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La mémé et la mouche

by Alan Mills PisHier

Un classique du rÉpertoire enfantin en AmÉrique-du-Nord, l'histoire rigolote d'une vieille dame qui a les yeux plus gros que la panse !

La Mer: And Other Works for Piano Four Hands

by Claude Debussy

Like his predecessor Chopin, Debussy discovered new possibilities and refinements in the art of playing and composing for the piano. His compositions and transcriptions for piano four hands are among his most inventive and interesting works. This volume contains Marche Ecossaise, written specifically for piano four hands, and the composer's transcription for four hands of La Mer. These works display both the brilliant pianism at the heart of Debussy's musical imagery and the composer's affinity for the unexpected -- a quality that allowed many of his compositions to unfold like highly sophisticated improvisations. Reprinted here from authoritative French editions, they will challenge and delight pianists with their unique qualities.

La música d'abans-d'ahir: Antologia d'articles de la Revista Musical Catalana. 1904-1936

by Mercedes Conde

El present llibre és una selecció d’articles publicats a la Revista Musical Catalana, butlletí oficial de l’Orfeó Català, entre els anys 1904 i 1936. Testimoni directe d’una època daurada de la cultura catalana, la Revista Musical Catalana és el mirall de l’activitat musical que es desenvolupa als països catalans, però també de l’activitat internacional dels seus músics i compositors, així com de la realitat musical internacional. Amb un clar interès per l’activitat coral, retrata les estrenes musicals més importants en l’època, la construcció del Palau de la Música Catalana, l’inici de la recuperació de la música antiga i de la interpretació amb criteris històrics, els concerts més representatius del moment i l’activitat dels instrumentistes catalans arreu del món.

La musica di Vyacheslav Ovchinnikov

by Elena Chernikova

Saggio sul grande compositore Russo del XX secolo Il saggio narra del compositore che scrisse la musica per i film di Tarkovskij,Bondarchuk, Konchalovkij,- "Andrej Rublev", "Guerra e Pace" (premio Oscar ),"Un nido di nobili " e molti altri.

La Pratica della Pratica

by Jonathan Harnum Stefania Cipro

La Pratica della Pratica di Jonathan Harnum I segreti di una pratica musicale efficace svelati da musicisti di fama mondiale. Quando si tratta di migliorare, il talento non significa niente. La pratica è tutto. Ma esattamente, cos’è la buona pratica? E come crea il talento? Cosa cavolo c’entra una girandola con la pratica? Questo libro si concentra sulla pratica musicale, ma le tecniche e le idee menzionate possono essere applicate a qualsiasi abilità vogliate migliorare. In questo libro troverete strategie e prospettive che non troverete da nessun’altra parte. Imparerete il Cosa, il Perché, il Quando, il Dove e il Chi e specialmente il Come della buona pratica musicale. Apprenderete ciò che le ricerche dicono in proposito, ma soprattutto cosa pensano a riguardo professionisti di molti generi musicali e quali sono le loro strategie e tecniche preferite. Questo testo vi aiuterà a migliorare più velocemente, che suoniate musica rock, Bach o qualsiasi altra cosa. Qualsiasi sia il vostro strumento, La Pratica in Pratica vi aiuterà a trarre il massimo dall’esercizio e a diventare dei veri esperti del progresso musicale. Vi aiuterà anche a essere degli insegnanti più aggiornati e dei genitori più attenti alle necessità dei vostri figli musicisti. Non serve esercitarsi a lungo, ma in maniera più intelligente. Il libro ha 6 sezioni, ognuna delle quali si occupa di un aspetto della buona pratica: Cosa: definizioni ed effetti della pratica sul cervello. Perché: la motivazione è fondamentale. In questa sezione imparerete a tenere la fiamma accesa. Chi: molte persone, inclusi voi stessi, hanno un impatto sulla vostra pratica. Imparate a trarne vantaggio. Quando: in questa sezione scoprirete per quanto tempo e in che momento della giornata sarebbe meglio esercitarsi. Parlerò anche dello sviluppo della pratica nel tempo. Dove: il luogo in cui ci si esercita ha degli ef

La théorie de la musique antique et médiévale

by Michel Huglo

This is the final volume in the set of four collections of Michel Huglo's articles to be published in the Variorum series, and focuses on medieval music theory. The point of departure for Huglo's research was his doctoral dissertation on tonaries, published in 1971: as a consequence, he studied the manuscripts of music theory concerning plainchant, and, later, those with writings on music by authors of Late Antiquity as well as the Liber glossarum, with its many definitions of musical terms. In this volume, certain articles consider the interpretation or dissemination of texts, instruction in the art of plainchant, and musical instruction at the university. Others concern the manuscripts of St Augustine's De musica and of the writings of Calcidius, Macrobius, Helisachar, Hucbald, Gerbert of Aurillac, Abbo of Fleury, John of Afflighem, and Hieronymus de Moravia, amongst others. The volume closes with a bibliography of Michel Huglo complementing that published in 1993 and a summary list of his reviews of books on music and liturgy. Ce volume des articles de Michel Huglo termine la série de quatre dans la collection Variorum. Il est centré sur la théorie musicale médiévale. Le point de départ des recherches de Michel Huglo sur la théorie musicale du Moyen Âge est formé par sa thèse sur les tonaires, éditée en 1971: en consequence il etudia les manuscrits de theorie musicale concernant le plain-chant et, plus tard, les auteurs de l'Antiquité tardive et le Liber glossarum qui contient des définitions de nombreux termes musicaux. Dans ce volume, certains articles traitent de l'interprétation ou de la dissémination des textes, des instructions sur l'art du chant, et sur l'enseignement de la musique à l'Université. Ils concernent les manuscrits du De musica d'Augustin, de Calcidius, Macrobe, Helisachar, Hucbald, Gerbert d'Aurillac, Abbon de Fleury, Jean d'Afflighem, Hieronymus de Moravia, et d'autres auteurs. Le volume se termine par une bibliographie de Michel Huglo complétant celle publiée en 1993 et ​​une liste sommaire de ses recensions d'ouvrages sur la musique et la liturgie.

La Traviata: In Full Score

by Giuseppe Verdi

One of Verdi's most popular opera, La Traviata is based on La Dame aux Camélias ("Camille"), the novel and play by Alexandre Dumas, fils that enthralled Parisian audiences of the 1850s with a stirring portrayal of a beautiful courtesan redeemed by love. With his librettist, Francesco Maria Piave, Verdi transformed the Dumas story of a passionate, ultimately poignant love affair within the intoxicating demimonde of Paris in the mid-1800s to an exciting, deeply moving musical drama.La Traviata fortunately survived its dismal first production in Venice in 1853 to become a worldwide favorite, treasured by musical artists and audiences alike for the lyric beauty of its arias and ensembles, and for the dramatic force and finesse of its orchestral scoring. This full-score edition, designed to provide a lifetime of study and enjoyment, is reproduced from the authoritative edition prepared for G. Ricordi of Milan. It will afford opera lovers a rare opportunity to study intimately Verdi's genius for operatic composition in the early years of its greatest flowering.

The "La Traviata" Affair: Opera in the Age of Apartheid (Music of the African Diaspora #20)

by Dr Hilde Roos

Race, politics, and opera production during apartheid South Africa intersect in this historiographic work on the Eoan Group, a “coloured” cultural organization that performed opera in the Cape. The La Traviata Affair charts Eoan’s opera activities from the group’s inception in 1933 until the cessation of their productions by 1980. It explores larger questions of complicity, compromise, and compliance; of assimilation, appropriation, and race; and of “European art music” in situations of “non-European” dispossession and disenfranchisement. Performing under the auspices of apartheid, the group’s unquestioned acceptance of and commitment to the art of opera could not redeem it from the entanglements that came with the political compromises it made. Uncovering a rich trove of primary source materials, Hilde Roos presents here for the first time the story of one of the premier cultural agencies of apartheid South Africa.

Labelled with Love: A History of the World in Your Record Collection

by Andy Bollen

‘… an instant classic and a required part of the library of anyone fascinated with the record business.’ – Danny Goldberg, bestselling author of Serving the Servant: Remembering Kurt CobainChess Records tested their acquisitions out on people waiting at a nearby bus stop: if the crowd were bopping, they had a hit.Sub Pop rejection letters start with the harsh, yet funny, ‘Dear Loser’.Atlantic Records signed Led Zeppelin on Dusty Springfield’s recommendation.Labelled with Love is an odyssey through your record collection and the world beyond it, from the Jazz Age to punk, the civil rights movement to Thatcherism, the Beatles to Britpop, and Ella Fitzgerald to The Ramones. Long-time music obsessive Andy Bollen tracks popular music through the influential labels that have shaped the last eighty years, chronicling each company with the passion of a fan but the eye of a satirist. This is an informative and revealing look at the leading labels, bands and music that rocked our worlds and shaped our lives.

Labels: Making Independent Music (Criminal Practice Ser.)

by Ian Woodward Dominik Bartmanski

The music industry is dominated today by three companies. Outside of it, thousands of small independent record labels have developed despite the fact that digitalization made record sales barely profitable. How can those outsiders not only survive, but thrive within mass music markets? What makes them meaningful, and to whom? Dominik Bartmanski and Ian Woodward show how labels act as taste-makers and scene-markers that not only curate music, but project cultural values which challenge the mainstream capitalist music industry. Focusing mostly on labels that entered independent electronic music after 2000, the authors reconstruct their aesthetics and ethics. The book draws on multiple interviews with labels such as Ostgut Ton in Berlin, Argot in Chicago, 100% Silk in Los Angeles, Ninja Tune in London, and Goma Gringa in Sao Paulo. Written by the authors of Vinyl, this book is essential reading for anyone with an interest in the contemporary recording industry, independent music, material culture, anthropology, sociology, and cultural studies.

Ladies of Soul

by David Freeland

American soul music of the 1960s is one of the most creative and influential musical forms of the twentieth century. With its merging of gospel, R&B, country, and blues, soul music succeeded in crossing over from African American culture into the general pop culture. Soul became the byword for the styles, attitudes, and dreams of an entire era. Female performers were responsible for some of the most enduring and powerful contributions to the genre. All too frequently overlooked by the star-making critics, seven of these women are profiled in this book -Maxine Brown, Ruby Johnson, Denise LaSalle, Bettye LaVette, Barbara Mason, Carla Thomas, and Timi Yuro. Getting started during the heyday of soul, each of these talented women had recording contracts and gave live performances to appreciative audiences. Their careers can be tracked through the popularity of soul during the 1960s and its decline in the 1970s. With humor, candor, pride, and honest recognition that their careers did not surge into the mainstream and gain superstardom, they recount individual stories of how they struggled for success. Their oral histories as told to David Freeland address compelling issues, including racism and sexism within the music industry. They discuss their grueling hardships on the road, their conflicts with male managers, and the cutthroat competition in the recording business. As each singer examines her career with the author, she reveals the dreams, hopes, and desires on which she has built her professional life. All seven face up to the career swings, from the highs of releasing the first hit to the frustrating lows when the momentum stops. Although the obstacles to stardom are heartbreaking, these singers are committed to their art. With determination and style these seven have pressed onward with club appearances and recordings. They survive through their savvy mix of talent, hubris, and honesty about their lives and their music.

Lady Gaga: Behind the Fame

by Emily Herbert

Queen of Pop, superstar, maverick and fashionista; Lady Gaga is one of the most recognizable and sensational pop stars for a generation. A true original, Gaga found fame the hard way, playing the grimy bars and burlesque shows of New York City, before finally relocating to Los Angeles to begin work on what would become her debut album The Fame. Constantly en vogue and always in the public eye, this is the biography of the rise of Gaga, from her early life as a teenage protégé, to her life as one of the most respected musicians and most recognized entertainers on the planet. This book lifts the lid on Lady Gaga. Find out all you ever wanted to know about the eccentric star.

Lady Gaga: The Biography

by Helia Phoenix

We're all going gaga for Gaga. The first biography of the international superstar, style icon and pop princess...Pop princess. Fashionista. Icon. Rebel. Eccentric. Superstar.She's known all over the world for her catchy music, outlandish style and often controversial opinions. A paparazzi favourite, she manages to grab headlines whilst remaining enigmatic. Whether she's carrying a purple teacup, fuelling the fire about her gender or stealing the limelight with her creative performances, no one can deny this twenty-first-century sensation is turning heads wherever she goes. She is Lady Gaga.But Stefani Joanne Angelina Germanotta was always destined to be a star. Just Dance is the first unauthorised biography to reveal how she achieved popworld domination to become one of the globe's most exciting new entertainers - an artist who constantly pushes the boundaries of music, fashion and culture. Find out why we're all going gaga for Gaga...

Lady Gaga: Just Dance: The Biography

by Helia Phoenix

We're all going gaga for Gaga. The first biography of the international superstar, style icon and pop princess...Pop princess. Fashionista. Icon. Rebel. Eccentric. Superstar.She's known all over the world for her catchy music, outlandish style and often controversial opinions. A paparazzi favourite, she manages to grab headlines whilst remaining enigmatic. Whether she's carrying a purple teacup, fuelling the fire about her gender or stealing the limelight with her creative performances, no one can deny this twenty-first-century sensation is turning heads wherever she goes. She is Lady Gaga.But Stefani Joanne Angelina Germanotta was always destined to be a star. Just Dance is the first unauthorised biography to reveal how she achieved popworld domination to become one of the globe's most exciting new entertainers - an artist who constantly pushes the boundaries of music, fashion and culture. Find out why we're all going gaga for Gaga...

Lady Gaga and Popular Music: Performing Gender, Fashion, and Culture (Routledge Studies in Popular Music)

by Martin Iddon Melanie L. Marshall

This book is a multi-faceted, interdisciplinary examination of the music and figure of Lady Gaga, combining approaches from scholars in cultural studies, art, fashion, and music. It represents one of the first scholarly volumes devoted to Lady Gaga, who has become, over a few short years, central to both popular (and, indeed, populist) as well as more scholarly thought in these areas and who, the contributors argue, is helping to shape—directly and indirectly—thought and culture both in the fields of the "scholarly" and the "everyday." <P><P> Lady Gaga's output is firmly embedded in a self-consciously intellectual pop culture tradition, and her music videos are intertextually linked to icons of pop culture intelligentsia like Alfred Hitchcock and open to multiple interpretations. In examining her music and figure, this volume contributes both to debates on the status of intertextuality, held in tension with originality, and to debates on the figuring of the sexualized female body, and representations of disability. There is interest in these issues from a wide range of disciplines: popular musicology, film studies, queer studies, women’s studies, gender studies, disability studies, popular culture studies, and the burgeoning sub-discipline of aesthetics and philosophy of fashion.

Lady Gaga: A Little Golden Book Biography (Little Golden Book)

by Michael Joosten

Help your little one dream big with a Little Golden Book biography about pop music icon, actress, and philanthropist Lady Gaga. Little Golden Book biographies are the perfect introduction to nonfiction for young readers—as well as fans of all ages!This Little Golden Book about Lady Gaga--the genre-straddling singer of hits including "Born This Way" and "Shallow" and star of House of Gucci and A Star is Born--is an inspiring read-aloud for young children and their parents who are fans. Look for more Little Golden Book biographies: • Willie Nelson • Beyoncé • Dolly Parton • Taylor Swift • Tony Bennett

Lady Sings the Blues: The 50th-Anniversay Edition with a Revised Discography (Harlem Moon Classics)

by David Ritz Billie Holiday William Dufty

With photosOriginally released by Doubleday in 1956, Harlem Moon Classics celebrates the publication with the fiftieth-anniversary edition of Billie Holiday's unforgettable and timeless memoir. Updated with an insightful introduction and a revised discography, both written by celebrated music writer David Ritz.Lady Sings the Blues is the fiercely honest, no-holds-barred autobiography of Billie Holiday, the legendary jazz, swing, and standards singing sensation. Taking the reader on a fast-moving journey from Holiday's rough-and-tumble Baltimore childhood (where she ran errands at a whorehouse in exchange for the chance to listen to Louis Armstrong and Bessie Smith albums), to her emergence on Harlem's club scene, to sold-out performances with the Count Basie Orchestra and with Artie Shaw and his band, this revelatory memoir is notable for its trenchant observations on the racism that darkened Billie's life and the heroin addiction that ended it too soon. We are with her during the mesmerizing debut of "Strange Fruit"; with her as she rubs shoulders with the biggest movie stars and musicians of the day (Bob Hope, Lana Turner, Clark Gable, Benny Goodman, Lester Young, Coleman Hawkins, and more); and with her through the scrapes with Jim Crow, spats with Sarah Vaughan, ignominious jailings, and tragic decline. All of this is told in Holiday's tart, streetwise style and hip patois that makes it read as if it were written yesterday.

The Lady Swings: Memoirs of a Jazz Drummer (Music in American Life #543)

by Dottie Dodgion Wayne Enstice

Dottie Dodgion is a jazz drummer who played with the best. A survivor, she lived an entire lifetime before she was seventeen. Undeterred by hardships she defied the odds and earned a seat as a woman in the exclusive men’s club of jazz. Her dues-paying path as a musician took her from early work with Charles Mingus to being hired by Benny Goodman at Basin Street East on her first day in New York. From there she broke new ground as a woman who played a “man’s instrument” in first-string, all-male New York City jazz bands. Her inspiring memoir talks frankly about her music and the challenges she faced, and shines a light into the jazz world of the 1960s and 1970s. Vivid and always entertaining, The Lady Swings tells Dottie Dodgion's story with the same verve and straight-ahead honesty that powered her playing.

Lamb at the Altar: The Story of a Dance

by Deborah Hay

"The intention of my work is to dislodge assumptions about the fixity of the three-dimensional body."--Deborah HayHer movements are uncharacteristic, her words subversive, her dances unlike anything done before--and this is the story of how it all works. A founding member of the famed Judson Dance Theater and a past performer in the Merce Cunningham Dance Company, Deborah Hay is well known for choreographing works using large groups of trained and untrained dancers whose surprising combinations test the limits of the art. Lamb at the Altar is Hay's account of a four-month seminar on movement and performance held in Austin, Texas, in 1991. There, forty-four trained and untrained dancers became the human laboratory for Hay's creation of the dance Lamb, lamb, lamb . . . , a work that she later distilled into an evening-length solo piece, Lamb at the Altar. In her book, in part a reflection on her life as a dancer and choreographer, Hay tells how this dance came to be. She includes a movement libretto (a prose dance score) and numerous photographs by Phyllis Liedeker documenting the dance's four-month emergence.In an original style that has marked her teaching and writing, Hay describes her thoughts as the dance progresses, commenting on the process and on the work itself, and ultimately creating a remarkable document on the movements--precise and mysterious, mental and physical--that go into the making of a dance. Having replaced traditional movement technique with a form she calls a performance meditation practice, Hay describes how dance is enlivened, as is each living moment, by the perception of dying and then involves a freeing of this perception from emotional, psychological, clinical, and cultural attitudes into movement. Lamb at the Altar tells the story of this process as specifically practiced in the creation of a single piece.

Lament: The Faerie Queen’s Deception (Books of Faerie #1)

by Maggie Stiefvater

A dark faerie fantasy that features authentic Celtic faerie lore, "Lament" follows 16-year-old Dierdre Monaghan, who discovers that she is a cloverhand -- one who can see faeries. Dierdre soon finds herself trapped in the middle of a centuries-old faerie war.

Lament from Epirus: An Odyssey Into Europe's Oldest Surviving Folk Music

by Christopher C. King

In the tradition of Patrick Leigh Fermor and Geoff Dyer, a Grammy-winning producer discovers a powerful and ancient folk music tradition. In a gramophone shop in Istanbul, renowned record collector Christopher C. King uncovered some of the strangest—and most hypnotic—sounds he had ever heard. The 78s were immensely moving, seeming to tap into a primal well of emotion inaccessible through contemporary music. The songs, King learned, were from Epirus, an area straddling southern Albania and northwestern Greece and boasting a folk tradition extending back to the pre-Homeric era. To hear this music is to hear the past. Lament from Epirus is an unforgettable journey into a musical obsession, which traces a unique genre back to the roots of song itself. As King hunts for two long-lost virtuosos—one of whom may have committed a murder—he also tells the story of the Roma people who pioneered Epirotic folk music and their descendants who continue the tradition today. King discovers clues to his most profound questions about the function of music in the history of humanity: What is the relationship between music and language? Why do we organize sound as music? Is music superfluous, a mere form of entertainment, or could it be a tool for survival? King’s journey becomes an investigation into song and dance’s role as a means of spiritual healing—and what that may reveal about music’s evolutionary origins.

The Land Where The Blues Began

by Alan Lomax

A self-described "song-hunter" the folklorist Alan Lomax traveled the Mississippi Delta in the 1930s and 40s armed with primitive recording equipment and a keen love of the Delta's music heritage. Crisscrossing the towns and hamlets where the blues began, Lomax gave voice to such greats as Leadbelly, Fred MacDowell, Muddy Waters, and many others, all of whom made their debut recordings with him.

Landing on the Wrong Note: Jazz, Dissonance, and Critical Practice

by Ajay Heble

An imaginative and passionate synthesis of form and function, Landing on the Wrong NOte goes beyond mainstream jazz criticism, outlining a new poetics of jazz that emerges not from the ivory tower but from the clubs, performances, and lives of today's jazz musicians.

Landmark Hip Hop Hits (Hip-Hop Hitmakers)

by Carol Ellis

Hip-hop music began in the neighborhoods of the Bronx, New York, during the 1970s and grew to become a major cultural influence all over the world. Hip-hop has evolved through both individual innovation and technological breakthroughs. Landmark Hip-Hop Hits traces the development of this musical genre through discussion of its biggest hits and most important stars, from early songs like "Rapper's Delight" and "The Message" to contemporary hits by performers like Jay-Z, Drake, Eminem, Nicki Minaj, and Lil Wayne. The songs discussed in this book had an important part to play in shaping the history of the hip-hop movement over the past five decades.

Landscapes of the Mind: The Music of John McCabe

by George Odam

Liverpool-born composer and pianist, John McCabe, established himself as one of Britain's most recorded contemporary composers as well as a celebrated performer and recording artist. This book covers every aspect of his compositions and will help guide both general and specialist listeners and performers through the so-called landscapes of the mind that his music evokes. The title was suggested by McCabe himself and his composing and performing life took him on journeys all over the world through a variety of landscapes, many of which are to be found in essence in his music. The detailed discography will help readers to find recordings of many of the works described in the series of articles written by a collection of experienced critics, performers, broadcasters and reviewers, and the copious illustrations and full pages of musical score provide a variety of insights into McCabe's life and work.

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Showing 5,626 through 5,650 of 12,156 results