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Americanaland: Where Country & Western Met Rock 'n' Roll (Music in American Life #1)
by John MilwardA musical genre forever outside the lines With a claim on artists from Jimmie Rodgers to Jason Isbell, Americana can be hard to define, but you know it when you hear it. John Milward’s Americanaland is filled with the enduring performers and vivid stories that are at the heart of Americana. At base a hybrid of rock and country, Americana is also infused with folk, blues, R&B, bluegrass, and other types of roots music. Performers like Bob Dylan, Johnny Cash, Ray Charles, and Gram Parsons used these ingredients to create influential music that took well-established genres down exciting new roads. The name Americana was coined in the 1990s to describe similarly inclined artists like Emmylou Harris, Steve Earle, and Wilco. Today, Brandi Carlile and I’m With Her are among the musicians carrying the genre into the twenty-first century. Essential and engaging, Americanaland chronicles the evolution and resonance of this ever-changing amalgam of American music. Margie Greve’s hand-embroidered color portraits offer a portfolio of the pioneers and contemporary practitioners of Americana.
America's Musical Landscape
by Jean FerrisThis textbook for music appreciation undergraduates surveys American music, relating it to the other arts and social and cultural contexts. Ferris (music history and appreciation, Arizona State U.) first explains the elements of music, then takes the reader on a chronological tour of American music, from North American Indian and folk music to contemporary mainstream concert music. Along the way, religious and secular music are discussed, as well as nineteenth century popular and concert music; country, folk, jazz, Latin music, and rock and roll; and musical theater, film music, and American opera. Listening charts are incorporated. This edition has been updated and reorganized, the amount of vernacular music has been expanded, and the recordings have been updated to match. Timelines are also new. No bibliography is provided. Annotation ©2006 Book News, Inc., Portland, OR (booknews.com)
America's Musical Life: A History
by Richard CrawfordAn Introduction to America's Music tells the fascinating story of music in the United States, from the sacred music of its earliest days to the jazz and rock that enliven the turn of the millennium. Beginning with the music of Native Americans and continuing with traditions introduced by European colonizers and Africans brought here as slaves, the book reveals how this bountiful heritage was developed and enhanced in the nineteenth and twentieth centuries to produce the music we hear today.
America's Songs: The Stories Behind the Songs of Broadway, Hollywood, and Tin Pan Alley
by Philip Furia Michael LasserFirst published in 2006. Routledge is an imprint of Taylor & Francis, an informa company.
America's Songs II: Songs from the 1890s to the Post-War Years
by Michael LasserAmerica’s Songs II: Songs from the 1890's to the Post-War Years continues to tell the stories behind popular songs in our country’s history, serving as a sequel to the bestselling America’s Songs: Stories Behind the Songs of Broadway, Hollywood, and Tin Pan Alley. Beginning in 1890 and ending in post-war America, America's Songs II is a testament to the richness of popular music in the first half of the 20th century. This volume builds on the unique features of the first volume, delving deeper into the nature of the collaboration between well-known songwriters of the time but also shedding light on some of the early performers to turn songs into hits. The book’s structure – a collection of short easy-to-read essays – allows the author to provide historical context to certain songs, but also to demonstrate how individual songs facilitated the popularity of specific genres, including ragtime, jazz, and blues, which subsequently reshaped the landscape of American popular music. America’s Songs II: Songs from the 1890's to the Post-War Years will appeal to American popular music enthusiasts but will also serve as an ideal reference guide for students or as a supplement in American music courses.
America’s Songs III: Rock!
by Bruce PollockAmerica’s Songs III: Rock! picks up in 1953 where America’s Songs II left off, describing the artistic and cultural impact of the rock ’n’ roll era on America’s songs and songwriters, recording artists and bands, music publishers and record labels, and the all-important consuming audience. The Introduction presents the background story, discussing the 1945-1952 period and focusing on the key songs from the genres of jump blues, rhythm ’n’ blues, country music, bluegrass, and folk that combined to form rock ‘n’ roll. From there, the author selects a handful of songs from each subsequent year, up through 2015, listed chronologically and organized by decade. As with its two preceding companions, America’s Songs III highlights the most important songs of each year with separate entries. More than 300 songs are analyzed in terms of importance—both musically and historically—and weighted by how they defined an era, an artist, a genre, or an underground movement. Written by known rock historian and former ASCAP award winner Bruce Pollock, America’s Songs III: Rock! relays the stories behind America’s musical history.
Among the Jasmine Trees: Music and Modernity in Contemporary Syria (Music Culture)
by Jonathan Holt ShannonHow does a Middle Eastern community create a modern image through its expression of heritage and authenticity? In Among the Jasmine Trees: Music and Modernity in Contemporary Syria, Jonathan H. Shannon investigates expressions of authenticity in Syria's musical culture, which is particularly known for embracing and preserving the Arab musical tradition, and which has seldom been researched in depth by Western scholars. Music plays a key role in the process of self-imaging by virtue of its ability to convey feeling and emotion, and Shannon explores a variety of performance genres, Sufi rituals, song lyrics, melodic modes, and aesthetic criteria. Shannon shows that although the music may evoke the old, the traditional, and the local, these are re-envisioned as signifiers of the modern national profile. A valuable contribution to the study of music and identity and to the ethnomusicology of the modern Middle East, Among the Jasmine Trees details this music and its reception for the first time, offering an original theoretical framework for understanding contemporary Arab culture, music, and society.
Amor a lo diminuto
by MacacoUna colección de textos inéditos escritos a vuelapluma entre concierto y concierto: apuntes al natural que nos hablan de la trayectoria de Macaco, de su filosofía de vida, y que nos muestran la faceta más literaria de un músico excepcional. «Estos pequeños escritos (no sé si son aforismos, rimas, pensamientos, cuentos, poemas y, la verdad, me da igual), como mis canciones, son mi patio de recreo, donde mi alma y mi cuerpo van a una buscando el mismo juego. Por eso escribo y canto, porque al padre del hombre que soy, es decir, el niño que fui, como decía el maestro José Saramago, le gustaban las piezas sueltas de los muñecos rotos, las cartas desparejadas o el resto de un puzle incompleto. Porque él, igual que yo, amaba lo diminuto.» Todos estos textos y fotos nacieron en trenes, aviones, coches, hoteles, viajando y girando por España, Francia, Portugal, Brasil, México, Argentina y los campamentos de refugiados saharauis. Unlibro en el que Dani Macaco hace partícipes a los lectores de sus viajes y su vida urbana. «... hablo sobre mí y los de mi raza, no hablo de pieles sino de soñadores, devoradores animados y metepatas, hablo sobre mochilas en la espalda que pesan mucho y no llevan nada, hablo sobre el presente del paso, y la zancadilla del pasado, hablo sobre lo minúsculo, lo diminuto, lo que aparentemente no está, pero al final es lo que decidirá hacia dónde se inclinará la balanza.» Dani Macaco
Amore: The Story of Italian American Song
by Mark RotellaAmore is Mark Rotella's celebration of the "Italian decade"—the years after the war and before the Beatles when Frank Sinatra, Perry Como, Dean Martin, and Tony Bennett, among others, won the hearts of the American public with a smooth, stylish, classy brand of pop. In Rotella's vivid telling, the stories behind forty Italian American classics (from "O Sole Mio," "Night and Day," and "Mack the Knife" to "Volare" and "I Wonder Why") show how a glorious musical tradition became the sound track of postwar America and the expression of a sense of style that we still cherish. Rotella follows the music from the opera houses and piazzas of southern Italy, to the barrooms of the Bronx and Hoboken, to the Copacabana, the Paramount Theatre, and the Vegas Strip. He shows us the hardworking musicians whose voices were to become ubiquitous on jukeboxes and the radio and whose names—some anglicized, some not—have become bywords for Italian American success, even as they were dogged by stereotypes and prejudice. Amore is the personal Top 40 of one proud son of Italy; it is also a love song to Italian American culture and an evocation of an age that belongs to us all.
Amos Bull: The Collected Works (Music of the New American Nation: Sacred Music from 1780 to 1820)
by Karl KroegerFirst Published in 1996. Routledge is an imprint of Taylor & Francis, an informa company.
Amos's Killer Concert Caper
by Gary PaulsenAmos is desperate. He's desperate for two tickets to the romantic event of his young life...the Road Kill concert! He'll do anything to get them because he heard from a friend of a friend of a friend of Melissa Hansen that: she's way into Road Kill.
Amplifications of Black Sound from Colonial Mexico: Vocality and Beyond (Critical Mexican Studies)
by Sarah FinleyThinkers like W. E. B. Du Bois and Paul Gilroy have long championed sound as an affective register of Black subjectivity, particularly in the African Atlantic. Prior studies in this vein focus on Anglophone or Caribbean contexts, a tendency that furthers Mexico&’s marginalization within narratives of the Black and African diaspora and mutes Afro-descendant traditions that date back to the sixteenth century. Indeed, the New Spanish archive contains whispers of the region&’s Black sound cultures, including monetary records for the voices of enslaved singers and representations of Black music in casta paintings. Despite such evidence, it is difficult to attend fully to these subaltern voices, for the cultural filters of the lettered elite often mute or misinterpret non-European sounds.Amplifications of Black Sound from Colonial Mexico is the first extensive study of Afro-descendant sonorities in New Spain or elsewhere in colonial Latin America. In this context, it attends to Black sounds through a framework that remixes Jacques Derrida&’s reading of the ear&’s anatomy with theories like Gilroy&’s lower frequencies or Fred Moten&’s phonic materiality. Sarah Finley&’s aim is to unsettle the divide between self and other so the auditory archive might emerge as a polyphonic record that exceeds dichotomies of sounding object / listening subject. Through sampling the Afro-descendant sounds of this archive, this book recovers and rearticulates Black voices and auditory practices in New Spain.
Amy, 27
by Howard SounesThe death of Amy Winehouse at the age of 27 was a tragedy.She was one of the brightest music stars in years -a brilliant, original song writer with a mighty voice and great personal charm. Amy was loveable, but troubled. She was as notorious for her messy personal life, drug addiction and alcoholism, as she was celebrated for her songs, and her death in 2011, while shocking, was not unexpected.Amy was also the latest in a series of iconic music stars who died at the same young age; starting with Brian Jones of the Rolling Stones whose death in 1969 was followed by Jimi Hendrix and Janis Joplin in 1970, Jim Morrison in 1971, and Kurt Cobain in 1994. All were gifted. All were dissipated. All were 27.The 27 Club was first used as a collective term for these lost souls after a comment by Kurt Cobain's mother. 'He's gone and joined that stupid club,' she said after Kurt shot himself. 'I told him not to ...'In this ground-breaking book, Howard Sounes delivers a detailed and insightful study of Amy Winehouse's life, and sets that life in the context of the 27 Club. That six big music stars died at 27 -- along with 44 less well-known names -- is on one level a coincidence. But behind this coincidence Sounes reveals is a disturbing common narrative that explains how these artists met their fate, and casts new light on Amy's death in particular.
Amy, 27
by Howard SounesThe death of Amy Winehouse at the age of 27 was a tragedy.She was one of the brightest music stars in years -a brilliant, original song writer with a mighty voice and great personal charm. Amy was loveable, but troubled. She was as notorious for her messy personal life, drug addiction and alcoholism, as she was celebrated for her songs, and her death in 2011, while shocking, was not unexpected.Amy was also the latest in a series of iconic music stars who died at the same young age; starting with Brian Jones of the Rolling Stones whose death in 1969 was followed by Jimi Hendrix and Janis Joplin in 1970, Jim Morrison in 1971, and Kurt Cobain in 1994. All were gifted. All were dissipated. All were 27.The 27 Club was first used as a collective term for these lost souls after a comment by Kurt Cobain's mother. 'He's gone and joined that stupid club,' she said after Kurt shot himself. 'I told him not to ...'In this ground-breaking book, Howard Sounes delivers a detailed and insightful study of Amy Winehouse's life, and sets that life in the context of the 27 Club. That six big music stars died at 27 -- along with 44 less well-known names -- is on one level a coincidence. But behind this coincidence Sounes reveals is a disturbing common narrative that explains how these artists met their fate, and casts new light on Amy's death in particular.(P)2013 Hodder & Stoughton
Amy, My Daughter
by Mitch WinehouseThe intimate, inside story of the ultimately tragic life of multiple Grammy Award-winning singer and songwriter Amy Winehouse (“Rehab,” “Back to Black”) is told by the one person most able to tell it—Amy’s closest advisor, her inspiration, and best friend: her father, Mitch. Amy, My Daughter includes exclusive, never-before-seen photos and paints an open and honest portrait of one of the greatest musical talents of our time.
Amy Winehouse (Lives of the Musicians)
by Kate SolomonIn her intense, brief life, Amy Winehouse's music spoke directly to millions. And since her death, her fans have only increased.Amy Winehouse is one of those pop stars that comes along so rarely we're not sure we knew what we had when we had her. Her story speaks to us not because the relentless tabloid coverage of her darker days unfolded in real time, but because she tapped into deeply personal yet universal feelings and displayed them to us in all their painful, raw glory. She turned our demons into something we could dance and sing to, and she skewered those who wronged her in ways we could only dream of.
Amy Winehouse (Lives of the Musicians)
by Kate SolomonIn her intense, brief life, Amy Winehouse's music spoke directly to millions. And since her death, her fans have only increased.Amy Winehouse is one of those pop stars that comes along so rarely we're not sure we knew what we had when we had her. Her story speaks to us not because the relentless tabloid coverage of her darker days unfolded in real time, but because she tapped into deeply personal yet universal feelings and displayed them to us in all their painful, raw glory. She turned our demons into something we could dance and sing to, and she skewered those who wronged her in ways we could only dream of.
Amy Winehouse: In Her Words
by Amy WinehouseThe Estate of Amy Winehouse will donate 100% of the advance and royalties it receives from the production and sale of this book to The Amy Winehouse Foundation. These funds will help assist the charity in continuing their vital work helping thousands of young people to feel supported in managing their emotional wellbeing and making informed life choices.*Global iconSix-time Grammy winnerHeadline-makerThe most talented recording artist of her generationMuch has been said about Amy Winehouse since her tragic death aged at age 27. But who was the real Amy?Amy Winehouse: In Her Words shines a spotlight on her incredible writing talent, her wit, her charm and lust for life. Bringing together Amy’s own never-before-seen journals, handwritten lyrics and family photographs together for the first time, this intimate tribute traces her creative evolution from growing up in North London to global superstardom, and provides a rare insight into the girl who became a legend.* The Estate of Amy Winehouse will donate 100% of the advance and royalties it receives (net of agency fees charged) from the production and sale of this book to The Amy Winehouse Foundation (registered charity number1143740). The minimum donation will be £70,000. Initiatives include Amy’s Place, which provides addiction recovery housing for young women; resilience-building programs in schools and music therapy programs supporting children with special educational needs and life-limiting conditions. More information can be found at https://amywinehousefoundation.org.
Ana Maria Reyes Does Not Live in a Castle
by Hilda BurgosNotable Children's Book, Association for Library Service to Children (ALSC) Choices, Cooperative Children's Book Center (CCBC)The Penderwicks meets In the Heights in this sparkling middle-grade debut about a young Dominican American girl in New York City.Her last name may mean "kings," but Ana María Reyes REALLY does not live in a castle. Rather, she's stuck in a tiny apartment with two parents (way too lovey-dovey), three sisters (way too dramatic), everyone's friends (way too often), and a piano (which she never gets to practice). And when her parents announce a new baby is coming, that means they'll have even less time for Ana María. <p><p> Then she hears about the Eleanor School, New York City's best private academy. If Ana María can win a scholarship, she'll be able to get out of her Washington Heights neighborhood school and achieve the education she's longed for. To stand out, she'll need to nail her piano piece at the upcoming city showcase, which means she has to practice through her sisters' hijinks, the neighbors' visits, a family trip to the Dominican Republic... right up until the baby's birth! But some new friends and honest conversations help her figure out what truly matters, and know that she can succeed no matter what. Ana María Reyes may not be royal, but she's certain to come out on top.
Analog Audio Amplifier Design
by John C.M. LamAnalog Audio Amplifier Design introduces all the fundamental principles of analog audio amplifiers, alongside practical circuit design techniques and advanced topics. Covering all the basics of amplifier operation and configuration, as well as high-end audio amplifiers, this is a comprehensive guide with design examples and exercises throughout. With chapters on single-device, operational, multi-stage, voltage buffer, power, line-stage and phono-stage amplifiers, Analog Audio Amplifier Design is a comprehensive and practical introduction that empowers readers to master a range of design techniques. This book also provides a variety of graphs and tables of key amplifying devices and properties of amplifier configurations for easy reference. This is an essential resource for audio professionals and hobbyists interested in audio electronics and audio engineering, as well as students on electrical and audio engineering courses.
Analog Days: The Invention and Impact of the Moog Synthesizer
by Trevor Pinch Frank TroccoThough ubiquitous today, available as a single microchip and found in any electronic device requiring sound, the synthesizer when it first appeared was truly revolutionary. Something radically new--an extraordinary rarity in musical culture--it was an instrument that used a genuinely new source of sound: electronics. How this came to be--how an engineering student at Cornell and an avant-garde musician working out of a storefront in California set this revolution in motion--is the story told for the first time in Analog Days, a book that explores the invention of the synthesizer and its impact on popular culture. The authors take us back to the heady days of the 1960s and early 1970s, when the technology was analog, the synthesizer was an experimental instrument, and synthesizer concerts could and did turn into happenings. Interviews with the pioneers who determined what the synthesizer would be and how it would be used--from inventors Robert Moog and Don Buchla to musicians like Brian Eno, Pete Townshend, and Keith Emerson--recapture their visions of the future of electronic music and a new world of sound. Tracing the development of the Moog synthesizer from its initial conception to its ascension to stardom in Switched-On Bach, from its contribution to the San Francisco psychedelic sound, to its wholesale adoption by the worlds of film and advertising, Analog Days conveys the excitement, uncertainties, and unexpected consequences of a new technology that would provide the soundtrack for a critical chapter of our cultural history.
Analysis of 18th- and 19th-Century Musical Works in the Classical Tradition
by David Beach Ryan McClellandAnalysis of 18th- and 19th-Century Musical Works in the Classical Tradition is a textbook for upper-level undergraduate and graduate courses in music analysis. It outlines a process of analyzing works in the Classical tradition by uncovering the construction of a piece of music—the formal, harmonic, rhythmic, and voice-leading organizations—as well as its unique features. It develops an in-depth approach that is applied to works by composers including Haydn, Mozart, Beethoven, Schubert, Schumann, and Brahms. The book begins with foundational chapters in music theory, starting with basic diatonic harmony and progressing rapidly to more advanced topics, such as phrase design, phrase expansion, and chromatic harmony. The second part contains analyses of complete musical works and movements. The text features over 150 musical examples, including numerous complete annotated scores. Suggested assignments at the end of each chapter guide students in their own musical analysis.
Analysis of Jazz: A Comprehensive Approach (American Made Music Series)
by Laurent CugnyAnalysis of Jazz: A Comprehensive Approach, originally published in French as Analyser le jazz, is available here in English for the first time. In this groundbreaking volume, Laurent Cugny examines and connects the theoretical and methodological processes that underlie all of jazz. Jazz in all its forms has been researched and analyzed by performers, scholars, and critics, and Analysis of Jazz is required reading for any serious study of jazz; but not just musicians and musicologists analyze jazz. All listeners are analysts to some extent. Listening is an active process; it may not involve questioning but it always involves remembering, comparing, and listening again. This book is for anyone who attentively listens to and wants to understand jazz. Divided into three parts, the book focuses on the work of jazz, analytical parameters, and analysis. In part one, Cugny aims at defining what a jazz work is precisely, offering suggestions based on the main features of definition and structure. Part two he dedicates to the analytical parameters of jazz in which a work is performed: harmony, rhythm, form, sound, and melody. Part three takes up the analysis of jazz itself, its history, issues of transcription, and the nature of improvised solos. In conclusion, Cugny addresses the issues of interpretation to reflect on the goals of analysis with regard to understanding the history of jazz and the different cultural backgrounds in which it takes place. Analysis of Jazz presents a detailed inventory of theoretical tools and issues necessary for understanding jazz.
Analytical Methods of Electroacoustic Music
by Mary SimoniContaining extensive artwork serving as demonstration, as well as a DVD with sound and video clips, this collection of essays on electroacoustic music explores the creative possibilities to be found in various forms of musical analysis. Taking pitch, duration, intensity, and timbre as the four basic elements of music, the authors discuss electroacoustic works and examine: * the applications of neumes* contemporary staff notation* sound orchestra and score files* time-domain representations* spectrograms. Taking into consideration both the positive aspects (preservation of the abstract) and negative aspects (creative limitation) of these analytical methods, the authors have created a useful resource for students of electroacoustic music.
Analyzing Recorded Music: Collected Perspectives on Popular Music Tracks
by William Moylan Lori Burns Mike AlleyneAnalyzing Recorded Music: Collected Perspectives on Popular Music Tracks is a collection of essays dedicated to the study of recorded popular music, with the aim of exploring "how the record shapes the song" (Moylan, Recording Analysis, 2020) from a variety of perspectives. Introduced with a Foreword by Paul Théberge, the distinguished editorial team has brought together a group of reputable international contributors to write about a rich collection of recordings. Examining a diverse set of songs from a range of genres and points in history (spanning the years 1936–2020), the authors herein illuminate unique attributes of the selected tracks and reveal how the recording develops the expressive content of song performance. Analyzing Recorded Music will interest all those who study popular music, cultural studies, and the musicology of record production, as well as to popular music listeners.