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Learning to Sing: Hearing the Music in Your Life: An Inspirational Memoir
by Clay AikenIn Learning to Sing, Clay Aiken tells the story of how his faith was integral to him learning valuable life lessons during his meteoric rise from life as an aspiring educator in Raleigh, North Carolina to instant stardom on "American Idol. " Clay's advice is 1) Believe in yourself, 2) Believe in God, and 3) Be really stubborn. This personal relationship with God is key to personal success, as Clay has witnessed in real life experiences. When asked to "dirty up" his lyrics to increase sales, he resisted -- and has sold more than 3 million albums. He refuses to make videos placing him in inappropriate situations, and considers his relationship with God the most valuable in his life. Learning to Sing is an account of Clay Aiken's extraordinary faith and will and perseverance, and an inspiring memoir by someone who became -- against all odds -- one of the biggest pop stars of his time.
Led Zeppelin: All the Albums, All the Songs
by Martin PopoffJust in time for their 50th anniversary, Led Zeppelin breaks down one of the world’s most prolific bands—track by track, album by album—in this expanded edition, revised to include rarities, outtakes, and B-sides from their storied catalog?. Formed by the unlikely alliance of two ace London studio musicians and two bar-band bumpkins from the north, Led Zeppelin went on to create the template for the modern marauding rock ’n’ roll band. Though Zeppelin is often described as “heavy,” any true fan will tell you that the band’s catalog is actually a complex amalgam of blues, psychedelia, rock, folk, and country that reflect the specific influences carried by each of Led Zeppelin’s four members. Veteran music journalist Martin Popoff picks apart each of these 81 studio tracks, as well as a slew of non-album tracks in exquisite detail, and, for the first time ever, he analyzes the circumstances that led to their creation, the recording processes, the historical contexts, and more. Celebrate Led Zeppelin's 50th anniversary with this veneration of the band's extensive catalog of rock music.
Led Zeppelin: The Biography
by Bob Spitz&“In this authoritative, unsparing history of the biggest rock group of the 1970s, Spitz delivers inside details and analysis with his well-known gift for storytelling.&” —PEOPLEFrom the author of the iconic, bestselling history of The Beatles, the definitive account of arguable the greatest rock band of all time.Rock star. Whatever that term means to you, chances are it owes a debt to Led Zeppelin. No one before or since has lived the dream quite like Jimmy Page, Robert Plant, John Paul Jones, and John Bonham. In Led Zeppelin, Bob Spitz takes their full measure, separating myth from reality with his trademark connoisseurship and storytelling flair.From the opening notes of their first album, the band announced itself as something different, a collision of grand artistic ambition and brute primal force, of English folk music and African American blues. Spitz&’s account of their artistic journey, amid the fascinating ecosystem of popular music, is irresistible. But the music is only part of the legend: Led Zeppelin is also the story of how the sixties became the seventies, of how innocence became decadence, of how rock took over. Led Zeppelin wasn&’t the first band to let loose on the road, but as with everything else, they took it to an entirely new level. Not all the legends are true, but in Spitz&’s careful accounting, what is true is astonishing and sometimes disturbing.Led Zeppelin gave no quarter, and neither has Bob Spitz. Led Zeppelin is the long-awaited full reckoning the band richly deserves.
Led Zeppelin All the Songs: The Story Behind Every Track (All The Songs Ser.)
by Jean-Michel Guesdon Philippe MargotinTake a deep dive into the innovative recording history of Led Zeppelin, in this newest addition to the fan-favorite All the Songs series.Fifty years after their first practice in a Soho basement, Led Zeppelin continues to fascinate new generations of listeners. While their legendary back-stage debauchery has been written about extensively in other books, All the Songs is all about the music, detailing the studio magic and inspiration that made all nine albums go platinum, including Led Zeppelin IV which was certified x23 platinum and has sold more than 37 million copies worldwide. Studio stories will include their productive time at Headley Grange in Wales, a poorly-heated former poorhouse where they recorded parts of Led Zeppelin III, Led Zeppelin IV, Houses of the Holy and Physical Graffiti. And how the first album was recorded in three weeks but their second took six months, done while the band was on a world tour. They carried the masters of the recording session in a steamer trunk wherever they went. Out of these chaotic sessions came the "Whole Lotta Love," which was finished in New York with Hendrix engineer Eddie Kramer helping create the psychedelic middle part, as well as "The Lemon Song," which was cut live in the studio. Page worked feverishly with Kramer to mix the LP on a primitive 12-channel Altec board in a two-day span. Fans will also learn the genesis of their lyrics, the inspiration for their album covers, the instruments used, and the contributions of engineers such as Andy Johns, who helped create the iconic drum sound on "When the Levee Breaks" by recording Bonham at the bottom of a stairwell.
Led Zeppelin and Philosophy: All Will Be Revealed
by Scott CalefLed Zeppelin has long been one of the legends of rock, massively successful both commercially and critically. While there are many books about the band, this is the first to plumb the philosophical depths of the creators of "Stairway to Heaven".
Led Zeppelin IV (Rock Of Ages Ser.)
by Barney HoskynsLed Zeppelin IV, often called heavy metal's greatest album, kicks off an exciting new series that takes a fresh, in-depth look at some of the greatest works from the most influential artists of the rock era. Fans may know the songs, but wait until they hear the stories behind them!The music contained in Led Zeppelin IV is part of the soundtrack to a generation. Released in 1971, it rocks, stomps, glides, and shimmers as it covers all the bases the band had mastered: heavy blues, barroom rock and roll, mandolin-driven folk, epic Tolkien-infused mysticism, acoustic Americana, and more. Certified gold one week after its release, the album went to #2 on the U.S. charts and #1 in the U.K. It remained on U.S. charts for 259 weeks. There probably isn't an aspiring rock guitarist anywhere who hasn't plucked out the notes and chords to "Stairway to Heaven" or "Black Dog," and yet many music lovers are unaware of the intriguing backstory to this genre-defining work.To this day there is confusion about what is the actual title of the album. And what about those mysterious symbols? Barney Hoskyns pierces those veils and more as he tells the fascinating story of the evocative set that cemented Led Zeppelin's standing as the biggest, baddest, loudest band in the world—and that remains today the apex of their art.
Led Zeppelin on Led Zeppelin: Interviews and Encounters
by Hank BordowitzIn a series of more than 50 interviews that span seven decades, many never before seen in print, this is the story of Led Zeppelin told by the people who knew it best--the members of the band. This book shoots down the folklore and assumptions about Jimmy Page, Robert Plant, John Paul Jones, and John Bonham, and presents the band's full history, from when Jimmy Page was playing skiffle to the day the band was honored by the Kennedy Center for their contribution to American and global culture. Led Zeppelin on Led Zeppelin captures the ideas of all of the band's members at the time they created classics like "Whole Lot of Love," "Stairway to Heaven," and "Kashmir," but also captures the idea of the band itself as it created the music that changed popular culture.
Led Zeppelin's Led Zeppelin IV (33 1/3 #17)
by Erik DavisStripping their famous name off the record was Led Zeppelin’s almost petulant attempt to let their Great Work stand on its own two feet. But the wordless jacket also lent the album charisma. Fans hunted for hidden meanings, or, in failing to find them, sensed a strange reflection of their own mute refusal to communicate with the outside world. This helped to create one of the supreme paradoxes of rock history: an esoteric megahit, a blockbuster arcanum....
Lee Konitz: Conversations on the Improviser's Art (Jazz Perspectives)
by Andy Hamilton Joe Lovano“Meticulously researched, detailed and documented, this long awaited overview justly establishes Konitz as one of the most consistently brilliant, adventurous and original improvisers in the jazz tradition—a genius as rare as Bird himself.” —John Zorn “Hamilton’s work may well mark the inception of a format new to writing on Western music, one which avoids both the self-aggrandizing of autobiography and the stylized subjectification of biography.” —The Wire “An extraordinary approach to a biography, with the man himself speaking for extended sessions. The main vibration I felt from Lee’s words was total honesty, almost to a fault. Konitz shows himself to be an acute observer of the scene, full of wisdom and deep musical insights, relevant to any historical period regardless of style. The asides by noted musicians are beautifully woven throughout the pages. I couldn’t put the book down—it is the definition of a living history.” —David Liebman The preeminent altoist associated with the “cool” school of jazz, Lee Konitz was one of the few saxophonists of his generation to forge a unique sound independent of the influence of Charlie Parker. In the late 1940s, Konitz began his career with the Claude Thornhill band, during which time he came into contact with Miles Davis, with whom he would later work on the legendary Birth of the Cool sessions. Konitz is perhaps best known through his association with Lennie Tristano, under whose influence much of his sound evolved, and for his work with Stan Kenton and Warne Marsh. His recordings have ranged from cool bop to experimental improvisation and have appeared on such labels as Prestige, Atlantic, Verve, and Polydor. Crafted out of numerous interviews between the author and his subject, the book offers a unique look at the story of Lee Konitz’s life and music, detailing Konitz’s own insights into his musical education and his experiences with such figures as Miles Davis, Stan Kenton, Warne Marsh, Lennie Tristano, Charles Mingus, Bud Powell, and Bill Evans. Andy Hamilton is a jazz pianist and contributor to major jazz and contemporary music magazines. He teaches philosophy, and the history and aesthetics of jazz, at Durham University in the United Kingdom. He is also the author of the book Aesthetics and Music (Continuum 2007). Joe Lovano is a Grammy Award–winning tenor saxophonist. His most recent album is Streams of Expression.
Leeds's Military Legacy (Military Legacy)
by Paul ChrystalLeedss Military Legacy is the first fully illustrated book to give a comprehensive description of the military history of Leeds from Roman, Anglo-Saxon and Norman times to the present as home to various garrisons and military museums, not least the renowned Leeds Armouries Museum. Along the way it describes Royalist Leeds and the Civil War, the formation of various regiments in the city between the seventeenth and twenty-first centuries, the impact of two World Wars and how the city rose to the challenges of recruitment, defense and industrial war effort. The battle honors of each of the Leeds regiments are detailed as are the VCs. The book also covers the work of the Leeds military hospitals, the Barnbow Munitions disaster, RAF Yeadon (LeedsBradford Airport), the blitz of 1941, 609 Squadron, Yeadon Lancaster factory, Leeds as a garrison city and current military research in Leeds.
Left of the Dial: Conversations with Punk Icons
by David EnsmingerFeaturing interviews with leading figures of the punk underground, including Ian MacKaye, from Minor Threat and Fugazi; Jello Biafra, from Dead Kennedys; and Dave Dictor, from MDC, this book probes the legacy of punk's sometimes fuzzy political ideology, its homegrown traditions, and its rupturing of social norms. Passionate, far-reaching, and fresh, these conversations illuminate punk's oral history with candor and humor by focusing on the history of ideologies and values as understood by performers, instead of as represented by discographies or gig memories. The book also features rare photographs shot during the heyday of punk and hardcore, and a massive punk flyer collection that celebrates a visual history of the bands represented.
Left Right Emma! (I See I Learn #9)
by Stuart J. MurphyAfter learning the concept of left and right, Emma leads the class marching band on Grandparents Day.
Legacies of Ewan MacColl: The Last Interview (Ashgate Popular and Folk Music Series)
by Giovanni VaccaEwan MacColl is widely recognized as a key figure in the English folk revival, who tried to convey traditional music to a mass audience. Dominant in the movement during the 1950s and much of the 1960s, his position has come under attack in more recent years from some scholars. While it would be arrogant to claim to 'set the record straight', this book will contribute significantly to the debate surrounding MacColl's importance. MacColl gave two extended interviews with co-editor Giovanni Vacca in 1987 and 1988, not long before his death, and these provide the impetus for a re-examination of his methods, his politics and his aesthetic aims. The book also provides critical overviews of MacColl's activities in the revival and of his practices, particularly as writer and singer. The time is ripe for such a contribution, following Peter Cox's study of the Radio Ballads, and in the context of biographies by Joan Littlewood and Frankie Armstrong. The contributions locate MacColl in his own historical context, attempting to understand some of the characteristic techniques through which he was able to write and sing such extraordinary songs, which capture so well for others the detail and flavour of their lives. Great emphasis is placed on the importance of seeing MacColl as not only a British, but a European folk activist, through discussion of his hitherto barely known work in Italy, enabling a re-contextualization of his work within a broader European context. The interviews themselves are fluent and fascinating narrations in which MacColl discusses his life, music, and experiences in the theatre and in the folk music revival as well as with a series of issues concerning folk music, politics, history, language, art and other theoretical issues, offering a complete description of all the repertories of the British Isles. Peggy Seeger contributes a Foreword to the collection.
Legacies of Power in American Music: Essays in Honor of Michael J. Budds (CMS Monographs and Sourcebooks in American Music)
by Judith A. MabaryThis volume honors and extends the contributions of educator and scholar Dr. Michael J. Budds to the field of musicology, particularly the study of American music. As the longtime editor of two book series for the College Music Society, Budds nurtured a wide range of scholarship in American music and had a lasting impact on the field. This book brings together scholars who worked with Budds as a colleague, editor, or mentor to carry on his legacy of passionate engagement with America’s rich and varied musical heritage. Ranging through jazz, gospel, Americana, and film music to American classical, and addressing music’s social contexts and analytical structure, the research gathered here attests to the diversity of the mosaic that is American music and the numerous scholarly approaches that have been taken to the subject.
Legacy of a Musical City
by Max GrafThe story of Vienna, the musical center of the world. Max Graf, the Nestor of Austrian music critics, relates in a fascinating manner his own recollections of life with Bruckner, Brahms, Strauss, and other immortals in the music world. The author has enjoyed the intimate friendships over the course of fifty years. He gives a delightful as well as a highly educational story of the development of Austrian music. From the table of contents: Studying with Anton Bruckner; Hours with Hugo Wolf; Recollections of Gustav Mahler; Memories of Johann Strauss; Talks with Johannes Brahms; Richard Strauss; Arnold Schoenberg; The Fight Pony Ballets; Music in Churches; The Dead City; Vienna of Tomorrow.
The Legacy of Chopin
by Jan HolcmanJan Holcman's Legacy of Chopin brings together Chopin's views on music, including pianism, composition, teaching, music criticism, and more. With extensive references and footnotes from the author, readers can gain unparalleled knowledge into the famous composer's theories, practices, and philosophies.
The Legacy of Chopin
by Jan HolcmanA fascinating survey of Chopin&’s views on music, from composition theory to his philosophy of teaching, including explanatory notes from the author. The Legacy of Chopin is a comprehensive study of the great composer&’s views on music—including pianism, composition, pedagogy, music criticism, and more. Drawing on extensive research from a wide range of sources, Jan Holcman provides essential historical and musicological context for Chopin&’s references and concepts, making his more esoteric ideas accessible to the general reader. An author and musicologist, Holcman shares his deep knowledge of Chopin&’s life and oeuvre in this enlightening exploration of his theories, practices, and philosophies.
Legacy of Chopin
by Jan HolcmanChopin's views on all phases of music: pianism, composing, teaching, piano transcriptions, criticism, musical progress, etc.
The Legacy of Cornelius Cardew
by Tony HarrisCornelius Cardew is an enigma. Depending on which sources one consults he is either an influential and iconic figure of British musical culture or a marginal curiosity, a footnote to a misguided musical phenomenon. He is both praised for his uncompromising commitment to world-changing politics, and mocked for being blindly caught up in a maelstrom of naïve political folly. His works are both widely lauded as landmark achievements of the British avant-garde and ridiculed as an archaic and irrelevant footnote to the established musical culture. Even the events of his death are shrouded in mystery and lack a sense of closure. As long ago as 1967, Morton Feldman cited Cardew as an influential figure, central to the future of modern music-making. The extent to which Cardew has been a central figure and a force for new ideas in music forms the backbone to this book. Harris demonstrates that Cardew was an original thinker, a charismatic leader, an able facilitator, and a committed activist. He argues that Cardew exerted considerable influence on numerous individuals and groups, but also demonstrates how the composer's significance has been variously underestimated, undermined and misrepresented. Cardew's diverse body of work and activity is here given coherence by its sharing in the values and principles that underpinned the composer's world view. The apparently disparate and contradictory episodes of Cardew's career are shown to be fused by a cohesive 'Cardew aesthetic' that permeates the man, his politics and his music.
The Legacy of Johann Strauss
by Zoë Alexis LangThe Legacy of Johann Strauss examines constructions of Austrian identity through the reception of Johann Strauss Jr. 's waltzes in the twentieth century. Zoe Lang argues that the music of Strauss Jr. remained popular because it continued to be revitalized by Austrians seeking to define their culture. Press coverage from the 1925 centennial celebration of Strauss Jr. 's birth celebrations in Vienna shows how he was reinvented for the new, post-Habsburg nation. The book also includes a discussion of the origins of the Vienna Philharmonic's New Year's Concert and considers how Strauss Jr. was appropriated as a National Socialist icon in the 1930s and 1940s. The Strauss family's Jewish ancestry is discussed, along with the infamous forgery of paperwork about their lineage during the 1940s. There is also a case study of Strauss Jr. 's Emperor Waltz, considering its variegated usage in concerts and films from 1925-1953.
Legend of a Musical City: The Story of Vienna
by Max GrafA personal history of the world capital of classical music, written by the renowned Viennese musicologist and author of Composer and Critic. Max Graf shares his recollections of life with Anton Bruckner, Gustav Mahler, Johannes Brahms, Richard Strauss, Arnold Schoenberg, and other immortals of the music world. The influential musicologist, critic, and composer enjoyed intimate friendships with these men, who made musical history in his home city of Vienna. Bringing to life some of the most iconic figures in music, as well as the city of Vienna itself, Graf recounts a charming, personal, and highly educational story of Austria&’s musical legacy. &“Max Graf is not only an eminent historian and teacher, but a very adept writer; as a critic, he has shown keen judgment and objectivity.&” —Richard Strauss
The Legend of George Jones
by Peanutt Montgomery Charlene MontgomeryGeorge Jones lived a storied life, but his career was not without controversies. This book reveals fascinating, intimate details about the life of George Jones that have never before been published. Charlene and Peanutt Montgomery, who were George's closest friends and confidants over a thirty-year period and the songwriters for the vast majority of the songs that George recorded, are the authors of this highly entertaining book. Their strong bonds with and admiration for George come shining through, even when writing about the less-than-flattering incidents and times that make up part of the story. This book contains a CD album of 12 songs written by George Jones and Peanutt Montgomery, including the never before released title song, The Legend of George Jones. Peanutt wrote 77 songs for George Jones over more than 30 years, all of which were top 40 songs, with some reaching #1 hit status. A variety of well-known country music artists sing the songs on the CD album. The album becomes a bonus treat for the readers.
Legend of A Musical City
by Max GrafLegend of a Musical City - The Story of Vienna by Max Graf is a story of Vienna - the musical center of the world. The author has enjoyed the intimate friendship of the musical stars of the last fifty years in which this book was written. Musical stars such as Bruckner, Brahms, and Richard Strauss. He gives a delightful as well as highly educational story of the development of Austrian music. Max Graf, a composer and music critic, the father of Little Hans, was born October 1, 1873, in Vienna, where he died on June 24, 1958. The son of Joseph Graf, a Jewish writer and editor, he was educated in Vienna and Prague. After 1891 he studied at the law school of the University of Vienna but devoted most of his time to music and it was his intention to become a composer, according to Louis Rose (1986). He finished his legal studies in 1896 but devoted much of his time to music composition and criticism, and regularly took part in meetings of the literary group Jung-Wien. From 1902 to 1938 he taught the history of music and musical aesthetics at the Vienna Academy of Music, where he was appointed professor in 1909. Graf met Sigmund Freud in 1900 and his wife, Olga Graf (born Olga Hoenig), from whom he separated a few years later, was probably a patient of Freud's. Within the psychoanalytic movement he is known for being the father of Little Hans, Herbert Graf, who was born in 1903. It was Max who supplied Freud with the material for his paper The Analysis of a Phobia in a Five-Year Old Boy (1909b). At the end of 1904, he took part in sessions of the Wednesday Psychoanalytic Society and, in December 1907, wrote an essay entitled Methodik der Dichterpsychologie (Methodology of the Psychology of the Poet). In early 1906 Freud wrote a short text on a somewhat unexpected topic, Psycopathische Personen auf der Bhne (Psychopathic Characters on the Stage). The text was never published in German, but Graf, to whom Freud had given the manuscript, kept it and had an English translation published (1942a [1905-1906]). Graf emigrated to the United States in 1938 and taught until 1947 at the New School for Social Research in New York, where, in 1940, he created the first seminars in music criticism. He was a guest professor at the Carnegie Institute of Technology in Pittsburgh and at Temple University in Philadelphia. In 1947 he returned to Austria and taught music criticism at the Mozarteum in Salzburg and elsewhere. In 1953 his autobiography, Jede Stunde war erfllt: Ein halbes Jahrhundert Musik- und Theaterleben (Every Minute Filled: A Half-Century in Music and Theater), was published in Vienna, where he died in 1958.
The Legendary Horseshoe Tavern: A Complete History
by David Mcpherson Jim CuddyA complete history of Toronto’s legendary Horseshoe Tavern, “the Birthplace of Canadian Rock,” to coincide with its seventieth anniversary. Like the Queen Street strip that has been its home for seven decades, the Horseshoe Tavern continues to evolve. It remains as relevant today as it did when Jack Starr founded the country music club on the site of a former blacksmith shop. From country and rockabilly to rock ‘n’ roll, punk, alt/country, and back to roots music, the venerable live music venue has evolved with the times and trends — always keeping pace with the music. Over its long history, the Horseshoe has seen a flood of talent pass through. From Willie Nelson to Loretta Lynn, Stompin’ Tom Connors to The Band, and Bryan Adams to the Tragically Hip, the Horseshoe has attracted premier acts from all eras of music. In The Legendary Horseshoe Tavern, David McPherson captures the turbulent life of the bar, and of Canadian rock.
Legends from Camp
by Lawson Fusao InadaInada talks about life in Japanese internment camps, jazz, and living in Fresno, CA. Inada's poems are playful, engaging and directed towards a wide audience.