music. In each of these small masterpieces the author exposes music's potential to manipulate, to mesmerize, to domesticate. Especially disturbing is his scrutiny of the role music played in the concentration camps of Nazi Germany. Quignard's provocative book takes on particular relevance today, as we find ourselves surrounded by music as never before in history.
Have a Little Faith: The John Hiatt Story
by Michael Elliott Elvis Costello"You already know John Hiatt is one of our best songwriters, but what you might not know is his life is as great a story as his songs. . . . I thought I knew my John Hiatt, but I learned a lot." —David Menconi, author of Step It Up and GoA journey through an artist's quest for success, deep dive into substance abuse, family tragedy, and ultimate triumphBy the mid-1980s, singer-songwriter John Hiatt had been dropped from three record labels, burned through two marriages, and had fallen deep into substance abuse. It took a stint in rehab and a new marriage to inspire him, then a producer and an A&R man to have a little faith. By February 1987, he was back in the studio on a shoestring budget with a hand-picked supergroup consisting of Ry Cooder on guitar, Nick Lowe on bass, and Jim Keltner on drums, recording what would become his masterpiece, Bring the Family. Based on author Michael Elliott's multiple extensive and deeply personal interviews with Hiatt as well as his collaborators and contemporaries, including Rosanne Cash, Bonnie Raitt, Ry Cooder, and many others, Have a Little Faithis the journey through the musical landscape of the 1960s through today that places Hiatt's long career in context with the glossy pop, college-alternative, mainstream country, and heartland rock of the last half-century.Hiatt's life both pre- and post-Family will be revealed, as well as the music loved by critics, fellow musicians, and fans alike.
Hawaiian Music in Motion: Mariners, Missionaries, and Minstrels (Music in American Life)
by James Revell CarrHawaiian Music in Motion explores the performance, reception, transmission, and adaptation of Hawaiian music on board ships and in the islands, revealing the ways both maritime commerce and imperial confrontation facilitated the circulation of popular music in the nineteenth century. James Revell Carr draws on journals and ships' logs to trace the circulation of Hawaiian song and dance worldwide as Hawaiians served aboard American and European ships. He also examines important issues like American minstrelsy in Hawaii and the ways Hawaiians achieved their own ends by capitalizing on Americans' conflicting expectations and fraught discourse around hula and other musical practices.
Hawkwind: Radical Escapism in the Age Of Paranoia
by Joe BanksAn account of the English rock band Hawkwind shows them to be one of the most innovative and culturally significant bands of the 1970s.Fifty years on from when it first formed, the English rock band Hawkwind continues to inspire devotion from fans around the world. Its influence reaches across the spectrum of alternative music, from psychedelia, prog, and punk, through industrial, electronica, and stoner rock. Hawkwind has been variously, if erroneously, positioned as the heir to both Pink Floyd and the Velvet Underground, and as Britain's answer to the Grateful Dead and Krautrock. It has defined a genre—space rock—while operating on a frequency that's uniquely its own.Hawkwind offered a form of radical escapism and an alternative account of a strange new world for a generation of young people growing up on a planet that seemed to be teetering on the brink of destruction, under threat from economic meltdown, industrial unrest, and political polarization. While other commentators confidently asserted that the countercultural experiment of the 1960s was over, Hawkwind took the underground to the provinces and beyond.In Days of the Underground, Joe Banks repositions Hawkwind as one of the most innovative and culturally significant bands of the 1970s. It's not an easy task. As with many bands of this era, a lazy narrative has built up around Hawkwind that doesn't do justice to the breadth of its ambition and achievements. Banks gives the lie to the popular perception of Hawkwind as one long lysergic soap opera; with Days of the Underground, he shows us just how revolutionary Hawkwind was.
Haydn: A Creative Life in Music
by Karl GeiringerThis definitive study of the life and works of Joseph Haydn represents half a century of research. As a curator of the Gesellschaft der Musikfreunde in Vienna, Dr. Geiringer was in charge of one of the world's leading Hayden collections. His scholarly investigations took him to various monasteries, to libraries in Eisenstadt, Prague, Berlin, Paris, London, and Washington, D.C., and, as a guest of the Hungarian government, to the previously almost inaccessible archives of the Princes of Esterhazy in Budapest. In the past decade, Haydn studies have progressed enormously.-Print ed.
Haydn: Joseph Haydn And Britain (The\late Eighteenth-century Composers Ser.)
by DavidWyn JonesThis volume brings together a selection of the most stimulating and influential writing on Haydn and his music in the English language. Written by a range of established and younger scholars it probes a variety of aesthetic, biographical, compositional, performance and reception issues. A specially written introduction summarizes the significance of each essay, directs the reader to appropriate complementary material and seeks the common ground between the essays; to assist with consistent referencing the individual essays retain their original pagination. This representative compendium of Haydn research provides the opportunity to explore the intellectual diversity of recent scholarship and is an indispensable publication for students of Haydn, whether new or old, amateur or professional.