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I Thought I Heard You Speak: Women at Factory Records
by Audrey GoldenFactory Records has become the stuff of legend. The histories of the label have been told from many perspectives, from visual catalogues and memoirs to exhibitions. Yet no in-depth history has ever been told from the perspectives of the women who were integral to Factory's cultural significance. The untold history of Factory Records is one of women's work at nearly every turn: recording music, playing live gigs, running the label behind the scenes, managing and promoting bands, designing record sleeves, making films and music videos, pioneering sound technology, DJing, and running one of the most chaotic clubs on the planet, The Haçienda. Told entirely in their voices and featuring contributions from Gillian Gilbert, Gina Birch, Cath Carroll, Penny Henry and over fifty more interviewees, I THOUGHT I HEARD YOU SPEAK is an oral history that reveals the true cultural reach of the label and its staying power in the twenty-first century.
I Thought I Heard You Speak: Women at Factory Records
by Audrey GoldenFactory Records has become the stuff of legend. The histories of the label have been told from many perspectives, from visual catalogues and memoirs to exhibitions. Yet no in-depth history has ever been told from the perspectives of the women who were integral to Factory's cultural significance. The untold history of Factory Records is one of women's work at nearly every turn: recording music, playing live gigs, running the label behind the scenes, managing and promoting bands, designing record sleeves, making films and music videos, pioneering sound technology, DJing, and running one of the most chaotic clubs on the planet, The Haçienda. Told entirely in their voices and featuring contributions from Gillian Gilbert, Gina Birch, Cath Carroll, Penny Henry and over fifty more interviewees, I THOUGHT I HEARD YOU SPEAK is an oral history that reveals the true cultural reach of the label and its staying power in the twenty-first century.
I, Vivaldi (Incredible Lives for Young Readers (ILYR))
by Janice ShefelmanIn this dynamic picture-book biography, told as if by Vivaldi himself, the famous musician's energetic personality and steadfast dedication to music come alive.Despite his mother's vow for him to become a priest, young Vivaldi is only interested in music. He soon grows from a feisty boy who wants to play the violin into a stubborn young man who puts his musical training ahead of his studies for priesthood.Beautiful, ornate artwork portrays the spirit and splendor of Vivaldi's hometown, Venice. A historical note, musical score, and glossary will help readers more fully appreciate Vivaldi's life and musical genius.
I Walked the Line
by Vivan Cash Ann SharpsteenI Walked the Line is a chronicle of first love, long-kept secrets, betrayal, forgiveness, and the truth--told at last by Johnny Cash's first wife, the mother of his four daughters. It is a book that had the full support of Johnny Cash, who insisted it was time for their story to be told, despite any painful revelations that might come to light as a result. Many myths and contradictions regarding the life of Johnny and his family have been perpetuated for decades in film and literature. Vivian exposes previously untold stories involving Johnny's drug addiction, his fraught family life, and their divorce in 1968, as well as the truth behind the writing of two of Johnny's most famous songs, "I Walk the Line" and "Ring of Fire. " Supplemented by a never-before-published archive of love letters and family photos, I Walked the Line offers a deeper look at one of the most sig- nificant artists in music history. Here, fans and readers can experience the extraordinary account of love and heartbreak between Johnny and Vivian, and come to understand Vivian's dignified silence over the years. Through this elegant, revealing, and powerful memoir, Vivian Cash's voice is finally heard.
I Walked with Giants: The Autobiography of Jimmy Heath
by Heath Jimmy Mclaren JosephComposer of more than 100 jazz pieces, three-time Grammy nominee, and performer on more than 125 albums, Jimmy Heath has earned a place of honor in the history of jazz. Over his long career, Heath knew many jazz giants such as Charlie Parker and played with other innovators including John Coltrane, Miles Davis, and especially Dizzy Gillespie. Heath also won their respect and friendship. In this extraordinary autobiography, the legendary Heath creates a “dialogue” with musicians and family members. As in jazz, where improvisation by one performer prompts another to riff on the same theme, I Walked with Giants juxtaposes Heath’s account of his life and career with recollections from jazz giants about life on the road and making music on the world’s stages. His memories of playing with his equally legendary brothers Percy and Albert (aka “Tootie”) dovetail with their recollections. Heath reminisces about a South Philadelphia home filled with music and a close-knit family that hosted musicians performing in the city’s then thriving jazz scene. Milt Jackson recalls, “I went to their house for dinner…Jimmy’s father put Charlie Parker records on and told everybody that we had to be quiet till dinner because he had Bird on…. When I [went] to Philly, I’d always go to their house. ” Today Heath performs, composes, and works as a music educator and arranger. By turns funny, poignant, and extremely candid, Heath’s story captures the rhythms of a life in jazz.
I Wanna Dance with Somebody: The Official Whitney Houston Film Companion
by Weldon OwenThe film I Wanna Dance with Somebody tells the joyous, emotional, and heartbreaking story of Whitney Houston's journey from obscurity to musical super stardom. This stunning accompanying volume tells the story of bringing Whitney's life to the big screen, with behind-the-scenes photography and interviews with key cast members including star Naomi Ackie (Star Wars: The Rise of Skywalker), Tamara Tunie (Flight, The Devil&’s Advocate), and Nafessa Williams (Black Lightning), as well as key members of the production crew. Learn how the pivotal moments and places in Whitney's history, as well as her spectacular wardrobe and her look, were recreated for the film, with additional insight about the film from director Kasi Lemmons and about Whitney herself from producer Pat Houston. It is the ultimate book for the Whitney Houston fan. A BEHIND-THE-SCENES LOOK: Rare production stills and behind-the-scenes photography show how a monumental movie like this is made. INTERVIEWS WITH STARS AND CREW give an intimate portrait of what it was like to portray people such as Whitney Houston and Robyn Crawford, and what it took to re-create those characters with hair, makeup, and costume. OFFICIAL MOVIE TIE-IN with exclusive content including production and film stills, interviews, and script excerpts.
I Want My MTV: The Uncensored Story of the Music Video Revolution
by Rob Tannenbaum Craig MarksNamed One of the Best Books of 2011 by NPR - Spin - USA Today - CNBC - Pitchfork - The Onion - The Atlantic - The Huffington Post - VEVO - The Boston Globe - The San Francisco Chronicle For fans of VJ: The Unplugged Adventures of MTV's First Wave Remember the first time you saw Michael Jackson dance with zombies in "Thriller"? Diamond Dave karate kick with Van Halen in "Jump"? Tawny Kitaen turning cartwheels on a Jaguar to Whitesnake's "Here I Go Again"? The Beastie Boys spray beer in "(You Gotta) Fight for Your Right (To Party)"? Axl Rose step off the bus in "Welcome to the Jungle"? Remember When All You Wanted Was Your MTV? It was a pretty radical idea-a channel for teenagers, showing nothing but music videos. It was such a radical idea that almost no one thought it would actually succeed, much less become a force in the worlds of music, television, film, fashion, sports, and even politics. But it did work. MTV became more than anyone had ever imagined. I Want My MTV tells the story of the first decade of MTV, the golden era when MTV's programming was all videos, all the time, and kids watched religiously to see their favorite bands, learn about new music, and have something to talk about at parties. From its start in 1981 with a small cache of videos by mostly unknown British new wave acts to the launch of the reality-television craze with The Real World in 1992, MTV grew into a tastemaker, a career maker, and a mammoth business. Featuring interviews with nearly four hundred artists, directors, VJs, and television and music executives, I Want My MTV is a testament to the channel that changed popular culture forever. .
I Was There: Dispatches from a Life in Rock and Roll
by Alan Edwards'Alan is such a wonderful storyteller' Debbie Harry 'Alan Edwards is a class act: observant, attentive, always in the right place at the right time. I Was There tells you how' Jon Savage 'A beautiful, warm, jaw-dropping, once-in-a-lifetime, lifting-the-stone guide to a secret world . . . I loved it' Tony Parsons 'Revelatory' Will Hodgkinson, The Times 'A master of page-turning readability . . . an insider's view of operating inside the world of David Bowie, Michael Jackson, Amy Winehouse, Paul McCartney and a gaggle of A+ listers' MojoAlan Edwards, the godfather of British music PR, has worked with some of the most legendary artists of our time, from David Bowie to the Spice Girls via the Rolling Stones, the Stranglers, Prince and Amy Winehouse. In I Was There, he describes getting his break in the mid-'70s as a scruffy, stoned 20-year-old just back from the hippie trail; his encounter with London's thriving punk scene, which inspired him to set up his own PR company; broadening his horizons as his work with the likes of Blondie takes him to the US and beyond; and his move into the world of pop with the Spice Girls during the tabloid-crazed '90s. At the centre of this story sits the defining relationship of Edwards' career: his close, thirty-year collaboration with David Bowie. He guides us through a series of vivid, funny, always insightful behind-the-scenes reports, whether he's playing a spontaneous game of football with Bob Marley, listening to Prince discuss the future of civilisation in a nightclub VIP area, or being used as a pawn in the power struggle between Mick Jagger and Keith Richards. Above all, we're treated to Edwards' fascinating observations about the brilliant artists he has worked with and what makes them tick, as he looks back on his role in the last five decades of music and culture.
I Was There the Night He Died
by Ray Robertson"Ray Robertson is an irrepressible voice, with brass balls, and a heart of gold. I Was There the Night He Died is a hilarious, moving, insightful, and timely piece of modern realism, delightfully void of literary pretension. Here, at last, is a novel that rocks and rolls."-Jonathan Evison, author of The Revised Fundamentals of Caregiving"So," she says. "Who died tonight?"Sam Samson, meet Samantha. Sam's a novelist: his dad has Alzheimer's, his mother died of stroke, his wife was killed seventeen months ago in a car crash. Samantha, eighteen, is a cutter. She lives across the street from Sam's parents' house. Marijuana and loneliness spark an unlikely friendship, which Sam finds hard to navigate, especially as his dad's condition worsens and the money for his care suddenly vanishes. Yet somehow, between a record player and a park bench, through late-night conversations about the deaths of Sam's musical heroes, and ultimately through each other, Sam and Samantha learn to endure the things they fear most.Starring a 40-something writer who stumbles through the small town he thought he'd left behind forever, and a marooned teenager who wishes she were anywhere else, I Was There The Night He Died is a saucy, swaggering look at loss, love, and the redeeming power of music in the twenty-first century.Praise for Ray Robertson,A Women's National Book Association Great Group Reads Author, 2013Shortlisted for the Hilary Weston Prize, 2011and the Trillium Prize, 2008 "Ray Robertson is the Jerry Lee Lewis of North American Letters."-Chuck Kinder, author of Honeymooners "Both playful and profound, laced with insight from music to history, politics to literature, high to low culture."-National Post "Robertson's art is as character-driven as Mordecai Richler's ... he wants us all to behave better and doesn't care who he angers along the way."-Globe and Mail
I Will Survive: The Book
by Gloria GaynorI Will Survive is the story of Gloria Gaynor, America's "Queen of Disco." It is the story of riches and fame, despair, and finally salvation. Her meteoric rise to stardom in the mid-1970s was nothing short of phenomenal, and hits poured forth that pushed her to the top of the charts, including "Honey Bee," "I Got You Under My Skin," "Never Can Say Goodbye," and the song that has immortalized her, "I Will Survive," which became a #1 international gold seller. With that song, Gloria heralded the international rise of disco that became synonymous with a way of life in the fast lane - the sweaty bodies at Studio 54, the lines of cocaine, the indescribable feeling that you could always be at the top of your game and never come down. But down she came after her early stardom, and problems followed in the wake, including the death of her mother, whose love had anchored the young singer, as well as constant battles with weight, drugs, and alcohol. While her fans always imagined her to be rich, her personal finances collapsed due to poor management; and while many envied her, she felt completely empty inside. In the early 1980s, sustained by her marriage to music publisher Linwood Simon, Gloria took three years off and reflected upon her life. She visited churches and revisited her mother's old Bible. Discovering the world of gospel, she made a commitment to Christ that sustains her to this day.
I Will Survive: A Children's Picture Book (LyricPop #0)
by Frederick J. Perren Dino FekarisDino Fekaris and Frederick J. Perren's disco hit sensation "I Will Survive"--popularized by Gloria Gaynor--comes to life as an empowering picture book featuring an alien princess living life on her own terms. "I will survive Oh,
I Will Survive: A Children's Picture Book (LyricPop)
by Frederick J. Perren Dino FekarisDino Fekaris and Frederick J. Perren’s disco hit sensation “I Will Survive”—popularized by Gloria Gaynor—comes to life as an empowering picture book featuring an alien princess living life on her own terms. “I will survive Oh, as long as I know how to love, I know I’ll stay alive I’ve got all my life to live And I’ve got all my love to give and I’ll survive . . .” I Will Survive is an empowering picture book based on Dino Fekaris and Frederick J. Perren’s #1 hit song. Gloria Gaynor’s recording in 1978 became her signature song and was a near-instant success, topping both the Billboard Hot 100 chart and the UK Singles chart. Considered one of the most important disco offerings ever and embraced by millions across the globe, it remains an anthem and inspiration for marginalized groups everywhere. Kaitlyn Shea O’Connor’s imaginative illustrations set I Will Survive in a futuristic alien landscape where our heroine demonstrates her strength and resilience by striking out on her own to a boundless future. I Will Survive will inspire children to follow their dreams, while giving parents and grandparents everywhere a chance to show off some of their best disco moves.
I Wonder U: How Prince Went beyond Race and Back
by Adilifu NamaIn 1993, Prince infamously changed his name to a unique, unpronounceable symbol. Yet this was only one of a long string of self-reinventions orchestrated by Prince as he refused to be typecast by the music industry’s limiting definitions of masculinity and femininity, of straightness and queerness, of authenticity and artifice, or of black music and white music. Revealing how he continually subverted cultural expectations, I Wonder U examines the entirety of Prince’s diverse career as a singer, multi-instrumentalist, songwriter, producer, record label mogul, movie star, and director. It shows how, by blending elements of R&B, rock, and new wave into an extremely videogenic package, Prince was able to overcome the color barrier that kept black artists off of MTV. Yet even at his greatest crossover success, he still worked hard to retain his credibility among black music fans. In this way, Adilifu Nama suggests, Prince was able to assert a distinctly black political sensibility while still being perceived as a unique musical genius whose appeal transcended racial boundaries.
I Would Die 4 U: Why Prince Became an Icon
by TouréCelebrated journalist, TV personality, and award-winning author Touré investigates one of the most enigmatic and fascinating figures in contemporary American culture: Prince. Celebrated journalist, TV personality, and award-winning author Touré investigates one of the most enigmatic and fascinating figures in contemporary American culture: PRINCEDrawing on new research and enlivened by Touré's unique pop-cultural fluency, I Would Die 4 U relies on surprising and in-depth interviews with Prince's band members, former girlfriends, musicologists, and even Bible scholars to deconstruct the artist's life and work. Prince's baby boomer status allowed him to play a wise older brother to the latchkey kids of generation X. Defying traditional categories of race, gender, and sexuality, he nonetheless presents a very traditional conception of religion and God in his music. He was an MTV megastar and a religious evangelist, using images of sex and profanity to invite us into a musical conversation about the healing power of God. By demystifying the man and his music, I Would Die 4 U shows us how Prince defined a generation.
I Would Leave Me If I Could.: A Collection of Poetry
by HalseyGrammy Award–nominated, platinum-selling musician Halsey is heralded as one of the most compelling voices of her generation. In I Would Leave Me If I Could, she reveals never-before-seen poetry of longing, love, and the nuances of bipolar disorder. <p><p> In this debut collection, Halsey bares her soul. Bringing the same artistry found in her lyrics, Halsey’s poems delve into the highs and lows of doomed relationships, family ties, sexuality, and mental illness. More hand grenades than confessions, these autobiographical poems explore and dismantle conventional notions of what it means to be a feminist in search of power. Masterful as it is raw, passionate, and profound, I Would Leave Me If I Could signals the arrival of an essential voice. Book cover painting, American Woman, by the author. <p> <b>A New York Times Bestseller</b>
Ibbs and Tillett: The Rise and Fall of a Musical Empire
by Christopher FifieldFor the greater part of the twentieth century, Ibbs and Tillett's concert agency was to the British music industry what Marks and Spencer is to the world of the department store. The roll-call of famous musicians on its books was unmatched, and included such international stars as Clara Butt, Fritz Kreisler, Pablo Casals, Sergei Rachmaninov, Andr Segovia, Kathleen Ferrier, Myra Hess, Jacqueline du Pr Clifford Curzon and Vladimir Ashkenazy, to name but a handful. From 1906, the success of the company was due to the dedication of its founders, Robert Leigh Ibbs and John Tillett. After their deaths, the agency was run by the latter's wife, Emmie, who, dubbed the 'Duchess of Wigmore Street', became one of the most formidable yet respected women in British music. The history of this unique institution and its owners is told here for the first time, often through the fascinating letters that were exchanged between the artists themselves and the agency. It begins in the latter years of the 19th century with the concert and theatrical manager Narciso Vert, for whom both Ibbs and Tillett worked until his death in 1905. The story then becomes a history of musical life in twentieth-century Britain, illuminating aspects of the day-to-day management of concerts and festivals, the lives and livelihoods of professional musicians, as well as those who strove to join their ranks through audition or recommendation. The changing profile, and particularly the onset and development of personal management of artists represented by Ibbs and Tillett and their reception in the press, can be viewed as a barometer of musical taste. The demise of the agency in 1990 was indicative of just how much the world of British music had changed by the end of the century, but despite its loss to the profession, the legacy and influence of Ibbs and Tillett has remained a benchmark in today's highly competitive world of artist management and concert promotion, many of whose principal operators began
Iberia and España: Two Complete Works for Solo Piano (Dover Classical Piano Music)
by Isaac AlbénizIsaac Albéniz (1860-1909) began his musical life as a piano prodigy in Barcelona at the age of four, and it is as a prolific composer of solo works for the pianoforte that we celebrate him most. This inexpensive Dover edition, designed to give you a lifetime of musical enjoyment, presents two of Albéniz's best-known works in authoritative editions: the piano suite Iberia, generally considered to be his masterpiece; and España, which contains the "Tango," his most popular individual work.Iberia is a collection of twelve musical scenes of Spanish life, principally Andalusian, written in the years from 1906 to 1909. Its brilliant and complex character is suffused with the rhythms and harmonies of Spanish popular music, to which Albéniz turned for inspiration in the last years of his life.España, an earlier work first published in 1890, is made up of six piano pieces that subtly reflect the influences of the piano literature of the nineteenth-century salon and -- like Iberia -- the harmony and style of impressionism, which Albéniz himself helped to create. Both works reveal characteristics of the highly individualized piano technique Albéniz developed from early childhood and perfected under the tutelage of Liszt.
The Ice Castle
by Joan Charles Pendred NoyceThe return to Lexicon begins when thirteen-year-old cousins Ivan and Daphne find their Aunt Adelaide deathly ill. Leaving their aunt to rest, Ivan and Daphne accidentally let their younger cousin, Lila, in on their secret world of Lexicon.Ivan and Daphne must track Lila, who disappears, through the frozen landscape to the Land of Winter where social status and freedom is determined by how well one sings. Fortunately for Lila, her musical talent lands her in the most favorable place. Separated by class now, the cousins face the cold, hunger, poverty, illness, injustice, and the malicious plotting of a power-hungry blind man. Slave, servant, and fine lady, the three cousins must escape their own imprisonment before they reunite, provoke a revolution, and restore spring to the Land of Winter.
Icelandic Men and Me: Sagas of Singing, Self and Everyday Life (SOAS Studies in Music)
by Robert FaulknerA sparsely populated island in the North Atlantic recently made worldwide headlines in the Global Financial Crisis and for volcanic eruptions that caused unprecedented chaos to international air travel. Large contemporary audiences have formed very different images of Iceland through the vocal music and music videos of Björk and Sigur Rós. Just below the Arctic Circle, Icelandic men engage in more everyday vocal practices, where singing, literally for one's Self, is an everyday life skill set against a backdrop of unique natural, historical, economic and social phenomena. Their sagas of song and singing are the subject of this book. The original Icelandic Sagas - among the most important collections of medieval European literature - are valued for richly detailed portrayals of individual lives. This book's principle protagonists and collaborators share a heritage where Sagas remain central to national and local identity. While the oral traditions associated with them were largely overwhelmed by European romanticism just over a hundred years ago, ironically, this new vocal music became a key technology for national renewal. Written by an ’immigrant’ musician who lived in a remote Icelandic community for over twenty years, this volume focuses upon individual and collective stories about singing as personal and social work. Drawing upon everyday ethnographic and sociological studies of music, and emerging discourse about musical identity, the study uses anthropological, historical and musicological evidence in thinking about songs, singing and Self, and the genderedness of this particular singing practice.
Icons of Rock: In Their Own Words
by Jenny BoydThe Creative Process Behind Rock Music#1 New Release in Actor, Entertainer Biographies, and SongwritingWhat inspires the heart, mind, and soul of so many famous rock stars? Human behavior psychologist and 1960s icon Jenny Boyd explores the artistic drive responsible for creating your favorite songs.A glimpse into the creative power of music. Ever since the Beatles’ British Invasion, numerous rock bands and singers have created albums that still have many fans’ love and devotion today. Was it raw talent, or was there something below the surface that transformed these dreamers into Hollywood legends? Icons of Rock invites music lovers to discover the truth behind their favorite artists and how they created the best songs of all time. Investigating the psychology and chemistry behind artistic inspiration, you will find how much an unconscious influence can change not only one person’s life, but the entire world.Rock legends share their inspirational tips for music success. Having experienced a life full of rock and roll, author Jenny Boyd explores the psychology of rock stars not just from a scientific point, but also from the musicians themselves. Inside, you’ll find rock and roll biographies full of what drove your favorite singers and bands into stardom. Featuring interviews and inspiring stories from Stevie Nicks, Ringo Starr, Keith Richards, and more, discover what makes a rock star and how you can find your own creative success by listening to your inner muse.Inside Icons of Rock, you’ll also discover:Why the unconscious is the key to successWays musicians have nurtured their creative processHow peak experiences can manifest in songwriting and concertsIf you liked The Singers Talk, Jennifer Juniper, or Self-Belief Is Your Superpower, you’ll love Icons of Rock.
Icons of Sound: Voice, Architecture, and Imagination in Medieval Art (Music and Visual Culture)
by Bissera V. PentchevaIcons of Sound: Voice, Architecture, and Imagination in Medieval Art brings together art history and sound studies to offer new perspectives on medieval churches and cathedrals as spaces where the perception of the visual is inherently shaped by sound. The chapters encompass a wide geographic and historical range, from the fifth to the fifteenth century, and from Armenia and Byzantium to Venice, Rome, and Santiago de Compostela. Contributors offer nuanced explorations of the importance of intangible sonic aura to these spaces, including the temporal and performative nature of ritual music, as well as the use of digital technology to reconstruct historical aural environments. Rooted in a decade-long interdisciplinary research project at Stanford University, Icons of Sound expands our understanding of the inherently intertwined relationship between medieval chant and liturgy, the acoustics of architectural spaces, and their visual aesthetics. Together, the contributors provide insights that are relevant across art history, sound studies, musicology, and medieval studies.
I'd Fight the World: A Political History of Old-Time, Hillbilly, and Country Music
by Peter La ChapelleLong before the United States had presidents from the world of movies and reality TV, we had scores of politicians with connections to country music. In I’d Fight the World, Peter La Chapelle traces the deep bonds between country music and politics, from the nineteenth-century rise of fiddler-politicians to more recent figures like Pappy O’Daniel, Roy Acuff, and Rob Quist. These performers and politicians both rode and resisted cultural waves: some advocated for the poor and dispossessed, and others voiced religious and racial anger, but they all walked the line between exploiting their celebrity and righteously taking on the world. La Chapelle vividly shows how country music campaigners have profoundly influenced the American political landscape.
I'd Rather Be the Devil: Skip James and the Blues
by Stephen CaltProviding a clear look into the life of one of the greatest Mississippi bluesmen, this is the first biography of the late Skip James, perhaps the most creative and idiosyncratic of all blues musicians. His 1931 performances of "Devil Got My Woman," "I'm So Glad," and "22-20 Blues" are masterpieces that transcend the genre. Drawing largely on hundreds of hours of conversations with James himself, it paints a dark and unforgettable portrait of a man untroubled by his own murderous inclinations, a man who achieved one moment of transcendent greatness in a life haunted by failure. In doing so, it offers new insights into the nature of the blues, the world in which it thrived, and its fate when that world vanished.
The Idea of Music in Victorian Fiction (Music in Nineteenth-Century Britain)
by Nicky LosseffThe Idea of Music in Victorian Fiction seeks to address fundamental questions about the function, meaning and understanding of music in nineteenth-century culture and society, as mediated through works of fiction. The eleven essays here, written by musicologists and literary scholars, range over a wide selection of works by both canonical writers such as Austen, Benson, Carlyle, Collins, Gaskell, Gissing, Eliot, Hardy, du Maurier and Wilde, and less-well-known figures such as Gertrude Hudson and Elizabeth Sara Sheppard. Each essay explores different strategies for interpreting the idea of music in the Victorian novel. Some focus on the degree to which scenes involving music illuminate what music meant to the writer and contemporary performers and listeners, and signify musical tastes of the time and the reception of particular composers. Other essays in the volume examine aspects of gender, race, sexuality and class that are illuminated by the deployment of music by the novelist. Together with its companion volume, The Figure of Music in Nineteenth-Century British Poetry edited by Phyllis Weliver (Ashgate, 2005), this collection suggests a new network of methodologies for the continuing cultural and social investigation of nineteenth-century music as reflected in that period's literary output.
Ideas and Styles in the Western Musical Tradition
by Douglass SeatonIdeas and Styles in the Western Musical Tradition, Fourth Edition, explores the conceptual frameworks that have shaped musical development from antiquity to the present. In a lively narrative that prompts readers to think both critically and creatively, Douglass Seaton uses historical documents from thinkers, artists, and musicians to add rich detail to the compelling story of Western music. This brief and accessible narrative of music history features numerous works of art, literature, and music that immerse students in the historical and intellectual contexts of musical styles.