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Monetizing Entertainment: An Insider's Handbook for Careers in the Entertainment and Music Industry
by Larry Wacholtz<p><i>Monetizing Entertainment: An Insider's Handbook for Careers in the Entertainment and Music Industry</i> offers a thorough, guided exploration of the current state of the industry, with an emphasis on trends in copyright, digital streaming, and practical advice for developing a career as an artist, technician, or industry executive. <p>This book investigates a variety of topics within the entertainment and music industry, ranging from traditional and emerging business models to intellectual property rights to the creative destruction happening currently. The book strategically outlines the existing gaps that make being successful as an artist a dynamic interaction between creativity and business. <p>This book includes the following: <p> <li>An overview of the creative destruction process that has destroyed some of the old business models and created a number of career options. <li>A look at innovative, entrepreneurial career options. <li>A step-by-step examination for both creative and business professionals of the administrative and financial structures of the industry. <li>Detailed analysis of trends and topics shaping the current entertainment and music industry drawn from insiders' perspectives and other contemporary resources.</li> <p> <p>An accompanying website (www.routledge.com/cw/wacholtz), hosting case studies, videos, data, infographics, and blog posts on business models, is the perfect companion to this authoritative resource.</p>
Mongolian Film Music: Tradition, Revolution and Propaganda
by Lucy M. ReesIn 1936 the Mongolian socialist government decreed the establishment of a film industry with the principal aim of disseminating propaganda to the largely nomadic population. The government sent promising young rural Mongolian musicians to Soviet conservatoires to be trained formally as composers. On their return they utilised their traditional Mongolian musical backgrounds and the musical skills learned during their studies to compose scores to the 167 propaganda films produced by the state film studio between 1938 and 1990. Lucy M. Rees provides an overview of the rich mosaic of music genres that appeared in these film soundtracks, including symphonic music influenced by Western art music, modified forms of Mongolian traditional music, and a new genre known as ’professional music’ that combined both symphonic and Mongolian traditional characteristics. Case studies of key composers and film scores are presented, demonstrating the influence of cultural policy on film music and showing how film scores complemented the ideological message of the films. There are discussions of films that celebrate the 1921 Revolution that led to Mongolia becoming a socialist nation, those that foreshadowed the 1990 Democratic Revolution that drew the socialist era to a close, and the diverse range of films and scores produced after 1990 in the aftermath of the socialist regime.
Mongolian Sound Worlds
by Jennifer C. Post Bayarsaikhan Badamsuren Otgonbayar Chuluunbaatar Andrew Colwell Johanni Curtet Tserendava Dashdorj Charlotte D'Evelyn Tamir Hargana Peter K Marsh K Oktyabr Rebekah Plueckhahn Sunmin YoonMusic cultures today in rural and urban Mongolia and Inner Mongolia emerge from centuries-old pastoralist practices that were reshaped by political movements in the twentieth century. Mongolian Sound Worlds investigates the unique sonic elements, fluid genres, social and spatial performativity, and sounding objects behind new forms of Mongolian music--forms that reflect the nation’s past while looking towards its globalized future. Drawing on fieldwork in locations across the Inner Asian region, the contributors report on Mongolia’s genres and musical landscapes; instruments like the morin khuur, tovshuur, and Kazakh dombyra; combined fusion band culture; and urban popular music. Their broad range of concerns include nomadic herders’ music and instrument building, ethnic boundaries, heritage-making, ideological influences, nationalism, and global circulation. A merger of expert scholarship and eyewitness experience, Mongolian Sound Worlds illuminates a diverse and ever-changing musical culture. Contributors: Bayarsaikhan Badamsuren, Otgonbaayar Chuulunbaatar, Andrew Colwell, Johanni Curtet, Charlotte D’Evelyn, Tamir Hargana, Peter K. Marsh, K. Oktyabr, Rebekah Plueckhahn, Jennifer C. Post, D. Tserendavaa, and Sunmin Yoon
Monk!: Thelonious, Pannonica, and the Friendship Behind a Musical Revolution
by Youssef Daoudi"Read this invigorating graphic narrative, then—quickly, before the spell breaks!—play one of Monk's records." —Saul Williams She is Kathleen Annie Pannonica de Koenigswarter, a free-spirited baroness of the Rothschild family. He is Thelonious Sphere Monk, a musical genius fighting against the whims of his troubled mind. Their enduring friendship begins in 1954 and ends only with Monk’s death in 1982.Set against the backdrop of New York during the heyday of jazz, Monk! explores the rare alchemy between two brilliant beings separated by an ocean of social status, race, and culture, but united by an infinite love of music. This breathtaking graphic novel by Youssef Daoudi beautifully captures the life of the “the high priest of bop” in spontaneous, evocative pen and ink that seems to make visible jazz itself.
Monsieur de Saint-George: Virtuoso, Swordsman, Revolutionary: A Legendary Life Rediscovered
by Alain GuédéThe first full biography of one of the greatest figures of eighteenth-century Europe, known in his time as the "Black Mozart"Virtually forgotten until now, his life is the stuff of legend. Born in 1739 in Guadeloupe to a slave mother and a French noble father, he became the finest swordsman of his age, an insider at the doomed court of Louis XVI, and, most of all, a virtuosic musician. A violinist, he directed the Olympic Society of Concerts, which was considered the finest in Europe in an age of great musicians, including Haydn, from whom he commissioned a symphony, and Mozart, to whom he was often compared. He also became the first Freemason of color, embracing the French Revolution with the belief that it would end the racism against which-despite his illustrious achievements-he struggled his whole life. This is the life of Joseph Bologne, known variously as Monsieur de Saint-George, the "Black Mozart," and, because of his origins, "the American." Alain Guédé offers a fascinating account of this extraordinary individual, whose musical compositions are at long last being revived and whose story will never again be forgotten.
Monster High: Catty Noir Finds Her Voice
by Perdita FinnA new Monster High leveled reader movie tie-in! © 2015 Mattel. All Rights Reserved.Passport to Reading Level 2
Monster High: Welcome to Boo York
by Perdita FinnIt's fright lights, big city when the Monster High ghouls head to Boo York. Cleo de Nile is invited to attend a fancy gala celebrating the return of a magical comet and, of course, she brings along her beast friends. But their trip isn't all fun and frightseeing because Nefera, Cleo's sister, uses the comet's powers for her own spooktacularly sneaky plans. Can the monsters unwrap the mystery of the comet in time to stop Nefera?
Monster Loyalty
by Jackie Huba"WE IDENTIFY WITH EACH OTHER. I SEE MYSELF IN MY FANS AND MY FANS SEE THEMSELVES IN ME. I CALL THEM LITTLE MONSTERS BECAUSE THEY ARE MY INSPIRATION. ” -LADY GAGA Famous for her avant-garde outfits, over-the-top performances, and addictive dance beats, Lady Gaga is one of the most successful pop musicians of all time. But behind her showmanship lies another achievement: her wildly successful strategy for attracting and keeping insanely loyal fans. She’s one of the most popular social media voices in the world with more than 33 million Twitter followers and 55 million Facebook fans. And she got there by methodically building a grassroots base of what she calls her "Little Monsters”-passionate fans who look to her not just for music but also for joy, inspiration, and a sense of community. In Monster Loyalty marketing expert Jackie Huba explores Gaga’s biography and fan philosophy and isolates the seven lessons any business can learn from her. For instance... Focus on your One Percenters: Lady Gaga is investing today in the audience she hopes to have twenty-five years from now. She spends most of her efforts on just 1 percent of her base, the highly engaged superfans who spread her message. Lead with values: Gaga stands out not just for her music but also for her message that it’s okay to be yourself and to love others for who they are. When you connect with customers beyond just providing a product or service, you create a lasting bond. Give them something to talk about: Whether she’s wearing a meat dress or delivering jaw-dropping performances, Lady Gaga knows what will get people talking. Making your business word-of-mouth-worthy cuts down on advertising costs and spreads buzz faster than anything else. Love her or hate her, you can’t ignore Lady Gaga. And while not all businesses want to stand out the way she does, any business can win big by creating monster loyalty. .
Montana Americana Music: Boot Stomping in Big Sky Country
by Smith Henderson Aaron ParrettMontana's relationship to Americana music is as wide and deep as the famed Missouri River that inspired countless musicians seated at its shores. From the fiddling of Pierre Cruzatte and George Gibson in the Corps of Discovery to the modern-day loner folk of Joey Running Crane and Cameron Boster, the Treasure State inspires the production of top-notch country music. In the 1950s, bands like the Snake River Outlaws fostered a long-standing love of hillbilly honky-tonk, and in the 1970s, the Mission Mountain Wood Band added a homegrown flavor of its own. Contemporary acts like the Lil' Smokies and songwriter Martha Scanlan promise a vibrant future for the local sound. Author and musician Aaron Parrett explores this history to show what it means to boot stomp in Big Sky Country.
Monteverdi
by Richard WistreichClaudio Monteverdi is now recognized as the towering figure of a critical transitional moment of Western music history: relentless innovator in every genre within chamber, church and theatre music; self-proclaimed leader of a 'new dispensation' between words and their musical expression; perhaps even 'Creator of Modern Music'. During recent years, as his arrestingly attractive music has been brought back to life in performance, so too have some of the most outstanding musicologists focussed intensely on Monteverdi as they worked through the 'big' questions in the historiography and hermeneutics of early Baroque music, including musical representation of language; compositional theory; social, institutional, cultural and gender history; performance practices and more. The 17 articles in this volume have been selected by Richard Wistreich to exemplify the best scholarship in English and because each, in retrospect, turns out to have been a ground-breaking contribution to one or more significant strands in Monteverdi studies.
Monteverdi and his Contemporaries (Variorum Collected Studies)
by Tim CarterThis collection of reprinted essays takes the trends of the author's Music, Patronage and Printing in Late Renaissance Florence (also in the 'Variorum' series) in a somewhat different direction. If the focus there was primarily on archival documents, here it is on the actual music. The starting-point is similar - the rise of the 'new music' for solo voice and basso continuo in late sixteenth- and early seventeenth-century Florence, in particular the songs of Giulio Caccini. But it moves on to broader aesthetic issues crystallized in contemporary theoretical debate and musical practice - not least the rise of aria-based styles - and concludes with a series of studies of Claudio Monteverdi's works for the theatre, including the operas Il ritorno d'Ulisse in patria (1640) and the ever-problematic L'incoronazione di Poppea (1643).
Monument Eternal
by Alice ColtraneThe long-awaited reissue of Alice Coltrane’s original spiritual teachings and reflections, which provide powerful insight into her transcendent music, cherished by millions across the globe ALICE COLTRANE (1937–2007) was a composer, master of various musical instruments, improviser, spiritual leader, and wife of John Coltrane. Throughout her adult life, she worked within and combined a broad range of musical genres, including gospel, R&B, bebop, free jazz, Indian devotional song, and Western art music. She recorded more than twenty full-length albums for Impulse and Warner Bros. Her music speaks to her experiences as a child playing for church congregations in Detroit; the transcendent and mind-bending avant-garde improvisations she performed with her husband John Coltrane; and her religious pilgrimages to India. When Monument Eternal was originally published in 1977, Alice Coltrane was living in Southern California and had recently become a swami, building and nurturing an alternative spiritual community. In these pages, she says that the book is “based upon the soul’s realizations in Absolute Consciousness and its spiritual relationships with the Supreme One.” Monument Eternal offers deep insight into Coltrane’s tremendous musical output, and shines a light on her transformation from Alice McLeod, Detroit church organist and bebopper, to sage thought leader Swami Turiyasangitananda. It also reflects the extraordinary fluidity of American religious customs in the mid and late twentieth century. Akashic’s long-awaited reissue of Monument Eternal includes a new foreword by Ashley Kahn.
Monument Eternal: The Music of Alice Coltrane (Music Culture)
by Franya J. BerkmanLong-awaited biography of an African American avant-garde composer Alice Coltrane was a composer, improviser, guru, and widow of John Coltrane. Over the course of her musical life, she synthesized a wide range of musical genres including gospel, rhythm-and-blues, bebop, free jazz, Indian devotional song, and Western art music. Her childhood experiences playing for African-American congregations in Detroit, the ecstatic and avant-garde improvisations she performed on the bandstand with her husband John Coltrane, and her religious pilgrimages to India reveal themselves on more than twenty albums of original music for the Impulse and Warner Brothers labels. In the late 1970s Alice Coltrane became a swami, directing an alternative spiritual community in Southern California. Exploring her transformation from Alice McLeod, Detroit church pianist and bebopper, to guru Swami Turiya Sangitananda, Monument Eternal illuminates her music and, in turn, reveals the exceptional fluidity of American religious practices in the second half of the twentieth century. Most of all, this book celebrates the hybrid music of an exceptional, boundary-crossing African-American artist.
Mood Machine: The Rise of Spotify and the Costs of the Perfect Playlist
by Liz PellyAn unsparing investigation into Spotify&’s origins and influence on music, weaving unprecedented reporting with incisive cultural criticism, illuminating how streaming is reshaping music for listeners and artists alike.Drawing on over one hundred interviews with industry insiders, former Spotify employees, and musicians, Mood Machine takes us to the inner workings of today&’s highly consolidated record business, showing what has changed as music has become increasingly playlisted, personalized, and autoplayed. Building on her years of wide-ranging reporting on streaming, music journalist Liz Pelly details the consequences of the Spotify model by examining both sides of what the company calls its two-sided marketplace: the listeners who pay with their dollars and data, and the musicians who provide the material powering it all. The music business is notoriously opaque, but here Pelly lifts the veil on major stories like streaming services filling popular playlists with low-cost stock music and the rise of new payola-like practices. For all of the inequities exacerbated by streaming, Pelly also finds hope in chronicling the artist-led fight for better models, pointing toward what must be done collectively to revalue music and create sustainable systems. A timely exploration of a company that has become synonymous with music, Mood Machine will change the way you think about and listen to music.
Mood Machine: The Rise of Spotify and the Costs of the Perfect Playlist
by Liz Pelly'Passionate and rigorous... riveting' Financial Times'[a] cool-headed but powerful polemic...' Sunday TimesAn unsparing investigation into Spotify's origins and influence on music, weaving unprecedented reporting with incisive cultural criticism, illuminating how streaming is reshaping music for listeners and artists alike.Drawing on over a hundred interviews with industry insiders, former Spotify employees, and musicians, Mood Machine takes us to the inner workings of today's highly consolidated record business, showing what has changed as music has become increasingly playlisted, personalized, and autoplayed.Building on her years of wide-ranging reporting on streaming, music journalist Liz Pelly details the consequences of the Spotify model by examining both sides of what the company calls its two-sided marketplace: the listeners who pay with their dollars and data, and the musicians who provide the material powering it all. The music business is notoriously opaque, but here Pelly lifts the veil on major stories like streaming services filling popular playlists with low-cost stock music and the rise of new payola-like practices.For all of the inequities exacerbated by streaming, Pelly also finds hope in chronicling the artist-led fight for better models, pointing toward what must be done collectively to revalue music and create sustainable systems. A timely exploration of a company that has become synonymous with music, Mood Machine will change the way you think about and listen to music.
Mood Machine: The Rise of Spotify and the Costs of the Perfect Playlist
by Liz Pelly'Passionate and rigorous... riveting' Financial Times'[a] cool-headed but powerful polemic...' Sunday TimesAn unsparing investigation into Spotify's origins and influence on music, weaving unprecedented reporting with incisive cultural criticism, illuminating how streaming is reshaping music for listeners and artists alike.Drawing on over a hundred interviews with industry insiders, former Spotify employees, and musicians, Mood Machine takes us to the inner workings of today's highly consolidated record business, showing what has changed as music has become increasingly playlisted, personalized, and autoplayed.Building on her years of wide-ranging reporting on streaming, music journalist Liz Pelly details the consequences of the Spotify model by examining both sides of what the company calls its two-sided marketplace: the listeners who pay with their dollars and data, and the musicians who provide the material powering it all. The music business is notoriously opaque, but here Pelly lifts the veil on major stories like streaming services filling popular playlists with low-cost stock music and the rise of new payola-like practices.For all of the inequities exacerbated by streaming, Pelly also finds hope in chronicling the artist-led fight for better models, pointing toward what must be done collectively to revalue music and create sustainable systems. A timely exploration of a company that has become synonymous with music, Mood Machine will change the way you think about and listen to music.
Moon River and Me
by Andy WilliamsDuring a career spanning eight decades, Andy Williams has sold over 100 million albums, hosted a hugely successful TV show andworked with a roll-call of showbusiness legends. Here he tells his story.
Moondog
by Philip Glass Robert Scotto<P>The basis of a full-length documentary."Moondog is one of America's great originals."-Alan Rich, New York Magazine <P>Here is a revised edition of a book that celebrates one of the most improbable lives of the twentieth century: a blind and homeless man who became the most famous eccentric in New York and who, with enormous diligence, rose to prominence both in major label pop music recordings in addition to symphonic concerts of his compositions. <P>This edition of Moondog will soon be seen a as a feature documentary titled The Viking of 6th Avenue directed by Holly Elson and produced by Hard Working Movies.Born Louis Thomas Hardin in 1916, Moondog first made an impression in the late 1940s when he became a mascot of The New York Philharmonic at Carnegie Hall. His unique, melodic compositions were released on the Prestige jazz label. In the late 1960s the Viking-garbed Moondog was a pop music sensation on Columbia Records. <P>Moondog's compositional style influenced his former roommate Philip Glass, whose preface appears in the book. Moondog's work transcends labels and redefines the distinction between popular and high culture. <P>A wide-ranging compilation of Moondog recordings, which includes four Madrigals played by Philip Glass, Steven Reich, Jon Gibson, and Moondog himself, are offered as free downloads for every purchaser of this biography.
Moonwalking
by Lyn Miller-Lachmann Zetta Elliott"This novel in verse, alternately narrated by two boys in 1980s Greenpoint, Brooklyn, one channeled by Elliott and one by Miller-Lachmann, eloquently tackles race, culture and life on the spectrum." — The New York TimesFor fans of Jason Reynolds and Jacqueline Woodson, this middle-grade novel-in-verse follows two boys in 1980s Brooklyn as they become friends for a season.Punk rock-loving JJ Pankowski can't seem to fit in at his new school in Greenpoint, Brooklyn, as one of the only white kids. Pie Velez, a math and history geek by day and graffiti artist by night is eager to follow in his idol, Jean-Michel Basquiat's, footsteps. The boys stumble into an unlikely friendship, swapping notes on their love of music and art, which sees them through a difficult semester at school and at home. But a run-in with the cops threatens to unravel it all.From authors Zetta Elliott and Lyn Miller-Lachmann, Moonwalking is a stunning exploration of class, cross-racial friendships, and two boys' search for belonging in a city as tumultuous and beautiful as their hearts.
Moral Fire: Musical Portraits from America's Fin de Siècle
by Joseph HorowitzJoseph Horowitz writes in Moral Fire: "If the Met's screaming Wagnerites standing on chairs (in the 1890s) are unthinkable today, it is partly because we mistrust high feeling. Our children avidly specialize in vicarious forms of electronic interpersonal diversion. Our laptops and televisions ensnare us in a surrogate world that shuns all but facile passions; only Jon Stewart and Bill Maher share moments of moral outrage disguised as comedy." Arguing that the past can prove instructive and inspirational, Horowitz revisits four astonishing personalities--Henry Higginson, Laura Langford, Henry Krehbiel and Charles Ives--whose missionary work in the realm of culture signaled a belief in the fundamental decency of civilized human nature, in the universality of moral values, and in progress toward a kingdom of peace and love.
Morality and Viennese Opera in the Age of Mozart and Beethoven (Ashgate Interdisciplinary Studies in Opera)
by Martin NedbalThis book explores how the Enlightenment aesthetics of theater as a moral institution influenced cultural politics and operatic developments in Vienna between the mid-eighteenth and early nineteenth centuries. Moralistic viewpoints were particularly important in eighteenth-century debates about German national theater. In Vienna, the idea that vernacular theater should cultivate the moral sensibilities of its German-speaking audiences became prominent during the reign of Empress Maria Theresa, when advocates of German plays and operas attempted to deflect the imperial government from supporting exclusively French and Italian theatrical performances. Morality continued to be a dominant aspect of Viennese operatic culture in the following decades, as critics, state officials, librettists, and composers (including Gluck, Mozart, and Beethoven) attempted to establish and define German national opera. Viennese concepts of operatic didacticism and national identity in theater further transformed in response to the crisis of Emperor Joseph II’s reform movement, the revolutionary ideas spreading from France, and the war efforts in facing Napoleonic aggression. The imperial government promoted good morals in theatrical performances through the institution of theater censorship, and German-opera authors cultivated intensely didactic works (such as Die Zauberflöte and Fidelio) that eventually became the cornerstones for later developments of German culture.
Moravian Soundscapes: A Sonic History of the Moravian Missions in Early Pennsylvania (Music, Nature, Place)
by Sarah Justina EyerlyIn Moravian Soundscapes, Sarah Eyerly contends that the study of sound is integral to understanding the interactions between German Moravian missionaries and Native communities in early Pennsylvania. In the mid-18th century, when the frontier between settler and Native communities was a shifting spatial and cultural borderland, sound mattered. People listened carefully to each other and the world around them. In Moravian communities, cultures of hearing and listening encompassed and also superseded musical traditions such as song and hymnody. Complex biophonic, geophonic, and anthrophonic acoustic environments—or soundscapes—characterized daily life in Moravian settlements such as Bethlehem, Nain, Gnadenhütten, and Friedenshütten. Through detailed analyses and historically informed recreations of Moravian communal, environmental, and religious soundscapes and their attendant hymn traditions, Moravian Soundscapes explores how sounds—musical and nonmusical, human and nonhuman—shaped the Moravians' religious culture. Combined with access to an interactive website that immerses the reader in mid-18th century Pennsylvania, and framed with an autobiographical narrative, Moravian Soundscapes recovers the roles of sound and music in Moravian communities and provides a road map for similar studies of other places and religious traditions in the future.
More Fun in the New World: The Unmaking and Legacy of L.A. Punk
by John Doe Tom DeSaviaSequel to Grammy-nominated bestseller Under the Big Black Sun, continuing the up-close and personal account of the L.A. punk scene, with 50 rare photosPicking up where Under the Big Black Sun left off, More Fun in the New World explores the years 1982 to 1987, covering the dizzying pinnacle of L.A.'s punk rock movement as its stars took to the national -- and often international -- stage. Detailing the eventual splintering of punk into various sub-genres, the second volume of John Doe and Tom DeSavia's west coast punk history portrays the rich cultural diversity of the movement and its characters, the legacy of the scene, how it affected other art forms, and ultimately influenced mainstream pop culture. The book also pays tribute to many of the fallen soldiers of punk rock, the pioneers who left the world much too early but whose influence hasn't faded.As with Under the Big Black Sun, the book features stories of triumph, failure, stardom, addiction, recovery, and loss as told by the people who were influential in the scene, with a cohesive narrative from authors Doe and DeSavia. Along with many returning voices, More Fun in the New World weaves in the perspectives of musicians Henry Rollins, Fishbone, Billy Zoom, Mike Ness, Jane Weidlin, Keith Morris, Dave Alvin, Louis Pérez, Charlotte Caffey, Peter Case, Chip Kinman, Maria McKee, and Jack Grisham, among others. And renowned artist/illustrator Shepard Fairey, filmmaker Allison Anders, actor Tim Robbins, and pro-skater Tony Hawk each contribute chapters on punk's indelible influence on the artistic spirit.In addition to stories of success, the book also offers a cautionary tale of an art movement that directly inspired commercially diverse acts such as Green Day, Rancid, Red Hot Chili Peppers, Wilco, and Neko Case. Readers will find themselves rooting for the purists of punk juxtaposed with the MTV-dominating rock superstars of the time who flaunted a "born to do this, it couldn't be easier" attitude that continued to fuel the flames of new music. More Fun in the New World follows the progression of the first decade of L.A. punk, its conclusion, and its cultural rebirth.
More Important Than the Music: A History of Jazz Discography
by Bruce D. EppersonToday, jazz is considered high art, AmericaOCOs national music, and the catalog of its recordingsOCoits discographyOCois often taken for granted. But behind jazz discography is a fraught and highly colorful history of research, fanaticism, and the intense desire to know who played what, where, and when. This history gets its first full-length treatment in Bruce D. EppersonOCOs "More Important Than the Music. " Following the dedicated few who sought to keep jazzOCOs legacy organized, Epperson tells a fascinating story of archival pursuit in the face of negligence and deception, a tale that saw curses and threats regularly employed, with fisticuffs and lawsuits only slightly rarer. Epperson examines the documentation of recorded jazz from its casual origins as a novelty in the 1920s and OCO30s, through the overwhelming deluge of 12-inch vinyl records in the middle of the twentieth century, to the use of computers by todayOCOs discographers. Though he focuses much of his attention on comprehensive discographies, he also examines the development of a variety of related listings, such as buyerOCOs guides and library catalogs, and he closes with a look toward discographyOCOs future. From the little black book to the full-featured online database, "More Important Than the Music" offers a history not just of jazz discography but of the profoundly human desire to preserve history itself. "
More Precious Than Silver: The God Stories Behind the Songs of Lynn Deshazo
by Lynn DeshazoJust as every song has a story behind it, so does every songwriter. Millions of believers know the worship songs of Lynn DeShazo. most notably, her famous "More Precious Than Silver." But what they probably don't know is that this much-loved classic was written from the ashes of a fasting gone wrong. For years, the church has connected the great hymns and their composers with the stories behind them. Now, in More Precious Than Silver: The God-Stories Behind the Songs of Lynn DeShazo, the prolific songwriter offers the stories behind some of modern worship's most-sung and best-recognized music. DeShazo's rich, often transparent narrative weaves her songs, her life, and the healing love of the One who has borne her along an amazing melodic journey. And in the process, More Precious Than Silver invites readers to reflect on their own journey with Christ, and be moved to a deeper place of worship.