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Analyzing Schubert
by Suzannah ClarkWhen Schubert's contemporary reviewers first heard his modulations, they famously claimed that they were excessive, odd and unplanned. This book argues that these claims have haunted the analysis of Schubert's harmony ever since, outlining why Schubert's music occupies a curiously marginal position in the history of music theory. Analyzing Schubert traces how critics, analysts and historians from the early nineteenth century to the present day have preserved cherished narratives of wandering, alienation, memory and trance by emphasizing the mystical rather than the logical quality of the composer's harmony. This study proposes a new method for analyzing the harmony of Schubert's works. Rather than pursuing an approach that casts Schubert's famous harmonic moves as digressions from the norms of canonical theoretical paradigms, Suzannah Clark explores how the harmonic fingerprints in Schubert's songs and instrumental sonata forms challenge pedigreed habits of thought about what constitutes a theory of tonal and formal order.
Anarchic Dance
by Liz Aggiss Billy Cowie Ian BramleyLiz Aggiss and Billy Cowie, known collectively as Divas Dance Theatre, are renowned for their highly visual, interdisciplinary brand of dance performance that incorporates elements of theatre, film, opera, poetry and vaudevillian humour. Anarchic Dance, consisting of a book and DVD-Rom, is a visual and textual record of their boundary-shattering performance work. The DVD-Rom features extracts from Aggiss and Cowie's work, including the highly-acclaimed dance film Motion Control (premiered on BBC2 in 2002), rare video footage of their punk-comic live performances as The Wild Wigglers and reconstructions of Aggiss's solo performance in Grotesque Dancer. These films are cross-referenced in the book, allowing readers to match performance and commentary as Aggiss and Cowie invite a broad range of writers to examine their live performance and dance screen practice through analysis, theory, discussion and personal response. Extensively illustrated with black and white and colour photographs Anarchic Dance, provides a comprehensive investigation into Cowie and Aggiss’s collaborative partnership and demonstrates a range of exciting approaches through which dance performance can be engaged critically.
Anarchy: New York City–January 1988
by John CageWinner of the Association of American University Presses (AAUP) Book, Jacket, and Journal Show – Best Scholarly Typography (2002)"That government is best which governs not at all; and when men are prepared for it, that will be the kind of government which they will have." This quote from Henry David Thoreau's Essay on Civil Disobedience is one of thirty quotations from which John Cage created Anarchy, a book-length lecture comprising twenty mesostic poems. Composed with the aid of a computer program to simulate the coin toss of the I Ching, Anarchy draws on the writings of many serious anarchists including Emma Goldman, Peter Kropotkin, and Mario Malatesta, not so much making arguments for anarchism as "brushing information against information," giving the very words new combinations that de-familiarize and re-energize them. Now widely available of the first time, Anarchy marks the culmination of Cage's work as a poet, composer and as a thinker about contemporary society.
Anatomy of a Song: The Oral History of 45 Iconic Hits That Changed Rock, R&B and Pop
by Marc Myers“Every great song has a fascinating backstory. In “Anatomy of a Song”, based on the ongoing “Wall Street Journal” column, writer and music historian Marc Myers brings to life five decades of music through oral histories of forty-five transformative songs woven from interviews with the artists who created them. Bringing readers inside the making of a hit, “Anatomy of a Song” includes the Isley Brothers' memorable song Shout, Led Zeppelin's Whole Lotta Love, Janis Joplin's Mercedes Benz, and R.E.M's Losing My Religion. After receiving his discharge from the army in 1968, John Fogerty does a handstand and reworks Beethoven's Fifth Symphony to come up with Proud Mary. Joni Mitchell remembers living in a cave on Crete with the mean old daddy who inspired her 1971 hit Carey. Elvis Costello talks about writing (The Angels Wanna War My) Red Shoes in ten minutes on the train to Liverpool. And Mick Jagger, Jimmy Page, Rod Stewart, the Clash, Jimmy Cliff, Roger Waters, Stevie Wonder, Keith Richards, Cyndi Lauper, and many other leading artists reveal the emotions, inspirations, and techniques behind their influential works. “Anatomy of a Song” is a love letter to the songs that have defined generations of listeners.
Anatomy of the Voice: An Illustrated Guide for Singers, Vocal Coaches, and Speech Therapists
by Theodore Dimon G. David BrownThe first comprehensive, fully-illustrated approach to the voice that explains the anatomy and mechanics in detailed yet down-to-earth terms, for voice users and professionals of all kindsThis book is the first to explain, in clear and concise language, the anatomy and mechanics of the mysterious and complex bodily system we call the voice. Beautifully illustrated with more than 100 detailed images, Anatomy of the Voice guides voice teachers and students, vocal coaches, professional singers and actors, and anyone interested in the voice through the complex landscape of breathing, larynx, throat, face, and jaw. Theodore Dimon, an internationally recognized authority on the subject, as well as an expert in the Alexander Technique, makes unfamiliar terrain accessible and digestible by describing each vocal system in short, manageable sections and explaining complex terminology. The topics he covers include ribs, diaphragm, and muscles of breathing; the intrinsic musculature of the larynx, its structure and action; the suspensory muscles of the throat; the face and jaw; the tongue and palate; and the evolution and function of the larynx.
Anatomy of Voice: How to Enhance and Project Your Best Voice
by Blandine Calais-Germain François GermainAn illustrated guide to the dynamic physiological structures that create and individualize the voice • Explores the structures of the vocal tract and their functional relationships to the entire musculoskeletal system with detailed drawings • Examines the components of the larynx and pharynx, the effects of muscular tensions on the vocal cords, the importance of skeletal alignment, and the complex roles of the diaphragm, soft palate, lips, and tongue in vocalization • Provides exercises and techniques for increased air flow, correct posture, proper tongue position, jaw relaxation, and toning of the soft palate to improve the voice When we use the voice, we involve the entire body. Our internal balance, muscular tone, skeletal alignments, soft tissue flexibility, and even our eye movements are reflected in the voice we project to our audience, whether one person or thousands. Using the signature anatomical style of Blandine Calais-Germain’s groundbreaking book Anatomy of Movement, this illustrated guide presents a dynamic, integrated study of the physical structures of the vocal tract and their functional relationships to the entire musculoskeletal system. From the individual bones and muscles of the head and neck to the intricate structure of the shoulders to the abdominal muscles and pelvis, the authors explain how each part of the body moves, flexes, vibrates, and supports the creation and individualization of the voice. With detailed drawings and clear, concise text, they examine the individual components of the larynx and pharynx, the effects of muscular tensions on the vocal cords, proper alignment of the skull, rib cage, and pelvis, the intimate relationship between breath and voice, and the complex roles of the diaphragm, soft palate, lips, and tongue in vocalization. They provide simple exercises and techniques for increasing air flow and force, correct posture, proper positioning of the tongue, relaxation of the jaw, and toning of the soft palate. Whether singer, teacher, actor, lawyer, politician, or workshop leader, this book reveals how understanding your vocal anatomy enables you to express your best voice.
Anchored in Love: An Intimate Portrait of June Carter Cash
by Johnny CashJune Carter lived literally her whole life on a stage. To her fans, she was the sassy, saucy singing partner and soul mate to one of music's greatest icons. To herself, she was the self-designated matriarch and keeper of country music's most revered family name. But behind the "Country Girl" persona was an enormously complex and often-tormented woman. Although she played for presidents and princes on the great music stages of the world, the reality of her life was not always so exalted. Only one person could possibly peel back the layers and take us into the shadows of this lady. In this extraordinary account, John Carter Cash chronicles a life of destiny and despair as seen through a son's eyes-and heart. Be prepared to smile and celebrate. And to cry. For while history will forever define June by her role as Johnny Cash's queen consort, you will learn that there were tears on that crown. This is a unique, compelling look into the high price June Carter Cash paid for her name.
Ancient Greek Music
by Stefan HagelThis 2009 book endeavours to pinpoint the relations between musical, and especially instrumental, practice and the evolving conceptions of pitch systems. It traces the development of ancient melodic notation from reconstructed origins, through various adaptations necessitated by changing musical styles and newly invented instruments, to its final canonical form. It thus emerges how closely ancient harmonic theory depended on the culturally dominant instruments, the lyre and the aulos. These threads are followed down to late antiquity, when details recorded by Ptolemy permit an exceptionally clear view. Dr Hagel discusses the textual and pictorial evidence, introducing mathematical approaches wherever feasible, but also contributes to the interpretation of instruments in the archaeological record and occasionally is able to outline the general features of instruments not directly attested. The book will be indispensable to all those interested in Greek music, technology and performance culture and the general history of musicology.
Ancient Irish Airs and Dances: 201 Classic Tunes Arranged for Piano
by George PetrieFrom the tender "My heart's love is he" to the bitter "Hag, you've killed me," this extraordinary compilation of melodies ranks among the most important 19th-century collections of traditional Irish music. Out of print for many years, these selections have become extremely rare and sought-after items.
Ancient Sounds for a New Age: An Introduction to Himalayan Sacred Sound Instruments
by Diáne MandleAncient Sounds for a New Age is an introduction to and overview of sound healing with Himalayan instruments. It offers a clear idea of what is needed to learn and practice for anyone who decides to enter the field, and serves as an instructional tool to that end. Diáne has combined techniques from other fields that have proven very effective for her clients and describe these in the book. As an extra bonus, exclusive access to a digital one-hour instructional video is included to demonstrate Diáne’s methods as a practitioner. The book is organized in five parts. The first, Part I: Fundamentals of Sound Healing, offers an orientation to the work. Part II: The Sacred Sound Family, teaches about the sound healing instruments—the tingshas, the ganta and dorje, and the Himalayan bowls—and the author takes you through some basic configurations for working with multiple instruments. Part III: Sound Healing and the Chakras, offers a breakdown of techniques and principles for working with the body’s main energy centers, the chakras. Part IV: Working with Challenging Emotions, offers brief orientations to working with anxiety and depression, dedicating one chapter to each. The last main section of the book, Part V: Enhancing Your Practice, concerns ways to include other modalities in a sound healing session, and the author shares some that have worked well in her own practice. Diane explores colors and toning, power language, and visualization, reminding the reader, “In learning to practice sound healing, we are aspiring to become more than technicians who can play the instruments—we are developing into healers.” Additionally, several Appendices include: thumbnail profiles of some sound healing pioneers, an interesting case study, some client testimonials, and further resources, including information about Diane’s school and some of the classes and products offered. “Diáne Mandle is the preeminent voice in the field of Tibetan bowl sound healing. Her book, Ancient Sounds for the New Age, offers a platform of deep understanding on which a practical skill set can be easily built upon. This is what the emerging field of sound healing has been waiting for. There is no doubt that it will soon be recognized as the go-to resource for serious vibrational practitioners.”—Richard Rudis (Karma Sonam Dorje) “Diane Mandle's Tibetan Bowels were part of the Integrative Medical Care offered at the San Diego Cancer and Research Institute. Our patients found her sounds magical, therapeutic, meditative and leading to an inner sense of peace and well-being.” —Paul Brenner M.D, PhD “In Ancient Sounds for a New Age, Diane reveals how to use the Tibetan bowls, tingshas, ganta, and dorgje to transform problems into doorways of light. I've personally experienced her ability to awaken the music of the soul and open to the blessings of harmony, and now with this indispensable book, you can too.”—Cyndi Dale, Intuitive, healer, and author of many bestselling books including The Subtle Body, The Intuition Guidebook, The Complete Book of Chakras, Energetic Boundaries
Ancient Text Messages of the Yoruba Bata Drum: Cracking the Code (SOAS Studies in Music)
by Amanda VillepastourThe bata is one of the most important and representative percussion traditions of the people in southwest Nigeria, and is now learnt and performed around the world. In Cuba, their own bata tradition derives from the Yoruba bata from Africa yet has had far more research attention than its African predecessor. Although the bata is one of the oldest known Yoruba drumming traditions, the drum and its unique language are now unfamiliar to many contemporary Yoruba people. Amanda Villepastour provides the first academic study of the bata's communication technology and the elaborate coded spoken language of bata drummers, which they refer to as 'ena bata'. Villepastour explains how the bata drummers' speech encoding method links into universal linguistic properties, unknown to the musicians themselves. The analysis draws the direct links between what is spoken in Yoruba, how Yoruba is transformed in to the coded language (ena), how ena prescribes the drum strokes and, finally, how listeners (and which listeners) extract linguistic meaning from what is drummed. The description and analysis of this unique musical system adds substantially to what is known about bata drumming specifically, Yoruba drumming generally, speech surrogacy in music and coded systems of speaking. This book will appeal not only to ethnomusicologists and anthropologists, but also to linguists, drummers and those interested in African Studies.
And I Don't Want to Live This Life: A Mother's Story of Her Daughter's Murder
by Deborah SpungenFor most of us, it was just another horrible headline. But for Deborah Spungen, the mother of Nancy, who was stabbed to death at the Chelsea Hotel, it was both a relief and a tragedy. Here is the incredible story of an infant who never stopped screaming, a toddler who attacked people, a teenager addicted to drugs, violence, and easy sex, a daughter completely out of control--who almost destroyed her parents' marriage and the happiness of the rest of her family."Honest and moving...Her painful tale is engrossing."WASHINGTON POST BOOK WORLDFrom the Paperback edition.
And in the End: The Last Days of The Beatles
by Ken McNabKen McNab's in-depth look at The Beatles' acrimonious final year is a detailed account of the breakup featuring the perspectives of all four band members and their roles. A must to add to the collection of Beatles fans, And In the End is full of fascinating information available for the first time.McNab reconstructs for the first time the seismic events of 1969, when The Beatles reached new highs of creativity and new lows of the internal strife that would destroy them. Between the pressure of being filmed during rehearsals and writing sessions for the documentary Get Back, their company Apple Corps facing bankruptcy, Lennon's heroin use, and musical disagreements, the group was arguing more than ever before and their formerly close friendship began to disintegrate. In the midst of this rancour, however, emerged the disharmony of Let It Be and the ragged genius of Abbey Road, their incredible farewell love letter to the world.
And It Don't Stop: The Best American Hip-Hop Journalism of the Last 25 Years
by Raquel CepedaIn September 1979, there was a cosmic shift that went unnoticed by the majority of mainstream America. This shift was triggered by the release of the Sugarhill Gang's single, Rapper's Delight. Not only did it usher rap music into the mainstream's consciousness, it brought us the word "hip-hop." And It Don't Stop, edited by the award winning journalist Raquel Cepeda, with a foreword from Nelson George is a collection of the best articles the hip-hop generation has produced. It captures the indelible moments in hip-hop's history since 1979 and will be the centerpiece of the twenty-fifth-anniversary celebration. This book epitomizes the media's response by taking the reader on an engaging and critical journey, including the very first pieces written about hip-hop for publications like TheVillage Voice--controversial articles that created rifts between church and state, the artist and journalist, and articles that recorded the rise and tragic fall of the art form's appointed heroes, such as Tupac Shakur, Eazy-E, and the Notorious B.I.G. The list of contributors includes Toure, Kevin Powell, dream hampton, Harry Allen, Cheo Hodari Coker, Greg Tate, Bill Adler, Hilton Als, Danyel Smith, and Joan Morgan.
And Still the Bird Sings: A Memoir of Finding Light After Loss
by Linda Broder“The day after my son died, a bird walked into my house. That tiny sparrow wouldn’t leave me alone. It kept knocking on my door and showing up in my dreams, until it finally sparked a light within me, and then, something so much more.” Linda Broder loses everything when her fifteen-year-old son Brendan dies—her music, faith, and hope. When a bird walks into her house, her husband and children embrace it as a sign from Brendan. But not Linda; she’s too logical to believe in signs. Still, birds keep clinging to Linda’s windows, whispering in her dreams, and showing up in unexpected places, pulling her back to her music and showing her how to stay open to wonder. Full of hope and resilience and the healing magic of music,And Still the Bird Singsis a story about finding sacred wonder in the midst of unimaginable loss, and a reminder of the many ways we can still connect with the ones we’ve lost. This unforgettable memoir will leave you filled with peace and wonder.
And Then I Wrote: The Songwriter Speaks
by Sylvia Tyson Tom RussellAn entertaining look at the craft of songwriting, in the words of songwriters themselves: a collection of anecdotes and quotations from well-known songwriters, past and present, on their influences, work habits, and how they came to write particular songs now ingrained in the popular psyche. The book forms an effective oral history, featuring songwriters from Irving Berlin and Noel Coward to Bob Dylan and Joni Mitchell; from Stephen Foster and Hank Williams to R. E. M. , Nirvana, and the Smashing Pumpkins. It's a book to be enjoyed by songwriters and music fans alike.
And There I Stood with My Piccolo
by Meredith WillsonAnd There I Stood with My Piccolo, originally published in 1948, is a zesty and colorful memoir of composer Meredith Willson's early years--from growing up in Mason City, Iowa, to playing the flute with John Philip Sousa's band and the New York Philharmonic Orchestra, to a successful career in composing for radio and motion pictures in Hollywood. It was apparent to everyone, except maybe Willson himself, that he was on his way to something big.Lighthearted and inspiring, it is no surprise Willson's tales caught the attention of prominent Broadway producers. In 1957, just nine years after the publication of this book, The Music Man became a Broadway sensation, winning five Tony Awards, including Best Musical. Meredith Willson's musical comedy is to this day arguably the most produced and beloved musical in American culture.
And They All Sang: Adventures of an Eclectic Disc Jockey
by Studs TerkelThe Pulitzer Prize–winning historian talks with some of twentieth century&’s most iconic musicians—&“Riveting . . . Just about every interview has a revelation&” (San Francisco Chronicle). Through the second half of the twentieth century, Studs Terkel hosted the legendary radio show &“The Wax Museum,&” presenting Chicago&’s music fans with his inimitable take on music of all kinds, from classical, opera, and jazz to gospel, blues, folk, and rock. Featuring more than forty of Terkel&’s conversations with some of the greatest musicians of the past century, And They All Sang is &“a tribute to music&’s universality and power&” (Philadelphia Inquirer). Included here are fascinating conversations with Louis Armstrong, Leonard Bernstein, Big Bill Broonzy, Bob Dylan, Dizzy Gillespie, Mahalia Jackson, Janis Joplin, Rosa Raisa, Pete Seeger, and many others. As the esteemed music critic Anthony DeCurtis wrote in the Chicago Tribune, &“the terms &‘interview&’ or &‘oral history&’ don&’t begin to do justice to what Terkel achieves in these conversations, which are at once wildly ambitious and as casual as can be.&” Whether discussing Enrico Caruso&’s nervousness on stage with opera diva Edith Mason or the Beatles&’ 1966 encounter in London with revered Indian sitar player Ravi Shankar, &“Terkel&’s singular gift for bringing his subjects to life in their own words should strike a chord with any music fan old enough to have replaced a worn-out record needle&” (The New York Times). &“Whether diva or dustbowl balladeer, Studs treats them all alike, with deep knowledge and an intimate, conversational approach . . . as this often remarkable book shows, Studs Terkel has remained mesmerized by great music throughout his life.&” —The Guardian &“[Terkel&’s] expertise is evident on every page, whether debating the harmonic structure of the spirituals or discerning the subtleties of Keith Jarrett&’s piano technique . . . As ever, he is the most skillful of interviewers.&” —The Independent &“What makes And They All Sang a rousing success isn&’t just Terkel&’s phenomenal range and broad knowledge, it&’s his passionate love of the music and his deep humanity.&” —San Francisco Chronicle
And A Voice to Sing With: A Memoir
by Joan Baez* The perfect time for a reissue: In October 2009, PBS will air a ninety-minute primetime special on Joan Baez as part of the Emmy Award-winning American Masters series. Told often from Baez's perspective, but supported by a rich performance and historical archive, the documentary centers on her career as a musician, power as an artist, those who influenced her, and those she championed. She will also be on a 27-city U.S. tour starting July 2009..* A musical force and a catalyst for social change: At the age of eighteen Baez was an international star with a Time magazine cover story; fifty years later she has thirty-three albums to her credit. She also marched alongside Martin Luther King, Jr., was jailed for supporting the draft resistance, and sang in the first Amnesty International tour. An extraordinary woman who has led an eventful life, Baez's memoir is as honest, unpretentious, and courageous as she is. .on as Baez shares her introduction to folk music and her baptism as its first female star in the coffee houses of Cambridge, Massachusetts. She recounts her musical and personal entwinement with Bob Dylan; her marriage to David Harris, and their painful breakup; and the joy she found upon the birth of her son, Gabriel. With a new introduction by acclaimed music critic Anthony DeCurtis, And a Voice to Sing With is the story of an American cultural icon. Marked by the openness and vulnerability that have touched us in her music, and the passion and integrity that have informed her politics, this is a disarmingly frank and stirring memoir of the life and work of one of the most extraordinary performers of our time.
And We're All Brothers: Singing In Yiddish In Contemporary North America (SOAS Studies in Music Series)
by Abigail WoodThe dawn of the twenty-first century marked a turning period for American Yiddish culture. The 'Old World' of Yiddish-speaking Eastern Europe was fading from living memory - yet at the same time, Yiddish song enjoyed a renaissance of creative interest, both among a younger generation seeking reengagement with the Yiddish language, and, most prominently via the transnational revival of klezmer music. The last quarter of the twentieth century and the early years of the twenty-first saw a steady stream of new songbook publications and recordings in Yiddish - newly composed songs, well-known singers performing nostalgic favourites, American popular songs translated into Yiddish, theatre songs, and even a couple of forays into Yiddish hip hop; musicians meanwhile engaged with discourses of musical revival, post-Holocaust cultural politics, the transformation of language use, radical alterity and a new generation of American Jewish identities. This book explores how Yiddish song became such a potent medium for musical and ideological creativity at the twilight of the twentieth century, presenting an episode in the flowing timeline of a musical repertory - New York at the dawn of the twenty-first century - and outlining some of the trajectories that Yiddish song and its singers have taken to, and beyond, this point.
André Jolivet: Music, Art and Literature (Music and Literature)
by Caroline RaeThis first book in English on the French composer André Jolivet (1905–1974) investigates his music, life and influence. A pupil of Varèse and colleague of Messiaen in La Jeune France, Jolivet is a major figure in French music of the twentieth century. His music combines innovative language with spirituality, summarised in his self-declared axiom to ‘restore music’s ancient original meaning when it was the magic and incantatory expression of the sacred in human communities’. The book’s contextual introduction is followed by contributions, edited by Caroline Rae, from leading international scholars including the composer’s daughter Christine Jolivet-Erlih. These assess Jolivet’s output and activities from the 1920s through to his last works, exploring creative process, aesthetic, his relationship with the exotic and influences from literature. They also examine, for the first time, the significance of Jolivet’s involvement with the visual arts and his activities as conductor, teacher and critic. A chronology of Jolivet’s life and works with details of first performances provides valuable overview and reference. This fascinating and comprehensive volume is an indispensable source for research into French music and culture of the twentieth century.
Andrei Tarkovsky's Sounding Cinema: Music and Meaning from Solaris to The Sacrifice (Music and Sound on the International Screen)
by Tobias PontaraAndrei Tarkovsky's Sounding Cinema adds a new dimension to our understanding and appreciation of the work of Russian director Andrei Tarkovsky (1932–1986) through an exploration of the presence of music and sound in his films. The first comprehensive study in English concentrating on the soundtrack in Tarkovsky’s cinema, this book reveals how Tarkovsky’s use of electronic music, electronically manipulated sound, traditional folk songs and fragments of canonized works of Western art music plays into the philosophical, existential and ethical themes recurring throughout his work. Exploring the multilayered relationship between music, sound, film image and narrative space, Pontara provides penetrating and innovative close readings of Solaris (1972), Mirror (1975), Stalker (1979), Nostalghia (1983) and The Sacrifice (1986) and in turn deeply enriches critical understanding of Tarkovsky’s films and their relation to the broader traditions of European art cinema. An excellent resource for scholars, researchers and students interested in European art cinema and the role of music in film, as well as for film aficionados interested in Tarkovsky’s work.
Anecdotes of Great Musicians: Three Hundred Anecdotes and Biographical Sketches of Famous Composers and Performers
by W. Francis GatesThis book, which was first published in 1895, is a wonderful collection of some 300 anecdotes and biographical sketches of famous composers and performers since time began.In the author’s own words, “[I]n the search for what this volume comprises, much material has been examined. I have attempted to cull from the mass of material that came to my notice such anecdotes as have two features,—that of being characteristic of the person referred to, and that of possessing sufficient interest; and in this re-narration I have incorporated such bits of musical information, along biographical and historical lines, as came to mind at the time of writing, but letting this feature be secondary to the main idea of the work. Thus it is hoped that while my readers may find interesting anecdote, they may also incidentally find that which is of more permanent value.”Gates’ work may be regarded as a companion volume to his book Musical Mosaics (1889), “supplementing the thoughts of the great musicians there expressed with incidents giving somewhat of a clue to their personality.”
Angel Song: Medieval English Music In History
by Lisa ColtonAlthough medieval English music has been relatively neglected in comparison with repertoire from France and Italy, there are few classical musicians today who have not listened to the thirteenth-century song ‘Sumer is icumen in’, or read of the achievements and fame of fifteenth-century composer John Dunstaple. Similarly, the identification of a distinctively English musical style (sometimes understood as the contenance angloise) has been made on numerous occasions by writers exploring the extent to which English ideas influenced polyphonic composition abroad. Angel song: Medieval English music in history examines the ways in which the standard narratives of English musical history have been crafted, from the Middle Ages to the present. Colton challenges the way in which the concept of a canon of English music has been built around a handful of pieces, composers and practices, each of which offers opportunities for a reappraisal of English musical and devotional cultures between 1250 and 1460.
Angel Standing By
by P. J. Mcfarland"There really aren't mistakes. Be very adventurous and brave in your life. Love bravely, live bravely, be courageous--there's really nothing to lose. There's no wrong you can't make right again, so be kind to yourself. . . There are no bounds." --JewelAngel Standing By offers an intimate, behind-the-scenes look at the struggles and successes of Jewel Kilcher, who in a few short years went from living in her van near the beach in San Diego to becoming a multiplatinum recording artist and nationally best selling author. With personal photographs and exclusive interview material, this fascinating account is not to be missed by any fan moved by the music of Jewel.