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Inside Out: A Personal History of Pink Floyd
by Nick MasonUPDATED FOR 2017 WITH A NEW CHAPTERThe definitive history of Pink Floyd, one of the world's great bands, by founder member Nick Mason.Pink Floyd is one of the most creative, successful and enduring bands of all time. As the only member to have been part of the band throughout the 50 years of its existence, and the first to write a personal take on their history, Nick Mason gives unique insights into Pink Floyd's highs and lows: from their emergence in the late 1960s underground, to the huge worldwide success of The Dark Side of the Moon and the rifts and pressures that developed within the group.In a new chapter Nick Mason looks back at the years following the band's final performance at Live 8 in July 2005 and reflects on the huge changes that have occurred since: the irreplaceable losses, the new releases and the impact on the Floyd's continued success of both digital technology and social media. Intelligent, original and self-deprecating, Inside Out is the first-hand story of a band that has become a legend, as celebrated by the Victoria & Albert Museum's landmark Pink Floyd exhibition in 2017.
Inside Out: A Personal History of Pink Floyd
by Nick MasonOne of the most fascinating rock bands ever, Pink Floyd was formed in 1965. After a year in the London 'underground' experimenting with revolutionary techniques like lights which matched their music, they released their first single in 1966. Their breakthrough album, THE DARK SIDE OF THE MOON, was released in 1973 and stayed in the charts until 1982, the longest a record has ever been continuously in the charts, becoming one of the best-selling albums of all time. In 1975 they released WISH YOU WERE HERE which reached iconic status, then in 1979 THE WALL went to number 1 in almost every country in the world. The movie version of THE WALL starring Bob Geldof was released in 1982, becoming a cult favorite. In the 1980s a rift developed between the band members which culminated in law suits. Only recently have there been reconciliations which have allowed founder member Nick Mason to write his personal take on the band's history.(p) 2005 Orion Publishing Group
Inside Out (Reading Edition): A Personal History of Pink Floyd (Reading Edition)
by Nick MasonThe definitive history of Pink Floyd by founding member Nick Mason, this reading edition brings up-to-date the band's incredible story as told uniquely from the inside out. Including the complete text of the original in an easy-toread format, a new chapter covering the passing of Rick Wright and the release of the group's final album, and 80 pages of images from Mason's archives plus new photos, Inside Out is a masterly rock memoir and an eye opener for both veteran fans and those just discovering the group.
Inside Scoop (Disney's Hannah Montana the Movie)
by Lara Bergen Marilyn PeakeA sneaky newspaper reporter is on a mission to discover Hannah Montana's secret! If he finds out that the pop sensation is really average teen Miley Stewart, will Miley's life ever be the same? Jam-packed with familiar friends, family, music, and more, the Hannah Montana gang is in for one rockin' adventure.
The Inside Songs of Amiri Baraka (Palgrave Studies in Music and Literature)
by Aldon Lynn NielsenThe Inside Songs of Amiri Baraka examines the full length of Baraka’s discography as a poet recording with musicians as well as his contributions to jazz and R & B, beginning with his earliest studio recordings in 1965 and continuing to the last year of his life, 2014. This recorded history traces his evolution from the era of Beat poetry and “projective verse,” through the period of the Black Arts Movement and cultural nationalism, and on to his commitments to “third world Marxism,” which characterized the last decades of his life. The music enfolding Baraka’s recitations ranges from traditional African drumming, to doo wop, rhythm and blues, soul and the avant garde jazz that was his great love and the subject of so much of his writing, and includes both in-studio sessions and live concert performances. This body of work offers a rare opportunity to think about not only jazz/poetry, but the poet in the recording studio and the relations of text to score.
Inside Taylor Nation: True Encounters with Taylor Swift
by Sarah OliverIf you've ever dreamed of meeting Taylor Swift, then this is the book for you! Get the inside scoop from Taylor's biggest Swifties, including what happened when they met Taylor, her mom, and her publicist . . . and tour secrets from Loft '89, Club Red, and T-Party you won't hear anywhere else! Learn which countries are Taylor's favorites and why, what she likes to do on her days off, and some of the incredible things she's done when not performing.Sarah Oliver has written numerous books about celebrities, including One Direction A-Z, Robert Pattinson A-Z, and Miley Cyrus: She Can't Stop.
Inside the Contemporary Conservatoire: Critical Perspectives from the Royal College of Music, London
by Colin Lawson Diana Salazar Rosie PerkinsDrawing on the expertise of a wide range of professionals, Inside the Contemporary Conservatoire: Critical Perspectives from the Royal College of Music, London presents fresh perspectives on the work of music conservatoires today through an in-depth case study of the Royal College of Music (RCM), London. Problematising the role and purpose of conservatoires in the context of changing cultural and societal conditions, the contributors reframe the conservatoire as a vehicle for positive change in the performing arts and society at large.Organised into three main sections, the volume covers conservatoire identities and values, teaching and learning music at a conservatoire, and reflections on the conservatoires of the future. Diverse voices from inside and outside the RCM reflect viewpoints from professional musicians, academics, industry, and the student community, spanning topics such as arts practice, music pedagogy and education, technology, inclusion, employability, entrepreneurship, performance science, material culture, and philanthropy.With chapters that combine interviews, case studies, analysis, critical reflection, and perspectives from inside and outside the RCM, this book offers an in-progress model for the forward-thinking conservatoire, underpinned by renewed emphasis on equitable, innovative, sustainable, and technologically enabled artistic practice.
Insider's Guide to Home Recording: Record Music and Get Paid
by Brian TarquinThe last decade has seen an explosion in the number of home-recording studios. With the mass availability of sophisticated technology, there has never been a better time to do it yourself and make a profit. Take a studio journey with Brian Tarquin, the multiple-Emmy-award winning recording artist and producer, as he leads you through the complete recording process, and shows you how to perfect your sound using home equipment. He guides you through the steps to increase your creative freedom, and offers numerous tips to improve the effectiveness of your workflow. Topics covered in this book include the following: Studio location, set up, and alteration Equipment—microphones, plug-ins, amps, mixers Recording software Mixing techniques Roles and responsibilities of artists, producers, engineers Getting the best performance from hired musicians And much more! Experienced and novice musicians alike will learn a multitude of tips, tricks, and techniques to control the studio environment and create excellent sounds. Novices, or those just starting to record on home equipment for the first time, will learn everything from setting up a studio properly, to operating the mixers and processors, to improving the acoustics of your work environment. This guide will help every musician, producer, or engineer to build a successful home-recording business.
The Insider's Guide to Music Licensing
by Brian TarquinFirst-hand advice for musicians from Brian Tarquin, author, who has over twenty years of experience in licensing music to record labels, TV shows, feature films, radio promos, and network promos. This book takes you through how licensing really works: what type of royalties are expected, digital royalties from companies, receiving royalties from iTunes, Rhapsody, Napster through digital distributors like IODA/The Orchard, and how they pay. Also covered are mechanical royalties from broadcast radio licenses, how foreign royalties are collected, publishing administration deals, and a breakdown of sync and master licenses. Interviews with major industry players offer advice directly to musicians.
Insights in Sound: Visually Impaired Musicians' Lives and Learning (Music and Change: Ecological Perspectives)
by David Baker Lucy GreenMusic has long been a way in which visually impaired people could gain financial independence, excel at a highly-valued skill, or simply enjoy musical participation. Existing literature on visual impairment and music includes perspectives from the social history of music, ethnomusicology, child development and areas of music psychology, music therapy, special educational needs, and music education, as well as more popular biographical texts on famous musicians. But there has been relatively little sociological research bringing together the views and experiences of visually impaired musicians themselves across the life course. Insights in Sound: Visually Impaired Musicians’ Lives and Learning aims to increase knowledge and understanding both within and beyond this multifaceted group. Through an international survey combined with life-history interviews, a vivid picture is drawn of how visually impaired musicians approach and conceive their musical activities, with detailed illustrations of the particular opportunities and challenges faced by a variety of individuals. Baker and Green look beyond affiliation with particular musical styles, genres, instruments or practices. All 'levels' are included: from adult beginners to those who have returned to music-making after a gap; and from 'regular' amateur and professional musicians, to some who are extraordinarily 'elite' or 'successful'. Themes surrounding education, training, and informal learning; notation and ear playing; digital technologies; and issues around disability, identity, opportunity, marginality, discrimination, despair, fulfilment, and joy surfaced, as the authors set out to discover, analyse, and share insights into the worlds of these musicians.
Insights into Music Composition
by Gregory Young Steve RoensInsights into Music Composition is a guide and source of inspiration for beginning students of music composition. Drawing on perspectives from a range of experienced composers, the book introduces readers to the compositional process, emphasizing how to think about creating a piece of music from beginning to end by providing not only a survey of methods but also an understanding of the overarching context for composition. The authors present student composers with the tools to develop their own voice, covering topics such as: methods for harnessing inspiration and creativity how to give shape, context, and meaning to a piece of music and create moments that audiences will remember the value in exploring the music of other cultures and music’s interdisciplinarity atonal and 12-tone techniques and the roles of form and style the benefits and pitfalls of student-teacher relationships and the importance of building relationships with performers Combining content from class scenarios with discussion questions, practical exercises, an annotated guide of online resources, and a glossary of terms, the text’s flexible structure allows chapters to be read through in order or drawn on by topic. Clear and accessible, Insights into Music Composition is an ideal resource for all students and instructors of music composition.
Insights into Music Composition
by Gregory Young Steve RoensInsights into Music Composition is a guide and source of inspiration for beginning students of music composition. Drawing on perspectives from a range of experienced composers, the book introduces readers to the compositional process, emphasizing how to think about creating a piece of music from beginning to end by providing not only a survey of methods but also an understanding of the overarching context for composition. The authors present student composers with the tools to develop their own voice, covering topics such as: methods for harnessing inspiration and creativity how to give shape, context, and meaning to a piece of music and create moments that audiences will remember the value in exploring the music of other cultures and music’s interdisciplinarity atonal and 12-tone techniques and the roles of form and style the benefits and pitfalls of student-teacher relationships and the importance of building relationships with performers Combining content from class scenarios with discussion questions, practical exercises, an annotated guide of online resources, and a glossary of terms, the text’s flexible structure allows chapters to be read through in order or drawn on by topic. Clear and accessible, Insights into Music Composition is an ideal resource for all students and instructors of music composition.
Inspiration and Motivation for Musicians
by Tamsin KingThis colourful little book of uplifting quotes and tailored tips delivers motivational sparks and creative signposts for musicians. Read it, play to it, use it as a makeshift percussion instrument – whatever you do it, the aim is simple: to get you making music!
Inspiration and Motivation for Musicians
by Tamsin KingThis colourful little book of uplifting quotes and tailored tips delivers motivational sparks and creative signposts for musicians. Read it, play to it, use it as a makeshift percussion instrument – whatever you do it, the aim is simple: to get you making music!
The Inspiration Machine: Computational Creativity in Poetry and Jazz
by Eitan Y. WilfExplores how creative digital technologies and artificial intelligence are embedded in culture and society. In The Inspiration Machine, Eitan Y. Wilf explores the transformative potentials that digital technology opens up for creative practice through three ethnographic cases, two with jazz musicians and one with a group of poets. At times dissatisfied with the limitations of human creativity, these artists do not turn to computerized algorithms merely to execute their preconceived ideas. Rather, they approach them as creative partners, delegating to them different degrees of agentive control and artistic decision-making in the hopes of finding inspiration in their output and thereby expanding their own creative horizons. The algorithms these artists develop and use, however, remain rooted in and haunted by the specific social predicaments and human shortfalls that they were intended to overcome. Experiments in the digital thus hold an important lesson: although Wilf’s interlocutors returned from their adventures with computational creativity with modified, novel, and enriched capacities and predilections, they also gained a renewed appreciation for, and at times a desire to re-inhabit, non-digital creativity. In examining the potentials and pitfalls of seemingly autonomous digital technologies in the realm of art, Wilf shows that computational solutions to the real or imagined insufficiencies of human practice are best developed in relation to, rather than away from, the social and cultural contexts that gave rise to those insufficiencies, in the first place.
Instamatic Karma: Photographs of John Lennon
by May Pang"There were times I was a bit reticent in taking out my camera, like when some 'old friends' stopped by to hang out. I didn't want to intrude on these moments, but John insisted. He felt that I captured him in ways that no one else did because of his comfort level with me...For years, only my closest friends got to see these photos-which were literally tucked away in a shoebox in my closet. They were surprised that these images did not convey the John that was portrayed in the press during our time together. In fact, they saw a side of John seldom seen."-From INSTAMATIC KARMAJohn Lennon is the most famously photographed Beatle-everyone from Iain MacMillian to Annie Lebowitz took iconic images of him-but there have never been pictures of him like these taken by May Pang, Lennon's girlfriend from 1973 to 1975. In INSTAMATIC KARMA, they're collected for the first time. With very few exceptions, these photos are that rare thing: never-before-seen images of an icon. The photos here show Lennon in a variety of settings: at work, at play, at home, and away. They show a playful Lennon, a casual, unguarded Lennon; they're the kind of photos one lover takes of another. May has written rich captions to accompany her photos--taken together, they tell a simple story of the time May and Lennon spent together; a time, according to legend, when Lennon was unhappy and unproductive, estranged from his family and bandmates. Pang's photos clearly tell another story-they show Lennon clowning around, working on his hit album "Walls and Bridges", embracing old friends and family, hanging out in their apartment on Manhattan's East 52nd Street, relaxing in the country in upstate New York or spending peaceful days swimming in the waters of Long Island. The photographs in INSTAMATIC KARMA are both color and black & white, casual Polaroids and more composed shots. Each one is an intimate glimpse into a fascinating time in John Lennon's life.
The Instant Composers Pool and Improvisation Beyond Jazz
by Floris SchuilingThe Instant Composers Pool and Improvisation Beyond Jazz contributes to the expansion and diversification of our understanding of the jazz tradition by describing the history and practice of one of the most important non-American jazz groups: The Instant Composers Pool, founded in Amsterdam in 1967. The Instant Composers Pool describes the meaning of "instant composition" from both a historical and ethnographic perspective. Historically, it details instant composition’s emergence from the encounter between various overlapping transnational avant-gardes, including free jazz, serialism, experimental music, electronic music, and Fluxus. The author shows how the improvising musicians not only engaged with the cultural politics of ethnicity and race involved in the negotiation of the boundaries of jazz as a cultural practice, but transformed the meaning of music in society—particularly the nature of improvisation and performance. Ethnographically, The Instant Composers Pool encourages readers to reconsider the conceptual tools we use to describe music performance, improvisation, and creativity. It takes the practice of "instant composition" as an opportunity to reflect on music performance as a social practice, which is crucial not only for jazz studies, but for general music scholarship.
Instead We Became Evil: A True Story Of Survival & Perseverance
by Sleiman Dart AdamsA powerful story of struggle, survival, and hope for the future is told by one of Denmark's most successful artists. The violent, compelling debut, co-written with journalist Dart Adams, provides a complex portrait of one man and the various ways in which every social system that was supposed to help him failed him, while also delving into the psychology of immigrant gangs and the young men who fall into them. But ultimately, it's a narrative about tenacity, survival, and optimism for the future. Sleiman was born in Lebanon during the 1982 bombardment and is a Palestinian. His family eventually moved to Denmark, but their new life there was far from perfect. Sleiman was subjected to domestic violence as well as social rejection as a Muslim immigrant. Angry and powerless, he found himself drawn to gang life.Sleiman had dropped out of school and was one of his gang's most feared and revered members as a teenager. He was involved in hundreds of crimes during his peak, but after surviving an attempted assassination, he addressed his demons and permanently abandoned the gang life. Sleiman is now narrating his story in his own words in the hopes of discouraging others from following in his footsteps.
Instrument
by Johnny Marr Pat GrahamInstruments tell stories through their appearance as much as through their sound. Pat Graham's photographs capture the intimate relationship between musician and instrument told by the signs of wear of fingers on frets or keys, chips, scratches, and modifications by the artists who have played, beaten on, bled over, and made them their own. For more than ten years, Graham has been documenting these amazing instruments and collecting stories about them from musicians on the road, in clubs, and at home, including members of The Smiths, Sonic Youth, The Flaming Lips, R.E.M., New Order, Wire, Fugazi, Built to Spill, Band of Horses, Modest Mouse, Yeah Yeah Yeahs, and many more. His gritty and beautiful images reveal the physical nature of music.
Instrument of War: Music and the Making of America's Soldiers
by David SuismanAn original history of music in the lives of American soldiers. Since the Civil War, music has coursed through the United States military. Soldiers have sung while marching, listened to phonographs and armed forces radio, and packed the seats at large-scale USO shows. “Reveille” has roused soldiers in the morning and “Taps” has marked the end of a long day. Whether the sounds came from brass instruments, weary and homesick singers, or a pair of heavily used earbuds, where there was war, there was music, too. Instrument of War is a first-of-its-kind study of music in the lives of American soldiers. Although musical activity has been part of war since time immemorial, the significance of the US military as a musical institution has generally gone unnoticed. Historian David Suisman traces how the US military used—and continues to use—music to train soldiers and regulate military life, and how soldiers themselves have turned to music to cope with war’s emotional and psychological realities. Opening our ears to these practices, Suisman reveals how music has enabled more than a century and a half of American war-making. Instrument of War unsettles assumptions about music as a force of uplift and beauty, demonstrating how it has also been entangled in large-scale state violence. Whether it involves chanting “Sound off!” in basic training, switching on a phonograph or radio, or cueing up an iPod playlist while out on patrol, the sound of music has long resonated in soldiers’ wartime experiences. Now we all can finally hear it.
Instrumental: A Memoir Of Madness, Medication, And Music
by James RhodesAs memórias de um aclamado pianista que se salvou do inferno da depressão e do abuso graças à música. Uma inspiradora história de redenção. Mais de 100 mil leitores se deixaram tocar por este testemunho de superação. «Abusaram de mim aos seis anos. Internaram-me num hospital psiquiátrico. Fui viciado em drogas e álcool. Tentei suicidar-me cinco vezes. Separaram-me do meu filho. Mas não vou falar disso. Vou falar de música. Porque Bach salvou-me a vida. E eu amo a vida.» James confiava naquele homem simpático. Porque não haveria de confiar? Era seu professor na escola primária. A primeira oferta foi uma caixa de fósforos, um maravilhoso objecto de desejo para um menino de seis anos. Seguiram-se outros pequenos presentes, acompanhados de sorrisos, palavras de incentivo, gestos atenciosos. Depois começaram os abusos sexuais, que duraram vários anos, sem que ninguém na escola e na família se apercebesse. Quando terminaram, James afundou-se progressivamente num abismo de relações obsessivas, hospitais psiquiátricos e vícios destrutivos, uma espiral que o afastou do piano, para o qual revelara talento precoce. Mas foi um adágio de Bach, escutado durante um internamento, que o salvou de anos no fundo do poço. Ao descobrir que também os génios por trás das mais sublimes composições eram homens com existências dramáticas, James encontrou nos pequenos milagres da música o reduto para sobreviver aos seus demónios pessoais. Um encontro inesperado com um desconhecido deu-lhe o impulso de que James precisava para reencontrar o seu caminho na música. Hoje é um pianista aclamado em todo o mundo. Instrumental é um testemunho apaixonado e apaixonante, negro e luminoso, sobre o poder terapêutico da música e a sua capacidade de transformar as nossas vidas, mas também, e sobretudo, sobre a nossa capacidade de reinvenção. Os elogios da crítica: «Rhodes prova que a arte e a beleza podem ajudar; prova que a vida pode ser conquistada dia a dia.»El País «Estávamos a precisar deste livro.»Huffington Post UK «O que distingue este livro é a forma como ele confronta os aspectos indizíveis do abuso sexual das crianças e das doenças mentais... Muitos destes pensamentos são tabu e é preciso clareza, coragem e inteligência para os expressar de forma tão directa e honesta como Rhodes faz.»Independent «Bem escrito, coloquial, tão excitante quanto devastador. Como documento dos efeitos do abuso de crianças é, provavelmente, insuperável.»Sunday Times «Nunca li um testemunho tão sábio sobre o que é ser-se vítima... É visceral e palpável... Das páginas mais impactantes que li nos últimos tempos.»Scotland on Sunday «Uma obra impressionante. Combina uma precisão vívida e obsessiva com uma energia torrencial.»Guardian «Uma leitura dura, avassaladora.»The Times «Poderoso.»New Statesman «Uma vida que tinha de ficar registada.»Spectator
The Instrumental Consort Repertory of the Late Fifteenth Century
by Jon BanksThough individual pieces from the late fifteenth century are widely accepted as being written for instruments rather than voices, they are traditionally considered as exceptions within the context of a mainstream of vocal polyphony. After a rigorous examination of the criteria by which music of this period may be judged to be instrumental, Dr Jon Banks isolates all such pieces and establishes them as an explicit genre alongside the more commonly recognized vocal forms of the period. The distribution of these pieces in the manuscript and early printed sources of the time demonstrate how central instrumental consorts were to musical experience in Italy at this time. Banks also explores the social background to Italian music-making, and particularly the changing status of instrumentalists with respect to other musicians. Convincing evidence is put forward in particular for the lute ensemble to be a likely performance context for many of the surviving sources. The book is not intended to be a prescriptive account for the role of instruments in late medieval music, but instead restores an impressive but largely overlooked consort repertory to its rightful place in the history of music.
Instrumental Lives: Musical Instruments, Material Culture, and Social Networks in East and Southeast Asia
by Helen Rees Jennifer C. Post Bell Yung Terauchi Naoko Tyler Yamin Maire-Pierre Lissoir Insee AdlerThe musical instruments of East and Southeast Asia enjoy increasing recognition as parts of humanity’s intangible cultural heritage. Helen Rees edits a collection that offers vibrant new ways to link these objects to their materials of manufacture, the surrounding environment, the social networks they form and help sustain, and the wider ethnic or national imagination. Rees organizes the essays to reflect three angles of inquiry. The first section explores the characteristics and social roles of various categories of instruments, including the koto and an extinct Balinese wooden clapper. In section two, essayists focus on the life stories of individual instruments ranging from an heirloom Chinese qin to end-blown flutes in rural western Mongolia. Essays in the third section examine the ethics and other issues that surround instrument collections, but also show how collecting is a dynamic process that transforms an instrument’s habitat and social roles. Original and expert, Instrumental Lives brings a new understanding of how musical instruments interact with their environments and societies. Contributors: Supeena Insee Adler, Marie-Pierre Lissoir, Terauchi Naoko, Jennifer C. Post, Helen Rees, Xiao Mei, Tyler Yamin, and Bell Yung
Instrumental Music Education: Teaching with the Musical and Practical in Harmony
by Evan Feldman Ari Contzius<p>Instrumental Music Education: Teaching with the Musical and Practical in Harmony, 2nd Edition is intended for college instrumental music education majors studying to be band and orchestra directors at the elementary, middle school, and high school levels. This textbook presents a research-based look at the topics vital to running a successful instrumental music program, while balancing musical, theoretical, and practical approaches. A central theme is the compelling parallel between language and music, including "sound-to-symbol" pedagogies. Understanding this connection improves the teaching of melody, rhythm, composition, and improvisation. <p>The companion website contains over 120 pedagogy videos for wind, string, and percussion instruments, performed by professional players and teachers, over 50 rehearsal videos, rhythm flashcards, and two additional chapters, "The Rehearsal Toolkit," and "Job Search and Interview." It also includes over 50 tracks of acoustically pure drones and demonstration exercises for use in rehearsals, sectionals and lessons.</p>
Instrumental Music Education: Teaching with the Musical and Practical in Harmony
by Evan Feldman Ari ContziusInstrumental Music Education: Teaching with the Musical and Practical in Harmony, Third Edition, is intended for college instrumental music education majors studying to be band and orchestra directors at the elementary, middle school, and high school levels. This textbook presents a research-based look at the topics vital to running a successful instrumental music program, while balancing musical, theoretical, and practical approaches. A central theme is the compelling parallel between language and music, including "sound-to-symbol" pedagogies. Understanding this connection improves the teaching of melody, rhythm, composition, and improvisation. The companion website contains over 120 pedagogy videos for wind, string, and percussion instruments performed by professional players and teachers, over 50 rehearsal videos, rhythm flashcards, and two additional chapters: "The Rehearsal Toolkit" and ''Job Search and Interview." It also includes over 50 tracks of acoustically pure drones and demonstration exercises for use in rehearsals, sectionals, and lessons. New to this edition: A new chapter on teaching beginning band using sound-to-symbol pedagogies Expanded coverage for strings and orchestra, including a new chapter on teaching beginning strings A new chapter on conducting technique Expanded material on teaching students with disabilities Concert etiquette and the concert experience Expanded coverage on the science of learning, including the Dunning-Krueger effect and the effective use of repetition in rehearsal Techniques for improving students’ practice habits