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Into the Mystic: The Visionary and Ecstatic Roots of 1960s Rock and Roll
by Christopher HillExplores the visionary, mystical, and ecstatic traditions that influenced the music of the 1960s • Examines the visionary, spiritual, and mystical influences on the Grateful Dead, the Beatles, the Rolling Stones, Bob Dylan, Van Morrison, the Incredible String Band, the Left Banke, Lou Reed and the Velvet Underground, and others • Shows how the British Invasion acted as the “detonator” to explode visionary music into the mainstream • Explains how 1960s rock and roll music transformed consciousness on both the individual and collective levels The 1960s were a time of huge transformation, sustained and amplified by the music of that era: Rock and Roll. During the 19th and 20th centuries visionary and esoteric spiritual traditions influenced first literature, then film. In the 1960s they entered the realm of popular music, catalyzing the ecstatic experiences that empowered a generation. Exploring how 1960s rock and roll music became a school of visionary art, Christopher Hill shows how music raised consciousness on both the individual and collective levels to bring about a transformation of the planet. The author traces how rock and roll rose from the sacred music of the African Diaspora, harnessing its ecstatic power for evoking spiritual experiences through music. He shows how the British Invasion, beginning with the Beatles in the early 1960s, acted as the “detonator” to explode visionary music into the mainstream. He explains how 60s rock and roll made a direct appeal to the imaginations of young people, giving them a larger set of reference points around which to understand life. Exploring the sources 1960s musicians drew upon to evoke the initiatory experience, he reveals the influence of European folk traditions, medieval Troubadours, and a lost American history of ecstatic politics and shows how a revival of the ancient use of psychedelic substances was the strongest agent of change, causing the ecstatic, mythic, and sacred to enter the consciousness of a generation. The author examines the mythic narratives that underscored the work of the Grateful Dead, the French symbolist poets who inspired Bob Dylan, the hallucinatory England of the Beatles’ Sgt. Pepper, the tale of the Rolling Stones and the Lord of Misrule, Van Morrison’s astral journeys, and the dark mysticism of Lou Reed and the Velvet Underground. Evoking the visionary and apocalyptic atmosphere in which the music of the 1960s was received, the author helps each of us to better understand this transformative era and its mystical roots.
Into the Taylor-Verse: Taylor Swift's Songwriting Eras
by Satu Hämeenaho-FoxA beautifully illustrated, comprehensive collectible for Swifties everywhere that offers an overview of Taylor Swift&’s life and work, including hidden references for fans to discover in a stunning, giftable package.Into the Taylor-Verse is an inventive, deeply detailed appreciation of Taylor Swift&’s songwriting prowess, her incomparable live performances, and the themes of adolescence and adulthood she&’s detailed so lovingly throughout the different eras of her career from her Fearless to Midnights. This book explores her prolific discography, as well as her worldwide tours, her phoenix-like rise from the ashes to reclaim her music publishing rights, and most importantly of all, her Swifties. In the way that Taylor&’s music helps fans to understand their own emotional response to heartbreak and first love, this book seeks to help fans understand why Taylor&’s music affects them more than any other artist. The story told through her work is the universal story of growing from a girl into a woman, the joy, heartbreak, demoralization, and finally, regrowth and maturity that every fan can relate to no matter their age. This book emulates the joy of Taylor&’s music with creative sidebar content, such as a playlist of her songs that are NOT about boys, an all-important timeline of her hairstyles, biographies of her cats, a deep-dive into the significance of the number thirteen, and so much more. Into the Taylor-Verse is a must-have primer on Taylor for any new Swiftie, telling the stories behind her songs and guiding them to listen more deeply to her extensive back catalogue, while also being a lush examination of the meaning behind the songs that are so important to readers who are already dedicated fans.
Into the Void: From Birth to Black Sabbath—And Beyond
by Geezer ButlerA rollicking, effusive, and candid memoir by the heavy metal musician and founding member of Black Sabbath, covering his years as the band’s bassist and main lyricist through his later-career projects, and detailing how one of rock’s most influential bands formed and prevailed. With over 70 million records sold, Black Sabbath, dubbed by Rolling Stone “the Beatles of heavy metal,” helped create the genre itself, with their distinctive heavy riffs, tuned down guitars, and apocalyptic lyrics. Bassist and primary lyricist Geezer Butler played a gigantic part in the band’s renown, from suggesting the band name to using his fascination with horror, religion, and the occult to compose the lyrics and build the foundation of heavy metal as we know it.In Into the Void, Butler tells his side of the story, from the band’s beginnings as a scrappy blues quartet in Birmingham through the struggles leading to the many well-documented lineup changes while touring around London’s gritty clubs (Eric Clapton, Jimi Hendrix, Frank Zappa, and The Who makes notable appearances!), and the band’s important later years. He writes honestly of his childhood in a working-class family of seven in Luftwaffe-battered Birmingham, his almost-life as an accountant, and how his disillusionment with organized religion and class systems would spawn the lyrics and artistic themes that would resonate so powerfully with fans around the world.Into the Void reveals the softer side of the heavy metal legend and the formation of one of rock’s most exciting bands, while holding nothing back. Like Geezer’s bass lines, it is both original, dramatic, and forever surprising.
Introducing George The Poet: Search Party: A Collection of Poems
by George the Poet‘The title is Search Party – the idea being that we’re all out here looking for something, and my poems are my way of finding myself.’ A young black poet blending spoken word and rap; an inner city upbringing with a Cambridge education; a social consciousness with a satirical wit and infectious rhythm – George The Poet is the voice of a new generation.Search Party is a thought-provoking and deeply autobiographical collection. From the overtly political ‘Go Home’ to the deeply personal ‘Full-time’; the narrative poems that offer vivid and unapologetic snapshots of inner-city life, such as ‘His Mistakes’, ‘Believer’ and the anthemic ‘My City’; to the provocative social commentary in ‘Lazy Dog’ and ‘YOLO’; to the inspiring, idea-driven pieces such as ‘The Power of Collaboration’ and ‘School Blues’, George takes poetry into new territories and to new audiences, offering a different way to talk about the things that matter, to explore his own experience and ideas, and encourage others explore theirs.George The Poet’s mesmerising and unforgettable live performances have earned him critical acclaim. From sell-out headline gigs and YouTube hits, to recording his own music, and now his first collection of poetry, George uses his work to speak truth to power and challenge our preconceived ideas about the society we’re living in.Whether you’re searching for yourself, for answers, for change – join the search party.
Introducing Glory to God
by Mary Louise BringleA hymnal is a vital resource to a church. It teaches every congregant about the faith and what your church believes. This collection offers a useful guide to the new Glory to God hymnal. For those who have already adopted Glory to God, this book will inform congregants all about their new resource. For those still deciding, it provides the information needed to make that determination. Ten essays explore why a new hymnal was produced; the challenges of creating a new hymnal; the theology, liturgy, language, and musical genres in Glory to God; and ideas for introducing Glory to God to your church. Two appendices offer fifteen essential facts about Glory to God and suggestions for what to do with old hymnals replaced by Glory to God.
An Introduction to America's Music
by Richard Crawford Larry HamberlinRichard Crawford and Larry Hamberlin show how the lively interactions between the folk, popular, and classical spheres have made American music resonate with audiences around the world. Students will learn how to listen critically to eighty-eight pieces in all the major styles and genres, while gaining a clearer understanding of music's role in the history of American society, business, and technology.
An Introduction to America's Music (Third Edition)
by Richard Crawford Larry HamberlinAn ear-opening exploration of music's New World, from Puritan psalmody to Hamilton Authors Richard Crawford and Larry Hamberlin use 90 pieces to show how the lively interactions among the folk, popular, and classical spheres have made American music resonate with audiences around the world. Along the way, students gain a clearer understanding of music's role in the history of American society, business, and technology. This purchase offers access to the digital ebook only.
Introduction to Approaches in Music Thearpy
by Alice-Ann DarrowThe intent of all approaches is to stimulate positive changes in clients through music, although some approaches emphasize changes in specific areas of human functioning: cognitive, physical, psychological, or social. <p><p>All of the approaches depend on the appeal and influence of music to bring about changes in clients, all of the approaches provide valid avenues for the therapeutic work, and all of the approaches require training to be used effectively. The differences in approaches are suited to the diversity of practicing clinicians and the clients they serve. <p><p>The book is organized into three major sections: Approaches Adapted from Music Education, Psychotherapeutic Approaches to Music Therapy, and Medical Approaches to Music Therapy. The organization of the chapters is similar. Chapters begin with an overview of a specific approach to music therapy. Also included in each chapter is the history or background of the approach, description of the approach including philosophical orientation, clinical applications of the approach, related research, summary or conclusions, and suggestions for further reading. <p><p>Written for entering undergraduate or graduate students in music therapy, Introduction to Approaches in Music Therapy, presents the major approaches to music therapy used today.
An Introduction to Japanese Folk Performing Arts (SOAS Studies in Music Series)
by Terence A. LancashireJapanese folk performing arts incorporate a body of entertainments that range from the ritual to the secular. They may be the ritual dances at Shinto shrines performed to summon and entertain deities; group dances to drive away disease-bearing spirits; or theatrical mime to portray the tenets of Buddhist teachings. These ritual entertainments can have histories of a thousand years or more and, with such histories, some have served as the inspiration for the urban entertainments of no, kabuki and bunraku puppetry. The flow of that inspiration, however, has not always been one way. Elements taken from these urban forms could also be used to enhance the appeal of ritual dance and drama. And, in time, these urban entertainments too came to be performed in rural or regional settings and today are similarly considered folk performing arts. Professor Terence Lancashire provides a valuable introductory guide to the major performance types as understood by Japanese scholars.
An Introduction to Linguistics through Popular Music
by Patrice LarroqueThis textbook introduces the field of linguistics, demonstrating syntactic categories, morphological structures, phonological/metric structures, syllable structures, and varieties of English in an accessible way by using portions of song lyrics from popular music. The varieties of English covered include Received Pronunciation (RP) and General American, as well as some features of Australian English, southern US varieties, and Scottish English. Drawing on shared characteristics between language and music, including metrical structure, the author suggests a different approach to linguistic analysis and the description of spoken language. The book introduces both students and instructors to a novel and engaging method of description, and provides a fresh vocabulary with which to start thinking about language. It demonstrates complex topics by using music as a fun and familiar starting point, and will be an ideal resource for introductory linguistics courses worldwide.
An Introduction to Music and Art in the Western World (10th edition)
by Milo Wold Edmund Cykler Gary Martin James MillerAn undergraduate introduction to the music, painting, sculpture, and architecture of the Western world, featuring chapter objectives and summaries, pronunciation guides, and chronologies. Covers various periods from the ancient Greeks through the arts today, and includes material on the arts and society and the organization of the elements of art and music. This 10th edition contains increased recognition of women and minority artists, and boxes on selected individual works. Annotation c. by Book News, Inc., Portland, Or.
Introduction to Music Education
by Charles HofferThe streamlined Fourth Edition of this widely adopted text introduces prospective school music teachers to the profession of music education by one of the field's respected senior practitioners. In a warm, approachable style, Hoffer presents a working repertoire of concepts and general information, gets readers thinking about music teaching, and encourages them to examine themselves in terms of their future roles as educators in the field.Introduction to Music Education, 4/E provides a comprehensive, straightforward overview of the field, including its opportunities and its challenges. The text is written for a general music education course that precedes methods courses in which prospective teachers learn techniques for teaching various aspects of music. In addition to Hoffer's uncluttered discussions of the nature of teaching, teachers, and music, useful chapter components such as questions for discussion and projects are included.
An Introduction to Music Technology
by Dan HoskenAn Introduction to Music Technology, Second Edition provides a clear overview of the essential elements of music technology for today's musician. This book focuses on the topics that underlie the hardware and software in use today: Sound, Audio, MIDI, Computer Notation, and Computer- Assisted Instruction. Appendices cover necessary computer hardware and software concepts. Written for both music technology majors and non-majors, this textbook introduces fundamental principles and practices so students can learn to work with a wide range of software programs, adapt to new music technologies, and apply music technology in their performance, composition, teaching, and analysis. Features: Thorough explanations of key topics in music technology Content applicable to all software and hardware, not linked to just one piece of software or gear In-depth discussion of digital audio topics, such as sampling rates, resolutions, and file formats Explanations of standard audio plug-ins including dynamics processors, EQs, and delay based effects Coverage of synthesis and sampling in software instruments Pedagogical features, including: Further Reading sections that allow the student to delve deeper into topics of interest Suggested Activities that can be carried out with a variety of different programs Key Terms at the end of each chapter What Do I Need? Chapters covering the types of hardware and software needed in order to put together Audio and MIDI systems A companion website with links to audio examples that demonstrate various concepts, step-by-step tutorials, relevant hardware, software, and additional audio and video resources. The new edition has been fully updated to cover new technologies that have emerged since the first edition, including iOS and mobile platforms, online notation software, alternate controllers, and Open Sound Control (OSC).
An Introduction to Music Therapy Research
by Barbara L. WheelerAn introductory overview of how research has been conceived and implemented in music therapy over the last several decades. The book was designed for those who are beginning their studies in music therapy research, and it is especially well-suited for use as an accompaniment to classroom instruction. <P><P> Seventeen of the chapters were excerpted from Music Therapy Research (3rd Edition), a much larger volume of 68 chapters that gives considerable detail on numerous topics and sub-topics. In addition, three chapters (15, 16, 17) were specially written to provide a birds-eye view of some of the chapters that were not included, and in particular, those chapters in the larger book that examined the numerous methodological designs and approaches used in objectivist, interpretivist and other types of music therapy research.
An Introduction to Music Therapy Theory and Practice Third Edition
by William B. Davis Kate E. Gfeller Michael H. Thaut"An Introduction to Music Therapy: Theory and Practice, third edition, provides a comprehensive overview of the practice of music therapy for the 21st century. It looks at where we have been, where we are today, and where we might be in the future. Combining sound pedagogy with recent research findings, this new edition has been updated and expanded to reflect changes in music therapy practice over the past nine years.
An Introduction to the Dramatic Works of Giacomo Meyerbeer: Operas, Ballets, Cantatas, Plays
by Robert Ignatius LetellierGiacomo Meyerbeer (1791-1864) was a great musical dramatist in his own right. The fame of his operas rests on his radical treatment of form, his development of scenic complexes and greater plasticity of structure and melody, his dynamic use of the orchestra, and close attention to all aspects of presentation and production, all of which set new standards in Romantic opera and dramaturgy. This book carries forward the process of rediscovery and reassessment of Meyerbeer‘s artincluding not just his famous French operas, but also his German and Italian ones placing them in the context of his entire dramatic oeuvre, including his ballets, oratorios, cantatas and incidental music. From Meyerbeer‘s first stage presentation in 1810 to his great posthumous accolade in 1865, some 24 works mark the unfolding of this life lived for dramatic music. The reputation of the famous four grand operas may well live on in the public consciousness, but the other works remain largely unknown. This book provides an approachable introduction to them. The works have been divided into their generic types for quick reference and helpful association, and placed within the context of the composer‘s life and artistic development. Each section unfolds a brief history of the work‘s origins, an account of the plot, a critical survey of some of its musical characteristics, and a record of its performance history. Robert Letellier examines each work from a dramaturgical view point, including the essential often challenging philosophical and historical elements in the scenarios, and how these concepts were translated musically onto the stage. A series of portraits and stage iconography assist in bringing the works to life.
Introduction to the Music Industry: An Entrepreneurial Approach
by Catherine Fitterman RadbillIntroduction to the Music Industry: An Entrepreneurial Approach is an introductory textbook that offers a fresh look at one of the fastest-changing businesses in the world today. Emphasizing the importance of entrepreneurial thinking for the music industry, this textbook engages college-level students in learning the fundamentals of the music business while discovering ways to shape the industry's future. Every chapter explores the inner workings of the music industry, using creative problem-solving exercises, discussion questions, collaborative projects, case studies, hands-on activities, and inspiring stories of actual music entrepreneurs. The textbook's companion website provides multi-media content, study guides, and an instructor's manual with lesson plans and suggestions for assessing students' work. This book will be beneficial to students who want to learn the basics of the music industry and be involved in some way, whether a professional working in support of artists, or an artist trying to launch his or her performing career.
Introduction to the Music Industry: An Entrepreneurial Approach, Second Edition
by Catherine Fitterman RadbillIntroduction to the Music Industry: An Entrepreneurial Approach, Second Edition is an introductory textbook that offers a fresh perspective in one of the fastest-changing businesses in the world today. It engages students with creative problem-solving activities, collaborative projects and case studies as they explore the inner workings of the music business, while encouraging them to think like entrepreneurs on a path toward their own successful careers in the industry. This new edition includes a revised chapter organization, with chapters streamlined to focus on topics most important to music business students, while also maintaining its user-friendly chapter approach. Supported by an updated companion website, this book equips music business students and performance majors with the knowledge and tools to adopt and integrate entrepreneurial thinking successfully into practice and shape the future of the industry.
The Invention and Reinvention of Big Bill Broonzy
by Kevin D. GreeneOver the course of his long career, legendary bluesman William "Big Bill" Broonzy (1893–1958) helped shape the trajectory of the genre, from its roots in the rural Mississippi River Delta, through its rise as a popular genre in the North, to its eventual international acclaim. Along the way, Broonzy adopted an evolving personal and professional identity, tailoring his self-presentation to the demands of the place and time. His remarkable professional fluidity mirrored the range of expectations from his audiences, whose ideas about race, national belonging, identity, and the blues were refracted through Broonzy as if through a prism. Kevin D. Greene argues that Broonzy's popular success testifies to his ability to navigate the cultural expectations of his different audiences. However, this constant reinvention came at a personal and professional cost. Using Broonzy's multifaceted career, Greene situates blues performance at the center of understanding African American self-presentation and racial identity in the first half of the twentieth century. Through Broonzy's life and times, Greene assesses major themes and events in African American history, including the Great Migration, urbanization, and black expatriate encounters with European culture consumers. Drawing on a range of historical source materials as well as oral histories and personal archives held by Broonzy's son, Greene perceptively interrogates how notions of race, gender, and audience reception continue to shape concepts of folk culture and musical authenticity.
The Invention of Beethoven and Rossini
by Nicholas Mathew Benjamin WaltonBeethoven and Rossini have always been more than a pair of famous composers. Even during their lifetimes, they were well on the way to becoming 'Beethoven and Rossini' – a symbolic duo, who represented a contrast fundamental to Western music. This contrast was to shape the composition, performance, reception and historiography of music throughout the nineteenth and twentieth centuries. The Invention of Beethoven and Rossini puts leading scholars of opera and instrumental music into dialogue with each other, with the aim of unpicking the origins, consequences and fallacies of the opposition between the two composers and what they came to represent. In fifteen chapters, contributors explore topics ranging from the concert lives of early nineteenth-century capitals to the mythmaking of early cinema, and from the close analysis of individual works by Beethoven and Rossini to the cultural politics of nineteenth-century music histories.
Inventory
by Chuck Klosterman A. V. ClubEach week, the writers of The A.V. Club issue a slightly slanted pop-culture list filled with challenging opinions (Is David Bowie's "Young Americans" nearly ruined by saxophone?) and fascinating facts. Exploring 24 great films too painful to watch twice, 14 tragic movie-masturbation scenes, 18 songs about crappy cities, and much more, Inventory combines a massive helping of new lists created especially for the book with a few favorites first seen at avclub.com and in the pages of The A.V. Club's sister publication, The Onion. But wait! There's more: John Hodgman offers a set of minutely detailed (and probably fictional) character actors. Patton Oswalt waxes ecstatic about the "quiet film revolutions" that changed cinema in small but exciting ways. Amy Sedaris lists 50 things that make her laugh. "Weird Al" Yankovic examines the noises of Mad magazine's Don Martin. Plus lists from Paul Thomas Anderson, Robert Ben Garant, Tom Lennon, Andrew W.K., Tim and Eric, Daniel Handler, and Zach Galifianakis -- and an epic foreword from essayist Chuck Klosterman.
Investigating Musical Performance: Theoretical Models and Intersections (Musical Cultures of the Twentieth Century)
by Gianmario Borio Giovanni Giuriati Alessandro Cecchi Marco LutzuInvestigating Musical Performance considers the wide range of perspectives on musical performance made tangible by the cross-disciplinary studies of the last decades and encourages a comparison and revision of theoretical and analytical paradigms. The chapters present different approaches to this multi-layered phenomenon, including the results of significant research projects. The complex nature of musical performance is revealed within each section which either suggests aspects of dialogue and contiguity or discusses divergences between theoretical models and perspectives. Part I elaborates on the history, current trends and crucial aspects of the study of musical performance; Part II is devoted to the development of theoretical models, highlighting sharply distinguished positions; Part III explores the relationship between sign and sound in score-based performances; finally, the focus of Part IV centres on gesture considered within different traditions of musicmaking. Three extra chapters by the editors complement Parts I and III and can be accessed via the online Routledge Music Research Portal. The volume shows actual and possible connections between topics, problems, analytical methods and theories, thereby reflecting the wealth of stimuli offered by research on the musical cultures of our times.
Invisible Now: Bob Dylan In The 1960s (Ashgate Popular and Folk Music Series)
by John HughesInvisible Now describes Bob Dylan's transformative inspiration as artist and cultural figure in the 1960s. Hughes identifies Dylan's creativity with an essential imaginative dynamic, as the singer perpetually departs from a former state of inexpression in pursuit of new, as yet unknown, powers of self-renewal. This motif of temporal self-division is taken as corresponding to what Dylan later referred to as an artistic project of 'continual becoming', and is explored in the book as a creative and ethical principle that underlies many facets of Dylan's appeal. Accordingly, the book combines close discussions of Dylan's mercurial art with related discussions of his humour, voice, photographs, and self-presentation, as well as with the singularities of particular performances. The result is a nuanced account of Dylan's creativity that allows us to understand more closely the nature of Dylan's art, and its links with American culture.
Invisible Strings: 113 Poets Respond to the Songs of Taylor Swift
by Kristie Frederick DaughertyThere is always a link. This is the magic of Taylor Swift . . . She has trained her fans to follow her threads.An anthology of 113 brand new poems. Responding to 113 songs by Taylor Swift. Can you match every poem to the song that inspired it? Including brand new work from a powerhouse group of poets, including Diane Seuss, Amanda Lovelace, Hollie McNish, Richard Siken, Ilya Kaminsky, Joy Harjo, Lang Leav, Paul Muldoon, Maggie Smith, Jane Hirshfield and Yusef Komunyakaa . . .'If you like Taylor Swift easter eggs, this is the book for you... beautiful, thought-provoking and so much fun!'⭐⭐⭐⭐⭐'If you're a fan of Swift's music, you'll find yourself enchanted by this collection... a one-of-a-kind experience'⭐⭐⭐⭐⭐'Poetry meets pop brilliance... a must-read for Swifties and poetry enthusiasts alike'⭐⭐⭐⭐⭐--- With a record-breaking four Grammy awards for Album of the Year, Taylor Swift's lyrics have been heard by millions around the world - clever, authentic, and elegantly written, to her fans these songs are a kind of modern poetry. In Invisible Strings, poet, professor and dedicated Swiftie Kristie Frederick-Daugherty has brought together 113 new poems, each inspired by a particular Taylor Swift song. Taking a cue from Taylor's love of clues and puzzles, test your knowledge of every era - from Fearless to folklore, Reputation to The Tortured Poets Department, vault tracks included - to match each poem to the song it is a response to. For Swifties, this is a creative and affectionate reimagining of their favourite writer's iconic discography - with a chance to see these songs in a brand new way. For poetry lovers, this one-of-a-kind anthology is an unparalleled collection of new work from some of the most lauded and exciting voices in contemporary poetry.
Invisible Strings: 113 Poets Respond to the Songs of Taylor Swift
by Kristie Frederick DaughertyThere is always a link. This is the magic of Taylor Swift . . . She has trained her fans to follow her threads.An anthology of 113 brand new poems. Responding to 113 songs by Taylor Swift. Can you match every poem to the song that inspired it? Including brand new work from a powerhouse group of poets, including Diane Seuss, Amanda Lovelace, Hollie McNish, Richard Siken, Ilya Kaminsky, Joy Harjo, Lang Leav, Paul Muldoon, Maggie Smith, Jane Hirshfield and Yusef Komunyakaa . . .'If you like Taylor Swift easter eggs, this is the book for you... beautiful, thought-provoking and so much fun!'⭐⭐⭐⭐⭐'If you're a fan of Swift's music, you'll find yourself enchanted by this collection... a one-of-a-kind experience'⭐⭐⭐⭐⭐'Poetry meets pop brilliance... a must-read for Swifties and poetry enthusiasts alike'⭐⭐⭐⭐⭐--- With a record-breaking four Grammy awards for Album of the Year, Taylor Swift's lyrics have been heard by millions around the world - clever, authentic, and elegantly written, to her fans these songs are a kind of modern poetry. In Invisible Strings, poet, professor and dedicated Swiftie Kristie Frederick-Daugherty has brought together 113 new poems, each inspired by a particular Taylor Swift song. Taking a cue from Taylor's love of clues and puzzles, test your knowledge of every era - from Fearless to folklore, Reputation to The Tortured Poets Department, vault tracks included - to match each poem to the song it is a response to. For Swifties, this is a creative and affectionate reimagining of their favourite writer's iconic discography - with a chance to see these songs in a brand new way. For poetry lovers, this one-of-a-kind anthology is an unparalleled collection of new work from some of the most lauded and exciting voices in contemporary poetry.