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How To Make It in the New Music Business: Practical Tips On Building A Loyal Following And Making A Living As A Musician
by Derek Sivers Ari Herstand"Ari is at the front of the front. He gets it. I've read a hundred how-to-make-it-in-the-music-biz books, and this one is today's definitive, comprehensive manual." —Jack Conte, 150+ million YouTube views, Pomplamoose, CEO of Patreon Forget everything you think you know about the odds of “making it” in the music industry. Today, odds mean nothing and success is not about lucky breaks. It’s about conquering social media, mastering the art of merchandising and simply working harder and being smarter than everyone else. We are living in the midst of an industry renaissance, one that has left the record companies desperately struggling to maintain their prominence, as a subculture of dedicated, DIY (do-it-yourself) musicians have taken over. These days talent is a given and success has to be earned. In 2008, Ari Herstand boldly turned in his green Starbucks apron to his manager, determined to make a living off his craft as a singer/songwriter. Almost a decade later, he has become a founding member of the new DIY movement and a self-sustaining musician, all without the help of a major label. Now, drawing from years of experience, Herstand has written the definitive guide for other like-minded artists, the ones who want to forge their own path and not follow the traditional markers of success, like record sales, hits on the radio or the amount of your label advance. Incredibly comprehensive and brutally honest throughout, How to Make It in the New Music Business covers every facet of the "new" business, including how to: Build a grass-roots fan base—and understand the modern fan Book a profitable tour, and tips for playing live, such as opening vs. headlining etiquette, and putting on a memorable show Become popular on YouTube, Spotify and SoundCloud Get songs placed in film and television Earn royalties you didn’t know existed and reach your crowdfunding goals Musicians will not only be introduced to all the tools available today but will be shown how to effectively leverage them to actually make money. More important, they will develop the mindset to be aware of new advancements both online and in the real world and always stay in tune with a constantly evolving landscape. There has never been a better time to be an independent musician. Today, fans can communicate with their idols by simply picking up their phones, artists are able to produce studio-worthy content from their basement and albums are funded not by "record men" but by generous, engaged supporters. As result, How to Make It in the New Music Business is a must-have guide for anyone hoping to navigate the increasingly complex yet advantageous landscape that is the modern music industry.
How To Make It in the New Music Business: Practical Tips on Building a Loyal Following and Making a Living as a Musician (Third)
by Ari HerstandNow Magazine: “Top 5 Music Business Books” Hailed as an “indispensable” guide (Forbes), How to Make It in the New Music Business returns in a significantly revised and expanded third edition. How to Make It in the New Music Business, since its first publication in 2016,?has become the go-to resource for musicians eager to make a living in a turbulent industry. Widely adopted by ambitious individuals and music schools across the world and considered “the best how-to book of its kind” (Music Connection), this essential work has inspired tens of thousands of aspiring artists to stop waiting around for that “big break” and take matters into their own hands. In this highly anticipated new edition, Ari Herstand reveals how to build a profitable career with the many tools at our fingertips in the post-COVID era and beyond, from conquering social media and mastering the digital landscape to embracing authentic fan connection and simply learning how to persevere. This edition breaks down these phenomena and more, resulting in a timeless must-have for anyone hoping to navigate the increasingly complex yet advantageous landscape that is the modern music business.
How To Make It in the New Music Business (Second Edition): Practical Tips On Building A Loyal Following And Making A Living As A Musician
by Ari HerstandHailed as an “indispensable” guide (Forbes), How to Make It in the New Music Business returns in this extensively revised and expanded edition. When How to Make It in the New Music Business hit shelves in 2016, it instantly became the go-to resource for musicians eager to make a living in a turbulent industry. Widely adopted by music schools everywhere and considered “the best how- to book of its kind” (Music Connection), it inspired thousands to stop waiting around for that “big break.” Now trusted as the leading expert for “do it yourself” artists, Ari Herstand returns with this second edition, maintaining that a stable career can be built by taking advantage of the many tools at our fi ngertips: conquering social media, mastering the art of merchandising, embracing authentic fan connection, and simply learning how to persevere. Comprehensively updated to include the latest online trends and developments, it offers inspiring success stories across media such as Spotify and Instagram. The result is a must- have for anyone hoping to navigate the increasingly complex yet advantageous landscape that is the modern music industry.
How to Make Music in an Epidemic: Popular Music Making During the AIDS Crisis, 1981-1996 (ISSN)
by Matthew JonesThis volume examines responses to the epidemic of HIV/AIDS in Anglophone popular musicians and music video during the AIDS crisis (1981–1996).Through close reading of song lyrics, musical texts, and music videos, this book demonstrates how music played an integral part in the artistic-activist response to the AIDS epidemic, demonstrating music as a way to raise money for HIV/AIDS services, to articulate affective responses to the epidemic, to disseminate public health messages, to talk back to power, and to bear witness to the losses of AIDS.Drawing methodologies from musicology, queer theory, critical race studies, public health, and critical theory, the book will be of interest to a wide readership, including artists, activists, musicians, historians, and other scholars across the humanities as well as to people who lived through the AIDS crisis.
How to Make Music in Your Bedroom
by Nicola SladeGone are the days when recording an album required a large, expensive recording studio and piles of ultra hi-tech equipment. Lily Allen's myspace video netted her no.1 in the UK singles chart and an NME nomination, folk singer Seth Lakeman made an album in his kitchen for £300 and has been nominated for a Mercury Prize. And of course, there's the Arctic Monkeys - winners of a Mercury Prize, a Brit Award and two NME awards, who marketed their album through demo tapes and file sharing. Nicola Slade shows how anyone can record and mix killer music from the comfort of their bedroom. The author explains what hardware, software and mixing equipment is required, and includes a history of the digitisation of music, advice on marketing and promoting your music and contributions from DIY music artists who have made it big.
How To Master The Violin: A Practical Guide For Students And Teachers
by Pavel L. BytovetzskiGreat care has been taken to make all statements as clear as possible for the average student. The less experienced player will find stated here the fundamentals which he needs; and the more proficient violinist will not resent the presence of this groundwork beneath the more advanced stages of advice offered for his profit. The photographic illustrations will reinforce the instructions given, by affording visible standards and models by which the player may criticise his own attitudes and habits of action.
How To Play Classic Jazz Guitar: Six Swinging Strings
by Michael LydonJazz Guitar Styles is an instruction book designed for the guitarist who already knows the fundamentals but wishes to explore the "classic" style of swing-era guitar. It offers a clear, concise introduction to the basics of jazz guitar, built on the student's basic knowledge of forming chords and basic picking patterns. Jazz Guitar Styles opens this world to any guitarist who has a basic knowledge of guitar technique and willingness to learn.
How to Play Harmonica: A Complete Guide for Beginners (How to Play)
by Blake Brocksmith Gary Dorfman Douglas LichtermanThis easy-to-understand beginner’s guide provides an introduction to playing the harmonica and includes helpful information about basic techniques, tools, and music knowledge.Learn to play the harmonica with this step-by-step guide perfect for beginners. With just this book and your harmonica in hand, you’ll learn basic music skills, discover how and why your harmonica works, play some simple tunes, and start to improvise your own music.
How to Play the Piano
by James RhodesNow you can master Bach’s most beautiful prelude—even if you’ve never sat down at a piano before! Do you have a piano (or keyboard) and forty-five spare minutes every day? Then spend the next six weeks with acclaimed concert pianist James Rhodes. By the end, you’ll be able to perform Bach’s Prelude No. 1 in C major—no prior musical experience required! Rhodes reveals How to Play the Piano step by step—how to read the treble and bass clefs as well as sharp and flat notes, and then how to practice—before teaching the Prelude in easy, bite-size segments. His method is free of tedious drills, and filled with inspiration: “If listening to music is soothing for the soul, then playing music is achieving enlightenment.” Before you know it, not only will you have learned how to play one of Bach’s most beloved masterpieces—you also will have unleashed your creativity, exercising your mind (and fingers) and accomplishing something you never thought possible. Bravo!
How to Play the Piano
by James RhodesLearn to play one of Bach's most exquisite preludes in just 6 weeks, even if you have never played the piano before.An accessible and inspiring book by the pianist and international bestselling writer James Rhodes, who promises that it gives anyone with two hands, a piano or an electric keyboard and just 45 minutes a day the tools they need to learn to play Bach's Prelude No. 1 in C Major in 6 weeks, even if they know nothing about music and have never even touched a piano before.How often do we convince ourselves that it's just too late - too late to learn how to ride a bike, too late to know how to meditate, too late to travel the world... As we get older and time slips through our fingers like water, we become resigned, almost defeatist, about abandoning our dreams. For James Rhodes, after the inevitable "How many hours a day do you practice?" and "Show me your hands", the most common thing people say to him when they hear he's a pianist is "I used to play the piano as a kid. I really regret giving it up". Where does this mourned and misplaced creativity go? For Rhodes, it's still there to be tapped into by all of us, at any point. This inspirational book gives us the means to do this, by breaking up Bach's seminal Prelude No. 1 from the Well-Tempered Clavier into manageable segments, teaching us the basics of piano playing - how to read music, the difference between the treble and the bass clef, sharp and flat notes, how to practice etc.. - and encouraging personal interpretation in a way that is guaranteed to soothe the mind, feed the soul and unleash creative powers we didn't know we still had. All of this will culminate in an ability to perform one of Bach's masterpieces."If listening to music is soothing for the soul, then playing music is achieving enlightenment. It's going from kicking a ball around with a few pals to playing alongside Ronaldo."
How to Play the Piano
by James RhodesLearn to play one of Bach's most exquisite preludes in just 6 weeks, even if you have never played the piano before.An accessible and inspiring book by the pianist and international bestselling writer James Rhodes, who promises that it gives anyone with two hands, a piano or an electric keyboard and just 45 minutes a day the tools they need to learn to play Bach's Prelude No. 1 in C Major in 6 weeks, even if they know nothing about music and have never even touched a piano before.How often do we convince ourselves that it's just too late - too late to learn how to ride a bike, too late to know how to meditate, too late to travel the world... As we get older and time slips through our fingers like water, we become resigned, almost defeatist, about abandoning our dreams. For James Rhodes, after the inevitable "How many hours a day do you practice?" and "Show me your hands", the most common thing people say to him when they hear he's a pianist is "I used to play the piano as a kid. I really regret giving it up". Where does this mourned and misplaced creativity go? For Rhodes, it's still there to be tapped into by all of us, at any point. This inspirational book gives us the means to do this, by breaking up Bach's seminal Prelude No. 1 from the Well-Tempered Clavier into manageable segments, teaching us the basics of piano playing - how to read music, the difference between the treble and the bass clef, sharp and flat notes, how to practice etc.. - and encouraging personal interpretation in a way that is guaranteed to soothe the mind, feed the soul and unleash creative powers we didn't know we still had. All of this will culminate in an ability to perform one of Bach's masterpieces."If listening to music is soothing for the soul, then playing music is achieving enlightenment. It's going from kicking a ball around with a few pals to playing alongside Ronaldo."
How to Play Ukulele: A Complete Guide for Beginners (How to Play)
by Dan ScanlanLearn to play the ukulele with this beginner’s guide that features information about basic techniques, tools, and music knowledge.What do George Clooney, Zooey Deschanel, Ryan Gosling and James Franco all have in common? Answer: they all play the ukulele and now, with this easy step-by-step guide, you can too! With just this book and your ukulele in hand, you’ll learn basic music skills, how to care for your instrument, and how to play some simple tunes. Whether you’re looking to impress your friends with spontaneous singalongs, or just want to strum solo, How to Play Ukulele is the perfect entryway to the wonderful world of ukulele.
How to Rap: The Art and Science of the Hip-Hop MC
by Paul Edwards Kool RapExamining the dynamics of hip-hop from every region and in every form--mainstream and underground, current and classic--this compelling how-to discusses everything from content and flow to rhythm and delivery in relation to the art and craft of rap. Compiled from the most extensive research on rapping to date, this first-of-its-kind guide delivers countless candid and exclusive insights from more than 100 of the most critically acclaimed artists in hip-hop--including Clipse, Cypress Hill, Nelly, Public Enemy, Remy Ma, Schoolly D, A Tribe Called Quest, and will.i.am--unraveling the stories behind their art and preserving a wealth of the genre's history through the words of the legends themselves. Exhaustively detailing the many complex aspects of rapping--such as utilizing literary tools and devices to strengthen content, battling, imagery, similes, metaphors, analogies, slang, performing both live and in the studio, word play, controversial content and punchlines, and constructing beats, singles, and freestyling--with emphasis on enunciating and breathing for unique vocal style, this remarkable book will benefit beginners and pros alike with its limitless wealth of rapping lore and insight.
How to Rap 2: Advanced Flow and Delivery Techniques
by Paul Edwards Gift Of GabIn this sequel to How to Rap, techniques that have not previously been explained--such as triplets, flams, lazy tails, and breaking rhyme patterns--are thoroughly broken down and examined, arming readers with additional tools for their rapping repertoire. Filled with interviews from hip-hop's most innovative artists, including Tech N9ne, Crooked I, Pharcyde, Das EFX, Del the Funky Homosapien, and Big Daddy Kane, this book takes you through the intricacies of rhythm, rhyme, and vocal delivery, delving into the art form in unprecedented detail. This work is a must-read for MCs looking to take their craft to the next level, as well as anyone fascinated by rapping and its complexity.
How to Swing in Musical Theatre: A Guide to Covering the Ensemble
by Jaye J. ElsterHow to Swing in Musical Theatre shines a light on the most universal techniques used by cast members who, in response to absence, can perform multiple roles across an ensemble. This entertaining guide can be used not only to build a step-by-step understanding of what swinging is and how it can be approached, but also as a constant point of reference throughout a career in musical theatre. Providing a suite of practical, technical advice on everything from quick and easy notation to compiling one’s own personal swing ‘bible’, everything that an aspiring or experienced musical theatre performer will need is clearly arranged and thoughtfully explained. This book also teaches the SAFE Strategy, which is recognised as the most functional swing method and introduces the SAFE Principles of Swinging: Safety, Awareness, Function and Evolution. The principles are an original construct, devised to ward off stress and invite positive experience through reasoned behaviours. Musical theatre performers at every level of the profession will find this an invaluable guide that elevates their craft no matter what their previous training, experience or success in the industry.
How to Teach Suzuki Piano
by Shinichi SuzukiA brief but valuable booklet about teaching Suzuki piano. Directed towards parents and teachers. Originally published in Japan by Dr. Suzuki's Talent Education Institute.
How to Write a Song that Matters
by Dar WilliamsAn effective and inspiring guide to songwriting by prolific, iconic singer-songwriter Dar Williams.How to Write a Song That Matters is an invaluable guide to writing music by a woman who knows how to do it and do it well: iconic singer-songwriter, Dar Williams. For years now, Williams has led songwriting retreats for musicians, from beginners to professionals, in which she elevates the process of songwriting over the assessment of the product. This book makes those intimate experiences accessible for songwriters across the globe, gifting them with the insight Williams has gleaned from her decades of experience. First, it encourages songwriters to find something that inspires them and then to follow that inspiration, letting the clues of those first few notes or lines lead their narrative. Soon, the initial rhythms, the unique sounds of the melody, and/or specific vocabulary emerge, giving birth to a "voice" or a "world" that the song can exist in. As the writer proceeds, Williams encourages them to ask themselves: "Where did I go? Where did I REALLY go? What happened? What REALLY happened? What am I bringing back?" There are many other songwriting guides that hint to the reader that writing a "hit song" may be on the horizon if only the reader correctly follows the guide or program. In this book, however, Williams shows readers how to tap into their OWN creative process, using their psyches, their unique life experiences, and their muses to write the songs that they are meant to write. By focusing on the process of creating a song that matters, as opposed to producing a well-constructed "widget from a song factory," songwriters will be able to establish their own voice and use it to make meaningful music. Perfect for music lovers of all sorts who want to write songs, How to Write a Song That Matters is a one-of-a-kind-book that readers will turn to for guidance time and time again.
How to Write One Song: Loving The Things We Create And How They Love Us Back
by Jeff TweedyThere are few creative acts more mysterious and magical than writing a song. But what if the goal wasn't so mysterious and was actually achievable for anyone who wants to experience more magic and creativity in their life? That's something that anyone will be inspired to do after reading Jeff Tweedy's How to Write One Song. Why one song? Because the difference between one song and many songs isn't a cute semantic trick—it's an important distinction that can simplify a notoriously confusing art form. The idea of becoming a capital-S songwriter can seem daunting, but approached as a focused, self-contained event, the mystery and fear subsides, and songwriting becomes an exciting pursuit. And then there is the energizing, nourishing creativity that can open up. How to Write One Song brings readers into the intimate process of writing one song—lyrics, music, and putting it all together—and accesses the deep sense of wonder that remains at the heart of this curious, yet incredibly fulfilling, artistic act. But it&’s equally about the importance of making creativity part of your life every day, and of experiencing the hope, inspiration, and joy available to anyone who&’s willing to get started.
How We Used Saint Etienne to Live
by Ramzy AlwakeelThe essential guide to veteran British indie favourites Saint Etienne — the story of how they made music out of memories, and how we made memories out of them.Do you remember how we used to live? British indie favourites Saint Etienne do. But they also remember a load of other stuff that never happened, so maybe they aren&’t the best people to ask.Saint Etienne have spent three decades making music out of memories for people who make memories out of music. How We Used Saint Etienne to Live is the story of that reciprocal process, told in the wrong order but the right time. It&’s about the methods we use to remember, and what happens when those methods become outdated. It&’s a tale that involves tape splicing, town planning, Now compilations and Saint Etienne&’s 1995 UK singles chart peak, &‘He&’s On The Phone&’.Featuring original interviews with Bob Stanley, Pete Wiggs and Sarah Cracknell, How We Used Saint Etienne To Live shows Saint Etienne&’s minds at work as they make and manipulate history and nostalgia. Expect to be shown the receipts. Expect selective recollections and shameless revisionism. Expect concrete facts and flights of fancy. Don&’t expect it to be immediately clear which is which.
How Women Made Music: A Revolutionary History from NPR Music
by National Public Radio, Inc Alison FensterstockDrawn from NPR Music’s acclaimed, groundbreaking series Turning the Tables, the definitive book on the vital role of Women in Music—from Beyoncé to Odetta, Taylor Swift to Joan Baez, Joan Jett to Dolly Parton—featuring archival interviews, essays, photographs, and illustrations.Turning the Tables, launched in 2017, has revolutionized recognition of female artists, whether it be in best album lists or in the Rock and Roll Hall of FameHow Women Made Music: A Revolutionary History from NPR Music brings this impressive reshaping to the page and includes material from more than fifty years of NPR’s coverage plus newly commissioned work. A must-have for music fans, songwriters, feminist historians, and those interested in how artists think and work, including: • Joan Baez talking about nonviolence as a musical principle in 1971• Dolly Parton’s favorite song and the story behind it • Patti Smith describing art as her “jealous mistress” in 1974• Nina Simone, in 2001, explaining how she developed the edge in her voice as a tool against racism.• Taylor Swift talking about when she had no idea if her musical career might work• Odetta on how shifting from classical music to folk allowed her to express her fury over Jim Crow This incomparable hardcover volume is a vital record of history destined to become a classic and a great gift for any music fan or creative thinker.
Howard Hawks: Music as Communication in Film (Filmmakers and Their Soundtracks)
by Gregory CampKnown for creating classic films including His Girl Friday, The Big Sleep, Bringing Up Baby, and Gentlemen Prefer Blondes, Howard Hawks is one of the best-known Hollywood ‘auteurs’, but the important role that music plays in his films has been generally neglected by film critics and scholars. In this concise study, Gregory Camp demonstrates how Hawks' use of music and musical treatment of dialogue articulate the group communication that is central to his films. In five chapters, Camp explores how the notion of 'music' in Hawks' films can be expanded beyond the film score, and the techniques by which Hawks and his collaborators (including actors, screenwriters, composers, and editors) achieve this heightened musicality.
Howling at the Moon: The Odyssey of a Monstrous Music Mogul in an Age of Excess
by Walter Yetnikoff David RitzShow biz memoir at its name-dropping, bridge-burning, profane best: the music industry&’s most outspoken, outrageous, and phenomenally successful executive delivers a rollicking memoir of pop music&’s heyday.During the 1970s and '80s the music business was dominated by a few major labels and artists such as Michael Jackson, Bruce Springsteen, the Rolling Stones, Bob Dylan, Billy Joel, Paul Simon, Barbra Streisand and James Taylor. They were all under contract to CBS Records, making it the most successful label of the era. And, as the company&’s president, Walter Yetnikoff was the ruling monarch. He was also the most flamboyant, volatile and controversial personality to emerge from an industry and era defined by sex, drugs and debauchery. Having risen from working-class Brooklyn and the legal department of CBS, Yetnikoff, who freely admitted to being tone deaf, was an unlikely label head. But he had an uncanny knack for fostering talent and intimidating rivals with his appalling behavior—usually fueled by an explosive combination of cocaine and alcohol. His tantrums, appetite for mind-altering substances and sexual exploits were legendary. In Japan to meet the Sony executives who acquired CBS during his tenure, Walter was assigned a minder who confined him to a hotel room. True to form, Walter raided the minibar, got blasted and, seeing no other means of escape, opened a hotel window and vented his rage by literally howling at the moon. In Howling at the Moon, Yetnikoff traces his journey as he climbed the corporate mountain, danced on its summit and crashed and burned. We see how Walter became the father-confessor to Michael Jackson as the King of Pop reconstructed his face and agonized over his image while constructing Thriller (and how, after it won seven Grammies, Jackson made the preposterous demand that Walter take producer Quincy Jones&’s name off the album); we see Walter, in maniacal pursuit of a contract, chase the Rolling Stones around the world and nearly come to blows with Mick Jagger in the process; we get the tale of how Walter and Marvin Gaye—fresh from the success of &“Sexual Healing&”—share the same woman, and of how Walter bonds with Bob Dylan because of their mutual Jewishness. At the same time we witness Yetnikoff&’s clashes with Barry Diller, David Geffen, Tommy Mottola, Allen Grubman and a host of others. Seemingly, the more Yetnikoff feeds his cravings for power, sex, liquor and cocaine, the more profitable CBS becomes—from $485 million to well over $2 billion—until he finally succumbs, ironically, not to substances, but to a corporate coup. Reflecting on the sinister cycle that left his career in tatters and CBS flush with cash, Yetnikoff emerges with a hunger for redemption and a new reverence for his working-class Brooklyn roots.Ruthlessly candid, uproariously hilarious and compulsively readable, Howling at the Moon is a blistering You&’ll Never Eat Lunch in this Town Again of the music industry.
Hoy como ayer: Apuntes de colección. Anécdotas de la música uruguaya 1968-2004
by Carlos DopicoCarlos Dopico nos propone un viaje emotivo por las canciones y los artistas que son parte de la historia de los uruguayos. Un regreso a la banda sonora de nuestras vidas. La música uruguaya es reconocida por su calidad en todo el mundo. Artistas originales, discos emblemáticos, canciones que se han convertido en himnos, forman parte de un valioso acervo cultural que ha aportado a la construcción de nuestra identidad. Durante muchos años, Carlos Dopico fue un activo partícipe y testigo de la movida musical del Uruguay, dejando testimonio de las luces y sombras de un medio artístico repleto de talento y creatividad, pero sometido a los rigores de un mercado pequeño y con pocos recursos. En este libro se dan cita relatos, anécdotas, testimonios y reflexiones en primera persona que pintan una época. Es un viaje a través de los secretos de las canciones que nos marcaron. Rock, punk, reggae, pop, hip-hop, blues, canción urbana, y otros géneros desfilan por estas páginas, haciéndonos revivir la emoción de la música. Hoy como ayer, la nostalgia y la emoción se traslucen en la escritura certera y reflexiva de Dopico, y en la palabra de los autores de la banda sonora de nuestras vidas.
Huey Morgan's Rebel Heroes: The Renegades of Music & Why We Still Need Them
by Huey MorganThe defining sounds of popular music - blues, rock 'n' roll, punk, hip-hop - were shaped and driven by rebel voices: whether that was Robert Johnson and Billie Holiday in the 1920-40s, or the likes of Jimi Hendrix, Janis Joplin and Joe Strummer in the 1960s and 70s. Truly ground- and rule-breaking voices have been drowned out by pop-by-numbers acts in more recent years, and in Rebel Heroes, Huey Morgan investigates where music started to lose its soul, and why the lessons of those renegade spirits of yesteryear are still so vital. The book is steeped in Huey's love for, and knowledge of, music and is full of personal anecdotes and stories of some of the greatest musicians to have graced us with their talent.
Huey Morgans Rebel Heroes: The Renegades Of Music And Why We Still Need Them
by Huey MorganThe defining sounds of popular music - blues, rock 'n' roll, punk, hip-hop - were shaped and driven by rebel voices: whether that was Robert Johnson and Billie Holiday in the 1920s and 30s, or the likes of Hendrix, Janis Joplin and Joe Strummer in the 1960s and 70s. In more recent years those truly ground- and rule-breaking voices have been harder to hear, and in Sinners, Chancers & Renegades, Huey Morgan shines a spotlight on the rebel spirits of music in the last century and looks at why there are so few around today. The book includes personal anecdotes from Huey of his experiences listening to these artists as a child, and of meeting - and in some cases playing with - some of them as a musician himself in later years.