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Allen Klein: The Man Who Bailed Out the Beatles, Made the Stones, and Transformed Rock & Roll
by Fred GoodmanThe story of the notorious rock and roll manager, revealing new, behind-the-scenes details about some of the biggest bands in music history. Allen Klein was like no one the music industry had seen before. Though he became infamous for allegedly causing the Beatles&’ breakup and robbing the Rolling Stones, the truth is both more complex and more fascinating. As the manager of both groups—not to mention Sam Cooke, Pete Townshend, Donovan, The Kinks, and numerous others—he taught young soon-to-be legends how to be businessmen as well as rock stars. While Klein made millions for his clients, he was as merciless with them as he was with anyone, earning himself an outsize reputation for villainy that has gone unchallenged until now. Through unique, unprecedented access to Klein&’s archives, veteran music journalist Fred Goodman tells the full story of how the Beatles broke up, the Stones achieved the greatest commercial success in rock history, and the music business became what it is today. &“Fred Goodman makes this world come alive, and any fan of rock or insider tales of the music industry will be in heaven reading about this fascinating, troubling character.&” —Judd Apatow &“Writing about contracts, percentages and deals can be tedious, but Goodman makes it as exciting as reading about an artist&’s sex life. The book explodes with inside dope.&” —Daily News (New York) &“Succeed[s] both as a compelling work of rock-&’n&’-roll history and as a cautionary business primer.&” —The Wall Street Journal
Alltagsklänge - Einsätze einer Kulturanthropologie des Hörens (Kulturelle Figurationen: Artefakte, Praktiken, Fiktionen)
by Jochen BonzVon der Frage geleitet, wie die Gegenwartskulturforschung aus der Berücksichtigung klanglicher Phänomene Erkenntnisgewinne ziehen kann, verknüpft die Studie Überlegungen aus Popkultur- und Soundscape-Forschung, Empirischer Kulturwissenschaft, Musikethnologie, Kulturtheorie und Medienwissenschaft zu einem kulturanthropologischen Forschungsansatz. Sie nähert sich ihren Phänomenen interpretativ und erprobt ein begriffliches Instrumentarium, das die subjektivierenden Effekte klanglicher Medialität benennbar macht. Auf diese Weise entwirft die Studie eine Vorstellung vom Forschungsstand kulturwissenschaftlich orientierter Sound Studies und ihren Möglichkeiten.
Allusion as Narrative Premise in Brahms's Instrumental Music (Musical Meaning And Interpretation Ser.)
by Jacquelyn E. SholesA musicologist offers a fresh look at how Brahms used the inspiration of earlier composers in his own instrumental works.As Jacquelyn E. C. Sholes reveals in this study, an essential aspect of Johannes Brahms’s art was the canny use of musical references to the works of others. By analyzing newly identified allusions alongside previously known musical references in works such as the B-Major Piano Trio, the D-Major Serenade, the First Piano Concerto, and the Fourth Symphony, Sholes demonstrates how a historical reference in one movement can resonate meaningfully, musically, and dramatically with material in other movements in ways not previously recognized.Brahms masterfully wove such references into broad, movement-spanning narratives. Sholes argues that these narratives served as expressive outlets for his complicated attitudes toward the material to which he alludes. Ultimately, Brahms’s music reveals both the inspiration and the burden that established masters such as Domenico Scarlatti, J. S. Bach, Haydn, Mozart, Schubert, Schumann, Wagner, and especially Beethoven represented for him as he struggled to establish his own artistic voice and place in musical history.
Allusion as Narrative Premise in Brahms’s Instrumental Music (Musical Meaning and Interpretation)
by Jacquelyn E. SholesWho inspired Johannes Brahms in his art of writing music? In this book, Jacquelyn E. C. Sholes provides a fresh look at the ways in which Brahms employed musical references to works of earlier composers in his own instrumental music. By analyzing newly identified allusions alongside previously known musical references in works such as the B-Major Piano Trio, the D-Major Serenade, the First Piano Concerto, and the Fourth Symphony, among others, Sholes demonstrates how a historical reference in one movement of a work seems to resonate meaningfully, musically, and dramatically with material in other movements in ways not previously recognized. She highlights Brahms's ability to weave such references into broad, movement-spanning narratives, arguing that these narratives served as expressive outlets for his complicated, sometimes conflicted, attitudes toward the material to which he alludes. Ultimately, Brahms's music reveals both the inspiration and the burden that established masters such as Domenico Scarlatti, J. S. Bach, Haydn, Mozart, Schubert, Schumann, Wagner, and especially Beethoven represented for him as he struggled to emerge with his own artistic voice and to define and secure his unique position in music history.
Alma Mahler and Her Contemporaries: A Research and Information Guide (Routledge Music Bibliographies)
by Susan M. FillerThis selective annotated bibliography places Alma Mahler with three other female composers of her time, covering the first generation of active female composers in the twentieth century. It uncovers the wealth of resources available on the lives and music of Mahler, Florence Price, Yuliya Lazarevna Veysberg, and Maria Teresa Prieto and supports emerging scholarship and inquiry on four women who experienced both entrenched sexual discrimination and political upheaval, which affected their lives and influenced composers of subsequent generations.
Almost Like A Song
by Ronnie Milsap Tom CarterRonnie Milsap, a legend in country music, shares the story of his life including the obstacles and opportunities created by his blindness. He describes his childhood in the rural south and gives an insider's view of life at a school for the blind. He chronicles his entry into country music and shares stories about his travels.
Almost a Full Moon
by Hawksley WorkmanAlmost a Full Moon is a warm-hearted story of family, community, food and home. A boy and his grandmother host a gathering in their small cabin in the middle of winter. Friends travel from near and far, and some new friends even turn up. The walls of the cabin are elastic and the soup pot bottomless; all are welcome. Based on the lyrics of Hawksley Workman's song from his holiday album Almost a Full Moon, this book evokes both the cold and the coziness of a winter's night: crisp clean air, sparkling snow, the light of the moon, welcoming windows, glowing candles, family and friends. The spare text is beautifully complemented with the rich illustrations of Jensine Eckwall, a new talent to Tundra. She brings beauty and a hint of magic to Workman's evocative lyrics; together, they create a world and a night that will enchant readers of all ages.
Aloud: Voices From The Nuyorican Poets Cafe
by Bob Holman Miguel AlgarinCompiled by poets who have been at the center of the Nuyorican Poets Cafe in New York City, Aloud! showcases the work of the most innovative and accomplished word artists from around America.
Altamont: The Rolling Stones, the Hells Angels, and the Inside Story of Rock's Darkest Day
by Joel SelvinIn this breathtaking cultural history filled with exclusive, never-before-revealed details, celebrated rock journalist Joel Selvin tells the definitive story of the Rolling Stones’ infamous Altamont concert, the disastrous historic event that marked the end of the idealistic 1960s.In the annals of rock history, the Altamont Speedway Free Festival on December 6, 1969, has long been seen as the distorted twin of Woodstock—the day that shattered the Sixties’ promise of peace and love when a concertgoer was killed by a member of the Hells Angels, the notorious biker club acting as security. While most people know of the events from the film Gimme Shelter, the whole story has remained buried in varied accounts, rumor, and myth—until now.Altamont explores rock’s darkest day, a fiasco that began well before the climactic death of Meredith Hunter and continued beyond that infamous December night. Joel Selvin probes every aspect of the show—from the Stones’ hastily planned tour preceding the concert to the bad acid that swept through the audience to other deaths that also occurred that evening—to capture the full scope of the tragedy and its aftermath. He also provides an in-depth look at the Grateful Dead’s role in the events leading to Altamont, examining the band’s behind-the-scenes presence in both arranging the show and hiring the Hells Angels as security.The product of twenty years of exhaustive research and dozens of interviews with many key players, including medical staff, Hells Angels members, the stage crew, and the musicians who were there, and featuring sixteen pages of color photos, Altamont is the ultimate account of the final event in rock’s formative and most turbulent decade.
Alternative Chinese Opera in the Age of Globalization
by Daphne P. LeiBringing the study of Chinese theatre into the 21st-century, Lei discusses ways in which traditional art can survive and thrive in the age of modernization and globalization. Building on her previous work, this new book focuses on various forms of Chinese 'opera' in locations around the Pacific Rim, including Hong Kong, Taiwan and California.
Alternatives to Valium: How Punk Rock Saved a Shy Boy’s Life
by Alastair McKay“A few years ago, I asked Tom Petty how his songs had been influenced by his life. As a rule, songwriters aren’t keen on unpicking their work, and Petty was no exception. He didn’t want to get into specifics. ‘Life is so difficult,’ he said. ‘And easy. It’s just a chain of spontaneous events.’” Alastair McKay’s own life was inspired and informed by music, so his book takes the form of an album, with two distinct sides. The first side is about childhood, and the struggle to find a voice. The second side is about interviews, and learning how to listen. An exceptionally shy boy, Alastair gradually found his voice through the punk explosion: the ethos that ‘anyone could do it’ prompted him to start writing, largely because it was easier than talking. From these hesitant beginnings, and his own failed attempts at musicianship, he would go on to a successful career in journalism: sharing a limousine with Kate Moss, meeting Iggy Pop at the Chateau Marmont, being led astray by Tilda Swinton and many, many other encounters.
Alun Hoddinott: A Source Book (Bio-bibliographies In Music Ser. #No. 44)
by R. Craggs StewartAlun Hoddinott is the most important living Welsh composer and one of the most distinguished and prolific composers of his generation internationally. His works have been performed in major centres as far afield as Tokyo and Berlin, Melbourne and Leipzig, New York and Venice as well as the major festivals in Wales and England. He is one of the very few composers to have been commissioned to compose a concerto for Mstislav Rostropovitch.Born in Bargoed, Glamorganshire, in August 1929, Alun Hoddinott started to play the violin and compose at an early age. Some of his works were performed and broadcast whilst he was a student at University College, Cardiff and he later studied with the Australian composer and pianist Arthur Benjamin. His first major success was his Clarinet Concerto No.1, given by Gervaise de Peyer and the Halle Orchestra under John Barbirolli at the 1954 Cheltenham Music Festival.This Source Book lists all Hoddinott's compositions from 1946 to 2005, almost 60 years of phenomenal output, and shows he has achieved a mastery of composition which embraces almost every musical medium. With information given on first performances, manuscript locations and recordings, in addition to details of composition dates, authors/librettists, durations, commissions and dedications amongst much else, this book is a key reference for all those interested in Alun Hoddinott and his music.
Alvin Lucier: A Celebration
by Alvin Lucier Andrea Miller-Keller Michael Roth Nicolas Collins Ronald KuivilaThis small, striking book commemorates the career of experimental music composer Alvin Lucier, and features an interview with Lucier and curator Andrea Miller-Keller, essays by Nicolas Collins, Ronald Kuivila, Michael Roth and Pamela Tatge, and details of a symposium, exhibit and special performances of Lucier’s work held at Wesleyan University, November 4-6, 2011. Lucier has pioneered in many areas of music composition and performance, including the notation of performers' physical gestures, the use of brain waves in live performance, the generation of visual imagery by sound in vibrating media, and the evocation of room acoustics for musical purposes. From 1970 to 2011 he taught at Wesleyan University where he was John Spencer Camp Professor of Music. Lucier performs, lectures and exhibits his sound installations extensively in the United States, Europe and Asia.
Always Been There: Rosanne Cash, The List, and the Spirit of Southern Music
by Michael StreissguthIn 1973, Rosanne Cash's father gave her a list of 100 songs that he felt a young musician had to know. Always Been There tells the inside story of the album that, more than thirty-five years later, resulted from that list. Based on original interviews conducted in the studio, on tour, and at home, Always Been There paints an unforgettable portrait of Rosanne Cash confronting music-making in the aftermath of serious brain surgery, a lifelong search for her legacy, and her unique creative partnerships.
Always Dreamin'
by Catherine HapkaWill all Star's dreams be dashed? The European leg of Star's tour is going well, but Star has begun having strange dreams, and she's convinced they have something to do with her family. Meanwhile, a secret she shares with fellow pop star Jade is leaked to the press and explodes into a media war between the two idols. It seems that Jade and her people will stop at nothing to discredit Star! Star is so depressed and distracted she starts messing up onstage. Can she save her reputation, make things right with Jade, and figure out the real meaning of her dreams before she winds up ruining everything she's worked for?
Always Look on the Bright Side of Life: A Sortabiography
by Eric IdleBest known for his unforgettable roles in Monty Python, from the Flying Circus to The Meaning of Life, Eric Idle reflects on the meaning of his own life in this brilliantly entertaining memoir that takes us on an unforgettable journey from his childhood in an austere boarding school through his successful career in comedy, television, theatre and film. Coming of age as a writer and comedian during the Sixties and Seventies, Eric stumbled into the crossroads of the cultural revolution and found himself rubbing shoulders with the likes of George Harrison, David Bowie and Robin Williams, all of whom became lifelong friends. With anecdotes sprinkled throughout that involve other close friends and luminaries such as Mick Jagger, Steve Martin, Paul Simon and Mike Nichols - let alone the Pythons themselves - Eric captures a time of tremendous creative output with equal hilarity and heart. In Always Look on the Bright Side of Life, named after the song he wrote for Life of Brian that has since become the number-one song played at funerals in the UK, he shares the highlights of his life and career with the off-beat humour that has delighted audiences for decades.A legend in his own lunchtime, Eric is the author of many books, some not half bad, some not even a quarter bad. Now he enters his anecdotage as the last word in Python memoirs, and the last of this extraordinary group to tell his story. 2019 marks the fiftieth anniversary of The Pythons, and Eric is celebrating the occasion with this laugh-out-loud memoir, chock-full of behind-the-scenes stories from a high-flying life that features everyone from Princess Leia to the Queen.
Always Look on the Bright Side of Life: A Sortabiography
by Eric IdleWe know him best for his unforgettable roles on Monty Python - from the Flying Circus to The Meaning of Life. Now, Eric Idle reflects on the meaning of his own life in this entertaining memoir that takes us on a remarkable journey from his childhood in an austere boarding school through his successful career in comedy, television, theatre and film. Coming of age as a writer and comedian during the Sixties and Seventies, Eric stumbled into the crossroads of the cultural revolution and found himself rubbing shoulders with the likes of George Harrison, David Bowie and Robin Williams, all of whom became dear lifelong friends. With anecdotes sprinkled throughout involving other close friends and luminaries such as Mike Nichols, Mick Jagger, Steve Martin, Paul Simon, Lorne Michaels, and many more, as well as the Pythons themselves, Eric captures a time of tremendous creative output with equal parts hilarity and heart. In Always Look on the Bright Side of Life, named for the song he wrote for Life of Brian and which has since become the number one song played at funerals in the UK, he shares the highlights of his life and career with the kind of offbeat humour that has delighted his audiences for five decades. The year 2019 marks the fiftieth anniversary of The Pythons and Eric is marking the occasion with this hilarious memoir chock full of behind-the-scenes stories from a high-flying life featuring everyone from Princess Leia to Queen Elizabeth.Written and read by Eric Idle(p) Orion Publishing Group 2018
Always Magic in the Air
by Ken EmersonDuring the late 1950s and early 1960s, after the shock of Elvis Presley and before the Beatles spearheaded the British Invasion, fourteen gifted young songwriters huddled in midtown Manhattan's legendary Brill Building and a warren of offices a bit farther uptown and composed some of the most beguiling and enduring entries in the Great American Songbook. Always Magic in the Air is the first thorough history of these renowned songwriters-tunesmiths who melded black, white, and Latino sounds, integrated audiences before America desegregated its schools, and brought a new social consciousness to pop music.
Always Music in the Air: The Sound of Twin Peaks
by Scott RyanA first-time-ever exploration of the 290 songs from the entirety of win Peaks, sure to entice fans of the David Lynch-Mark Frost's cult classic that revolutionized TV, with brand-new interviews with Frost and several of the key composers and musicians involved."Where we're from, the birds sing a pretty song and there's always music in the air." When author Scott Ryan (Fire Walk With Me: Your Laura Disappeared, The Last Days of Letterman) heard those words on the television series Twin Peaks in 1990, he wanted to live there as well. Problem was, most of the music that played in Twin Peaks were not released. Only one soundtrack came out from the series, and one from the film. It wasn't until 2011 that director David Lynch and composer Angelo Badalamenti opened the archives and released every track on MP3. These tracks were never officially released and do not stream anywhere today. Ryan interviews band members who performed the songs and music editors and directors from the series and draws from archived interviews with the late Badalamenti and singer Julee Cruise. This book explores all the music that was in the air, from Cruise's 1989 release Floating into the Night through all the Twin Peaks soundtracks, the 2011 online releases called the Twin Peaks Archives, and the releases from Twin Peaks: The Return in 2017. Ryan conducts brand new-Interviews with Dean Hurley (composer for The Return, curator of the Twin Peaks Archive), Tim Hunter (director), Lori Eschler (music editor), David Slusser (composer, music editor), Kevin Laffey (A&R for Julee Cruise), Duwayne Dunham (editor, director), Kinny Landrum, (keyboards) and Al Regni (saxophone). Also included are excerpts from Ryan's 2018 interview with Cruise. Foreword by Brad Dukes (Reflections: An Oral History of Twin Peaks).
Always a Catch
by Peter RichmondA ripped-from-the-headlines story about teens and steroids. From a New York Times bestselling sports writer comes the story of one boy's quest to stay true to himself without letting down his team. Jack and his father have never seen eye to eye...until Jack's dad gives him the chance to transfer to Oakhurst his junior year. His dad sees it as a way for Jack to get into a good college; Jack sees it as refuge from his dad. Oakhurst is more than an escape--it's a chance for Jack to do something new, to try out for the football team. Once Jack makes the team, he's thrust into a foreign world--one of intense hazing, vitamin supplements, monkey hormones and steroids. Jack has to decide how far he's willing to go to fit in--and how much he's willing to compromise himself to be the man his team wants him to be. Perfect for fans of Mike Lupica and Tim Green. Praise for ALWAYS A CATCH: "Richmond has written an above-average story that will appeal to fans of the genre and authors, such as Mike Lupica and Tim Green."--School Library Journal "A dynamic but thoughtful novel of self-discovery."--Kirkus Reviews
Always a Song: Singers, Songwriters, Sinners, and Saints – My Story of the Folk Music Revival
by Sam Barry Ellen HarperAlways a Song is a collection of stories from singer and songwriter Ellen Harper—folk matriarch and mother to the Grammy-winning musician Ben Harper.Harper shares vivid memories of growing up in Los Angeles through the 1960s among famous and small-town musicians, raising Ben, and the historic Folk Music Center.This beautifully written memoir includes stories of Pete Seeger, Bob Dylan, Jimi Hendrix, Joan Baez, The New Lost City Ramblers, Doc Watson, and many more.• Harper takes readers on an intimate journey through the folk music revival.• The book spans a transformational time in music, history, and American culture.• Covers historical events from the love-ins, women's rights protests, and the assassination of John F. Kennedy to the popularization of the sitar and the ukulele.• Includes full-color photo insert."Growing up, an endless stream of musicians and artists came from across the country to my family's music store. Bess Lomax Hawes, Joan Baez, Sonny Terry, and Brownie McGee—all the singers, organizers, guitar and banjo pickers and players, songwriters, painters, dancers, their husbands, wives, and children—we were all in it together. And we believed singing could change the world."—Ellen HarperMusic lovers and history buffs will enjoy this rare invitation into a world of stories and song that inspired folk music today.• A must-read for lovers of music, history, and those nostalgic for the acoustic echo of the original folk music that influenced a generation• Harper's parents opened the legendary Folk Music Center in Claremont, California, as well as the revered folk music venue The Golden Ring.• A perfect book for people who are obsessed with folk music, all things 1960s, learning about musical movements, or California history• Great for those who loved Small Town Talk: Bob Dylan, The Band, Van Morrison, Janis Joplin, Jimi Hendrix and Friends in the Wild Years of Woodstock by Barney Hoskyns; and Girls Like Us: Carole King, Joni Mitchell, Carly Simon—and the Journey of a Generation by Sheila Weller.
Always in Trouble: An Oral History of ESP-Disk', the Most Outrageous Record Label in America (Music/Interview)
by Jason WeissYou never heard such sounds in your life In 1964, Bernard Stollman launched the independent record label ESP-Disk&’ in New York City to document the free jazz movement there. A bare-bones enterprise, ESP was in the right place at the right time, producing albums by artists like Albert Ayler, Pharoah Sanders, and Sun Ra, as well as folk-rock bands like the Fugs and Pearls Before Swine. But the label quickly ran into difficulties and, due to the politically subversive nature of some productions and sloppy business practices, it folded in 1974. Always in Trouble tells the story of ESP-Disk&’ through a multitude of voices—first Stollman&’s, as he recounts the improbable life of the label, and then the voices of many of the artists involved.
Always the Queen: The Denise LaSalle Story (Music in American Life)
by David Whiteis Denise LaSalleDenise LaSalle's journey took her from rural Mississippi to an unquestioned reign as the queen of soul-blues. From her early R&B classics to bold and bawdy demands for satisfaction, LaSalle updated the classic blueswoman's stance of powerful independence while her earthy lyrics about relationships connected with generations of female fans. Off-stage, she enjoyed ongoing success as a record label owner, entrepreneur, and genre-crossing songwriter. As honest and no-nonsense as the artist herself, Always the Queen is LaSalle's in-her-own-words story of a lifetime in music. Moving to Chicago as a teen, LaSalle launched a career in gospel and blues that eventually led to the chart-topping 1971 smash ”Trapped by a Thing Called Love” and a string of R&B hits. She reinvented herself as a soul-blues artist as tastes changed and became a headliner on the revitalized southern soul circuit and at festivals nationwide and overseas. Revered for a tireless dedication to her music and fans, LaSalle continued to tour and record until shortly before her death.
Am I Too Loud?: Memoirs of an Accompanist
by Gerald Moore"Normally the most considerate of accompanists, on this occasion Gerald Moore too often overwhelmed the singer." --Daily Telegraph, 8 May 1961 <p><p> Memoirs of Gerald Moore, an accompanist.
Amazing Grace: A Cultural History of the Beloved Hymn
by James WalvinA fascinating journey through the history of "Amazing Grace," one of the transatlantic world's most popular hymns and a powerful anthem for humanity. Sung in moments of personal isolation or on state occasions watched by millions, "Amazing Grace" has become an unparalleled anthem for humankind. How did a simple Christian hymn, written in a remote English vicarage in 1772, come to hold such sway over millions in all corners of the modern world? With this short, engaging cultural history, James Walvin offers an explanation. The greatest paradox is that the author of "Amazing Grace," John Newton, was a former Liverpool slave captain. Walvin follows the song across the Atlantic to track how it became part of the cause for abolition and galvanized decades of movements and trends in American history and popular culture. By the end of the twentieth century, "Amazing Grace" was performed in Soweto and Vanuatu, by political dissidents in China, and by Kikuyu women in Kenya. No other song has acquired such global resonance as "Amazing Grace," and its fascinating history is well worth knowing.