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Legacies of Ewan MacColl: The Last Interview (Ashgate Popular and Folk Music Series)
by Giovanni VaccaEwan MacColl is widely recognized as a key figure in the English folk revival, who tried to convey traditional music to a mass audience. Dominant in the movement during the 1950s and much of the 1960s, his position has come under attack in more recent years from some scholars. While it would be arrogant to claim to 'set the record straight', this book will contribute significantly to the debate surrounding MacColl's importance. MacColl gave two extended interviews with co-editor Giovanni Vacca in 1987 and 1988, not long before his death, and these provide the impetus for a re-examination of his methods, his politics and his aesthetic aims. The book also provides critical overviews of MacColl's activities in the revival and of his practices, particularly as writer and singer. The time is ripe for such a contribution, following Peter Cox's study of the Radio Ballads, and in the context of biographies by Joan Littlewood and Frankie Armstrong. The contributions locate MacColl in his own historical context, attempting to understand some of the characteristic techniques through which he was able to write and sing such extraordinary songs, which capture so well for others the detail and flavour of their lives. Great emphasis is placed on the importance of seeing MacColl as not only a British, but a European folk activist, through discussion of his hitherto barely known work in Italy, enabling a re-contextualization of his work within a broader European context. The interviews themselves are fluent and fascinating narrations in which MacColl discusses his life, music, and experiences in the theatre and in the folk music revival as well as with a series of issues concerning folk music, politics, history, language, art and other theoretical issues, offering a complete description of all the repertories of the British Isles. Peggy Seeger contributes a Foreword to the collection.
Legacies of Power in American Music: Essays in Honor of Michael J. Budds (CMS Monographs and Sourcebooks in American Music)
by Judith A. MabaryThis volume honors and extends the contributions of educator and scholar Dr. Michael J. Budds to the field of musicology, particularly the study of American music. As the longtime editor of two book series for the College Music Society, Budds nurtured a wide range of scholarship in American music and had a lasting impact on the field. This book brings together scholars who worked with Budds as a colleague, editor, or mentor to carry on his legacy of passionate engagement with America’s rich and varied musical heritage. Ranging through jazz, gospel, Americana, and film music to American classical, and addressing music’s social contexts and analytical structure, the research gathered here attests to the diversity of the mosaic that is American music and the numerous scholarly approaches that have been taken to the subject.
Legacy of a Musical City
by Max GrafThe story of Vienna, the musical center of the world. Max Graf, the Nestor of Austrian music critics, relates in a fascinating manner his own recollections of life with Bruckner, Brahms, Strauss, and other immortals in the music world. The author has enjoyed the intimate friendships over the course of fifty years. He gives a delightful as well as a highly educational story of the development of Austrian music. From the table of contents: Studying with Anton Bruckner; Hours with Hugo Wolf; Recollections of Gustav Mahler; Memories of Johann Strauss; Talks with Johannes Brahms; Richard Strauss; Arnold Schoenberg; The Fight Pony Ballets; Music in Churches; The Dead City; Vienna of Tomorrow.
The Legacy of Chopin
by Jan HolcmanJan Holcman's Legacy of Chopin brings together Chopin's views on music, including pianism, composition, teaching, music criticism, and more. With extensive references and footnotes from the author, readers can gain unparalleled knowledge into the famous composer's theories, practices, and philosophies.
The Legacy of Chopin
by Jan HolcmanA fascinating survey of Chopin&’s views on music, from composition theory to his philosophy of teaching, including explanatory notes from the author. The Legacy of Chopin is a comprehensive study of the great composer&’s views on music—including pianism, composition, pedagogy, music criticism, and more. Drawing on extensive research from a wide range of sources, Jan Holcman provides essential historical and musicological context for Chopin&’s references and concepts, making his more esoteric ideas accessible to the general reader. An author and musicologist, Holcman shares his deep knowledge of Chopin&’s life and oeuvre in this enlightening exploration of his theories, practices, and philosophies.
Legacy of Chopin
by Jan HolcmanChopin's views on all phases of music: pianism, composing, teaching, piano transcriptions, criticism, musical progress, etc.
The Legacy of Cornelius Cardew
by Tony HarrisCornelius Cardew is an enigma. Depending on which sources one consults he is either an influential and iconic figure of British musical culture or a marginal curiosity, a footnote to a misguided musical phenomenon. He is both praised for his uncompromising commitment to world-changing politics, and mocked for being blindly caught up in a maelstrom of naïve political folly. His works are both widely lauded as landmark achievements of the British avant-garde and ridiculed as an archaic and irrelevant footnote to the established musical culture. Even the events of his death are shrouded in mystery and lack a sense of closure. As long ago as 1967, Morton Feldman cited Cardew as an influential figure, central to the future of modern music-making. The extent to which Cardew has been a central figure and a force for new ideas in music forms the backbone to this book. Harris demonstrates that Cardew was an original thinker, a charismatic leader, an able facilitator, and a committed activist. He argues that Cardew exerted considerable influence on numerous individuals and groups, but also demonstrates how the composer's significance has been variously underestimated, undermined and misrepresented. Cardew's diverse body of work and activity is here given coherence by its sharing in the values and principles that underpinned the composer's world view. The apparently disparate and contradictory episodes of Cardew's career are shown to be fused by a cohesive 'Cardew aesthetic' that permeates the man, his politics and his music.
The Legacy of Johann Strauss
by Zoë Alexis LangThe Legacy of Johann Strauss examines constructions of Austrian identity through the reception of Johann Strauss Jr. 's waltzes in the twentieth century. Zoe Lang argues that the music of Strauss Jr. remained popular because it continued to be revitalized by Austrians seeking to define their culture. Press coverage from the 1925 centennial celebration of Strauss Jr. 's birth celebrations in Vienna shows how he was reinvented for the new, post-Habsburg nation. The book also includes a discussion of the origins of the Vienna Philharmonic's New Year's Concert and considers how Strauss Jr. was appropriated as a National Socialist icon in the 1930s and 1940s. The Strauss family's Jewish ancestry is discussed, along with the infamous forgery of paperwork about their lineage during the 1940s. There is also a case study of Strauss Jr. 's Emperor Waltz, considering its variegated usage in concerts and films from 1925-1953.
Legend of a Musical City: The Story of Vienna
by Max GrafA personal history of the world capital of classical music, written by the renowned Viennese musicologist and author of Composer and Critic. Max Graf shares his recollections of life with Anton Bruckner, Gustav Mahler, Johannes Brahms, Richard Strauss, Arnold Schoenberg, and other immortals of the music world. The influential musicologist, critic, and composer enjoyed intimate friendships with these men, who made musical history in his home city of Vienna. Bringing to life some of the most iconic figures in music, as well as the city of Vienna itself, Graf recounts a charming, personal, and highly educational story of Austria&’s musical legacy. &“Max Graf is not only an eminent historian and teacher, but a very adept writer; as a critic, he has shown keen judgment and objectivity.&” —Richard Strauss
The Legend of George Jones
by Peanutt Montgomery Charlene MontgomeryGeorge Jones lived a storied life, but his career was not without controversies. This book reveals fascinating, intimate details about the life of George Jones that have never before been published. Charlene and Peanutt Montgomery, who were George's closest friends and confidants over a thirty-year period and the songwriters for the vast majority of the songs that George recorded, are the authors of this highly entertaining book. Their strong bonds with and admiration for George come shining through, even when writing about the less-than-flattering incidents and times that make up part of the story. This book contains a CD album of 12 songs written by George Jones and Peanutt Montgomery, including the never before released title song, The Legend of George Jones. Peanutt wrote 77 songs for George Jones over more than 30 years, all of which were top 40 songs, with some reaching #1 hit status. A variety of well-known country music artists sing the songs on the CD album. The album becomes a bonus treat for the readers.
Legend of A Musical City
by Max GrafLegend of a Musical City - The Story of Vienna by Max Graf is a story of Vienna - the musical center of the world. The author has enjoyed the intimate friendship of the musical stars of the last fifty years in which this book was written. Musical stars such as Bruckner, Brahms, and Richard Strauss. He gives a delightful as well as highly educational story of the development of Austrian music. Max Graf, a composer and music critic, the father of Little Hans, was born October 1, 1873, in Vienna, where he died on June 24, 1958. The son of Joseph Graf, a Jewish writer and editor, he was educated in Vienna and Prague. After 1891 he studied at the law school of the University of Vienna but devoted most of his time to music and it was his intention to become a composer, according to Louis Rose (1986). He finished his legal studies in 1896 but devoted much of his time to music composition and criticism, and regularly took part in meetings of the literary group Jung-Wien. From 1902 to 1938 he taught the history of music and musical aesthetics at the Vienna Academy of Music, where he was appointed professor in 1909. Graf met Sigmund Freud in 1900 and his wife, Olga Graf (born Olga Hoenig), from whom he separated a few years later, was probably a patient of Freud's. Within the psychoanalytic movement he is known for being the father of Little Hans, Herbert Graf, who was born in 1903. It was Max who supplied Freud with the material for his paper The Analysis of a Phobia in a Five-Year Old Boy (1909b). At the end of 1904, he took part in sessions of the Wednesday Psychoanalytic Society and, in December 1907, wrote an essay entitled Methodik der Dichterpsychologie (Methodology of the Psychology of the Poet). In early 1906 Freud wrote a short text on a somewhat unexpected topic, Psycopathische Personen auf der Bhne (Psychopathic Characters on the Stage). The text was never published in German, but Graf, to whom Freud had given the manuscript, kept it and had an English translation published (1942a [1905-1906]). Graf emigrated to the United States in 1938 and taught until 1947 at the New School for Social Research in New York, where, in 1940, he created the first seminars in music criticism. He was a guest professor at the Carnegie Institute of Technology in Pittsburgh and at Temple University in Philadelphia. In 1947 he returned to Austria and taught music criticism at the Mozarteum in Salzburg and elsewhere. In 1953 his autobiography, Jede Stunde war erfllt: Ein halbes Jahrhundert Musik- und Theaterleben (Every Minute Filled: A Half-Century in Music and Theater), was published in Vienna, where he died in 1958.
The Legendary Horseshoe Tavern: A Complete History
by David Mcpherson Jim CuddyA complete history of Toronto’s legendary Horseshoe Tavern, “the Birthplace of Canadian Rock,” to coincide with its seventieth anniversary. Like the Queen Street strip that has been its home for seven decades, the Horseshoe Tavern continues to evolve. It remains as relevant today as it did when Jack Starr founded the country music club on the site of a former blacksmith shop. From country and rockabilly to rock ‘n’ roll, punk, alt/country, and back to roots music, the venerable live music venue has evolved with the times and trends — always keeping pace with the music. Over its long history, the Horseshoe has seen a flood of talent pass through. From Willie Nelson to Loretta Lynn, Stompin’ Tom Connors to The Band, and Bryan Adams to the Tragically Hip, the Horseshoe has attracted premier acts from all eras of music. In The Legendary Horseshoe Tavern, David McPherson captures the turbulent life of the bar, and of Canadian rock.
Legends from Camp
by Lawson Fusao InadaInada talks about life in Japanese internment camps, jazz, and living in Fresno, CA. Inada's poems are playful, engaging and directed towards a wide audience.
Legends, Icons & Rebels: Music That Changed the World
by Robbie Robertson Jim Guerinot Sebastian Robertson Jared LevineMusic industry veterans Robbie Robertson, Jim Guerinot, Jared Levine, and Sebastian Robertson invite young readers to share with them in celebrating twenty-seven musical legends. Short profiles chronicle personal stories and achievements of extraordinarily talented artists whose innovations changed the landscape of music for generations to come. Compiled like any great playlist, the line-up features originators, rebels, and risk-takers across diverse genres. From Ray Charles to Johnny Cash, Chuck Berry to Bob Dylan, Robertson shares anecdotes about these artists and the influence they had on his own musical journey.
Legends, Icons & Rebels: Music That Changed the World
by Robbie Robertson Jim Guerinot Sebastian Robertson Jared LevineExclusive insights from a celebrated musician and passionate industry insiders, two accompanying CDs of legendary tracks and beautiful packaging make for a book with broad appeal -- one that will captivate fans of Robbie Robertson and music lovers of all ages.Part memoir, part tribute, and all great storytelling ...Music industry veterans Robbie Robertson, Jim Guerinot, Jared Levine, and Sebastian Robertson invite young readers to share with them in celebrating twenty-seven musical legends. Short profiles chronicle personal stories and achievements of extraordinarily talented artists whose innovations changed the landscape of music for generations to come. Carefully compiled like any great playlist, the line-up features originators, rebels, and risk-takers across diverse genres. From Ray Charles to Johnny Cash, Chuck Berry to Bob Dylan, Robertson shares anecdotes about these artists and the influence they had on his own musical journey.Always respectful of their reader, the writers never shy away from speaking about the difficult challenges these recording artists faced and the very human foibles that sometimes led to their tragic end. Most of all, it's the authors' passion and insights into these personal stories of creativity and collaboration -- and the power of music to shine a light on injustice and foster change -- that will fascinate, enlighten, and inspire music fans of all ages.&”Exclusive insights from a celebrated musician and passionate industry insiders, two accompanying CDs of legendary tracks and beautiful packaging make for a book with broad appeal -- one that will captivate fans of Robbie Robertson and music lovers of all ages.Tracklist for Legends, Icons & RebelsDisc One1. Chuck Berry Johnny B. Goode2. Johnny Cash Get Rhythm3. Aretha Franklin I Say a Little Prayer4. The Beatles Here Comes the Sun6. Bob Marley Three Little Birds5. Louis Armstrong What a Wonderful World7. Buddy Holly Peggy Sue8. Joni Mitchell The Circle Game9. Ray Charles & The Raelettes Hit the Road Jack10. Elvis Presley Hound Dog11. Curtis Mayfield & The Impressions People Get Ready12. Billie Holiday & Her Orchestra Let&’s Call the Whole Thing OffDisc Two 1. Little Richard Lucille2. Hank Williams Jambalaya (On the Bayou)3. Frank Sinatra Fly Me to the Moon4. Marvin Gaye I Heard It Through the Grapevine6. Sam Cooke Wonderful World5. Carole King So Far Away7. Louis Jordan Caldonia8. The Beach Boys In My Room9. Ella Fitzgerald A-Tisket, A-Tasket10. James Brown I Got You (I Feel Good)11. Patsy Cline Crazy12. Otis Redding That&’s How Strong My Love Is13. Nat King Cole It&’s Only a Paper Moon14. Stevie Wonder Signed, Sealed, Delivered I&’m Yours15. Bob Dylan Forever Young
Legions of Boom: Filipino American Mobile DJ Crews in the San Francisco Bay Area
by Oliver WangArmed with speakers, turntables, light systems, and records, Filipino American mobile DJ crews, such as Ultimate Creations, Spintronix, and Images, Inc., rocked dance floors throughout the San Francisco Bay Area from the late 1970s through the mid-1990s. In Legions of Boom noted music and pop culture writer and scholar Oliver Wang chronicles this remarkable scene that eventually became the cradle for turntablism. These crews, which were instrumental in helping to create and unify the Bay Area's Filipino American community, gave young men opportunities to assert their masculinity and gain social status. While crews regularly spun records for school dances, weddings, birthdays, or garage parties, the scene's centerpieces were showcases--or multi-crew performances--which drew crowds of hundreds, or even thousands. By the mid-1990s the scene was in decline, as single DJs became popular, recruitment to crews fell off, and aspiring scratch DJs branched off into their own scene. As the training ground for a generation of DJs, including DJ Q-Bert, Shortkut, and Mix Master Mike, the mobile scene left an indelible mark on its community that eventually grew to have a global impact.
The LEGO Movie (21st Century Film Essentials)
by Dana PolanWhat happens when we set out to understand LEGO not just as a physical object but as an idea, an icon of modernity, an image—maybe even a moving image? To what extent can the LEGO brick fit into the multimedia landscape of popular culture, especially film culture, today? Launching from these questions, Dana Polan traces LEGO from thing to film and asserts that The LEGO Movie is an exemplar of key directions in mainstream cinema, combining the visceral impact of effects and spectacle with ironic self-awareness and savvy critique of mass culture as it reaches for new heights of creativity. Incorporating insights from conversations with producer Dan Lin and writer-directors Phil Lord and Chris Miller, Polan examines the production and reception of The LEGO Movie and closely analyzes the film within popular culture at large and in relation to LEGO as a toy and commodity. He identifies the film&’s particular stylistic and narrative qualities, its grasp of and response to the culture industry, and what makes it a distinctive work of animation within the seeming omnipresence of animation in Hollywood, and reveals why the blockbuster film, in all its silliness and seriousness, stands apart as a divergent cultural work.
The Legs Are the Last to Go: Aging, Acting, Marrying, & Other Things I Learned the Hard Way
by Diahann CarrollIt's conventional wisdom that Hollywood has no use for a woman over forty. So it's a good thing that Diahann Carroll—whose winning, sometimes controversial career breached racial barriers—is anything but conventional.Here she shares her life story with an admirable candidness of someone who has seen and done it all. With wisdom that only aging gracefully can bestow, she talks frankly about her four marriages as well as the other significant relationships in her life, including her courtship with Sidney Poitier; racial politics in Hollywood and on Broadway; and the personal cost, particularly to her family, of being a pioneer. Carroll's storied history, blunt views, and notorious wit will be sure to entertain and inform.
Lemmy: The Definitive Biography
by Mick Wall'Unflinching, forthright and full of wry humour as the man himself, and there's little praise greater than that' CLASSIC ROCK'Wall's vision of Lemmy as a Rock'n'Roll stalwart who made no concessions is vivid to the last' GUARDIANIn 'The Ace of Spades', Motörhead's most famous song, Lemmy, the born-to-lose, live-to-win frontman of the band sang, 'I don't want to live forever'. Yet as he told his friend of 35 years, former PR and biographer Mick Wall, 'Actually, I want to go the day before forever. To avoid the rush...'. This is his strange but true story. Brutally frank, painfully funny, wincingly sad, and always beautifully told, LEMMY: THE DEFINITIVE BIOGRAPHY is the story of the only rock'n'roller never to sell his soul for silver and gold, while keeping the devil, as he put it, 'very close to my side'. From school days growing up in North Wales, to first finding fame in the mid-60s with the Rockin' Vicars; from being Jimi Hendrix's personal roadie ('I would score acid for him'), to leading Hawkwind to the top of the charts in 1972 with 'Silver Machine' ('I was fired for taking the wrong drugs'); from forming Motörhead ('I wanted to call the band Bastard but my manager wouldn't let me'), whose iconoclastic album NO SLEEP 'TIL HAMMERSMITH entered the UK charts at No. 1.Based on Mick's original interviews with Lemmy conducted over numerous years, along with the insights of those who knew him best - former band mates, friends, managers, fellow artists and record business insiders - this is an unputdownable story of one of Britain's greatest characters. As Lemmy once said of Wall, 'Mick Wall is one of the few rock writers in the world who can actually write and seems to know anything about rock music. I can and do talk to him for hours - poor bastard.' With the hard part of his journey now over, Lemmy is set to become a legend. LEMMY: THE DEFINITIVE BIOGRAPHY explains exactly how that came to be.
Lemmy: The Definitive Biography
by Mick WallBrutally frank, painfully funny, wincingly sad, and always beautifully told, LEMMY: THE DEFINITIVE BIOGRAPHY is the story of the only rock'n'roller never to sell his soul for silver and gold, while keeping the devil, as he put it, 'very close to my side'. From school days growing up in North Wales, to first finding fame in the mid-60s with the Rockin' Vicars; from being Jimi Hendrix's personal roadie, to leading Hawkwind to the top of the charts in 1972 with 'Silver Machine; to forming Motörhead. Based on Mick's original interviews with Lemmy conducted over numerous years, along with the insights of those who knew him best - former band mates, friends, managers, fellow artists and record business insiders - this is a compelling story of one of Britain's greatest characters. As Lemmy once said of Wall, 'Mick Wall is one of the few rock writers in the world who can actually write and seems to know anything about rock music. I can and do talk to him for hours"
Lemon Jail: On the Road with the Replacements
by Bill SullivanA tour diary of life on the road with one of Minnesota&’s greatest bands—with nearly 100 never-before-seen photographs &“Don&’t bore us, get to the chorus&” is Bill Sullivan&’s motto, which will come as no surprise to anyone who opens Lemon Jail. A raucous tour diary of rock &’n&’ roll in the 1980s, Sullivan&’s book puts us in the van with the Replacements in the early years. Barreling down the highway to the next show through quiet nights and hightailing it out of scandalized college towns, Sullivan—the young and reckless roadie—is in the middle of the joy and chaos, trying to get the band on stage and the crowd off it and knowing when to jump in and cover Alice Cooper. Lemon Jail shows what it&’s like to keep the band on the road and the wheels on the van—and when to just close your eyes and hit the gas. That first van, dubbed the Lemon Jail by Bill, takes the now legendary Replacements from a south Minneapolis basement to dive bars and iconic rock clubs to college parties and eventually an international stage. It&’s not a straight shot or a smooth ride, and there&’s never a dull moment, whether Bob Stinson is setting a record for the quickest ejection from CBGB in NYC or hiding White Castle sliders around a hotel room or whether Paul Westerberg is sneaking gear out of a hostile venue or saving Bill&’s life at a brothel in New Jersey. With growing fame (and new vans) come tours with REM and X (what happens when the audience isn&’t allowed to stand?), Tom Petty and the Heartbreakers and the Violent Femmes (against their will), and Saturday Night Live, where the band&’s televised antics earn the edict You&’ll never play on NBC again. Fast forward: You&’ll never play Washington, D.C., again. Or Moorhead.Hiding in fans&’ backyards while the police search the streets and pelted with canned goods at a Kent State food drive, the Replacements hit rough patches along with sweet spots, and Lemon Jail reveals the grit and glory both onstage and off, all told in the irrepressible, full-throttle style that makes Bill Sullivan an irresistible guide on this once-in-a-lifetime road trip with a band on the make.
Lemonade Mouth
by Mark Peter HughesPoets. Geniuses. Revolutionaries.The members of the legendary band Lemonade Mouth have been called all of these things. But until now, nobody's known the inside story of how this powerhouse band came to be. How five outcasts in Opoquonsett High School's freshman class found each other, found the music, and went on to change both rock and roll and high school as we know it. Wen, Stella, Charlie, Olivia, and Mo take us back to that fateful detention where a dentist's jingle, a teacher's coughing fit, and a beat-up ukelele gave birth to Rhode Island's most influential band. Told in each of their five voices and compiled by Opoquonsett's "scene queen," freshman Naomi Fishmeier, this anthology is their definitive history.From the Hardcover edition.
Lemonade Mouth Puckers Up
by Mark Peter HughesThis is what happened after five outcasts in Opequonsett High School found each other, found the music, and went on to become Rhode Island's most influential band. What's next for this group of musical misfits? Whatever is it, it will be nothing short of revoluntionary.
Lennon: The Man, the Myth, the Music - The Definitive Life
by Tim RileyIn his commanding new book, the eminent NPR critic Tim Riley takes us on the remarkable journey that brought a Liverpool art student from a disastrous childhood to the highest realms of fame.Riley portrays Lennon's rise from Hamburg's red light district to Britain's Royal Variety Show; from the charmed naiveté of "Love Me Do" to the soaring ambivalence of "Don't Let Me Down"; from his shotgun marriage to Cynthia Powell in 1962 to his epic media romance with Yoko Ono. Written with the critical insight and stylistic mastery readers have come to expect from Riley, this richly textured narrative draws on numerous new and exclusive interviews with Lennon's friends, enemies, confidantes, and associates; lost memoirs written by relatives and friends; as well as previously undiscovered City of Liverpool records. Riley explores Lennon in all of his contradictions: the British art student who universalized an American style, the anarchic rock 'n' roller with the moral spine, the anti-jazz snob who posed naked with his avant-garde lover, and the misogynist who became a househusband. What emerges is the enormous, seductive, and confounding personality that made Lennon a cultural touchstone.In Lennon, Riley casts Lennon as a modernist hero in a sweeping epic, dramatizing rock history anew as Lennon himself might have experienced it.
Lennon and McCartney: Painting with Sound
by Thomas MacFarlaneLennon & McCartney: Painting with Sound explores the work of two of the most influential composers of the twentieth century. Five decades after the breakup of the Beatles, the music of John Lennon and Paul McCartney continues to fascinate and inspire. Evidence suggests that their uniquely eclectic approach can be traced back to the Liverpool College of Art. Following on that idea, this book explores the creative dialogue between John Lennon and Paul McCartney, both with the Beatles and on their own, that grew out of that early influence. MacFarlane considers the Liverpool College of Art as the backdrop for John and Paul’s early collaborations with painter and musician Stuart Sutcliffe. This is followed by the main body of the text, presented in three sections: Section I. Stretching the Canvas explores select works created by the band between 1963-66. Section II. Extending the Space assesses key Beatle projects of the late 1960s followed by an exploration of the long-distance creative dialogue between Lennon and McCartney as demonstrated in their respective solo recordings of the 1970s. Section III. New Colours considers the final works of the Lennon and McCartney creative dialogue as well as various McCartney solo projects released in the years that followed Lennon’s death in 1980. Here, the focus is on Paul’s development as a painter, its effect on his creativity, and his subsequent efforts to establish the Liverpool Institute for Performing Arts as a world-class arts conservatory.