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I'm Movin' On: The Life and Legacy of Hank Snow
by Vernon OickleA biography on the Canadian country musician, from his poor childhood in Nova Scotia to international celebrity on the stage of the Grand Ole Opry.Born in tiny Brooklyn, Nova Scotia, Hank Snow enjoyed a musical career that spanned five decades and sales of more than 80 million albums. In I’m Movin’ On, journalist Vernon Oickle chronicles Snow’s hardscrabble life, from his destitute childhood in Queens County to international fame. Leaving no stone unturned in his richly detailed profile of the Singing Ranger, Oickle exposes the highs and lows of Snow’s career, and his journey (“Everywhere, man,”) from small East Coast radio stations to the Grand Ole Opry in Nashville. Includes a foreword from Hank’s son, Jimmie Rodgers Snow, a timeline, discography, and 75 photographs.
I'm Movin' On: The Life and Legacy of Hank Snow
by Vernon OickleA biography on the Canadian country musician, from his poor childhood in Nova Scotia to international celebrity on the stage of the Grand Ole Opry. Born in tiny Brooklyn, Nova Scotia, Hank Snow enjoyed a musical career that spanned five decades and sales of more than 80 million albums. In I&’m Movin&’ On, journalist Vernon Oickle chronicles Snow&’s hardscrabble life, from his destitute childhood in Queens County to international fame. Leaving no stone unturned in his richly detailed profile of the Singing Ranger, Oickle exposes the highs and lows of Snow&’s career, and his journey (&“Everywhere, man,&”) from small East Coast radio stations to the Grand Ole Opry in Nashville. Includes a foreword from Hank&’s son, Jimmie Rodgers Snow, a timeline, discography, and 75 photographs.
I'm No Philosopher, But I Got Thoughts: Mini-Meditations for Saints, Sinners, and the Rest of Us
by Kristin ChenowethAristotle. Socrates. Descartes. And now, Chenoweth. (How about some women, am I right?)From television actress, Broadway star, and New York Times bestselling author Kristin Chenoweth comes I'm No Philosopher, But I Got Thoughts, an inspiring high-design, colorful book featuring philosophical-ish musings on connection, creativity, loss, love, faith, and closure. Just like Kristin&’s grandmother inspired her to trust her heart and develop her own belief system, you'll be inspired to develop your own life philosophies, as you journey through some of Kristin's most vulnerable and humorous personal stories, in her constant pursuit to make the most out of life.In each chapter, you'll find:Behind-the-scenes stories from Kristin's personal lifeHigh-design, colorful pages of inspirational quotesEngaging prompts, prayers, and inspiring quotesOh, and a warning: There will be Bible verses. There will be f-bombs. Read responsibly.I'm No Philosopher, But I Got Thoughts is the perfect book to pick up on days when you need an extra shot of encouragement, a little laughter, and a gentle reminder that kindness can take you a long way. This is a great gift to give for birthdays, holidays, graduations, Mother's Day, or for fans of Kristin Chenoweth, known for her Emmy Award–winning role in the ABC hit series Pushing Daisies and Broadway's Wicked.
I'm Not Like Everybody Else: Biopolitics, Neoliberalism, and American Popular Music (Provocations)
by Jeffrey T. NealonDespite the presence of the Flaming Lips in a commercial for a copier and Iggy Pop’s music in luxury cruise advertisements, Jeffrey T. Nealon argues that popular music has not exactly been co-opted in the American capitalist present. Contemporary neoliberal capitalism has, in fact, found a central organizing use for the values of twentieth-century popular music: being authentic, being your own person, and being free. In short, not being like everybody else. Through a consideration of the shift in dominant modes of power in the American twentieth and twenty-first centuries, from what Michel Foucault calls a dominant “disciplinary” mode of power to a “biopolitical” mode, Nealon argues that the modes of musical “resistance” need to be completely rethought and that a commitment to musical authenticity or meaning—saying “no” to the mainstream—is no longer primarily where we might look for music to function against the grain. Rather, it is in the technological revolutions that allow biopolitical subjects to deploy music within an everyday set of practices (MP3 listening on smartphones and iPods, streaming and downloading on the internet, the background music that plays nearly everywhere) that one might find a kind of ambient or ubiquitous answer to the “attention capitalism” that has come to organize neoliberalism in the American present. In short, Nealon stages the final confrontation between “keepin’ it real” and “sellin’ out.”
I'm Not with the Band: A Writer's Life Lost in Music
by Sylvia PattersonSHORTLISTED FOR THE COSTA BIOGRAPHY AWARD 2016 'Celebratory and elegiac' Guardian 'A roller-coaster memoir' Sunday Times 'Funny, anecdote-packed, nostalgic but also very touching' The Pool'Patterson fillets out the pretentious bones of pop, leaving its glistening meat' Observer This is a three-decade survivor's tale . . . a scenic search for elusive human happiness through music, magazines, silly jokes, stupid shoes, useless blokes, hopeless homes, booze, drugs, love, loss, A&E, death, disillusion and hope. In 1986, Sylvia Patterson boarded a train to London armed with a tea-chest full of vinyl records, a peroxide quiff and a dream: to write about music, for ever. She got her wish. Escaping a troubled home, Sylvia embarks on a lifelong quest to discover The Meaning of It All. The problem is she's mostly hanging out with flaky pop stars, rock 'n' roll heroes and unreliable hip-hop legends. As she encounters music's biggest names, she is confronted by glamour and tragedy; wisdom and lunacy; drink, drugs and disaster. And Bros. Here is Madonna in her Earth Mother phase, flinging her hands up in horror at one of Sylv's Very Stupid Questions. Prince compliments her shoes while Eminem threatens to kill her. She shares fruit with Johnny Cash, make-up with Amy Winehouse and several pints with the Manics' lost soul-man Richey Edwards. She finds the Beckhams fragrant in LA, a Gallagher madferrit in her living room and Shaun Ryder and Bez as you'd expect, in Jamaica. From the 80s to the present day, I'm Not with the Band is a funny, barmy, utterly gripping chronicle of the last thirty years in music and beyond. It is also the story of one woman's wayward search for love, peace and a wonderful life. And whether, or not, she found them.
I'm Possible: A Story of Survival, a Tuba, and the Small Miracle of a Big Dream
by Richard Antoine WhiteFrom the streets of Baltimore to the halls of the New Mexico Philharmonic, a musician shares his remarkable story in I'm Possible, an inspiring memoir of perseverance and possibility.Young Richard Antoine White and his mother don't have a key to a room or a house. Sometimes they have shelter, but they never have a place to call home. Still, they have each other, and Richard believes he can look after his mother, even as she struggles with alcoholism and sometimes disappears, sending Richard into loops of visiting familiar spots until he finds her again. And he always does—until one night, when he almost dies searching for her in the snow and is taken in by his adoptive grandparents.Living with his grandparents is an adjustment with rules and routines, but when Richard joins band for something to do, he unexpectedly discovers a talent and a sense of purpose. Taking up the tuba feels like something he can do that belongs to him, and playing music is like a light going on in the dark. Soon Richard gains acceptance to the prestigious Baltimore School for the Arts, and he continues thriving in his musical studies at the Peabody Conservatory and beyond, even as he navigates racial and socioeconomic disparities as one of few Black students in his programs.With fierce determination, Richard pushes forward on his remarkable path, eventually securing a coveted spot in a symphony orchestra and becoming the first African American to earn a doctorate in music for tuba performance. A professor, mentor, and motivational speaker, Richard now shares his extraordinary story—of dreaming big, impossible dreams and making them come true.
I'm the Man: The Story of That Guy from Anthrax
by Jon Wiederhorn Scott IanThe long-awaited and vastly entertaining autobiography of Scott Ian, guitarist and founder of groundbreaking and influential thrash metal legend Anthrax
I'm with the Band: Confessions of a Groupie
by Dave Navarro Pamela Des BarresThe stylish, exuberant, and remarkably sweet confession of one of the most famous groupies of the 1960s and 70s is back in print in this new edition that includes an afterword on the author's last 15 years of adventures. As soon as she graduated from high school, Pamela Des Barres headed for the Sunset Strip, where she knocked on rock stars' backstage doors and immersed herself in the drugs, danger, and ecstasy of the freewheeling 1960s. Over the next 10 years she had affairs with Mick Jagger, Jimmy Page, Keith Moon, Waylon Jennings, Chris Hillman, Noel Redding, and Jim Morrison, among others. She traveled with Led Zeppelin; lived in sin with Don Johnson; turned down a date with Elvis Presley; and was close friends with Robert Plant, Gram Parsons, Ray Davies, and Frank Zappa. As a member of the GTO's, a girl group masterminded by Frank Zappa, she was in the thick of the most revolutionary renaissance in the history of modern popular music. Warm, witty, and sexy, this kiss-and-tell-all stands out as the perfect chronicle of one of rock 'n' roll's most thrilling eras.
I'm Your Man
by Sylvie SimmonsThe definitive biography of one of the most emigmatic, beloved, and celebrated artists of our time. Leonard Cohen's extensive and successful recent worldwide tour has demonstrated that his popularity across generations and borders has never been greater. Cohen's life is one of singular mystique. This major in-depth biography is the book Cohen's fans have been waiting for. Acclaimed writer/journalist Sylvie Simmons has interviewed more than 100 figures from Cohen's life and work, including his main muses; the women in his life -- from Suzanne and Marianne to Rebecca de Mornay and Anjani Thomas; artists such as Rufus Wainwright, Nick Cave, David Crosby, Judy Collins, and Philip Glass; his record producers; his closest friends, from childhood to adulthood; and many of the spiritual figures who have influenced his life.Cohen, notoriously private, has granted interviews himself. Thoroughly researched and thoughtful, penetrating and lively, fascinating and revealing of stories and facts never read before, I'm Your Man offers new perspectives on Cohen and his life. It will be one of the most talked-about books of the season, and for years to come.From the Hardcover edition.
I'm Your Man: The Life of Leonard Cohen
by Sylvie Simmons“The major, soul-searching biography that Leonard Cohen deserves [from] a seasoned rock journalist" (Janet Maslin, New York Times).Leonard Cohen is one of the most important and influential musical artists of the past fifty years—and one of the most elusive. In I’m Your Man, journalist Sylvie Simmons, one of the foremost chroniclers of the world of rock ’n’ roll and popular music, explores the legendary singer/songwriter’s extraordinary life and creative genius.I’m Your Man is an intimate and insightful appreciation of the man responsible for “Suzanne,” “Bird on a Wire,” “Hallelujah,” and so many other unforgettable, oft-covered ballads and songs. Based on Simmons’s unparalleled access to Cohen—and written with her hallmark blend of intelligence, integrity, and style—I’m Your Man is the definitive biography of a major musical artist widely considered in a league with the great Bob Dylan.Readers of Life by Rolling Stone Keith Richards and Patti Smith’s phenomenal Just Kids will be riveted by this fascinating portrait of a singular musical icon.
Image and Imagination in Byzantine Art (Variorum Collected Studies #866)
by Henry MaguireThe twelve studies contained in this second collection by Henry Maguire are linked together by a common theme, namely the relationship of Byzantine art to the imaginary. They show how art enabled the Byzantines not only to imagine the sacred events of the past, but also to visualize the invisible present by manifesting the spiritual world that they could not see. The articles are grouped around the following five topics: the depiction of nature by the Byzantines before and after iconoclasm, especially in portrayals of the earthly and the spiritual Paradise; the social functions and theological significance of classical artistic forms in Byzantine art after iconoclasm; the association between rhetoric and the visual arts in Byzantium, especially in contrast to the role played by liturgical drama in western medieval art; the relationship of the visual arts to Byzantine concepts of justice and the law, both human and divine; and portrayals of the two Byzantine courts, the imperial court on earth and the imagined court in heaven. The papers cover a wide range of media, including floor and wall mosaics, paintings in manuscripts and churches, ivory carvings, coins, and enamel work.
Images: Iconography of Music in African-American Culture (1770s-1920s) (Music In African American Culture Ser. #Vol. 1)
by Eileen J. Southern Josephine WrightThis lavishly illustrated book brings together for the first time a significant body of imagery devoted to the traditional culture of the African-American slave.
Images of England Through Popular Music: Class, Youth and Rock 'n' Roll, 1955-1976
by Keith GildartDrawing on archival sources and oral testimony, Keith Gildart examines the ways in which popular music played an important role in reflecting and shaping social identities and working-class cultures and - through a focus on rock 'n' roll, rhythm & blues, punk, mod subculture, and glam rock - created a sense of crisis in English society.
The Imagination of Experiences: Musical Invention, Collaboration, and the Making of Meanings
by Alan TaylorAimed at lay, student, and academic readers alike, this book concerns the imagination and, specifically, imagination in music. It opens with a discussion of the invalidity of the idea of the creative genius and the connected view that ideas originate just in the individual mind. An alternative view of the imaginative process is then presented, that ideas spring from a subconscious dialogue activated by engagement in the world around. Ideas are therefore never just of our own making. This view is supported by evidence from many studies and corresponds with descriptions by artists of their experience of imagining. The third subject is how imaginations can be shared when musicians work with other artists, and the way the constraints imposed by trying to share subconscious imagining result in clearly distinct forms of joint working. The final chapter covers the use of the musical imagination in making meanings from music. The evidence is that music does not communicate meanings directly, and so composers or performers cannot be looked to as authorities on its meaning. Instead, music is commonly heard as analogous to human experience, and listeners who perceive such analogies may then imagine their own meanings from the music.
Imagine: Level 5 - Intermediate Showcase Solos Pop Sheet (Original Sheet Music Edition Ser.)
by John Lennon Jean JullienImagine all the people living life in peace. You may say I'm a dreamer, but I'm not the only one. I hope some day you'll join us, and the world will be as one. Join one little pigeon as she sets out on a journey to spread a message of tolerance around the world. Featuring the lyrics of John Lennon’s iconic song and illustrations by the award-winning artist Jean Jullien, this poignant and timely picture book dares to imagine a world at peace. Imagine will be published in partnership with human rights organization Amnesty International.
Imagining Native America in Music
by Michael V. PisaniThis book offers a comprehensive look at musical representations of native America from the precolonial past through the American West and up to the present. The discussion covers a wide range of topics, from the ballets of Lully in the court of Louis XIV to popular ballads of the nineteenth century; from eighteenth-century British-American theater to the musical theater of Irving Berlin; from chamber music by Dvoˆrák to film music for Apaches in Hollywood Westerns. Michael Pisani demonstrates how European colonists and their descendants were fascinated by the idea of race and ethnicity in music, and he examines how music contributed to the complex process of cultural mediation. Pisani reveals how certain themes and metaphors changed over the centuries and shows how much of this "Indian music," which was and continues to be largely imagined, alternately idealized and vilified the peoples of native America.
Impara a suonare canzoni al pianoforte: Come suonare il pianoforte ad orecchio
by Elvine RobertEhilà! Sei stanco di non saper suonare il pianoforte come hai sempre sognato? Sei esperto di teoria pianistica, ma non sai ancora come applicare praticamente questa conoscenza al tuo pianoforte? Allora questo libro è per te! in questo libro, Impara a suonare canzoni al pianoforte, vedremo: Alterazioni degli accordi. Come le melodie sono armonizzate usando accordi sia semplici che avanzati. Come riprodurre vari brani ad orecchio. Le canzoni che vedremo includono: Amazing Grace Pass me not O come, let us adore Him (Adeste fideles) Silent Night (Astro del ciel) Don't know why e molte altre! Questo libro segnerebbe la fine della serie "The Gateway to Perfection" NON PERDERE QUESTA GRANDE OPPORTUNITÀ E OTTIENI LA TUA COPIA ORA SU COME SUONARE IL PIANOFORTE! Per ottenere una copia, scorrere verso l'alto e fare clic sul pulsante ACQUISTA o AGGIUNGI AL CARRELLO.
Imperfect Harmony: Finding Happiness Singing with Others
by Stacy HornFor Stacy Horn, regardless of what is going on in the world or her life, singing in an amateur choir—the Choral Society of Grace Church in New York—never fails to take her to a place where hope reigns and everything good is possible. She’s not particularly religious, and her voice is not exceptional (so she says), but like the 32.5 million other chorus members throughout this country, singing makes her happy. Horn brings us along as she sings some of the greatest music humanity has ever produced, delves into the dramatic stories of conductors and composers, unearths the fascinating history of group singing, and explores remarkable discoveries from the new science of singing, including all the unexpected health benefits. Imperfect Harmony is the story of one woman who has found joy and strength in the weekly ritual of singing and in the irresistible power of song.
An Imperishable Heritage: A Study of Selected Works
by Stephen TownThe rehabilitation of British music began with Hubert Parry and Charles Villiers Stanford. Ralph Vaughan Williams assisted in its emancipation from continental models, while Gerald Finzi, Edmund Rubbra and George Dyson flourished in its independence. Stephen Town's survey of Choral Music of the English Musical Renaissance is rooted in close examination of selected works from these composers. Town collates the substantial secondary literature on these composers, and brings to bear his own study of the autograph manuscripts. The latter form an unparalleled record of compositional process and shed new light on the compositions as they have come down to us in their published and recorded form. This close study of the sources allows Town to identify for the first time instances of similarity and imitation, continuities and connections between the works.
The Importance of Being Barbra: The Brilliant, Tumultuous Career of Barbra Streisand
by Tom SantopietroControversial, a global icon, a diva among divas---Barbra Streisand, the last genuinely unique show business personality of the twentieth century is the most honored entertainer in the world today. But along with the Tony, two Oscars, six Emmys, eight Grammys, ten Golden Globes, fifty gold albums, and wild acclaim have come wildly diverse reactions to a personality as outsized as her talent. In the words of Streisand herself, "I'm a liberal, opinionated Jewish feminist---I push a lot of buttons." In Tom Santopietro's witty yet analytical look at this one-of-a-kind career, the myths and personal foibles are stripped away, and the focus lands squarely on the work. From the early recordings to the groundbreaking television specials, from the Hollywood blockbusters to the history-making comeback concerts, Streisand's career is placed within an oftentimes uniquely American social context but always allowed to speak for itself. In a brisk, funny, and always compelling style, The Importance of Being Barbra reveals all the milestones in a new and sometimes startling light, ranging from the brilliance of Funny Girl and The Broadway Album to the misbegotten yet curiously popular A Star Is Born.Treating Barbra Streisand like the serious artist she is---and has always claimed to be---The Importance of Being Barbra delves into the key reasons for her all-encompassing success: the overwhelming ambition, the notorious perfectionism, the fervent gay following, the dramatic pull of a voice and style that mysteriously connect with the lovelorn all around the world. A full-scale examination of the acting, singing, and directing that have ranged from the dazzling to the occasionally inexplicable---it's all here for anyone who has ever wondered at the phenomenon that is Barbra Streisand.
Imposing Harmony: Music and Society in Colonial Cuzco
by Geoffrey BakerImposing Harmony is a groundbreaking analysis of the role of music and musicians in the social and political life of colonial Cuzco. Challenging musicology's cathedral-centered approach to the history of music in colonial Latin America, Geoffrey Baker demonstrates that rather than being dominated by the cathedral, Cuzco's musical culture was remarkably decentralized. He shows that institutions such as parish churches and monasteries employed indigenous professional musicians, rivaling Cuzco Cathedral in the scale and frequency of the musical performances they staged. Building on recent scholarship by social historians and urban musicologists and drawing on extensive archival research, Baker highlights European music as a significant vehicle for reproducing and contesting power relations in Cuzco. He examines how Andean communities embraced European music, creating an extraordinary cultural florescence, at the same time that Spanish missionaries used the music as a mechanism of colonialization and control. Uncovering a musical life of considerable and unexpected richness throughout the diocese of Cuzco, Baker describes a musical culture sustained by both Hispanic institutional patrons and the upper strata of indigenous society. Mastery of European music enabled elite Andeans to consolidate their position within the colonial social hierarchy. Indigenous professional musicians distinguished themselves by fulfilling important functions in colonial society, acting as educators, religious leaders, and mediators between the Catholic Church and indigenous communities.
The Impossible Art: Adventures in Opera
by Matthew AucoinA user's guide to opera—Matthew Aucoin, "the most promising operatic talent in a generation" (The New York Times Magazine), describes the creation of his groundbreaking new work, Eurydice, and shares his reflections on the past, present, and future of operaFrom its beginning, opera has been an impossible art. Its first practitioners, in seventeenth-century Florence, set themselves the unreachable goal of reproducing the wonders of ancient Greek drama, which no one can be sure was sung in the first place. Opera’s greatest artists have striven to fuse multiple art forms—music, drama, poetry, dance—into a unified synesthetic experience. The composer Matthew Aucoin, a rising star of the opera world, posits that it is this impossibility that gives opera its exceptional power and serves as its lifeblood. The virtuosity required of its performers, the bizarre and often spectacular nature of its stage productions, the creation of a whole world whose basic fabric is music—opera assumes its true form when it pursues impossible goals.The Impossible Art is a passionate defense of what is best about opera, a love letter to the form, written in the midst of a global pandemic during which operatic performance was (literally) impossible. Aucoin writes of the rare works—ranging from classics by Mozart and Verdi to contemporary offerings of Thomas Adès and Chaya Czernowin—that capture something essential about human experience. He illuminates the symbiotic relationship between composers and librettists, between opera’s greatest figures and those of literature. Aucoin also tells the story of his new opera, Eurydice, from its inception to its production on the Metropolitan Opera’s iconic stage. The Impossible Art opens the theater door and invites the reader into this extraordinary world.
The Improbable Rise of Redneck Rock: New Edition
by Jan ReidMusical magic hit Austin, Texas, in the early 1970s. At now-legendary venues such as Threadgill's, Vulcan Gas Company, and the Armadillo World Headquarters, a host of country, rock-and-roll, blues, and folk musicians came together and created a sound and a scene that Jan Reid vividly detailed in his 1974 book, The Improbable Rise of Redneck Rock. The breadth of talent still astounds-Willie Nelson, Janis Joplin, Jerry Jeff Walker, Doug Sahm, Delbert McClinton, Michael Martin Murphey, Willis Alan Ramsey, Kinky Friedman, Steve Fromholz, Bobby Bridger, Billy Joe Shaver, Marcia Ball, and Townes Van Zandt. Reid's book even inspired the nationally popular and long-running PBS series Austin City Limits, which focused attention on the trends that fed the music scene-progressive country, country rock, western swing, blues, and bluegrass among them. In this new edition, Jan Reid revitalizes his classic look at the Austin music scene. He has substantially reworked the early chapters to include musicians and musical currents from other parts of Texas that significantly contributed to the delightful convergence of popular cultures in Austin. Four new chapters and an epilogue show how the creative burst of the seventies directly spawned a new generation of talents who carry on the tradition-Lyle Lovett, Stevie Ray Vaughan, The Fabulous Thunderbirds, Robert Earl Keen, Steve Earle, Jimmy LaFave, Kelly Willis, Joe Ely, Bruce and Charlie Robison, and The Dixie Chicks.
Improve Your Piano Playing
by John MeffenFor anyone with basic piano playing skills looking to dramatically improve his or her technique for performances or for personal pleasure, Dr. John Meffen offers simplified and tested techniques explained clearly, concisely, and occasionally humorously. Meffen offers a structured process of practice, making learning a new piece easy. Readers will learn:--Techniques to eradicate recurring mistakes--Workable fingering--Expressive touch--Methods to deal with tricky passages--Proper phrasing and tone production--Pedaling--How to do justice to the composer's work--Correct interpretation of musical scores. In addition, an invaluable chapter on the inner workings of the piano will help musicians of all stages and ages choose the right piano for their needs and abilities.
Improve Your Piano Playing
by John MeffenSure, you play the piano...about as well as you played when your piano teacher, Mrs. Rosenberg, retired in 1979. Now the time has come to take your playing skills to the next level with Improve Your Piano Playing. Techniques are explained clearly so that anyone who already plays for personal pleasure or performance can eliminate recurring mistakes and master the art of workable fingering, expressive touch, phrasing, tone production, and pedaling. Through a structured process of practice, learning new pieces is made simple-the techniques focus on correcting frequent mistakes, dealing with tricky passages, and interpretation. A section on pianos and how they work contains information every musician should know. Mrs. Rosenberg is gone now, but you can still make her proud-with Improve Your Piano Playing.