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Hello, I'm Johnny Cash
by G. Neri A. G. FordThere’s never been anyone like music legend Johnny Cash. His deep voice is instantly recognizable, and his heartfelt songs resonate with listeners of all ages and backgrounds. G. Neri captures Johnny’s story in beautiful free verse, portraying an ordinary boy with an extraordinary talent who grew up in extreme poverty, faced incredible challenges, and ultimately found his calling by always being true to the gift of his voice. A. G. Ford’s luscious paintings of the dramatic southern landscape of Johnny Cash’s childhood illuminate this portrait of a legend, taking us from his humble beginnings to his enormous success on the world stage.
Hello Sunshine
by Ryan Adams"Ryan Adams writes with equal parts precision and recklessness; the blood he draws from the text is easily as unnerving as its unapologetic tenderness. He is proof that poetry will find its writer."-Mary-Louise Parker, actress"Ryan Adams, one of America's most consistently interesting singer/songwriters, has written a passionate, arresting, and entertaining book of verse. Fans are going to love it, and newcomers will be pleased and startled by his intensity and originality."-Stephen King, on Infinity BluesRyan Adams may be acclaimed primarily for albums such as Cardinology, Heartbreaker, Gold (which includes the popular hit songs "When the Stars Go Blue" and "New York, New York"), and Easy Tiger, but the world-renowned singer/songwriter has always been a poet and fiction writer at heart.With the release of Hello Sunshine, Ryan continues to break literary ground beyond what he established with his wildly popular first book, Infinity Blues. Ryan's new work provides perhaps an even deeper insight into the man than is revealed through the songs that have resonated with his hundreds of thousands of fans.Where his debut was characterized by the bitterness of heartbreak, Hello Sunshine is a graceful, sensual assertion of the other side of the emotional coin. This is a 2009 fever dream-inside Ryan's heart and mind-replete with unforgettable verse that will shock and delight those expecting a mere continuation of where Infinity Blues left off.Ryan Adams is known for his prolific nature, which in the last ten years has resulted in various international hit albums. Ryan has also produced Willie Nelson's album Songbird and contributed to records by Toots and the Maytals, Beth Orton, the Wallflowers, Counting Crows, and Cowboy Junkies; additionally, he has appeared on CMT's Crossroads with Elton John.
Hello, World! Music (Hello, World!)
by Jill McDonaldLearn from home and explore the world with these fun and easy board books!Every young child loves to listen to music, bang on drums, and pound the keys of a piano. Now here's a Hello, World! board book that can teach babies and toddlers all about musical instruments and the sounds they make—with colors, shapes, sizes, and super-simple facts.Hello, World! board books introduce first nonfiction concepts to babies and toddlers. Told in clear and easy terms with read-aloud sound words ("Plink! There are 88 keys on a piano, and they each make a different sound") and featuring bright, cheerful illustrations, Hello, World! makes learning fun for young children. And each page offers helpful prompts for engaging with your child. It's a perfect way to bring science and culture into the busy world of a toddler, where learning never stops. Look for all the books in the Hello, World! series: • Solar System• Weather• Backyard Bugs• Birds• Dinosaurs• My Body• How Do Apples Grow?• Ocean Life• Moon Landing• Pets• Arctic Animals• Construction Site• Rainforest Animals• Planet Earth • Reptiles• Cars and Trucks • Music• Baby Animals• On the Farm• Garden Time• Planes and Other Flying Machines• Rocks and Minerals• Snow
Helmholtz and the Modern Listener
by Benjamin SteegeThe musical writings of scientist Hermann von Helmholtz (1821-1894) have long been considered epoch-making in the histories of both science and aesthetics. Widely regarded as having promised an authoritative scientific foundation for harmonic practice, Helmholtz can also be read as posing a series of persistent challenges to our understanding of the musical listener. Helmholtz was at the forefront of sweeping changes in discourse about human perception. His interrogation of the physiology of hearing threw notions of the self-possessed listener into doubt and conjured a sense of vulnerability to mechanistic forces and fragmentary experience. Yet this new image of the listener was simultaneously caught up in wider projects of discipline, education and liberal reform. Reading Helmholtz in conjunction with a range of his intellectual sources and heirs, from Goethe to Max Weber to George Bernard Shaw, Steege explores the significance of Helmholtz's listener as an emblem of a broader cultural modernity.
The Helmholtz Legacy in Physiological Acoustics
by Erwin HiebertThis book explores the interactions between science and music in the late nineteenth- and early twentieth century. It examines and evaluates the work of Hermann von Helmholtz, Max Planck, Shohé Tanaka, and Adriaan Fokker, leading physicists and physiologists who were committed to understanding crucial aesthetic components of the art of music, including the standardization of pitch and the implementation of various types of intonations. With a mixture of physics, physiology, and aesthetics, author Erwin Hiebert addresses throughout the book how just intonation came to intersect with the history of keyboard instruments and exert an influence on the development of Western music. He begins with the work of Hermann von Helmholtz, a leading nineteenth-century physicist and physiologist who not only made important contributions in vision, optics, electrodynamics and thermodynamics, but also helped advanced the field of music theory as well. The author traces the Helmholtzian trends of thought that become inherently more complex by reaching beyond the sciences to perform a bridge with aesthetics and the diverse ways in which the human mind interprets or is taught, in different cultures, to interpret and understand music. Next, the author explores the works of other key physicists and physiologists who were influenced by Helmholtz and added to his legacy. He examines Japanese music theory student Shohé Tanaka, who sought to design a harmonium that was not based on equal temperament but rather on just intonation. Dutch physicist Adriaan Daniel Fokker, who arranged for organs to be built based on 31-tones per octave, orchestrated concerts for these new instruments and even attempted to compose microtonal music, or music whose tonality is based on intervals smaller than the typical twelve semitones of Western music.
Help!: The Beatles, Duke Ellington, And The Magic Of Collaboration
by Thomas BrothersThe fascinating story of how creative cooperation inspired two of the world’s most celebrated musical acts. The Beatles and Duke Ellington’s Orchestra stand as the two greatest examples of collaboration in music history. Ellington’s forte was not melody—his key partners were not lyricists but his fellow musicians. His strength was in arranging, in elevating the role of a featured soloist, in selecting titles: in packaging compositions. He was also very good at taking credit when the credit wasn’t solely his, as in the case of Mood Indigo, though he was ultimately responsible for the orchestration of what Duke University musicologist Thomas Brothers calls "one of his finest achievements." If Ellington was often reluctant to publicly acknowledge how essential collaboration was to the Ellington sound, the relationship between Lennon and McCartney was fluid from the start. Lennon and McCartney "wrote for each other as primary audience." Lennon’s preference for simpler music meant that it begged for enhancement and McCartney was only too happy to oblige, and while McCartney expanded the Beatles’ musical range, Lennon did "the same thing with lyrics." Through his fascinating examination of these two musical legends, Brothers delivers a portrait of the creative process at work, demonstrating that the cooperative method at the foundation of these two artist-groups was the primary reason for their unmatched musical success. While clarifying the historical record of who wrote what, with whom, and how, Brothers brings the past to life with a lifetime of musical knowledge that reverberates through every page, and analyses of songs from Lennon and McCartney’s Strawberry Fields Forever to Billy Strayhorn’s Chelsea Bridge. Help! describes in rich detail the music and mastery of two cultural leaders whose popularity has never dimmed, and the process of collaboration that allowed them to achieve an artistic vision greater than the sum of their parts.
Help Your Kids with Music, Ages 10-16: A Unique Step-by-Step Visual Guide & Free Audio App (DK Help Your Kids)
by Carol VordermanDemystify the subject of music theory with this visual guide, reducing the stress of studying music and helping your child with their music homework. With free online audio.Covering everything from semitones and note values to harmony and music appreciation, Help Your Kids with Music takes you on a clear and easy step-by-step path through all things music. With free supporting audio available. This straightforward guide uses clear, accessible pictures and diagrams to approach even the most complex musical theory with confidence. The use of bright colors breaks up the black and white confusion of musical notes and helps you to easily understand key topics. You&’ll also find a glossary of key musical terms and symbols for quick reference, and a supporting audio to help you understand the music you are seeing. This visual guide clearly explains key concepts in five step-by-step chapters:- The Basics explains the types of instruments, notation for keyboard and stringed instruments, the "musical alphabet," and counting a beat.- Rhythm covers the length of notes and rests, as well as basic rhythms and meters, phrasing, syncopation, tempo, and using a metronome- Tone and Melody includes everything a student needs to know about tones and how they work together to build a melody- Chords and Harmony shows how intervals work together and includes examples for horn and woodwind instruments- Form and Interpretation helps students understand how musical form can aid appreciation and interpretation for classical, jazz, blues, and other musical styles.Suitable for those working on music at school or as an extra subject, this valuable guide covers music theory from Grades 1-5. Whether you're approaching the subject yourself or simply supporting someone else through their studies, Help Your Kids with Music simplifies the world of musical notation and study for everyone.Series OverviewDK's bestselling Help Your Kids With series contains crystal-clear visual breakdowns of important subjects. Simple illustrations and clear text are key to making this series a user-friendly resource for frustrated parents who want to help their children get the most out of school.
Hemisferios
by Pablo Pérez Rueda (Blon)El segundo poemario de Pablo Pérez Rueda, más conocido como Blon, reflexiona sobre los matices positivos o negativos que se encuentran en cada sentimiento, en cada realidad. Si miras un mismo objeto desde la oscuridad o desde la luz quizá lo que tu ojo perciba se transforme de maneras inesperadas, como cuando éramos niños y un simple perchero sombrío podía convertirse en un monstruo. ¿Qué parte de la realidad es objetiva y qué parte depende de la mirada con la que la apreciamos, de lo sombrío o lo luminoso que sea el espacio que la rodea? Pablo Pérez Rueda, más conocido como Blon, consolida su voz en este segundo poemario, que habla sobre lo relativo, o más bien sobre las múltiples visiones que el ser humano puede tener acerca de un mismo concepto y que, sorprendentemente, viajan desde un extremo al otro, haciendo que una cosa pueda contener en sí misma significados inversos.
Hendrix: The Illustrated Story
by Gillian G. GaarThis definitive, illustrated biography explores the life and career of the rock music legend with photographs, posters, and other ephemera.Every music critic to rank the Greatest Rock Guitarists of All Time agrees on one thing: Jimi Hendrix is number one. Hendrix enjoyed the international limelight for less than four years, but his innovative guitar playing and imaginative interpretations of blues and rock continue to inspire generations of musicians and music lovers.In Hendrix, music journalist Gillian Gaar explores the guitarist's life from his childhood in Seattle to his service as an Army paratrooper, his role as a sideman on the chitlin' circuit, his exile in the United Kingdom, his rise to superstardom, and his untimely death in 1970. The volume is enhanced throughout with rare archival photographs as well as posters, picture sleeves, and other assorted memorabilia.
Hendrix on Hendrix: Interviews and Encounters with Jimi Hendrix
by Steven RobyThough many books have chronicled Jimi Hendrix's brilliant but tragically brief musical career, this is the first to use his own words to paint a detailed portrait of the man behind the guitar. With selections carefully chosen by one of the world's leading Jimi Hendrix historians, this work includes the most important interviews from the peak of his career, 1966 to 1970. In this authoritative volume, Hendrix recalls for reporters his heartbreaking childhood, his concept of "Electric Church Music" (intended to wash people's souls and give them a new direction), and his wish to be remembered as not just another guitar player. While Hendrix never wrote a memoir, with new transcriptions from European papers, the African American press, counterculture newspapers, radio and TV interviews, and previously unpublished court transcripts, this book gives music fans the next best thing to a Hendrix autobiography.
Henri Dutilleux: Conversations with Claude Glayman
by Roger NicholsBorn in 1916, Henri Dutilleux is one of France‘s leading composers, enjoying an international reputation for his beautifully crafted works. This is the first translation into English of a series of interviews between Dutilleux and the French writer and journalist Claude Glayman which took place in 1996. Dutilleux discusses aspects of his life including his early training at the Paris Conservatoire, the German occupation of France and the time that he spent in the United States. The interviews reveal much about his music and his approach to composition, as well as the influences on his musical style. Originally published by Actes Sud in 1997, this English edition is the work of translator Roger Nichols, one of the UK‘s leading specialists on French music.
Henri Dutilleux: His Life and Works
by Caroline PotterHenri Dutilleux (born 1916) is one of France‘s leading composers, though until recently his music received more attention in the United States than in Europe. A fiercely independent composer who pursues his own musical path regardless of fashion, he has never courted the public eye, yet in this book he is revealed as a composer very much engaged with the work of other artists from all spheres. Caroline Potter‘s fascinating survey examines the relation of some of these artists to Dutilleux‘s music. In literature, the notions of memory and time found in the writings of Baudelaire and Proust have had profound effects on his compositional development, whilst the visual arts have informed his aesthetic ideas and their expression in both his music and even in his meticulously produced scores. Always a perfectionist, Dutilleux now rejects those earlier works which are not representative of his mature style. By analysing these early pieces, Dr Potter traces the evolution of his musical style, and she investigates his compositional process and use of particular referential devices in later works. Whilst his music is unequivocally of our time, Dutilleux has never lost the ability to communicate with a wide-ranging audience. Drawing on interviews with the composer, this study provides penetrating insights into this complex composer‘s musical world.
Henri Matisse: A Guide to Research (Artist Resource Manuals #1)
by Catherine C. Bock WeissFirst published in 1996. Routledge is an imprint of Taylor & Francis, an informa company.
Henry Cow: The World Is a Problem
by Benjamin PiekutIn its open improvisations, lapidary lyrics, errant melodies, and relentless pursuit of spontaneity, the British experimental band Henry Cow pushed rock music to its limits. Its rotating personnel, sprung from rock, free jazz, and orchestral worlds, synthesized a distinct sound that troubled genre lines, and with this musical diversity came a mixed politics, including Maoism, communism, feminism, and Italian Marxism. In Henry Cow: The World Is a Problem Benjamin Piekut tells the band&’s story—from its founding in Cambridge in 1968 and later affiliation with Virgin Records to its demise ten years later—and analyzes its varied efforts to link aesthetics with politics. Drawing on ninety interviews with Henry Cow musicians and crew, letters, notebooks, scores, journals, and meeting notes, Piekut traces the group&’s pursuit of a political and musical collectivism, offering up its history as but one example of the vernacular avant-garde that emerged in the decades after World War II. Henry Cow&’s story resonates far beyond its inimitable music; it speaks to the avant-garde&’s unpredictable potential to transform the world.
Henry Cowell: A Man Made of Music
by Joel SachsJoel Sachs offers the first complete biography of one of the most influential figures in twentieth-century American music. Henry Cowell, a major musical innovator of the first half of the 20th century, left a rich body of compositions spanning a wide range of styles. But as Sachs shows, Cowell's legacy extends far beyond his music. He worked tirelessly to create organizations such as the highly influential New Music Quarterly, New Music Recordings, and the Pan-American Association of Composers, through which great talents like Ruth Crawford Seeger and Charles Ives first became known in the US and abroad. As one of the first Western advocates for World Music, he used lectures, articles, and recordings to bring other musical cultures to myriad listeners and students including John Cage and Lou Harrison, who attributed their life work to Cowell's influence. Finally, Sachs describes the tragedy of Cowell's life, being sentenced to fifteen years in San Quentin -- of which he served four -- after pleading guilty to a morals charge that even the prosecutor felt was trivial. Providing a wealth of insight into Cowell's ideas and philosophy, Joel Sachs lays out a much-needed perspective on one of the giants of twentieth-century American music.
Henry & Glenn Forever
by Tom NeelyStarring super-notorious musclebound punk/metaldudes Glenn Danzig and Henry Rollins (with a little help from super-notorious soft-rockdudes Hall and Oates) Henry & Glenn Forever is a love story to end all love stories! <P><P>The premise of this comic is explained in the beginning, "Henry and Glenn are very good 'friends.' They are also 'room mates.' Daryl and John live next door. They are satanists." What follows is ultra-metal violence and cryfest diary entries, cringing self-doubt and mega-hilarious emo-meltdowns. Who knew Danzig was such a vulnerable, self-conscious sweety-pie? Who knew Rollins was such a caring spouse? Who knew Hall and Oates were so infernally evil-yet so considerate? Well, illustrating/writing team Igloo Tornado (featuring super-awesome comixdude Tom Neely) did and they kicked down 66 fully-illustrated pages with it. Genius on all fronts. Terrifyingly cute. Cutely terrifying. As the real-life Rollins says, quoted on the back cover, "Has Glenn seen this? Trust me, he would not be impressed."
Henry & Glenn Forever & Ever
by Tom NeelyTwo men.Two myths.One legend.The greatest love story every told has finally been released in graphic novel form. This epic tome features twenty short stories about the domestic life of "Henry" and "Glenn" and sometimes their neighbors "Daryl" and "John." Glenn deals with issues with his mother while Henry, "a loud guy with a good work ethic," shows his darker side and indifference to a fan as he drinks black coffee and bonds with Glenn over their distaste for their own bands. These are two men who truly suffer best alone together.Among other hijinks, Henry and Glenn go to therapy together, battle an evil cult in the forest, and profess their love for each other, all while dealing with jealousy and other normal relationship problems and trying to figure out if their soft-rocking neighbors are actually Dungeons and Dragons playing Satanists. The saga of The saga of Henry and Glenn is a true testament to the power of love to overcome even the biggest, manliest egos of our time.The book collects four serialized comics, adds 100 never-before published pages, including new stories, pin up art, and full color covers from the original series. <P><P> <i>Advisory: Bookshare has learned that this book offers only partial accessibility. We have kept it in the collection because it is useful for some of our members. Benetech is actively working on projects to improve accessibility issues such as these.</i>
Henry Mancini: Reinventing Film Music (Music in American Life)
by John CapsHenry Mancini, the first publicly successful and personally recognizable film composer in history, has practically become a Hollywood brand name. In his lifetime, he sold thirty million albums and won four Oscars and twenty Grammy awards. Through Mancini, mere background music in movies became part of pop culture--an expression of sophistication and wit with a modern sense of cool and a lasting lyricism that has not dated. The first comprehensive study of Mancini's music, Henry Mancini: Reinventing Film Music describes how the composer served as a bridge between the Big Band period of World War II and the impatient eclecticism of the Baby Boomer generation, between the grand formal orchestral film scores of the past and a modern American minimalist approach. Mancini's sound seemed to capture the bright, confident, welcoming voice of the middle class's new efficient life: interested in pop songs and jazz, in movies and television, in outreach politics but also conventional stay-at-home comforts. As John Caps shows, Mancini easily combined it all in his music. Mancini wrote his first dramatic music for a radio series in 1950. By the mid-1960s, he wielded influence in Hollywood and around the world with his iconic scores: dynamic jazz for the noirish detective TV show Peter Gunn, the sly theme from The Pink Panther, and his wistful folk song "Moon River" from Breakfast at Tiffany's. Following the evolution of Mancini's style, Caps traces the history of movie scoring in general: from the jazz-pop of the 1960s to the edgier, electro-funk harmonies of the Watergate 1970s, from the revisionist 1980s marked by New Age trends and new jazz chords to the frustrating New Hollywood of the 1990s when films were made by committees of lawyers rather than by artisans. Through insightful close readings of key films, Caps traces Mancini's collaborations with important directors and shows how he homed in on specific dramatic or comic aspects of each film to create musical effects through clever instrumentation, eloquent melodies, and the strong narrative qualities of his scores. Accessible and engaging, this fresh view of Mancini's oeuvre and influence will delight and inform fans of film and popular music.
Henry V and the Earliest English Carols: 1413–1440
by David FallowsAs a distinctive and attractive musical repertory, the hundred-odd English carols of the fifteenth century have always had a ready audience. But some of the key viewpoints about them date back to the late 1920s, when Richard L. Greene first defined the poetic form; and little has been published about them since the burst of activity around 1950, when a new manuscript was found and when John Stevens published his still definitive edition of all the music, both giving rise to substantial publications by major scholars in both music and literature. This book offers a new survey of the repertory with a firmer focus on the form and its history. Fresh examination of the manuscripts and of the styles of the music they contain leads to new proposals about their dates, origins and purposes. Placing them in the context of the massive growth of scholarly research on other fifteenth-century music over the past fifty years gives rise to several fresh angles on the music.
Her Country: How the Women of Country Music Became the Success They Were Never Supposed to Be
by Marissa R. MossThe full and unbridled inside story of the last twenty years of country music through the lens of Maren Morris, Mickey Guyton, and Kacey Musgraves—their peers and inspirations, their paths to stardom, and their battles against a deeply embedded boys’ club, as well as their efforts to transform the genre into a more inclusive place for all (and not just white men in trucker hats), as told by award-winning Nashville journalist Marissa R. Moss.It was only two decades ago, but, for the women of country music, 1999 seems like an entirely different universe. With Shania Twain, country’s biggest award winner and star, and The Chicks topping every chart, country music was a woman’s world: specifically, country radio and Nashville’s Music Row.Cut to 2021, when women are only played on country radio 16% of the time, on a good day, and when only men have won Entertainer of the Year at the CMA Awards for a decade. To a world where artists like Kacey Musgraves sell out arenas but barely score a single second of airplay. But also to a world where these women are infinitely bigger live draws than most male counterparts, having massive pop crossover hits like Maren Morris’s “The Middle,” pushing the industry to confront its deeply embedded racial biases with Mickey Guyton’s “Black Like Me,” winning heaps of Grammy nominations, banding up in supergroups like The Highwomen and taking complete control of their own careers, on their own terms. When the rules stopped working for the women of country music, they threw them out and made their own: and changed the genre forever, and for better. Her Country is veteran Nashville journalist Marissa R. Moss’s story of how in the past two decades, country’s women fought back against systems designed to keep them down, armed with their art and never willing to just shut up and sing: how women like Kacey, Mickey, Maren, The Chicks, Miranda Lambert, Rissi Palmer, Brandy Clark, LeAnn Rimes, Brandi Carlile, Margo Price and many more have reinvented the rules to find their place in an industry stacked against them, how they’ve ruled the century when it comes to artistic output—and about how women can and do belong in the mainstream of country music, even if their voices aren’t being heard as loudly.
Her Name Was Dolores: The Jenn I Knew
by Pete SalgadoThe untold story of the iconic Jenni Rivera through the perspective of her former managers, Pete Salgado and Gabriel Vazquez and it will be the basis for a TV series that airs on Univision. This book will take us into the boiler room and offer a behind-the-scenes look into the strategies and moments that lead to national headlines. Pete Salgado was Jenn’s longstanding manager, considered by Jenn her fifth bother, he worked with her for nearly a decade, and helped negotiate many of her deals. She shared things with him she did not with others, and he came to know her in ways no one else did. The months before Jenni’s death were filled with betrayals and disappointments from those she most loved and trusted. Salgado addresses that and takes readers deep inside some cryptic tweets Jenni posted as well of answering very difficult questions such as: Did Chiquis have an affair with Jenni’s husband, Esteban? Who really was the person Jenni called El Pelón and tweeted about, and what did he mean to her? Was Jenni embroiled with the drug cartel? Did the notorious narco El Barbie mistreat her? Was she going to buy a plane? Was Jenni’s death truly an accident? This book describes everything that went into that final moment, and for the first time, truly depict the beauty, love, complexity, and pain of Jenni’s relationship with Chiquis – which was much different and went much deeper than a traditional mother-daughter relationship. Salgado shares who Dolores really was that her fans did not know and did not see on stage… Salgado and Vasquez give readers a better perspective of the life of the “Diva de la banda” from the two people most deeply involved in helping build her career, and who knew her in ways that no one else did.
Her Piano Sang: A Story about Clara Schumann
by Barbara AllmanTells the story of the German pianist and composer who made her professional debut at age nine and who devoted her life to music and to her husband.
Herbert Eimert and the Darmstadt School: The Consolidation of the Avant-Garde (Elements in Music since 1945)
by Max ErwinAfter 1951, the discourse surrounding both the Darmstadt courses in particular and European New Music more broadly shifted away from a dodecaphonic vocabulary in favour of concepts such as 'punctual music', 'post-Webern music', and 'static music', all collected under the newly-christened unity of the Darmstadt School. This study proposes a genealogy of the Darmstadt School through the institutional influence and writings of Herbert Eimert. It demonstrates that Eimert's understanding of music history - whereby technical procedures are universalised as the acme of historical progress - was adopted as the institutional discourse of New Music in Europe, and remains central to both textbook and critical scholarly accounts which attempt to make sense of the avant-garde after World War II.
Herbie Hancock: Possibilities
by Herbie Hancock Lisa DickeyThe long-awaited memoir by one of the most influential and beloved musicians of our timeIn Herbie Hancock the legendary jazz musician and composer reflects on a life and a thriving career that has spanned seven decades. <P><P>A true innovator, Hancock has had an enormous influence on both acoustic and electric jazz, R&B and hip-hop, with his ongoing exploration of different musical genres, winning fourteen Grammy awards along the way.From his beginnings as a child prodigy to his work in Miles Davis's second great quintet; from his innovations as the leader of his own groundbreaking sextet to his collaborations with everyone from Wayne Shorter to Joni Mitchell and Stevie Wonder; Herbie Hancock reveals the method behind Hancock's undeniable musical genius.Hancock shares his musical influences, colorful behind-the-scenes stories, his long and happy marriage, and how Buddhism inspires him creatively and personally. Honest, enlightening, and as electrifyingly vital as the man who wrote it, Herbie Hancock promises to be an invaluable contribution to jazz literature and a must-read for fans and music lovers.
Here and There: Sites of Philosophy
by Stanley CavellThe first posthumous collection from the writings of Stanley Cavell, shedding new light on the distinctive vision and intellectual trajectory of an influential American philosopher. For Stanley Cavell, philosophy was a matter of responding to the voices of others. Throughout his career, he articulated the belief that words spring to life in concrete circumstances of speech: the significance and power of language depend on the occasions that elicit it. When Cavell died in 2018, he left behind some of his own most powerful language—a plan for a book collecting numerous unpublished essays and lectures, as well as papers printed in niche journals. Here and There presents this manuscript, with thematically relevant additions, for the first time. These writings, composed between the 1980s and the 2000s, reflect Cavell’s expansive interests and distinctive philosophical method. The collection traverses all the major themes of his immense body of work: modernity, psychoanalysis, the human voice, moral perfectionism, tragedy, skepticism. Cavell’s rich and cohesive philosophical vision unites his wide-ranging engagement with poets, critics, psychoanalysts, social scientists, and fellow philosophers. In Here and There, readers will find dialogues with Shakespeare, Thoreau, Wittgenstein, Freud, Heidegger, Walter Benjamin, Wallace Stevens, Veena Das, and Peter Kivy, among others. One of the collection’s most striking features is an ensemble of five pieces on music, constituting Cavell’s first discussion of the subject since the mid-1960s. Edited by philosophers who have been invested in Cavell’s work for decades, Here and There not only gathers the strands of a writing life but also maps its author’s intellectual journeys. In these works, Cavell models what it looks like to examine seriously one’s own passions and to forge new communities through unexpected conversations.