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High School: The New York Times Bestseller
by Tegan Quin Sara QuinFrom iconic musicians Tegan and Sara comes a nostalgic memoir about high school, detailing their first loves and first songs in a compelling look back at their origin story. 'Genius' Augusten Burroughs, author of Running with Scissors'A gift' Elliot Page, actor'Utterly charming' Carmen Maria Machado, author of Her Body and Other PartiesBefore they became international musicians and LGBTQ+ icons, twin sisters Sara and Tegan Quin came of age in 90s Canada. They argued relentlessly, skipped school, dropped acid and fell in and out of love - sometimes with their best friends. One day they found their stepdad's guitar and their lives changed course forever.High School is a revelatory joint memoir. It captures two sisters wrestling with their sexual and artistic identities and those breathtaking years when the future seems wondrously possible.
High School: The New York Times Bestseller
by Tegan Quin Sara QuinFrom iconic musicians Tegan and Sara comes a nostalgic memoir about high school, detailing their first loves and first songs in a compelling look back at their origin story. 'Honest and hilarious, dishy and sweet, smart and self-aware and utterly charming.' Carmen Maria Machado, author of Her Body and Other Parties'What a gift' Elliot PageHigh School is the revelatory and unique coming-of-age story of Sara and Tegan Quin, identical twins from Calgary, Alberta, growing up in the height of grunge and rave culture in the 90s, well before they became the celebrated musicians and global LGBTQ icons we know today. While grappling with their identity and sexuality, often alone, they also faced academic meltdown, their parents' divorce, and the looming pressure of what might come after high school. Written in alternating chapters from both Tegan's point of view and Sara's, the book is a raw account of the drugs, alcohol, love, music and friendship they explored in their formative years. A transcendent story of first loves and first songs, it captures the tangle of discordant and parallel memories of two sisters who grew up in distinct ways even as they lived just down the hall from one another. This is the origin story of Tegan and Sara.
High School Musical 2: The Junior Novel
by N. B. GraceGood-bye, school and Hello, summer! But for Troy, Gabriella, Chad, and Taylor, this vacation is no day at the beach. That's because they're all working at a country club founded by Ryan and Sharpay's family! And with the club's annual talent show right around the corner, Sharpay's competitive instincts are sizzling. She dumps her brother Ryan as her singing partner and starts wooing Troy to join her onstage instead. Gabriella is less than thrilled that Troy has agreed to sing with Sharpay. How could he do that to her? She never sees him these days. He's too busy on the golf course, dining in style, playing basketball with a college team and all of it managed by Sharpay. Things are heating up on the lawns of high society. Will Troy and Gabriella realize that they're meant to be?
Higher Education in Music in the Twenty-First Century
by Björn Heile Eva Moreda Rodriguez Jane StanleyIn this book, the contributors reconsider the fundamentals of Music as a university discipline by engaging with the questions: What should university study of music consist of? Are there any aspects, repertoires, pieces, composers and musicians that we want all students to know about? Are there any skills that we expect them to be able to master? How can we guarantee the relevance, rigour and cohesiveness of our curriculum? What is specific to higher education in music and what does it mean now and for the future? The book addresses many of the challenges students and teachers face in current higher education; indeed, the majority of today’s music students undoubtedly encounter a greater diversity of musical traditions and critical approaches to their study as well as a wider set of skills than their forebears. Welcome as these developments may be, they pose some risks too: more material cannot be added to the curriculum without either sacrificing depth for breadth or making much of it optional. The former provides students with a superficial and deceptive familiarity with a wide range of subject matter, but without the analytical skills and intellectual discipline required to truly master any of it. The latter easily results in a fragmentation of knowledge and skills, without a realistic opportunity for students to draw meaningful connections and arrive at a synthesis. The authors, Music academics from the University of Glasgow, provide case studies from their own extensive experience, which are complemented by an Afterword from Nicholas Cook, 1684 Professor of Music at the University of Cambridge. Together, they examine what students can and should learn about and from music and what skills and knowledge music graduates could or should possess in order to operate successfully in professional and public life. Coupled with these considerations are reflections on music’s social function and universities’ role in public life, concluding with the conviction that a university education in music is more than a personal investment in one’s future; it contributes to the public good.
Higher Ground: Stevie Wonder, Aretha Franklin, Curtis Mayfield, and the Rise and Fall of American Soul
by Craig WernerIn Higher Ground, one of our most insightful music writers brilliantly reinterprets the lives of three pop geniuses and the soul revolution they launched. Soul music is one of America's greatest cultural achievements, and Stevie Wonder, Aretha Franklin, and Curtis Mayfield are three of its most inspired practitioners. In midcentury America it was soul music--particularly the dazzling stream of recordings made by these three stars--that helped bring the gospel vision of the black church into the mainstream, energizing the era's social movements and defining a new American gospel where the sacred and the secular met. What made this gospel all the more amazing was that its most influential articulators were the sons and daughters of sharecroppers, storefront preachers, and single parents in the projects, whose genius gave voice to a new vision of American possibility. Higher Groundseamlessly weaves the specific and intensely personal narratives of Stevie, Aretha, and Curtis's lives into the historical fabric of their times. The three shared many similarities: They were all children of the great migration and of the black church. But the gospel impulse manifested itself in different ways within the dramas of their individual lives and musical creations. In Stevie Wonder's case, it was a literally color-blind universal sense of spirituality that expressed itself in his life and music as an urge toward transcendence, particularly in the mid-seventies when albums like Innervisions and Songs in the Key of Life radically revised what a pop album could be. For Aretha Franklin, the traditional gospel vision of a beloved community anchored in the strength of women comforted her through a life littered with tragedy and found expression in propulsive pop songs like "Respect" as well as in her legendary gospel albums. For Curtis Mayfield, the gospel notion of conscious living inspired him to create songs that served the purposes of the Civil Rights movement and the radical Black Power movement alike, from the gritty street drama of Superfly to the transcendent call of "People Get Ready." Werner doesn't just provide a narrative of three fascinating lives; he ties them together with a provocative thesis about American history and culture that compels us to reconsider both the music and the times. And aside from the personalities and the history, he writes beautifully about music itself, the nuts and bolts of its creation and performance, in a way that brings a new awareness and understanding to the most familiar music, forcing readers to listen to songs they've heard a thousand times with fresh ears. In Higher Ground, Werner illuminates the lives of three unparalleled American artists, reminding us why their music mattered then and still resonates with us today.
Highlife Saturday Night: Popular Music And Social Change In Urban Ghana (African Expressive Cultures)
by Nathan PlagemanHighlife Saturday Night captures the vibrancy of Saturday nights in Ghana--when musicians took to the stage and dancers took to the floor--in this penetrating look at musical leisure during a time of social, political, and cultural change. Framing dance band "highlife" music as a central medium through which Ghanaians negotiated gendered and generational social relations, Nate Plageman shows how popular music was central to the rhythm of daily life in a West African nation. He traces the history of highlife in urban Ghana during much of the 20th century and documents a range of figures that fueled the music's emergence, evolution, and explosive popularity. This book is generously enhanced by audiovisual material on the Ethnomusicology Multimedia website.
Highway to Hell
by Clinton WalkerThe definitive account of AC/DC's rise to fame, when the ribald lyrics and charismatic stage presence of singer Bon Scott, along with the guitar work of Angus and Malcolm Young, defined a new, highly influential brand of rock and roll. Drawing on many interviews and featuring a gallery of rare photos, Clinton Walker traces the band's career through the life of their original front man, from small-time gigs to international success, up to Scott's shocking death in 1980. AC/DC's undiminished superstar status (they're the fourth-bestselling band of all time), and their indelible influence on a succession of genres from metal to grunge to rap, ensure that Bon Scott's presence continues to be felt strongly. HIGHWAY TO HELL offers the full story of this seminal rock figure. A consistent seller since it was first published here in 2001, HIGHWAY TO HELL has been updated for this edition. New details that have come to light in recent years about the last hours of Scott's life have been added, enabling the author to dispel persistent rumors and myths and once more set the record straight.
Highways and Heartaches: How Ricky Skaggs, Marty Stuart, and Children of the New South Saved the Soul of Country Music
by Michael StreissguthIn this enlightening and entertaining book, experience the evolution of country music, from the rural routes of 1970s Appalachia to the 1980s country music boom that paved the way for modern Americana. In a dim clearing off a county road in Kentucky sits a sagging outdoor stage buried in moss and dead leaves. It used to be the centerpiece of carnival-like Sunday afternoons where local guitarists, fiddlers and mandolin players hammered out old mountain ballads and legends from the dawn of country music performed their classic hits. Most of the musicians who showed up have long since passed, but Nashville stars Ricky Skaggs and Marty Stuart survive. They were barely teenagers in the early 1970s when they visited this stage in the care of legends Ralph Stanley and Lester Flatt, respectively. Skaggs and Stuart followed their bosses to dozens of stages throughout Appalachia and deeper into the American southland. They were the children, absorbing the wondrous music and strange dramas around them as they became innovators and living symbols of country music.Highways and Heartaches takes readers on the rural circuit Skaggs and Stuart traveled, where an acoustic sound first assembled by masters such as Bill Monroe, Earl Scruggs, and Mother Maybelle Carter ruled the day. The young men were heirs to a bluegrass tradition transmitted to them early in life. One part mountain soul and another African American–influenced rhythm, the music they received was alternately celebrated and neglected in the more than fifty years after the two met in 1971, but since then it has never stopped evolving and influencing the wider American culture thanks to Skaggs and Stuart and other actors in this book, such as Jerry Douglas, Tony Rice, Keith Whitley, Emmylou Harris, and Linda Ronstadt. Riveting portraits of Johnny Cash, Ralph Stanley, Lester Flatt and other heartland-born figures emerge, too. Molded by forces in postwar southern culture such as racial conflict, fringe politics, evangelicalism, growing federal government influence, and stubborn patterns of Appalachian living and thinking, Skaggs and Stuart injected the spirit of bluegrass into their hard-wrought experiments in mainstream country music later in life, fueling the profitability and credibility of the fabled genre. Skaggs&’s new traditionalism of the 1980s, integrating mountain instruments with elements of contemporary country music, created a new sound for the masses and placed him in the vanguard of Nashville&’s recording artists while Stuart embraced seminal influences and attitudes from the riches of American culture to produce a catalog of significant recordings. Skaggs and Stuart&’s friendship took years to jell, but their similar pathways reveal a shared dedication to the soul of country music and highlight the curious day-to-day experiences of two lads growing up on the demanding rural route in bluegrass culture. Their journeys—populated by grizzled mentors, fearsome undertows, and cultural upheaval—influenced their creativity and, ultimately, cut life-giving tributaries in the ungainly, eternal story of country music.
Hikaru in the Light! (Volume 1)
by Mai MatsudaBest friends compete for the once-in-a-lifetime chance to become pop stars in this funny, feel-good manga series perfect for fans of K-On!, The Tryout, and The Baby-Sitters Club.Middle-school student Hikaru Ogino is known as the songbird of her family’s bathhouse in Tokyo. Her beautiful singing echoes from room to room as she cleans up after school, but she dreams of holding a microphone, not a mop! When her best friend, Ran -- a former girl group idol -- invites her to try out for a pop star survival camp together, it’s the chance of a lifetime to put her talents to the test. Can Hikaru outshine the competition and make her stage debut, or will she fall flat?
Hildegard of Bingen (Women Composers)
by Honey MeconiA Renaissance woman long before the Renaissance, the visionary Hildegard of Bingen (1098-1179) corresponded with Europe's elite, founded and led a noted women's religious community, and wrote on topics ranging from theology to natural history. Yet we know her best as Western music's most accomplished early composer, responsible for a wealth of musical creations for her fellow monastics. Honey Meconi draws on her own experience as a scholar and performer of Hildegard's music to explore the life and work of this foundational figure. Combining historical detail with musical analysis, Meconi delves into Hildegard's mastery of plainchant, her innovative musical drama, and her voluminous writings. Hildegard's distinctive musical style still excites modern listeners through wide-ranging, sinuous melodies set to her own evocative poetry. Together with her passionate religious texts, her music reveals a holistic understanding of the medieval world still relevant to today's readers.
Hildegard of Bingen and Musical Reception
by Jennifer BainSince her death in 1179, Hildegard of Bingen has commanded attention in every century. In this book Jennifer Bain traces the historical reception of Hildegard, focusing particularly on the moment in the modern era when she began to be considered as a composer. Bain examines how the activities of clergy in nineteenth-century Eibingen resulted in increased veneration of Hildegard, an authentication of her relics, and a rediscovery of her music. The book goes on to situate the emergence of Hildegard's music both within the French chant restoration movement driven by Solesmes and the German chant revival supported by Cecilianism, the German movement to reform Church music more generally. Engaging with the complex political and religious environment in German speaking areas, Bain places the more recent Anglophone revival of Hildegard's music in a broader historical perspective and reveals the important intersections amongst local devotion, popular culture, and intellectual activities.
Hildegard von Bingen (Le leggendarie donne della storia mondiale #11)
by Laurel A. RockefellerArmata di penna e calamaio, riscrisse la storia del cristianesimo medievale. Hildegard von Bingen non era destinata a passare alla storia. Decima figlia di uno del vassalli del conte von Sponheim, era stata donata dai genitori al monastero di Disibodenberg in segno di gratitudine a Dio, ma soprattutto perché, a causa delle sue visioni, sarebbe stato difficile darla in sposa ad un buon partito. Quando succedette a Jutta von Sponheim nel ruolo di Magistra e priora di Disibodenberg, mantenere il segreto riguardo alle sue visioni divenne impossibile. Quanto accadde in seguito, sconvolse non solo la vita monastica per le donne del suo ordine, ma l'intera storia mondiale. Scopri la storia della scrittrice più prolifica del Medioevo, la leggendaria Hildegard von Bingen.
Hildegard von Bingen's Ordo Virtutum: A Musical and Metaphysical Analysis
by Michael GardinerThe Ordo Virtutum, Hildegard von Bingen’s twelfth-century music-drama, is one of the first known examples of a large-scale composition by a named composer in the Western canon. Not only does the Ordo’s expansive duration set it apart from its precursors, but also its complex imagery and non-biblical narrative have raised various questions concerning its context and genre. As a poetic meditation on the fall of a soul, the Ordo deploys an array of personified virtues and musical forces over the course of its eighty-seven chants. In this ambitious analysis of the work, Michael C. Gardiner examines how classical Neoplatonic hierarchies are established in the music-drama and considers how they are mediated and subverted through a series of concentric absorptions (absorptions related to medieval Platonism and its various theological developments) which lie at the core of the work’s musical design and text. This is achieved primarily through Gardiner’s musical network model, which implicates mode into a networked system of nodes, and draws upon parallels with the medieval interpretation of Platonic ontology and Hildegard’s correlative realization through sound, song, and voice.
Hillbilly Maidens, Okies, and Cowgirls: Women’s Country Music, 1930-1960 (Music in American Life)
by Stephanie Vander WelFrom the 1930s to the 1960s, the booming popularity of country music threw a spotlight on a new generation of innovative women artists. These individuals blazed trails as singers, musicians, and performers even as the industry hemmed in their potential popularity with labels like woman hillbilly, singing cowgirl, and honky-tonk angel. Stephanie Vander Wel looks at the careers of artists like Patsy Montana, Rose Maddox, and Kitty Wells against the backdrop of country music's golden age. Analyzing recordings and appearances on radio, film, and television, she connects performances to real and imagined places and examines how the music sparked new ways for women listeners to imagine the open range, the honky-tonk, and the home. The music also captured the tensions felt by women facing geographic disruption and economic uncertainty. While classic songs and heartfelt performances might ease anxieties, the subject matter underlined women's ambivalent relationships to industrialism, middle-class security, and established notions of femininity.
Himno americano: Una canción para nuestra nación
by Gene ScheerEn mi corazón quiero saberQue cuando terminen mis díasEstados UnidosEstados UnidosTe di lo mejor de mi vidaEste libro es una celebración del espíritu americano. Es una oda al sentido de servicio y deber que comparten muchos estadounidenses, y un mensaje de esperanza para un futuro mejor; uno que nos une a través de generaciones y canta el sueño de un hermoso mañana.Acompañado por una impresionante variedad de ilustraciones hechas por trece artistas, cada uno de los cuales comparte lo que Estados Unidos significa para ellos, Himno americano honra a las personas que trabajan juntas, todos los días, para construir un mundo mejor para su familia, su comunidad y su país.
Himnos de la Vida Cristiana (palabras solamente): Una coleccion de antiguos y nuevos Himnos de Alabanza a Dios
by Moody PublishersEl libro Himnos de la Vida Cristiana (palabras solamente) es un edición electrónica asequible que contiene solamente las palabras de los 354 himnos que aparecen en la edición de música completa.
Himnos de la Vida Cristiana (palabras solamente): Una coleccion de antiguos y nuevos Himnos de Alabanza a Dios
by Moody PublishersEl libro Himnos de la Vida Cristiana (palabras solamente) es un edición electrónica asequible que contiene solamente las palabras de los 354 himnos que aparecen en la edición de música completa.
Hindi Film Songs and the Cinema
by Anna MorcomSince their beginnings in the 1930s, Hindi films and film songs have dominated Indian public culture in India, and have also made their presence felt strongly in many global contexts. Hindi film songs have been described on the one hand as highly standardized and on the other as highly eclectic. Anna Morcom addresses many of the paradoxes eccentricities and myths of not just Hindi film songs but also of Hindi cinema by analysing film songs in cinematic context. While the presence of songs in Hindi films is commonly dismissed aspurely commercial this book demonstrates that in terms of the production process, musical style, and commercial life, it is most powerfully the parent film that shapes and defines the film songs and their success rather than the other way round. While they constitute India‘s still foremost genre of popular music, film songs are also situational, dramatic sequences, inherently multi-media in style and conception. This book is uniquely grounded in detailed musical and visual analysis of Hindi film songs, song sequences and films as well as a wealth of ethnographic material from the Hindi film and music industries. Its findings lead to highly novel ways of viewing Hindi film songs, their key role in Hindi cinema, and how this affects their wider life in India and across the globe. It will be indispensable to scholars seeking to understand both Hindi film songs and Hindi cinema. It also forms a major contribution to popular music, popular culture, film music studies and ethnomusicology, tackling pertinent issues of cultural production, (multi-)media, and the cross-cultural use of music in Hindi cinema. The book caters for both music specialists as well as a wider audience.
Hindi Poetry in a Musical Genre: Thumri Lyrics (Royal Asiatic Society Books)
by Lalita du PerronIndian classical music has long been fascinating to Western audiences, most prominently since the Beatles' sessions with Ravi Shankar in the 1960s. This fascination with the musical genre still prevails in the twenty-first century. Hindi Poetry in a Musical Genre examines Thumri Lyrics, a major genre of Hindustani music, from a primarily linguistic perspective. On a cultural level, it discusses the interface between devotional and secular poetry. Furthermore, it explains the impact of social and political change on the musical life on North India. Well-written and thoroughly researched, this book is a valuable contribution to the field of South Asian studies. It will be interesting to academics across the discipline, including linguistics, politics, sociology, cultural and gender studies.
Hindsight: & All the Things I Can't See in Front of Me
by Justin TimberlakeAn Instant New York Times Bestseller"I can't help that my music shows who I am in this moment, what I'm drawn to, what I'm wondering about. I don't want to help it. What you hear in the words, what you feel in those songs—that's what I was feeling when I wrote them. I want you to see me, just like I want to see you." — Justin TimberlakeIn his first book, Justin Timberlake has created a characteristically dynamic experience, one that combines an intimate, remarkable collection of anecdotes, reflections, and observations on his life and work with hundreds of candid images from his personal archives that range from his early years to the present day, in locations around the world, both on and off the stage. Justin discusses many aspects of his childhood, including his very early love of music and the inspiration behind many of his hit songs and albums.He talks about his songwriting process, offering the back story to many of his hits. He muses on his collaborations with other artists and directors, sharing the details of many performances in concert, TV comedy, and film. He also reflects on who he is, examining what makes him tick, speaking candidly about fatherhood, family, close relationships, struggles, and his search to find an inner calm and strength. Living a creative life, observing and finding inspiration in the world, taking risks and listening to an inner voice—this is Justin Timberlake.
Hip Hop: A Short History (Superstars of Hip-Hop)
by C. F. EarlToday, hip-hop is everywhere. In music, fashion, art, and entertainment, hip-hop has become a language that we all understand. But it hasn't been that way for very long. Hip-hop grew from the neighborhoods of New York City to become a major part of life around the world. Learn about how slavery and the civil rights movement helped lead to the birth of hip-hop. Read about how break dancing, graffiti, and DJs all added to hip-hop. Find out how hip-hop has changed over the years. Hip-Hop: A Short History tells the story of how hip-hop started and how it became popular all over the world.
Hip Hop Africa
by Eric S. CharryHip Hop Africa explores a new generation of African performers and musicians who are not only consumers of global music but also active participants in the worldwide culture of hip hop and rap. Eric Charry and an international group of contributors look carefully at youth culture and the background of this unprecedented musical movement as well as other contemporary musical currents, including reggae, ragga, gospel music, and drumming.. Covering Senegal, Mali, Côte d'Ivoire, Ghana, Nigeria, Kenya, Tanzania, Malawi, and South Africa, this volume offers unique perspectives on the influences, development, and presence of African hip hop on the global music scene.
Hip Hop America
by Nelson GeorgeNow with a new introduction by the author, Hip Hop America is the definitive account of the society-altering collision between black youth culture and the mass media. .
Hip-Hop (and other things)
by Shea SerranoHIP-HOP (AND OTHER THINGS) is about, as it were, rap, but also some other things. It's a smart, fun, funny, insightful book that spends the entirety of its time celebrating what has become the most dominant form of music over the past two and a half decades. From Tupac to Jay Z, Missy Elliott to Drake, you'll find pretty much all of the big names among these pages - as well as a bunch of the smaller names, too.There's art from acclaimed illustrator Arturo Torres, there are infographics and footnotes; there's all kinds of stuff in there. Some of the chapters are serious, and some of the chapters are silly, and some of the chapters are a combination of both things. All of them, though, are treated with the care and respect that they deserve.
Hip-Hop (And Other Things)
by Shea SerranoHIP-HOP (AND OTHER THINGS) is about, as it were, rap, but also some other things. It's a smart, fun, funny, insightful book that spends the entirety of its time celebrating what has become the most dominant form of music these past two and a half decades. Tupac is in there. Jay Z is in there. Missy Elliott is in there. Drake is in there. Pretty much all of the big names are in there, as are a bunch of the smaller names, too. There's art from acclaimed illustrator Arturo Torres, there are infographics and footnotes; there's all kinds of stuff in there. Some of the chapters are serious, and some of the chapters are silly, and some of the chapters are a combination of both things. All of them, though, are treated with the care and respect that they deserve. HIP-HOP (AND OTHER THINGS) is the third book in the (And Other Things) series. The first two—Basketball (And Other Things) and Movies (And Other Things)—were both #1 New York Times bestsellers.