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The Hutchinson Concise Dictionary of Music (Helicon Arts And Music Ser.)
by Barrie JonesThe Hutchinson Concise Dictionary of Music, in 7,500 entries, retains the breadth of coverage, clarity, and accessibility of the highly acclaimed Hutchinson Encyclopedia of Music, from which it is derived. Tracing its lineage to the Everyman Dictionary of Music, now out of print, it boasts a distinguished heritage of the finest musical scholarship. This book provides comprehensive coverage of theoretical and technical music terminology, embracing the many genres and forms of classical music, clearly illustrated with examples. It also provides core information on composers and comprehensive lists of works from the earliest exponents of polyphony to present-day composers.
Hwang Byungki: Traditional Music And The Contemprary Composer In The Republic Of Korea (SOAS Studies in Music Series)
by Andrew KillickAnyone who knows anything of Korean music probably knows something of Hwang Byungki. As a composer, performer, scholar, and administrator, Hwang has had an exceptional influence on the world of Korean traditional music for over half a century. During that time, Western-style music (both classical and popular) has become the main form of musical expression for most Koreans, while traditional music has taken on a special role as a powerful emblem of national identity. Through analysis of Hwang's life and works, this book addresses the broader question of traditional music's place in a rapidly modernizing yet intensely nationalistic society, as well as the issues faced by a composer working in an idiom in which the very concept of the individual composer was not traditionally recognized. It explores how new music for traditional instruments can provide a means of negotiating between a local identity and the modern world order. This is the first book in English about an Asian composer who writes primarily for traditional instruments. Following a thematic rather than a rigidly chronological approach, each chapter focuses on a particular area of interest or activity-such as Hwang's unique position in the traditional genre kayagŭm sanjo, his enduring interest in Buddhist culture and a meditative aesthetic, and his adoption of extended techniques and approaches from Western avant-garde music-and includes in-depth analysis of selected works, excerpts from which are provided on an accompanying CD. The book draws on 25 years of personal acquaintance and study with Hwang Byungki as well as experience in playing his music.
Hybrid Ethnography: Online, Offline, and In Between (Qualitative Research Methods #58)
by Liz PrzybylskiToday′s research landscape requires an updated set of analytical skills to tell the story of how people interact with and make meaning from contemporary culture. Hybrid Ethnography: Online, Offline, and In Between provides researchers with concrete and theory-based processes to combine online and offline research methods to tell the story of how and why people are interacting with expressive culture. This book provides a roadmap for combining online and in-person ethnographic research in an explicit manner to support the reality of much contemporary fieldwork. In the tradition of the Qualitative Research Methods series, this concise book serves graduate students and faculty learning ethnography and field methods, as well as those designing, conducting, and writing up their own dissertations and research studies. From choosing the pursue a hybrid ethnographic strategy to collecting data to analyzing and sharing results, author Liz Przybylski covers all aspects of conducting a hybrid ethnography study. Hybrid Ethnography was awarded Honorable Mention for the 2021 Bruno Nettle Prize given by the Society for Ethnomusicology!
Hybrid Ethnography: Online, Offline, and In Between (Qualitative Research Methods #58)
by Liz PrzybylskiToday′s research landscape requires an updated set of analytical skills to tell the story of how people interact with and make meaning from contemporary culture. Hybrid Ethnography: Online, Offline, and In Between provides researchers with concrete and theory-based processes to combine online and offline research methods to tell the story of how and why people are interacting with expressive culture. This book provides a roadmap for combining online and in-person ethnographic research in an explicit manner to support the reality of much contemporary fieldwork. In the tradition of the Qualitative Research Methods series, this concise book serves graduate students and faculty learning ethnography and field methods, as well as those designing, conducting, and writing up their own dissertations and research studies. From choosing the pursue a hybrid ethnographic strategy to collecting data to analyzing and sharing results, author Liz Przybylski covers all aspects of conducting a hybrid ethnography study. Hybrid Ethnography was awarded Honorable Mention for the 2021 Bruno Nettle Prize given by the Society for Ethnomusicology!
A Hymn for Eternity: The Story of Wallace Hartley, Titanic Bandmaster
by Yvonne CarrollThe band playing ‘Nearer my God to Thee’ as the ship went down is probably one of the most famous stories relating to the Titanic. The bravery of the band and their leader, Wallace Hartley, is one of the endearing stories to come out of the worst disaster to happen to a British passenger liner. Who comprised the band? Who was Wallace Hartley and where did he come from? Not much has been written about this enigmatic band leader or of his part in the tragedy, beyond a few mentions in the many books on the disaster. But he was one of the most important characters in the story of Titanic. Yvonne Speak has spent years researching the life story of Wallace Hartley and has conducted interviews with remaining members of his family. Here she tells his story and remembers this most British of heroes.
The Hymnal: A Reading History
by Christopher N. PhillipsUnderstanding the culture of living with hymnbooks offers new insight into the histories of poetry, literacy, and religious devotion.It stands barely three inches high, a small brick of a book. The pages are skewed a bit, and evidence of a small handprint remains on the worn, cheap leather covers that don’t quite close. The book bears the marks of considerable use. But why—and for whom—was it made? Christopher N. Phillips’s The Hymnal is the first study to reconstruct the practices of reading and using hymnals, which were virtually everywhere in the eighteenth and nineteenth centuries. Isaac Watts invented a small, words-only hymnal at the dawn of the eighteenth century. For the next two hundred years, such hymnals were their owners’ constant companions at home, school, church, and in between. They were children's first books, slaves’ treasured heirlooms, and sources of devotional reading for much of the English-speaking world. Hymnals helped many people learn to memorize poetry and to read; they provided space to record family memories, pass notes in church, and carry everything from railroad tickets to holy cards to business letters. In communities as diverse as African Methodists, Reform Jews, Presbyterians, Methodists, Roman Catholics, and Unitarians, hymnals were integral to religious and literate life. An extended historical treatment of the hymn as a read text and media form, rather than a source used solely for singing, this book traces the lives people lived with hymnals, from obscure schoolchildren to Emily Dickinson. Readers will discover a wealth of connections between reading, education, poetry, and religion in Phillips’s lively accounts of hymnals and their readers.
Hymns for the Fallen: Combat Movie Music and Sound after Vietnam
by Todd DeckerIn Hymns for the Fallen, Todd Decker listens closely to forty years of Hollywood combat films produced after Vietnam. Ever a noisy genre, post-Vietnam war films have deployed music and sound to place the audience in the midst of battle and to provoke reflection on the experience of combat. Considering landmark movies—such as Apocalypse Now, Saving Private Ryan, The Thin Red Line, Black Hawk Down, The Hurt Locker, and American Sniper—as well as lesser-known films, Decker shows how the domain of sound, an experientially rich and culturally resonant aspect of cinema, not only invokes the realities of war, but also shapes the American audience’s engagement with soldiers and veterans as flesh-and-blood representatives of the nation. Hymns for the Fallen explores all three elements of film sound—dialogue, sound effects, music—and considers how expressive and formal choices in the soundtrack have turned the serious war film into a patriotic ritual enacted in the commercial space of the cinema.
Hyper-specializing in Saxophone Using Acoustical Insight and Deep Listening Skills (Current Research in Systematic Musicology #6)
by Jonas BraaschThis book presents a novel method of grafting musical wind instruments by exchanging an instrument’s standard mouthpiece with different tone generators. Using the concrete example of the soprano saxophone, it describes how, with six other tone generators, including brass, double reed, and free reed mechanisms, the saxophone can be extended to nearly every wind instrument category in the von Hornbostel and Sachs classification system. The book demonstrates how it is possible to play these instrument variations with high proficiency, and describes the method of hyper-specialization, including acoustical insights, conservatory training methods and the underlying philosophy. The latter is based on the cultural traditions of the different wind instrument prototypes and the Deep Listening philosophy of cultivating internal diversity, and approach that leads to a new level of wind instrument virtuosity that offers great timbral variety combined with the flexibility of a regular acoustic wind instrument.
The Hyperorchestra: Screen Music and Virtual Musical Ensembles
by Sergi CasanellesThis book studies the “hyperorchestra” as used in music for the screen and draws from the intersection of practice and theory. The term hyperorchestra derives from hyperreality, a postmodern philosophical concept coined by Jean Baudrillard. The hyperorchestra is a virtual ensemble that inhabits hyperreality. It approaches music spectrally with the aim of becoming a more effective vessel for meaning generation. The book is informed by concepts from postmodern philosophy, such as hyperreality and Marshall McLuhan's theory of media. The book is also informed by the author’s own compositional practice; it describes contemporary processes, current software tools, orchestration and instrumentation principles, and contemporary approaches to music composition (such as spectral music). In doing so, the book proposes a new perspective for analyzing contemporary film music that pinpoints the importance of the relationship between timbre, meaning, and the different narrative levels within an audiovisual piece.
I Ain't Studdin' Ya: My American Blues Story
by Bobby RushExperience music history with this memoir by one of the last of the genuine old school Blues and R&B legends, the Grammy-winning dynamic showman Bobby Rush. This memoir charts the extraordinary rise to fame of living blues legend, Bobby Rush. Born Emmett Ellis, Jr. in Homer, Louisiana, he adopted the stage name Bobby Rush out of respect for his father, a pastor. As a teenager, Rush acquired his first real guitar and started playing in juke joints in Little Rock, Arkansas, donning a fake mustache to trick club owners into thinking he was old enough to gain entry. He led his first band in Arkansas between Little Rock and Pine Bluff in the 1950s. It was there he first had Elmore James play in his band. Rush later relocated to Chicago to pursue his musical career and started to work with Earl Hooker, Luther Allison, and Freddie King, and sat in with many of his musical heroes, such as Howlin' Wolf, Muddy Waters, Jimmy Reed and Little Walter. Rush eventually began leading his own band in the 1960s, crafting his own distinct style of funky blues, and recording a succession of singles for various labels. It wasn't until the early 1970s that Rush finally scored a hit with "Chicken Heads." More recordings followed, including an album which went on to be listed in the Top 10 blues albums of the 1970s by Rolling Stone and a handful of regional jukebox favorites including "Sue" and "I Ain't Studdin' Ya." And Rush's career shows no signs of slowing down now. The man once beloved for performing in local jukejoints is now headlining major music/blues festivals, clubs, and theaters across the U.S. and as far as Japan and Australia. At age eighty-six, he is still on the road for over 200 days a year. His lifelong hectic tour schedule has earned him the affectionate title "King of the Chitlin' Circuit," from Rolling Stone. In 2007, he earned the distinction of being the first blues artist to play at the Great Wall of China. His renowned stage act features his famed shake dancers, who personify his funky blues and his ribald sense of humor. He was featured in Martin Scorcese's The Blues docuseries on PBS, a documentary film called Take Me to the River, performed with Dan Aykroyd on The Tonight Show Starring Jimmy Fallon, and most recently had a cameo in the Golden Globe nominated Netflix film, Dolemite Is My Name, starring Eddie Murphy. He was recently given the highest Blues Music Award honor of B.B. King Entertainer of the Year. His songs have also been featured in TV shows and films including HBO's Ballers and major motion pictures like Black Snake Moan, starring Samuel L. Jackson. Considered by many to be the greatest bluesman currently performing, this book will give readers unparalleled access into the man, the myth, the legend: Bobby Rush.
I Am Brian Wilson
by Ben Greenman Brian WilsonFor the first time in his own words, the legendary musical genius of The Beach Boys reflects on his tumultuous life and astonishing 21st-century comeback to live performance and renewed creativity.Brian Wilson was the driving creative force behind The Beach Boys, a band that defined an era and charted nine consecutive gold albums and hit after unstoppable hit. But he was derailed in the 1970s by mental illness, drug use, and the shifting fortunes of the band he'd helped to create. In the late 1980s, while still under the thumb of a disreputable therapist, he reemerged as a solo artist, though his living conditions made that unsustainable. Amazingly, he persisted. He found the right support network, including his second wife, Melinda, the right doctors and the right medication and, with their help, he found his way back to the foundation of his creativity. In the 2000s, for the first time ever, Wilson became a viable solo performance artist. And he was at last able to complete Smile, the unfinished Beach Boys record that had become both the symbol of his genius and of his destabilization. I Am Brian Wilson is the story of Brian Wilson's life, told by Brian Wilson. But he's not the same man who had a nervous breakdown on an airplane in 1964 or the one who ballooned to 300 pounds and couldn't get out of bed in the 1970s. This Brian Wilson is older, calmer, filled with perspective regarding his extraordinary accomplishments and forgiveness for the people who complicated those accomplishments, and his life. Wiser, more measured, though still possessed of the youthful spark that helped him rise to the top of the rock and roll world, Wilson relates his life with a level of emotional honesty that has eluded authors of scores of previous works on Brian and The Beach Boys: "Telling my story honestly means remembering things I sometimes prefer to forget. I would like people to get to know what I've gone through, and I hope that my story will give them strength."
I Am Brian Wilson: A Memoir
by Ben Greenman Brian WilsonThey say there are no second acts in American lives, and third acts are almost unheard of. That's part of what makes Brian Wilson's story so astonishing.As a cofounding member of the Beach Boys in the 1960s, Wilson created some of the most groundbreaking and timeless popular music ever recorded. With intricate harmonies, symphonic structures, and wide-eyed lyrics that explored life's most transcendent joys and deepest sorrows, songs like "In My Room," "God Only Knows," and "Good Vibrations" forever expanded the possibilities of pop songwriting. Derailed in the 1970s by mental illness, drug use, and the shifting fortunes of the band, Wilson came back again and again over the next few decades, surviving and-finally-thriving. Now, for the first time, he weighs in on the sources of his creative inspiration and on his struggles, the exhilarating highs and the debilitating lows.I Am Brian Wilson reveals as never before the man who fought his way back to stability and creative relevance, who became a mesmerizing live artist, who forced himself to reckon with his own complex legacy, and who finally completed Smile, the legendary unfinished Beach Boys record that had become synonymous with both his genius and its destabilization. Today Brian Wilson is older, calmer, and filled with perspective and forgiveness. Whether he's talking about his childhood, his bandmates, or his own inner demons, Wilson's story, told in his own voice and in his own way, unforgettably illuminates the man behind the music, working through the turbulence and discord to achieve, at last, a new harmony.
I Am Brian Wilson: The genius behind the Beach Boys
by Brian Wilson'My life has been written about over and over again, and that's mostly okay with me. Other people can talk about my life. Sometimes they'll get it right and sometimes they'll get it wrong. For me, when I think back across my own life, there are so many things that are painful. Sometimes I don't like discussing them. Sometimes I don't even like remembering them. But as I get older, the shape of that pain has changed. Sometimes memories come back to me when I least expect them. Maybe that's the only way it works when you've lived the life I've lived: starting a band with my brothers that was managed by my father, watching my father become difficult and then impossible, watching myself become difficult and then impossible, watching women I loved come and go, watching children come into the world, watching my brothers get older, watching them pass out of the world. Some of those things shaped me. Others scarred me. Sometimes it was hard to tell the difference. When I watched my father fly into a rage and take swings at me and my brothers, was that shaping or scarring? When we watched him grow frustrated with his day job and take solace in music, was that shaping or scarring? Those are all memories but I can't get to them all at once. I've had a whole lifetime to take them in. Now I have a whole book to put them out there.'Excerpt from I Am Brian Wilson
I Am Brian Wilson: The genius behind the Beach Boys
by Brian WilsonThey say there are no second acts in American lives, and third acts are almost unheard of. That's part of what makes Brian Wilson's story so astonishing. As co-founder member of the Beach Boys in the 1960s, Wilson created some of the most groundbreaking and timeless popular music ever recorded. With intricate harmonies, symphonic structures, and wide-eyed lyrics that explored life's most transcendent joys and deepest sorrows, songs like 'In My Room', 'God Only Knows' and 'Good Vibrations' forever expanded the possibilities of pop songwriting. Derailed in the 1970s by mental illness, drug use, and the shifting fortunes of the band, Wilson came back again and again over the next few decades, surviving and - finally - thriving. Now, for the first time, he weighs in on the sources of his creative inspiration and on his struggles, the exhilarating highs and the debilitating lows. I Am Brian Wilson reveals as never before the man who fought his way back to stability and creative relevance, who became a mesmerizing live artist, who forced himself to reckon with his own complex legacy and completed Smile, the legendary unfinished Beach Boys record that had become synonymous with both his genius and its destabilization. Today Brian Wilson is older, calmer, filled with perspective and forgiveness. Whether he's talking about his childhood, his bandmates, or his own inner demons, Wilson's story, told in his own voice and in his own way, unforgettably illuminates the man behind the music, working through the turbulence and discord to achieve, at last, a new harmony.(P) 2016 Audible, Inc.
I Am Charlie Wilson
by Charlie WilsonThe long-awaited New York Times bestselling memoir of seven-time Grammy-nominated artist Charlie Wilson, the iconic R&B and Funk singer-songwriter-producer and former lead singer of The Gap Band—interwoven with his recollections of collaborating with fellow artists such as Stevie Wonder, Kanye West, and Snoop Dogg.Recognized the world over for his distinct voice and timeless hits spanning a career of nearly half a century, Charlie Wilson is one of the most celebrated musicians of his generation. So it took friends and family by surprise when he checked into rehab and revealed that he had been not only homeless, but also helpless. Here is the riveting story of how love and faith carried him through not only his addiction, but also prostate cancer. Here, too, is the story of his work in the music business, including a career resurgence that saw collaborations with some of the most sought-after artists of today, including Pharrell and Justin Timberlake. Now over twenty years sober, Wilson recounts a life filled with vertiginous highs and heartbreaking lows. His is a story of triumph over adversity, courage in the face of extreme hardship, and love when all else is lost. It is a tale of the last sixty years in social and pop culture history, and one that will stay with you for years to come.
I am Dolly Parton (Ordinary People Change the World)
by Brad MeltzerAn instant New York Times Best Seller!The legendary country musician, reading advocate, and philanthropist Dolly Parton is the 28th in the New York Times bestselling picture book biography series for ages 5 to 8. (Cover may vary)This book spotlights Dolly Parton, known for her beloved country songs, who has also sent over 150 million free books to children through her Imagination Library. This friendly, fun biography series inspired the PBS Kids TV show Xavier Riddle and the Secret Museum. One great role model at a time, these books encourage kids to dream big. Included in each book are: • A timeline of key events in the hero&’s history • Photos that bring the story more fully to life • Comic-book-style illustrations that are irresistibly adorable • Childhood moments that influenced the hero • Facts that make great conversation-starters • A virtue this person embodies: Dolly Parton&’s love is seen in everything she does.You&’ll want to collect each book in this dynamic, informative series!
I Am Drums
by Mike Grosso"This book is the song of my middle-school heart."--Michelle Schusterman, author of the I Heart Band! series Sam knows she wants to be a drummer. But she doesn't know how to afford a drum kit, or why budget cuts end her school's music program, or why her parents argue so much, or even how to explain her dream to other people. But drums sound all the time in Sam's head, and she'd do just about anything to play them out loud--even lie to her family if she has to. Will the cost of chasing her dream be too high? An exciting new voice in contemporary middle grade, Mike Grosso creates a determined heroine readers will identify with and cheer for.
I Am Mozart, Too: The Lost Genius of Maria Anna Mozart
by Audrey AdesTo everyone who has heard of my famous younger brother but has never heard of me.I Am Mozart, Too is a picture book biography about Wolfgang's older sister, Maria Anna Mozart, who was a child prodigy and a secret composer, perfect for Women's History Month.Nannerl and Wolfie love playing the harpsichord together. They are so talented, the Mozart siblings perform all over Europe for packed audiences in beautiful concert halls. Even Empress Maria Theresa requests that they stop in Vienna to play especially for her.But then Nannerl does something naughty: She starts writing music of her own. Papa fumes. Girls are not allowed to compose! Girls belong behind the curtain.While Wolfie’s solo career takes flight, Nannerl must settle for a life offstage. But it doesn’t stop her from pursuing her dreams in secret.With vivid, sweeping art by Adelina Lirius, author Audrey Ades tells the powerful true story of a talented, ambitious girl who has been hidden from history—a girl who was and always will be a genius, too.
I Am Ozzy
by Ozzy Osbourne'Mightily entertaining' - Heat People ask me how come I'm still alive, and I don't know what to say. When I was growing up, if you'd have put me up against a wall with the other kids from my street and asked me which one of us was gonna make it to the age of sixty, with five kids and four grandkids and houses in Buckinghamshire and California, I wouldn't have put money on me, no f**king way. But here I am: ready to tell my story, in my own words, for the first time. A lot of it ain't gonna be pretty. I've done some bad things in my time. But I ain't the devil. I'm just John Osbourne: a working class kid from Aston, who quit his job in the factory and went looking for a good time.
I Am Ozzy
by Ozzy Osbourne'Mightily entertaining' - Heat This audiobook includes an interview with Ozzy Osbourne from 2009. People ask me how come I'm still alive, and I don't know what to say. When I was growing up, if you'd have put me up against a wall with the other kids from my street and asked me which one of us was gonna make it to the age of sixty, with five kids and four grandkids and houses in Buckinghamshire and California, I wouldn't have put money on me, no f**king way. But here I am: ready to tell my story, in my own words, for the first time. A lot of it ain't gonna be pretty. I've done some bad things in my time. But I ain't the devil. I'm just John Osbourne: a working class kid from Aston, who quit his job in the factory and went looking for a good time.
I Am Ozzy
by Ozzy OsbourneHeavy metal legend Ozzy Osbourne shares his unbelievable story for the first time in this tell-all memoir of sex, drugs, and rock-and-roll. Take what you thought was "rock and roll excess" and double it–you still wouldn't be anywhere near the dizzying life of Ozzy Osbourne. Born into a life so poor that the whole family slept in one room, music was his salvation, and his band Black Sabbath went on to change the musical landscape forever. But along with the rock and roll came the inevitable sex and drugs, and Ozzy soon fell into an epic relationship with booze and chemicals. The stories of Ozzy's days on the road are now those of legend–biting the head off a live bat, the tragic plane crash that took the life of his best friend and writing partner Randy Rhoades–but few know of the real heartbreak he suffered during those days of hard living. In the end, it was the love of his family that saved him. Told for the first time in the rocker&’s hilarious and inimitable voice, Ozzy finally comes clean.
I Am Ozzy
by Ozzy Osbourne'Mightily entertaining' - Heat People ask me how come I'm still alive, and I don't know what to say. When I was growing up, if you'd have put me up against a wall with the other kids from my street and asked me which one of us was gonna make it to the age of sixty, with five kids and four grandkids and houses in Buckinghamshire and California, I wouldn't have put money on me, no f**king way. But here I am: ready to tell my story, in my own words, for the first time. A lot of it ain't gonna be pretty. I've done some bad things in my time. But I ain't the devil. I'm just John Osbourne: a working class kid from Aston, who quit his job in the factory and went looking for a good time.
I Am Restored: How I Lost My Religion but Found My Faith
by Lecrae MooreThe never-before-told story of Lecrae's loss of faith after the experiences of his past threatened to ruin his career and life. Two-time GRAMMY winning hip-hop artist and bestselling author Lecrae had inspired millions with his redemptive and gut-honest art. But when his personal life spun into chaos, he was forced to face the buried impact of the unhealed wounds--sexual abuse, physical trauma, addiction, and depression--that threatened to tear it all apart. Along the way, he realized the wounds we all carry have the potential to be unlikely guides to healing and freedom for ourselves, and others. With vulnerable honesty and transformational yet simple steps you can apply today, Lecrae shares the personal practices he uses in his daily life for mental, emotional, and spiritual health. With powerful prose, he gives an unflinching look at the personal and public spaces that sadly hurt us so often--culture, politics, family, church, personal failure--and reminds us that learning to let go and forgive is the birthplace for the life of creativity and freedom God has for us. I Am Restored is an inspiring charge to embrace the lasting healing and restoration available now, and that we all desperately long for, because no matter what you've experienced, God is near, He hears, and He's not done with you yet.
I am the Blues: The Willie Dixon Story
by Willie DixonI Am The Blues captures Willie Dixon's inimitable voice and character as he tells his life story: the segregation of Vicksburg, Mississippi, where Dixon grew up, the prison farm from which he escaped and then hoboed his way north as a teenager, his equal-rights-based draft refusal in 1942, his work--as songwriter, bassist, producer, and arranger--with Muddy Waters, Howlin' Wolf, Little Walter, Bo Diddley, and Chuck Berry which shaped the definitive Chicago blues sound of Chess Records: and his legal battles to recapture the rites to his historic catalog of songs. Don Snowden has supplemented Dixon's reflections with interviews with other performers and Chess insiders. In the Appendixes, Snowden gives a comprehensive discography and a list of the major artists who have recorded Dixon's songs.