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John Dowland's Lute Songs: Third and Fourth Books with Original Tablature
by John Dowland David NadalOne of the few English musicians whose fame as a composer spread throughout Europe during his lifetime, John Dowland (1563-1626) was also unsurpassed in his day as a lute virtuoso. The composer of 88 lute songs, Dowland had twice applied for the position of lutenist at the court of Elizabeth I and was rejected both times -- for religious reasons, it was thought. (He had converted to Catholicism during a Protestant reign.) His talents, however, were welcomed at courts in Germany, Venice, Florence, and Denmark. Since the early 20th century, Dowland's excellence as a song writer has been well established; and many of his compositions for lute -- long shrouded in obscurity -- have become well known.This collection of 45 songs includes all the works in his original Third Booke of Songs or Aires; in A Pilgrime's Solace (his fourth collection); three contributions to his son Robert's A Musicall Banquet; plus a lovely galliard -- a dance for solo guitar.Together with Nadal's Lute Songs of John Dowland (First and Second Books), published in 1997, this compilation completes Dover's newly edited and engraved editions of Dowland's lute songs -- a rich oeuvre sure to be studied and enjoyed by singers, guitarists, and music lovers alike.
John Dowland's Lute Songs: Third and Fourth Books with Original Tablature (Dover Song Collections)
by John DowlandOne of the few English musicians whose fame as a composer spread throughout Europe during his lifetime, John Dowland (1563–1626) was also unsurpassed in his day as a lute virtuoso. The composer of 88 lute songs, Dowland had twice applied for the position of lutenist at the court of Elizabeth I and was rejected both times — for religious reasons, it was thought. (He had converted to Catholicism during a Protestant reign.) His talents, however, were welcomed at courts in Germany, Venice, Florence, and Denmark. Since the early 20th century, Dowland's excellence as a song writer has been well established; and many of his compositions for lute — long shrouded in obscurity — have become well known.This collection of 45 songs includes all the works in his original Third Booke of Songs or Aires; in A Pilgrime's Solace (his fourth collection); three contributions to his son Robert's A Musicall Banquet; plus a lovely galliard — a dance for solo guitar.Together with Nadal's Lute Songs of John Dowland (First and Second Books), published in 1997, this compilation completes Dover's newly edited and engraved editions of Dowland's lute songs — a rich oeuvre sure to be studied and enjoyed by singers, guitarists, and music lovers alike.
John Dowland: A Research and Information Guide (Routledge Music Bibliographies)
by K. Dawn GrapesJohn Dowland: A Research and Information Guide offers the first comprehensive guide to the musical works and literature on one of the major composers of the English Renaissance. Including a catalog of works, discography of recordings, extensive annotated bibliography of secondary sources, and substantial indexes, this volume is a major reference tool for all those interested in Dowland's works and place in music history, and a valuable resource for researchers of Renaissance and English music.
John Duffey’s Bluegrass Life: Featuring the Country Gentlemen, Seldom Scene, and Washington, D.C.
by Stephen Moore G. T. KeplingerIt has been 22 years since we lost the great John Duffey, the father of modern bluegrass music. He still looms large in the minds of those who knew him and those who saw him perform. Those who came to love bluegrass since never got the chance to experience his power first-hand. Hopefully, this book will give them an understanding of the unique larger-than-life character that was John Duffey. Fortunately, there are plenty of recordings and some videos still available to give a clue. John’s creative influence is heard and felt in the two main bands that he fronted, The Country Gentlemen and The Seldom Scene. These bands created the Washington sound, a newer, more cosmopolitan approach to a genre that had been invented by rural southern and Appalachian musicians in the 1940s. John co-founded The Country Gentlemen in 1957, stayed with them until 1969. In 1971, he was coaxed back into performing to help found The Seldom Scene. John remained with the Scene until his death in December 1996. I have been fortunate to have been a band mate of John’s in both of those bands. There are so many Duffey stories that need to be retold lest they be lost. This book will help fill the void and make him come alive in the minds of the reader.” -- Tom Gray, BLUEGRASS MUSIC HALL OF FAMER Stephen Moore has co-authored four books, Helen Hayes: A Bio-Bibliography, Johnny Holliday: From Rock to Jock, Hoop Tales: Maryland Terrapins, and Cerphe's Up. A research technologist at Georgetown University, he plays in the Maryland rock cover band The Razors. G.T. Keplinger is a long-time bluegrass fan, historian, and archivist. His MFA thesis project was a documentary on The Seldom Scene. An Associate Professor of film at Stevenson University, he lives in Towson, MD with his wife, two children, and their long-haired dachshund.
John Fogerty: An American Son
by Thomas M. KittsThis is the first critical biography to explore John Fogerty's life and his music. When inducting Creedence Clearwater Revival into the Rock and Roll Hall of Fame in 1993, Bruce Springsteen referred to the "music’s power and its simplicity… [its] beauty and poetry and a sense of the darkness of events and of history, of an American tradition shot through with pride, fear, and paranoia." This book investigates those aspects and more of Fogerty’s songs and life: his Americanism, his determined individualism, and unyielding musical vision which led to conflicts with his band, isolation from his family, constant legal battles, and some of the greatest songs of the 20th century.
John Hartford, Pilot of a Steam Powered Aereo-Plain
by Andrew VaughanIn 1971, John Hartford turned his back on a thriving Hollywood career and returned to his bluegrass roots to make one the finest albums of the decade. Circumstance and fate brought him a set of wonderfully skilled musicians that played with fire and passion and in such harmony that the sum of the musical parts was always going to be beyond anything Hartford could have imagined. Not only was Aereo-Plain a remarkable record in its own right, filled with great songs and astounding musicianship, but it stretched the boundaries of bluegrass and opened the doors to a new genre of country and folk music, newgrass. Of course, as with most pioneering albums, Aereo- Plain was a commercial disaster, but now more than forty years later it remains one of the most influential records in acoustic music history. The long hair and beard John Hartford revealed on the album's cover signaled his rejection of the clean cut TV performer who had become internationally known both for his classic song "Gentle on My Mind," and regular TV appearances alongside the Smothers Brothers and Glen Campbell. About the Author Andrew Vaughan is respected Nashville-based writer and an authority on country music. As a music critic, his work has appeared in Billboard, Music Week, Mojo, Q, the London Times, the Guardian, Folk Roots, and many other magazines. He was founding editor of Country Music International magazine and a regular guest on BBC Radio, BBC TV and VH1 as an expert on country music and country rock. In 1999, Andrew moved from London to Nashville, where he quickly became one of the best-connected writers on the music scene. He is the author of several books including Shania: Feel Like a Woman (Andre Deutsch) and The Eagles: An American Band (Sterling Books). He has been a record industry consultant and editorial director for the American Music Channel since 2002.
John Lennon
by Jordi Sierra i FabraA más de veinticinco años del asesinato de John Lennon (Liverpool, 1940 - Nueva York, 1980) a manos de un fanático, Punto de Lectura recupera, actualizada con los datos más recientes, la biografía que escribió Jordi Sierra i Fabra sobre el fundador y el alma del más legendario grupo de rock and roll. A través de sus canciones y de su modo de vida, John Lennon, luchador infatigable por la paz, supo transmitir los sueños -y también las desilusiones- de millones de personas de todo el mundo. Un libro indispensable para conocer a uno de los personajes más carismáticos e influyentes del siglo XX, el autor de inolvidables canciones que siguen vivas en todos nosotros.
John Lennon - Life is What Happens: Music, Memories, and Memorabilia
by John BorackREAL LOVE...John Lennon - Life is What Happens celebrates the life and times of one of the most influential musicians in pop music history. A singer, songwriter, artist, social activist, husband and father, Lennon's genius inspired a generation-and continues to do so today some 30 years after his death.This fascinating read features more than 500 photographs and rare images of Lennon juxtaposed by the myriad pop-culture memorabilia created from the height of Beatlemania into the late 1970s and the Plastic Ono Band. Chronicling his musical career, the book includes hundreds of classic photographs, dozens of quotes by and about Lennon, and personal reminiscence from fans and celebrities recalling Lennon's impact on their lives.
John Lennon: A Biography
by Elizabeth PartridgeAward-winning biographer Elizabeth Partridge dives into Lennon's life from the night he was born in 1940 during a World War II air raid on Liverpool, deftly taking us through his turbulent childhood and his rebellious rock 'n' roll teens to his celebrated life writing, recording, and performing music with the Beatles. She sheds light on the years after the Beatles, with Yoko Ono, as he struggled to make sense of his own artistic life - one that had turned from youthful angst to suffocating fame in almost a split second. Partridge chronicles the emotional highs and paralyzing lows that Lennon transformed into brilliant, evocative songs. John Lennon: All I Want Is the Truth is the unforgettable story of one of rock's biggest legends.
John Lennon: The Life
by Philip NormanFor more than a quarter century, biographer Philip Norman's internationally bestselling Shout! has been unchallenged as the definitive biography of the Beatles. Now, at last, Norman turns his formidable talent to the Beatle for whom being a Beatle was never enough. Drawing on previously untapped sources, and with unprecedented access to all the major characters, Norman presents the comprehensive and most revealing portrait of John Lennon ever published.This masterly biography takes a fresh and penetrating look at every aspect of Lennon's much-chronicled life, including the songs that have turned him, posthumously, into a near-secular saint. In three years of research, Norman has turned up an extraordinary amount of new information about even the best-known episodes of Lennon folklore—his upbringing by his strict Aunt Mimi; his allegedly wasted school and student days; the evolution of his peerless creative partnership with Paul McCartney; his Beatle-busting love affair with a Japanese performance artist; his forays into painting and literature; his experiments with Transcendental Meditation, primal scream therapy, and drugs. The book's numerous key informants and interviewees include Sir Paul McCartney, Sir George Martin, Sean Lennon—whose moving reminiscence reveals his father as never seen before—and Yoko Ono, who speaks with sometimes shocking candor about the inner workings of her marriage to John.“[A] haunting, mammoth, terrific piece of work.” -New York Times Honest and unflinching, as John himself would wish, Norman gives us the whole man in all his endless contradictions—tough and cynical, hilariously funny but also naive, vulnerable and insecure—and reveals how the mother who gave him away as a toddler haunted his mind and his music for the rest of his days.
John Lennon: Young Rock Star (Easy Biographies)
by Laurence SantreyA brief biography of the English rock musician with emphasis on his early years and the formation of the famous Beatles.
John Lewis and the Challenge of "Real" Black Music
by Christopher CoadyFor critics and listeners, the reception of the 1950s jazz-classical hybrid Third Stream music has long been fraught. In John Lewis and the Challenge of "Real" Black Music, Christopher Coady explores the work of one of the form's most vital practitioners, following Lewis from his role as an arranger for Miles Davis's Birth of the Cool sessions to his leadership of the Modern Jazz Quartet, his tours of Europe, and his stewardship of the Lenox School of Jazz. Along the way Coady shows how Lewis's fusion works helped shore up a failing jazz industry in the wake of the 1940s big band decline, forging a new sound grounded in middle-class African American musical traditions. By taking into account the sociocultural milieu of the 1950s, Coady provides a wider context for understanding the music Lewis wrote for the Modern Jazz Quartet and sets up new ways of thinking about Cool Jazz and Third Stream music more broadly.
John Peel
by Mick Wall'Excellent ... paints an affectionate portrait of this unpretentious, humorous presenter who seems to have been loved by everyone who met him' SUNDAY TIMES'A leisurely stroll through the life of an "irreplaceable man" - [a] thoughtful, well-paced portrait' OBSERVERA tribute biography of the hugely popular DJ and broadcaster John PeelJohn Peel was born in Cheshire in 1939 and, after National Service, he eventually went into broadcasting while travelling in America, where his Liverpool accent convinced them he must know the Beatles, and he was even present when Lee Harvey Oswald was shot. In 1967 he returned to the UK and joined Radio One at its start. His late-night radio shows were cult listening for music fans of all ages, and many bands admit that without his support, they would never have made it.While Radio One changed, he remained a constant factor in its schedules, and in 1998 he was awarded the OBE for his services to broadcasting. It was in that year that he also began his multi-award-winning show Home Truths on Radio Four. Mick Wall tells the story of arguably the most influential man in the history of British rock music, speaking to those who knew him well to build up a complete portrait of this hugely popular figure.
John Prine: In Spite of Himself
by Eddie HuffmanWith a range that spans the lyrical, heartfelt songs "Angel from Montgomery," "Sam Stone," and "Paradise" to the classic country music parody "You Never Even Called Me by My Name," John Prine is a songwriter's songwriter. Across five decades, Prine has created critically acclaimed albums--John Prine (one of Rolling Stone's 500 Greatest Albums of All Time), Bruised Orange, and The Missing Years--and earned many honors, including two Grammy Awards, a Lifetime Achievement Award for Songwriting from the Americana Music Association, and induction into the Nashville Songwriters Hall of Fame. His songs have been covered by scores of artists, from Johnny Cash and Miranda Lambert to Bette Midler and 10,000 Maniacs, and have influenced everyone from Roger McGuinn to Kacey Musgraves. Hailed in his early years as the "new Dylan," Prine still counts Bob Dylan among his most enthusiastic fans. In John Prine, Eddie Huffman traces the long arc of Prine's musical career, beginning with his early, seemingly effortless successes, which led paradoxically not to stardom but to a rich and varied career writing songs that other people have made famous. He recounts the stories, many of them humorous, behind Prine's best-known songs and discusses all of Prine's albums as he explores the brilliant records and the ill-advised side trips, the underappreciated gems and the hard-earned comebacks that led Prine to found his own successful record label, Oh Boy Records. This thorough, entertaining treatment gives John Prine his due as one of the most influential songwriters of his generation.
John Prine: In Spite of Himself (American Music Series)
by Eddie Huffman&“An excellent new biography&” of the influential songwriter that showcases his renowned humor and musical genius (The Telegraph). With a range that spans the lyrical, heartfelt songs &“Angel from Montgomery,&” &“Sam Stone,&” and &“Paradise&” to the classic country music parody &“You Never Even Called Me by My Name,&” John Prine is a songwriter&’s songwriter. Across five decades, he&’s created critically acclaimed albums—John Prine (one of Rolling Stone&’s 500 Greatest Albums of All Time), Bruised Orange, The Missing Years—and earned two Grammy Awards, a Lifetime Achievement Award for Songwriting from the Americana Music Association, and induction into the Nashville Songwriters Hall of Fame. His songs have been covered by scores of artists, from Johnny Cash and Miranda Lambert to Bette Midler and 10,000 Maniacs, and influenced everyone from Roger McGuinn to Kacey Musgraves. Hailed in his early years as the &“new Dylan,&” Prine still counts Bob Dylan among his most enthusiastic fans. In John Prine, Eddie Huffman traces the long arc of Prine&’s musical career, beginning with his early, seemingly effortless successes, which led paradoxically not to stardom but to a rich and varied career writing songs that other people have made famous. He recounts the stories, many of them humorous, behind Prine&’s best-known songs and discusses all of Prine&’s albums as he explores the brilliant records and the ill-advised side trips, the underappreciated gems and the hard-earned comebacks that led Prine to found his own successful record label, Oh Boy Records. This thorough, entertaining treatment gives John Prine his due as one of the most influential songwriters of his generation.
John Prine: In Spite of Himself (American Music Series)
by Eddie Huffman&“An excellent new biography&” of the influential songwriter that showcases his renowned humor and musical genius (The Telegraph). With a range that spans the lyrical, heartfelt songs &“Angel from Montgomery,&” &“Sam Stone,&” and &“Paradise&” to the classic country music parody &“You Never Even Called Me by My Name,&” John Prine is a songwriter&’s songwriter. Across five decades, he&’s created critically acclaimed albums—John Prine (one of Rolling Stone&’s 500 Greatest Albums of All Time), Bruised Orange, The Missing Years—and earned two Grammy Awards, a Lifetime Achievement Award for Songwriting from the Americana Music Association, and induction into the Nashville Songwriters Hall of Fame. His songs have been covered by scores of artists, from Johnny Cash and Miranda Lambert to Bette Midler and 10,000 Maniacs, and influenced everyone from Roger McGuinn to Kacey Musgraves. Hailed in his early years as the &“new Dylan,&” Prine still counts Bob Dylan among his most enthusiastic fans. In John Prine, Eddie Huffman traces the long arc of Prine&’s musical career, beginning with his early, seemingly effortless successes, which led paradoxically not to stardom but to a rich and varied career writing songs that other people have made famous. He recounts the stories, many of them humorous, behind Prine&’s best-known songs and discusses all of Prine&’s albums as he explores the brilliant records and the ill-advised side trips, the underappreciated gems and the hard-earned comebacks that led Prine to found his own successful record label, Oh Boy Records. This thorough, entertaining treatment gives John Prine his due as one of the most influential songwriters of his generation.
John Taverner: His Life and Music
by Hugh BenhamJohn Taverner was the leading composer of church music under Henry VIII. His contributions to the mass and votive antiphon are varied, distinguished and sometimes innovative; he has left more important settings for the office than any of his predecessors, and even a little secular music survives. Hugh Benham, editor of Taverner‘s complete works for Early English Church Music, now provides the first full-length study of the composer for over twenty years. He places the music in context, with the help of biographical information, discussion of Taverner‘s place in society, and explanation of how each piece was used in the pre-Reformation church services. He investigates the musical language of Taverner‘s predecessors as background for a fresh examination and appraisal of the music in the course of which he traces similarities with the work of younger composers. Issues confronting the performer are considered, and the music is also approached from the listener‘s point of view, initially through close analytical inspection of the celebrated votive antiphon Gaude plurimum.
John Wallis: Writings On Music (Music Theory In Britain, 1500âe 1700: Critical Editions Ser.)
by David Cram and Benjamin WardhaughJohn Wallis (1616-1703), was one of the foremost British mathematicians of the seventeenth century, and is also remembered for his important writings on grammar and logic. An interest in music theory led him to produce translations into Latin of three ancient Greek texts - those of Ptolemy, Porphyry and Bryennius - and involved him in discussions with Henry Oldenburg, the Secretary of the Royal Society, Thomas Salmon and other individuals as his ideas developed. The texts presented in this volume cover the relationship of ancient and modern tuning theory, the building of organs, the phenomena of resonance, and other musical topics.
John Williams's Film Music: Jaws, Star Wars, Raiders of the Lost Ark, and the Return of the Classical Hollywood Music Style
by Emilio AudissinoJohn Williams is one of the most renowned film composers in history. He has penned unforgettable scores for "Star Wars," the "Indiana Jones "series, "E. T. the Extra-Terrestrial," "Jaws," "Superman," and countless other films. Fans flock to his many concerts, and with forty-nine Academy Award nominations as of 2014, he is the second-most Oscar-nominated person after Walt Disney. Yet despite such critical acclaim and prestige, this is the first book in English on Williams's work and career. Combining accessible writing with thorough scholarship, and rigorous historical accounts with insightful readings, "John Williams's Film Music "explores why Williams is so important to the history of film music. Beginning with an overview of music from Hollywood's Golden Age (1933-58), Emilio Audissino traces the turning points of Williams's career and articulates how he revived the classical Hollywood musical style. This book charts each landmark of this musical restoration, with special attention to the scores for "Jaws" and" Star Wars," Williams's work as conductor of the Boston Pops Orchestra, and a full film/music analysis of "Raiders of the Lost Ark. " The result is a precise, enlightening definition of Williams's "neoclassicism" and a grounded demonstration of his lasting importance, for both his compositions and his historical role in restoring part of the Hollywood tradition. "
John Williams: Performance, perception, education and construction (Routledge Research in Music)
by Michael O'TooleThis book assesses the influence and reception of many different forms of guitar playing upon the classical guitar and more specifically through the prism of John Williams. Beginning with an examination of Andrés Segovia and his influence upon Williams’ life’s work, a further three incisive chapters cover key areas such as performance, perception, education and construction, considering social and cultural contexts of the guitar over the past century. A final chapter on new directions in classical guitar examines the change in reception of the instrument from the mid-1970s to the present day, and Williams’ impact upon what might be termed ‘standard classical guitar repertoire’. With in-depth discussion of the cultural and perceptual impact of Williams’ more daring crossover projects and numerous musical examples, this is an informative reference for all classical guitar practitioners, as well as scholars and researchers of guitar studies, reception studies, cultural musicology and performance studies. An online lecture by the author and a transcript of the author’s interview with John Williams are also available as e-resources.
John Zorn’s File Card Works: Hypertextual Intermediality in Composition and Analysis (ISSN)
by Maurice WindleburnThis book is the first study of John Zorn’s ‘file card’ works, with special focus made on the pieces Godard (1985), Spillane (1986), Interzone (2010), and Liber Novus (2010). It explains the unique creative process behind these compositions, contextualizing them in relation to the history of file cards, the ‘open work’ concept, cinematic listening, and uncreative aesthetics. Semiotic, hermeneutic, and ekphrastic analyses draw hypertextual links between the four file card compositions and the worlds of their respective dedicatees: author Mickey Spillane, filmmaker Jean-Luc Godard, novelist William S. Burroughs and painter Brion Gysin, and psychiatrist C. G. Jung.This book will appeal not only to those interested in Zorn’s music, but also to scholars of music semiotics and hermeneutics, intermedia studies, and avant-garde music.
Johnny Cash and Philosophy: The Burning Ring of Truth
by John Huss David WertherIn Johnny Cash and Philosophy, twenty-one philosophers explore the implications of the Johnny Cash myth and the Johnny Cash message. Their investigations uncover the distinctive relevance of Johnny Cash for moral responsibility, social justice, patriotism, romantic love, artistic creativity, class oppression, and individual identity.
Johnny Cash at Folsom Prison: The Making of a Masterpiece, Revised and Updated (American Made Music Series)
by Michael StreissguthOn January 13, 1968, Johnny Cash (1932–2003) took the stage at Folsom Prison in California. The concert and the live album, At Folsom Prison, propelled him to worldwide superstardom. He reached new audiences, ignited tremendous growth in the country music industry, and connected with fans in a way no other artist has before or since. Johnny Cash at Folsom Prison: The Making of a Masterpiece, Revised and Updated is a riveting account of that day, what led to it, and what followed. Michael Streissguth skillfully places the album and the concert in the larger context of Cash’s artistic development, the era’s popular music, and California’s prison system, uncovering new angles and exploding a few myths along the way. Scrupulously researched, rich with the author’s unprecedented archival access to Folsom Prison’s and Columbia Records’ archives, Johnny Cash at Folsom Prison shows how Cash forever became a champion of the downtrodden, as well as one of the more enduring forces in American music.This revised edition includes new images and updates throughout the volume, including previously unpublished material.
Johnny Cash: The Biography (American Made Music Ser.)
by Michael StreissguthTo millions, he was the rebellious Man in Black, the unabashed patriot, the redeemed Christian-the king of country music. But Johnny Cash (1932-2003) was also an uncertain country boy whose dreams were born in the cotton fields of Arkansas and who struggled his entire life with a guilt-ridden childhood, addictions, and self-doubt. Johnny Cash: The Biography explores many often overlooked aspects of the legend's life and career, uncovering the origins of his songwriting and trademark boom-chicka-boom rhythm and delving into the details of his personal life, including his drug dependency, which dogged him long after many thought he'd beaten it. Scrupulously researched, passionately told, Johnny Cash: The Biography is the unforgettable portrait of an enduring American icon.
Johnny Cash: The Life
by Robert Hilburn'Johnny Cash ... Every man could relate to him, no man could be him, and only one man could get inside his head - Robert Hilburn' BONOPeople don't just listen to Johnny Cash: they believe in him. But no one has told the Man in Black's full story, until now.In Johnny Cash: The Life, Robert Hilburn conveys the unvarnished truth about a musical icon, whose colourful career stretched from his days at Sun Records with Elvis Presley and Jerry Lee Lewis to his remarkable, brave and deeply moving 'Hurt' video, aged sixty-nine. As music critic for the Los Angeles Times, Hilburn knew Cash well throughout his life: he was the only music journalist at the legendary Folsom Prison concert in 1968, and he interviewed Cash and his wife June Carter for the final time just months before their deaths in 2003. Hilburn's rich reporting shows the remarkable highs and deep lows that followed and haunted Cash in equal measure. A man of great faith and humbling addiction, Cash aimed for more than another hit for the jukebox; he wanted his music to lift people's spirits.Drawing upon his personal experience with Cash and a trove of never-before-seen material from the singer's inner circle, Hilburn creates an utterly compelling, deeply human portrait of one of the most iconic figures in modern popular culture - not only a towering figure in country music, but also a seminal influence in rock, whose personal life was far more troubled, and whose musical and lyrical artistry much more profound, than even his most devoted fans ever realised.