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Lives of the Poets (with Guitars): Thirteen Outsiders Who Changed Rock & Roll
by Ray Robertson"The days of poets moping around castle steps wearing black capes is over. The poets of today are amplified."- LEONARD COHENPicking up where Samuel Johnson left off more than two centuries ago, Ray Robertson's Lives of the Poets (with Guitars) offers up an amplified gathering of thirteen portraits of rock & roll, blues, folk, and alt-country's most inimitable artists. Irreverent and riotous, Robertson explores the "greater or lesser heat" with which each musician shaped their genre, while offering absorbing insight into their often tumultuous lives.Includes essays on Gene Clark, Ronnie Lane, The Ramones, Sister Rosetta Tharpe, Townes Van Zandt, Little Richard, Alan Wilson, Willie P. Bennett, Gram Parsons, Hound Dog Taylor, Paul Siebel, Willis Alan Ramsey, and John Hartford.
The Living Art of Violin Playing: Progressive Form
by Maureen Taranto-PyattBlending creative insights with wisdom of the masters, professional violinist Maureen Taranto-Pyatt shares practical guidance in her new methodology, Progressive Form.With The Living Art of Violin Playing, violinists will learn to appreciate the physics and geometry of movement to facilitate a nuanced flow of compression and release in the playing. A gradual building of technique begins from sitting or standing, moves through the torso into the left arm first, sets up an effective bow arm, and then combines the two in a holistic context. Imagery invigorates each of the technical moments, instilling new patterns that are now memorable and integrating each component into larger forms.Featuring nearly 400 photos and music examples to illustrate technical elements through balance and gesture, Progressive Form can be used as a step-by-step retooling of technique or as a reference for targeted issues. A comprehensive exploration of method in service of musical expression, The Living Art of Violin Playing offers the aspiring and serious violinist a path toward a more liberated musical world.
Living Electronic Music
by Simon EmmersonDrawing on recent ideas that explore new environments and the changing situations of composition and performance, Simon Emmerson provides a significant contribution to the study of contemporary music, bridging history, aesthetics and the ideas behind evolving performance practices. Whether created in a studio or performed on stage, how does electronic music reflect what is live and living? What is it to perform 'live' in the age of the laptop? Many performer-composers draw upon a 'library' of materials, some created beforehand in a studio, some coded 'on the fly', others 'plundered' from the widest possible range of sources. But others refuse to abandon traditionally 'created and structured' electroacoustic work. Lying behind this maelstrom of activity is the perennial relationship to 'theory', that is, ideas, principles and practices that somehow lie behind composers' and performers' actions. Some composers claim they just 'respond' to sound and compose 'with their ears', while others use models and analogies of previously 'non-musical' processes. It is evident that in such new musical practices the human body has a new relationship to the sound. There is a historical dimension to this, for since the earliest electroacoustic experiments in 1948 the body has been celebrated or sublimated in a strange 'dance' of forces in which it has never quite gone away but rarely been overtly present. The relationship of the body performing to the spaces around has also undergone a revolution as the source of sound production has shifted to the loudspeaker. Emmerson considers these issues in the framework of our increasingly 'acousmatic' world in which we cannot see the source of the sounds we hear.
Living Ethnomusicology: Paths and Practices
by Margaret Sarkissian Ted SolisEthnomusicologists have journeyed from Bali to Morocco to the depths of Amazonia to chronicle humanity's relationship with music. Margaret Sarkissian and Ted Solís guide us into the field's last great undiscovered country: ethnomusicology itself. Drawing on fieldwork based on person-to-person interaction, the editors provide a first-ever ethnography of the discipline. The unique collaborations produce an ambitious exploration of ethnomusicology's formation, evolution, practice, and unique identity. In particular, the subjects discuss their early lives and influences and trace their varied career trajectories. They also draw on their own experiences to offer reflections on all aspects of the field. Pursuing practitioners not only from diverse backgrounds and specialties but from different eras, Sarkissian and Solís illuminate the many trails ethnomusicologists have blazed in the pursuit of knowledge. A bountiful resource on history and practice, Living Ethnomusicology is an enlightening intellectual exploration of an exotic academic culture.
Living from Music in Salvador: Professional Musicians and the Capital of Afro-Brazil (Music / Culture)
by Jeff PackmanLiving from Music in Salvador is an examination of music as labor, and musicians as laborers, in Salvador da Bahia, an urban state capital widely regarded as Brazil's most African city. Drawing on fieldwork that spans sixteen years, the book explores local musicians' lives and labors as members of a flexible work force in a setting that is culturally rich but economically poor. Often hidden in plain sight, these musician-workers are crucial participants in the economy of a city of nearly three million people that relies heavily on the commodification of Afro-diasporic expressive culture. Performing in clubs and restaurants, during Carnaval parades and festival celebrations, and on concert stages and recordings (at times backing marquee artists), they support themselves and their families and also serve as public representatives of Bahian culture to residents and tourists alike. Yet such audibility and the wages they earn from it are contingent on their ability to navigate complex and often contradictory industry and societal conditions that are profoundly informed by the entrenched legacies of colonization, the African slave trade, and the plantation system.
Living Genres in Late Modernity: American Music of the Long 1970s
by Charles KronengoldLiving Genres in Late Modernity rehears the American 1970s through the workings of its musical genres. Exploring stylistic developments from the late 1960s through the early 1980s, including soul, funk, disco, pop, the nocturne, and the concerto, Charles Kronengold treats genres as unstable constellations of works, people, practices, institutions, technologies, money, conventions, forms, ideas, and multisensory experiences. What these genres share is a significant cultural moment: they arrive just after "the sixties" and are haunted by a sense of belatedness, loss, or doubt, even as they embrace narratives of progress or abundance. These genres give us reasons—and means—to examine our culture’s self-understandings. Through close readings and large-scale mappings of cultural and stylistic patterns, the book’s five linked studies reveal how genres help construct personal and cultural identities that are both partial and overlapping, that exist in tension with one another, and that we experience in ebbs and flows.
Living Like a Runaway: A Memoir
by Lita FordFearless, revealing, and compulsively readable, Lita Ford’s Living Like a Runaway is the long-awaited memoir from one of rock’s greatest pioneers—and fiercest survivors. “Heavy metal’s leading female rocker" (Rolling Stone) bares all, opening up about the Runaways, the glory days of the punk and hard-rock scenes, and the highs and lows of her trailblazing career.Wielding her signature black guitar, Lita Ford shredded stereotypes of female musicians throughout the 1970s and ‘80s. Then followed more than a decade of silence and darkness—until rock and roll repaid the debt it owed this pioneer, helped Lita reclaim her soul, and restored the Queen of Metal to her throne.In 1975, Lita Ford left home at age sixteen to join the world’s first major all-female rock group, the Runaways—a “pioneering band” (New York Times) that became the subject of a Hollywood movie starring Kristen Stewart ad Dakota Fanning. Lita went on to become “heavy rock’s first female guitar hero” (Washington Post), a platinum-selling solo star who shared the bill with the Ramones, Van Halen, Motley Crue, Bon Jovi, Def Leppard, Poison, and others and who gave Ozzy Osbourne his first Top 10 hit. She was a bare-ass, leather-clad babe whose hair was bigger and whose guitar licks were hotter than any of the guys’.Hailed by Elle as “one of the greatest female electric guitar players to ever pick up the instrument,” Lita spurred the meteoric rise of Joan Jett, Cherie Currie, and the rest of the Runaways. Her phenomenal talent on the fret board also carried her to tremendous individual success after the group’s 1979 disbandment, when she established herself as a “legendary metal icon” (Guitar World) and a fixture of the 1980s music scene who held her own after hours with Nikki Sixx, Jon Bon Jovi, Eddie Van Halen, Tommy Lee, Motorhead’s Lemmy, Black Sabbath’s Tony Iommi (to whom she was engaged), and others.Featuring a foreword by Dee Snider, Living Like a Runaway also provides never-before-told details of Lita’s dramatic personal story. For Lita, life as a woman in the male-dominated rock scene was never easy, a constant battle with the music establishment. But then, at a low point in her career, came a tumultuous marriage that left her feeling trapped, isolated from the rock-and-roll scene for more than a decade, and—most tragically—alienated from her two sons. And yet, after a dramatic and emotional personal odyssey, Lita picked up her guitar and stormed back to the stage. As Guitar Player hailed in 2014 when they inducted her into their hall of fame of guitar greats: “She is as badass as ever.”
Living on a Thin Line
by Dave DaviesThe all new, must-read memoir by legendary Kinks guitarist Dave Davies'BOOK OF THE DAY' - Guardian'This powerful tell-all from the Kinks guitarist puts the spotlight on his own bad behaviour, dalliances with the occult and his recovery from a stroke.' - Observer'Heartfelt, hilarious, revealing, insightful and astonishingly candid. Boy, you really got me Dave. I can't wait to read it again.' - Mark Hamill Dave Davies is the co-founder and lead guitarist of epoch-defining band the Kinks, a group with fifty million record sales to their name. In his autobiography, Davies revisits the glory days of the band that spawned so much extraordinary music, and which had such a profound influence on bands from The Clash and Van Halen to Oasis and Blur. Full of tales of the tumultuous times and the ups-and-downs of his relationship with his brother Ray, along with encounters with the likes of John Lennon and Jimi Hendrix, this will be a glorious read for Kinks fans and anyone who wants to read about the heyday of rock 'n' roll.
Living on a Thin Line
by Dave DaviesThe all new, must-read memoir by legendary Kinks guitarist Dave Davies'BOOK OF THE DAY' - Guardian'This powerful tell-all from the Kinks guitarist puts the spotlight on his own bad behaviour, dalliances with the occult and his recovery from a stroke.' - Observer'Heartfelt, hilarious, revealing, insightful and astonishingly candid. Boy, you really got me Dave. I can't wait to read it again.' - Mark Hamill Dave Davies is the co-founder and lead guitarist of epoch-defining band the Kinks, a group with fifty million record sales to their name. In his autobiography, Davies revisits the glory days of the band that spawned so much extraordinary music, and which had such a profound influence on bands from The Clash and Van Halen to Oasis and Blur. Full of tales of the tumultuous times and the ups-and-downs of his relationship with his brother Ray, along with encounters with the likes of John Lennon and Jimi Hendrix, this will be a glorious read for Kinks fans and anyone who wants to read about the heyday of rock 'n' roll.
Living on a Thin Line
by Dave DaviesThe all new, must-read memoir by legendary Kinks guitarist Dave DaviesDave Davies is the co-founder and lead guitarist of epoch-defining band the Kinks, a group with fifty million record sales to their name. In his autobiography, Davies revisits the glory days of the band that spawned so much extraordinary music, and which had such a profound influence on bands from The Clash and Van Halen to Oasis and Blur. Full of tales of the tumultuous times and the ups-and-downs of his relationship with his brother Ray, along with encounters with the likes of John Lennon and Jimi Hendrix, this will be a glorious listen for Kinks fans and anyone who wants to hear about the heyday of rock 'n' roll.(P) 2022 Headline Publishing Group Ltd
Living Politics, Making Music: The Writings of Jan Fairley (Ashgate Popular and Folk Music Series)
by Jan Fairley edited by Frith Ian ChristieThe late Jan Fairley (1949-2012) was a key figure in making world music a significant topic for popular music studies and an influential contributor to such world music magazines as fRoots and Songlines. This book celebrates her contribution to popular music scholarship by gathering her most important work together in a single place. The result is a richly informed and entertaining volume that will be of interest to all scholars in the field while also serving as an excellent introduction for students interested in popular music as a global phenomenon. Fairley’s work was focused on the problems and possibilities of cross-cultural musical influences, fantasies and flows and on the importance of performing circuits and networks. Her interest in the details of music-making and in the lives of music-makers means that this collection is also an original and illuminating study of music and politics. In drawing on Jan Fairley’s journalism, this volume also offers students a guide to various genres of world music, from Cuban son to flamenco, as well as an insight into the lives of such world music stars as Mercedes Sosa and Silvio RodrÃguez. This is inspiring as well as essential reading.
Living Proof: An Autobiography
by Hank Williams Jr. Michael BaneAlmost singlehandedly Hank Williams, Sr., changed country and western music into a national mania. When he died in 1953, he became a mythic figure. From the day his famous father died, Hank Junior was pushed to fill his father's shoes. By the time he was seven, he had been tutored by Johnny Cash, Jerry Lee Lewis and Brenda Lee. At the ripe old age of eight, he played his first show, singing his daddy's songs and telling his daddy's stories, and even then it was apparent he had inherited his father's musical genius. His rise to fame was spectacular: at eleven he premiered at the Grand Ole Opry and at fourteen was a hit on the "Ed Sullivan Show." At nineteen Hank Junior was perched atop show business. But success took its toll. The demons of drugs and booze that had destroyed his father began to claim the son. Two marriages failed. Hostile audiences came to watch him forget lyrics or drop his guitar. The pressures were so enormous Hank Junior wanted to die. Then in 1975 Hank's death wish was almost granted when he slid five hundred feet down a mountain in the Rockies, landing head first on a boulder. Awaiting certain death in the snow, his face split apart, Hank had a powerful revelation--he wanted desperately to live, and amazingly he did. With a sense of wonder, Hank takes his survival as a sign he isn't to end up like his father. Now twenty-nine, Hank just released his twenty-fourth album and has a full concert schedule. With his career stronger than ever, this great singer movingly conveys his extraordinary life and his tortured journey to escape from under the dark shadow of his father's ill-fated life.
Living the Audio Life: A Guide to a Career in Live Entertainment Sound
by Brad SchillerLiving the Audio Life details the aspects and procedures necessary for one to have a successful career in live entertainment sound. Encompassing a wide range of topics, the text clearly guides anyone interested in working in a position within the live entertainment audio field. The guide is broken into clearly defined sections, allowing the reader to easily navigate through various subjects including jobs, career, business, creativity, lifestyle, and travel. Real-world examples and documentation from the author and key industry experts allow the reader to gain insight into the essential practices that are helpful throughout a career. Additional in-depth interviews provide details of careers from industry veterans. Whether considering a career in live entertainment audio or just starting out, readers will find the resources for the key to success in audio. Students, those new to sound, and workers already within their careers can refer to the text as a guide throughout their journeys. With benefits to anyone interested in the audio field, Living the Audio Life is a key navigational resource for success.
Living the Beatles Legend: The Untold Story of Mal Evans
by Kenneth WomackThe first full-length biography of Mal Evans, the Beatles’ beloved friend, confidant, and roadie. Malcolm Evans, the Beatles’ long-time roadie, personal assistant, and devoted friend, was an invaluable member of the band’s inner circle. A towering figure in horn-rimmed glasses, Evans loomed large in the Beatles’ story, contributing at times as a performer and sometime lyricist, while struggling mightily to protect his beloved “boys.” He was there for the whole of the group’s remarkable, unparalleled story: from the Shea Stadium triumph through the creation of the timeless cover art for Sgt. Pepper’s Lonely Hearts Club Band and the famous Let It Be rooftop concert. Leaving a stable job as telecommunications engineer to serve as road manager for this fledgling band, Mal was the odd man out from the start—older, married with children, and without any music business experience. And yet he threw himself headlong into their world, traveling across the globe and making himself indispensable. In the years after the Beatles’ disbandment, Big Mal continued in their employ as each embarked upon solo careers. By 1974, he was determined to make his name as a songwriter and record producer, setting off for a new life in Los Angeles, where he penned his memoirs. But in January 1976, on the verge of sharing his book with the world, Evans’s story came to a tragic end during a domestic standoff with the LAPD.For Beatles devotes, Mal’s life and untimely death have always been shrouded in mystery. For decades, his diaries, manuscripts, and vast collection of memorabilia was missing, seemingly lost forever…until now. Working with full access to Mal’s unpublished archives and having conducted hundreds of new interviews, Beatles’ scholar and author Kenneth Womack affords readers with a full telling of Mal’s unknown story at the heart of the Beatles’ legend. Lavishly illustrated with unseen photos and ephemera from Mal’s archives, Living the Beatles’ Legend: The Untold Story of Mal Evans is the missing puzzle piece in the Fab Four’s incredible story.
Living the Dream: Building a Sustainable Career in the Performing Arts
by Kirstin Chávez Johnathon PapeLiving the Dream: Building a Sustainable Career in the Performing Arts offers an accessible guide to understanding one’s arts career as a business. This essential companion to the inner workings of the arts world begins with defining the dream, including how to conceive mission statements, branding and business plans. Part II covers sharing the dream with others through social media, networking, and working with agents or artist managers. Part III offers an overview of the financial aspect, including budgets, taxes, and managing risks. Part IV concludes by discussing the realities of an arts career, including work/life balance, preparing for the future, and managing mental health. This practical and insightful overview is a must‑have companion for aspiring and early career professionals in the performing arts, as well as students on a range of arts courses, including Music Business, Entrepreneurship, and Career Skills classes.
Living the Hiplife: Celebrity and Entrepreneurship in Ghanaian Popular Music
by Shipley Jesse WeaverHiplife is a popular music genre in Ghana that mixes hip-hop beatmaking and rap with highlife music, proverbial speech, and Akan storytelling. In the 1990s, young Ghanaian musicians were drawn to hip-hop's dual ethos of black masculine empowerment and capitalist success. They made their underground sound mainstream by infusing carefree bravado with traditional respectful oratory and familiar Ghanaian rhythms. Living the Hiplife is an ethnographic account of hiplife in Ghana and its diaspora, based on extensive research among artists and audiences in Accra, Ghana's capital city; New York; and London. Jesse Weaver Shipley examines the production, consumption, and circulation of hiplife music, culture, and fashion in relation to broader cultural and political shifts in neoliberalizing Ghana. Shipley shows how young hiplife musicians produce and transform different kinds of value--aesthetic, moral, linguistic, economic--using music to gain social status and wealth, and to become respectable public figures. In this entrepreneurial age, youth use celebrity as a form of currency, aligning music-making with self-making and aesthetic pleasure with business success. Registering both the globalization of electronic, digital media and the changing nature of African diasporic relations to Africa, hiplife links collective Pan-Africanist visions with individualist aspiration, highlighting the potential and limits of social mobility for African youth. The author has also directed a film entitled Living the Hiplife and with two DJs produced mixtapes that feature the music in the book available for free download.
Living Well with Dementia through Music: A Resource Book for Activities Providers and Care Staff
by Sarah Metcalfe Nigel Marshall Ruth Melhuish Alison Acton Clare Barone Arash Bazrafshan Melanie Burton Evan Dawson Melissa Elliott Maggie Grady Tobias Kaye Nicola Jacobson-Wright Harriet Powell Trish Vella-Burrows Ian SpinkMusic is an essential tool in dementia care. This accessible guide embraces ways in which music can enhance the daily lives of those with dementia. It draws on the expertise of practitioners regularly working in dementia settings, as well as incorporating research on people with dementia, to help anyone, whether or not they have any musical skills or experience, to successfully use music in dementia care.Guiding the reader through accessible activities with singing, percussion, sounding bowls and other musical tools, the book shows how music may can be used from the early to late stages of dementia. This creative outlet can extend to inspire dance, movement, poetry and imagery. The chapters include creative uses of technology, such as tablets and personal playlists.The book also covers general considerations for using music with people living with dementia in institutional settings, including evaluating and recording outcomes.Living Well with Dementia through Music is the perfect go-to guide for music-based activities with people living with dementia.
Living with Jazz
by Dan MorgensternThis volume presents selected writings by jazz historian and critic Dan Morgenstern. It opens with his reminiscences of a childhood spent in front of the phonograph. The following section features pieces devoted to the music of Louis Armstrong and Duke Ellington. The rest of the volume contains artist profiles, liner notes, record reviews, and performance critiques that offer insight into the work of a broad spectrum of performers. Morgenstern is director of the Institute of Jazz at Rutgers University. Annotation ©2004 Book News, Inc. , Portland, OR (booknews. com)
Living with Music: Ralph Ellison's Jazz Writings
by Ralph EllisonBefore Ralph Ellison became one of America’s greatest writers, he was a musician and a student of jazz, writing widely on his favorite music for more than fifty years. Now, jazz authority Robert O’Meally has collected the very best of Ellison’s inspired, exuberant jazz writings in this unique anthology.
The Living Years: The First Genesis Memoir
by Mike Rutherford"Now Michael, you're the son of a naval officer, you must behave like a naval officer at all times..."What Captain William Rutherford told his seven-year-old son Michael was to stay with him all his life. Born in 1950, Michael was truly his father's son, even serving in the naval section of the student cadet corps at one of England's top public schools, Charterhouse. Mike's future lay in the civil service: it was a subject that he discussed with his father at Captain Crawford's gentlemen's club. But then something happened. Mike discovered rock music. As one of the founder members of Genesis, Mike was to tour the world and achieve international fame. From unpromising beginnings - demonised by his teachers as a fomenter of revolution, driving to gigs in a bread van - Mike would go on to crisscross the globe with bandmates Peter Gabriel and, later, Phil Collins, playing to packed-out stadiums and achieving record sales of over 150 million. Swapping old school ties and Savile Row suits for flares and Afghan coats, Mike and Genesis would pioneer the pomp and theatricality of 1970s progressive rock before becoming household names in the 1980s with hits like Turn It On Again, Mama and Land of Confusion. There was drink, there were drugs; there were arguments and excess. But, in the background - and sometimes in the audience - there was also the loyal Captain Rutherford, earplugs at the ready, Melody Maker in hand. A proud father still.The Living Years spans the entire history of Genesis, from the earliest days as a school band to the triumphant 2007 reunion tour when Genesis played to over 500,000 people in Rome. But this is not just another rock 'n' roll memoir. This is also a book about two men whose lives and complex relationship reflect the seismic social and cultural shifts that took place during the twentieth century. A book for every father and son.
The Living Years: The First Genesis Memoir
by Mike Rutherford"Now Michael, you're the son of a naval officer, you must behave like a naval officer at all times..."What Captain William Rutherford told his seven-year-old son Michael was to stay with him all his life. Born in 1950, Michael was truly his father's son, even serving in the naval section of the student cadet corps at one of England's top public schools, Charterhouse. Mike's future lay in the civil service: it was a subject that he discussed with his father at Captain Crawford's gentlemen's club. But then something happened. Mike discovered rock music. As one of the founder members of Genesis, Mike was to tour the world and achieve international fame. From unpromising beginnings - demonised by his teachers as a fomenter of revolution, driving to gigs in a bread van - Mike would go on to crisscross the globe with bandmates Peter Gabriel and, later, Phil Collins, playing to packed-out stadiums and achieving record sales of over 150 million. Swapping old school ties and Savile Row suits for flares and Afghan coats, Mike and Genesis would pioneer the pomp and theatricality of 1970s progressive rock before becoming household names in the 1980s with hits like Turn It On Again, Mama and Land of Confusion. There was drink, there were drugs; there were arguments and excess. But, in the background - and sometimes in the audience - there was also the loyal Captain Rutherford, earplugs at the ready, Melody Maker in hand. A proud father still.The Living Years spans the entire history of Genesis, from the earliest days as a school band to the triumphant 2007 reunion tour when Genesis played to over 500,000 people in Rome. But this is not just another rock 'n' roll memoir. This is also a book about two men whose lives and complex relationship reflect the seismic social and cultural shifts that took place during the twentieth century. A book for every father and son.
The Living Years: The First Genesis Memoir
by Mike RutherfordThe story of Genesis is the rock legend of how a humble schoolboy band grew into a group of global superstars. At its center stood Mike Rutherford, driving the music from pioneering prog rock to chart-topping hits. Now for the first time, he tells the remarkable inside story of Genesis and his own band, Mike + The Mechanics.Against the rhythm of drink, drugs, and lineup changes, Mike's father, a World War II naval officer, always stood in the background. He would watch Genesis grow, supporting them from the very beginning when they toured Britain in the back of a bread van. Through extreme highs and lows, loyal Captain Rutherford was always there, earplugs at the ready.But when his father suddenly died, Mike was forced to reexamine their relationship and only then began to understand how much their lives had overlapped. The Living Years is a revealing memoir of the relationship between father and son and the story of how music, families, and friendship combine.
Lizzo’s Black, Female, and Fat Resistance (Palgrave Studies in (Re)Presenting Gender)
by Niya Pickett Miller Gheni N. PlatenburgCelebrated musician and entertainer Lizzo wowed audiences and left many “feeling good as hell.” Notwithstanding her collective—fat, Black female— identity she catapulted into mainstream success while redefining the social script for body size, race, and gender. This book explores a tale of two narratives: Lizzo’s self-curated, fat-positive identity and the media’s reaction to an unabashedly proud fat, Black woman. This critical analysis examines how Lizzo challenges fatphobia and reconstitutes fat stigmatization into self-empowerment through her strategic use of hyper-embodiment via social media, and the rhetorical distinctions between Lizzo’s self-curated narrative via social media and those offered about her in print media. In part, Lizzo’s bodily flaunting is argued as a significant rhetorical act that emancipates her identity of fatness and reframes the negative tropes of (fat) Black women typically curated in American culture.
LL Cool J (Superstars of Hip-Hop)
by Z. B. HillSince 1985, LL Cool J has been a major part of hip-hop. In the 1980s and '90s, LL sold millions of albums and had many hit songs. Today, many fans might know LL more for his acting, but music was LL's first love. LL Cool J tells the story of how LL made his name in rap when he was still just a teenager. Read about how LL became one of hip-hop's first superstars. Learn about how LL moved to making movies without giving up the music career he loved.
LMS Locomotive Design & Development: The Life and Work of Tom Coleman (Locomotive Portfolio Ser.)
by Tim Hillier-GravesIn 1958 one of Britain`s greatest locomotive designers died without public fanfare or recognition, mourned only by his family. Yet William Stanier, arguably one of our greatest engineers and his leader, said of him that without his Chief Draughtsman all he achieved with the LMS would not have been possible. How could such a man slip from our view and remain anonymous, although his Princess Coronations, Black 5s and 8Fs are regarded as three of the finest classes of locomotive ever built? And today many survive as stars to grace the ever growing preservation movement.In reality, Tom Coleman was an intensely private and modest man who never sought recognition or commendation. His need for privacy may be one reason why his life has remained shrouded in mystery for so long, but finally his story has been slowly pieced together from a wide variety of sources, many previously untapped. So now we can see for ourselves his great contribution to railway history and recognise his singular talents.