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Louis Applebaum: A Passion for Culture
by Walter PitmanCanadian composer Louis Applebaum devoted his life to the cultural awakening of his native land, and this "magnificent obsession" drove him to become a founder of the Canadian League of Composers and the Canadian Music Centre. He was an instrumental figure in the early development of the National Film Board, the Stratford Festival, and the National Art Centre in Ottawa. For nearly half a century he composed music for the Stratford Festival, television, radio, and films. This illustrated biography explores the man who was beloved by his fellow artists and the icon to whom every Canadian, knowingly or not, is indebted.
Louis Armstrong: An Extravagant Life
by Laurence BergreenLouis Armstrong was the founding father of jazz and one of this century's towering cultural figures, yet the full story of his extravagant life has never been told.Born in 1901 to the sixteen-year-old daughter of a slave, he came of age among the prostitutes, pimps, and rag-and-bone merchants of New Orleans. He married four times and enjoyed countless romantic involvements in and around his marriages. A believer in marijuana for the head and laxatives for the bowels, he was also a prolific diarist and correspondent, a devoted friend to celebrities from Bing Crosby to Ella Fitzgerald, a perceptive social observer, and, in his later years, an international goodwill ambassador.And, of course, he was a dazzling musician. From the bordellos and honky-tonks of Storyville--New Orleans's red light district--to the upscale nightclubs in Chicago, New York, and Hollywood, Armstrong's stunning playing, gravelly voice, and irrepressible personality captivated audiences and critics alike. Recognized and beloved wherever he went, he nonetheless managed to remain vigorously himself.Now Laurence Bergreen's remarkable book brings to life the passionate, courageous, and charismatic figure who forever changed the face of American music.
Louis Armstrong: An American Genius
by James Lincoln CollierLouis Armstrong. "Satchmo." To millions of fans, he was just a great entertainer. But to jazz aficionados, he was one of the most important musicians of our times--not only a key figure in the history of jazz but a formative influence on all of 20th-century popular music. Set against the backdrop of New Orleans, Chicago, and New York during the "jazz age", Collier re-creates the saga of an old-fashioned black man making it in a white world. He chronicles Armstrong's rise as a musician, his scrapes with the law, his relationships with four wives, and his frequent feuds with fellow musicians Earl Hines and Zutty Singleton. He also sheds new light on Armstrong's endless need for approval, his streak of jealousy, and perhaps most important, what some consider his betrayal of his gift as he opted for commercial success and stardom. A unique biography, knowledgeable, insightful, and packed with information, it ends with Armstrong's death in 1971 as one of the best-known figures in American entertainment.
Louis Armstrong: Young Music Maker (Childhood of Famous Americans Series)
by Dharathula H. MillenderA fictionalized biography of a trumpeter of humble origin who received international acclaim as a jazz entertainer.
Louis Armstrong and Paul Whiteman: Two Kings of Jazz
by Joshua BerrettThe jazz scholar Joshua Berrett offers a provocative revision of the history of early jazz by focusing on two of its most notable practitioners--Whiteman, legendary in his day, and Armstrong, a legend ever since. Paul Whiteman's fame was unmatched throughout the twenties. Bix Beiderbecke, Bing Crosby, and Jimmy and Tommy Dorsey honed their craft on his bandstand. Celebrated as the "King of Jazz" in 1930 in a Universal Studios feature film, Whiteman's imperium has declined considerably since. The legend of Louis Armstrong, in contrast, grows ever more lustrous: for decades it has been Armstrong, not Whiteman, who has worn the king's crown. This dual biography explores these diverging legacies in the context of race, commerce, and the history of early jazz. Early jazz, Berrett argues, was not a story of black innovators and white usurpers. In this book, a much richer, more complicated story emerges--a story of cross-influences, sidemen, sundry movers and shakers who were all part of a collective experience that transcended the category of race. In the world of early jazz, Berrett contends, kingdoms had no borders.
Louis Armstrong and the Jazz Age (Cornerstones of Freedom, 2nd Series)
by Dan ElishIn 1900, Louis Armstrong was born to a teenage mother in a depressed part of New Orleans. Jazz was born at around the same time. From the moment Louis began playing the trumpet as a young boy, "it was hypnosis at first hearing," said another young musician. Louis would go on to become one of the major driving forces behind the development of jazz, one of America's most important native-born art forms. Elish describes the emergence of the Jazz Age in American society and Armstrong's role in its success.
Louis Armstrong, Master of Modernism
by Thomas BrothersFinalist for the 2015 Pulitzer Prize in Biography. "Profoundly evocative and altogether admirable...The writing and detail are so brilliant that I found the volume revelatory." --Tim Page, Washington Post Nearly 100 years after bursting onto Chicago's music scene under the tutelage of Joe "King" Oliver, Louis Armstrong is recognized as one of the most influential artists of the twentieth century. A trumpet virtuoso, seductive crooner, and consummate entertainer, Armstrong laid the foundation for the future of jazz with his stylistic innovations, but his story would be incomplete without examining how he struggled in a society seething with brutally racist ideologies, laws, and practices. Thomas Brothers picks up where he left off with the acclaimed Louis Armstrong's New Orleans, following the story of the great jazz musician into his most creatively fertile years in the 1920s and early 1930s, when Armstrong created not one but two modern musical styles. Brothers wields his own tremendous skill in making the connections between history and music accessible to everyone as Armstrong shucks and jives across the page. Through Brothers's expert ears and eyes we meet an Armstrong whose quickness and sureness, so evident in his performances, served him well in his encounters with racism while his music soared across the airwaves into homes all over America. Louis Armstrong, Master of Modernism blends cultural history, musical scholarship, and personal accounts from Armstrong's contemporaries to reveal his enduring contributions to jazz and popular music at a time when he and his bandmates couldn't count on food or even a friendly face on their travels across the country. Thomas Brothers combines an intimate knowledge of Armstrong's life with the boldness to examine his place in such a racially charged landscape. In vivid prose and with vibrant photographs, Brothers illuminates the life and work of the man many consider to be the greatest American musician of the twentieth century.
The Louis Armstrong You Never Knew
by James Lincoln CollierExplores the childhood, character, and influential events that shaped the life of Louis Armstrong, the famous African American jazz musician. Includes bibliographical references and index.
Louis Armstrong's Horn (Fountas & Pinnell Classroom, Guided Reading)
by J. C. Kane Charly PalmerNIMAC-sourced textbook. A LUCKY BREAK. Louis Armstrong was eleven years old when he was sent to live in a home for troubled boys. He thought it was the worst thing that had ever happened to him. But it turned out to be the best.
Louis Armstrong's New Orleans
by Thomas Brothers"The best book ever produced about Louis Armstrong by anyone other than the man himself."--Terry Teachout, Commentary In the early twentieth century, New Orleans was a place of colliding identities and histories, and Louis Armstrong was a gifted young man of psychological nimbleness. A dark-skinned, impoverished child, he grew up under low expectations, Jim Crow legislation, and vigilante terrorism. Yet he also grew up at the center of African American vernacular traditions from the Deep South, learning the ecstatic music of the Sanctified Church, blues played by street musicians, and the plantation tradition of ragging a tune. Louis Armstrong's New Orleans interweaves a searching account of early twentieth-century New Orleans with a narrative of the first twenty-one years of Armstrong's life. Drawing on a stunning body of first-person accounts, this book tells the rags-to-riches tale of Armstrong's early life and the social and musical forces that shaped him. The city and the musician are both extraordinary, their relationship unique, and their impact on American culture incalculable. Some images in this ebook are not displayed owing to permissions issues.
Louis Jordan: Son of Arkansas, Father of R&B (Music Ser.)
by Stephen KochThough you may not know the man, you probably know his music. Arkansas-born Louis Jordan's songs like "Baby, It's Cold Outside," "Caldonia" and "Ain't Nobody Here But Us Chickens" can still be heard today, decades since Jordan ruled the charts. In his five-decade career, Jordan influenced American popular music, film and more and inspired the likes of James Brown, B.B. King, Chuck Berry and Ray Charles. Known as the "King of the Jukeboxes," he and his combo played a hybrid of jazz, swing, blues and comedy music during the big band era that became the start of R&B. In a stunning narrative portrait of Louis Jordan, author Stephen Koch contextualizes the great, forgotten musician among his musical peers, those he influenced and the musical present.
Louis Laloy (Routledge Revivals)
by Deborah PriestFirst published in 1999, this is the first study of the noted French music critic and scholar Louis Laloy, and the first collection of his writings. His writings were unique in their time and have never previously been translated. Laloy’s ideas on Debussy, Ravel and Stravinsky are presented here with an introduction by Deborah Priest to each extract, placing it in the context of the period and the composer’s work. Detailed annotations explain technical and cultural references. As a friend of all three composers, but especially of Debussy, Laloy wrote with great authority and influence: his work provides recollections, analytical insights, and insights into reception and performance practice. His erudition and wide range of reference make for fascinating and enlightening reading about the period. Deborah Priest provides a detailed introduction which sets Laloy’s work against the background of the Paris music scene from 1900- 1940.
Louise Talma: A Life in Composition (Cms Monographs And Sourcebooks In American Music Ser.)
by Kendra Preston LeonardAmerican composer Louise Talma (1906-1996) was the first female winner of two back-to-back Guggenheim Awards (1946, 1947), the first American woman to have an opera premiered in Europe (1962), the first female winner of the Sibelius Award for Composition (1963), and the first woman composer elected to the American Academy and Institute of Arts and Letters (1974). This book analyses Talma’s works in the context of her life, focusing on the effects on her work of two major changes she made during her adult life: her conversion to Catholicism as an adult, under the guidance of Nadia Boulanger, and her adoption of serial compositional techniques. Employing approaches from traditional musical analysis, feminist and queer musicology, and women’s autobiographical theory to examine Talma’s body of works, comprising some eighty pieces, this is the first full-length study of this pioneering composer. Exploring Talma’s compositional language, text-setting practices, and the incorporation of autobiographical elements into her works using her own letters, sketches, and scores, as well as a number of other relevant documents, this book positions Talma’s contributions to serial and atonal music in the United States, considers her role as a woman composer during the twentieth century, and evaluates the legacy of her works and career in American music.
Louisiana Saturday Night: Looking for a Good Time in South Louisiana's Juke Joints, Honky-Tonks, and Dance Halls (Southern Messenger Poets)
by Alex V. CookFrom backwoods bars and small-town dives to swampside dance halls and converted clapboard barns, Louisiana Saturday Night offers an anecdotal history and experiential guidebook to some of the Gumbo State's most unique blues, Cajun, and zydeco clubs. Music critic Alex V. Cook uncovers south Louisiana's wellspring of musical tradition, showing us that indigenous music exists not as an artifact to be salvaged by preservationists, but serves as a living, breathing, singing, laughing, and crying part of Louisiana culture. Louisiana Saturday Night takes the reader to both offbeat and traditional venues in and around Baton Rouge, Cajun country, and New Orleans, where we hear the distinctive voices of musicians, patrons, and owners -- like Teddy Johnson, born in the house that now serves as Teddy's Juke Joint. Along the way, Cook ruminates on the cultural importance of the people and places he encounters, and shows their critical role in keeping Louisiana's unique music alive. A map, a journal, a snapshot of what goes on in the little shacks off main roads, Louisiana Saturday Night provides an indispensable and entertaining companion for those in pursuit of Louisiana's quirky and varied nightlife.
Louisiana's Zydeco
by Sherry T. BroussardThe bayou sings and the trees sway with the untold stories of many unsung heroes, including Louisiana's amazing Zydeco musicians. The music is an extraordinary blend of the accordion, the bass and electric guitars, the drums, the rub or scrub board, and other instruments. It tells stories about finding and losing love, life lessons, and other revelatory events that rise from the skillful hands of musicians playing the diatonic and piano accordions. The diverse population of Louisiana creates a rich culture with Zydeco festivals, Creole foods, and the unique music that fills the air with a foot-stomping beat like no other. Louisiana's Zydeco is a snapshot of some of the many musicians who live and play the homegrown music known as Zydeco.
Louisville Jug Music: From Earl McDonald to the National Jubilee (Music Ser.)
by Michael L. JonesForged on the Ohio and Mississippi Rivers during the nineteenth century, jug band music was the early soundtrack for a new nation. Louisville was at the heart of it all. German and Irish immigrants, former slaves en route to Chicago and homesteaders moving into the city created a fertile ground for this new sound. Artists like Earl McDonald and his Original Louisville Jug Band made the city legendary. Some stayed in this so-called money town, passing on licks and melodies that still influence bands like the Juggernaut Jug Band. Tune in to Louisville's jug band music history with local writer Michael Jones and discover a tradition that has left a long-lasting impression on America's musical culture.
Love and Let Die: Bond, the Beatles and the British Psyche
by John HiggsThe Beatles are the biggest band there has ever been. James Bond is the single most successful movie character of all time. They are also twins. Dr No, the first Bond film, and 'Love Me Do', the first Beatles record, were both released on the same day - Friday, 5 October 1962. Most countries can only dream of a cultural export becoming a worldwide phenomenon on this scale. For Britain to produce two on the same windy October afternoon is unprecedented.Bond and the Beatles present us with opposing values, visions of Britain and ideas about male identity. LOVE AND LET DIE is the story of a clash between working-class liberation and establishment control, and how it exploded on the global stage. It explains why James Bond hated the Beatles, why Paul McCartney wanted to be Bond and why it was Ringo who won the heart of a Bond Girl in the end.Told over a period of sixty dramatic years, this is an account of how two outsized cultural monsters continue to define our aspirations and fantasies and the future we are building. Looking at these touchstones in this new context will forever change how you see the Beatles, the James Bond films and six decades of British culture.
Love and Let Die: James Bond, The Beatles, and the British Psyche
by John HiggsA deep-dive into the unique connections between the two titans of the British cultural psyche—the Beatles and the Bond films—and what they tell us about class, sexuality, and our aspirations over sixty dramatic years.The Beatles are the biggest band in the history of pop music. James Bond is the single most successful movie character of all time. They are also twins. Dr No, the first Bond film, and Love Me Do, the first Beatles record, were both released on the same day: Friday 5 October 1962. Most countries can only dream of a cultural export becoming a worldwide phenomenon on this scale. For Britain to produce two iconic successes on this level, on the same windy October afternoon, is unprecedented. Bond and the Beatles present us with opposing values, visions of the British culture, and ideas about sexual identity. Love and Let Die is the story of a clash between working class liberation and establishment control, and how it exploded on the global stage. It explains why James Bond hated the Beatles, why Paul McCartney wanted to be Bond, and why it was Ringo who won the heart of a Bond Girl in the end. Told over a period of sixty dramatic years, this is an account of how two outsized cultural phenomena continue to define American aspirations, fantasies, and our ideas about ourselves. Looking at these two touchstones in this new context will forever change how you see the Beatles, the James Bond films, and six decades of cross-Atlantic popular culture.
Love Becomes a Funeral Pyre: A Biography of the Doors
by Mick WallFrom one of rock's greatest writers, Love Becomes a Funeral Pyre is the definitive biography of the Doors Spanning the entire history of the band, from the birth of its members to the deaths of those who have departed, this book will long remain the definitive history of a band that changed the history of popular music. The band that started out as the "American Rolling Stones," noted for their wildly unpredictable performances, their jazzy vibe, and the crazed monologues of their front man, ended as badly as did the '60s: abruptly, bloodily, cripplingly. Along with evoking the cultural milieu of Los Angeles in the era, bestselling writer Mick Wall captures the true spirit of that tarnished age. From the release of their classic first album, The Doors, to their last with Jim Morrison, L.A. Woman, this band biography is a brilliantly penetrating and contemporary investigation into the real story of the Doors.
Love Becomes a Funeral Pyre: A Biography of The Doors
by Mick Wall'Explodes in to life from the opening paragraph' RECORD COLLECTORThink you know the story of Jim Morrison and The Doors? This revelatory and explosive biography from critically acclaimed rock journalist Mick Wall will make you think again.'The pick of the best guitar tomes: Wall's account pulls no punches, cataloguing each of the primal scenes - early performances, indecent exposure, Jim's sexuality, decline and death' GUITARISTIn 1971, Jim Morrison was found dead in a club toilet in Paris. He was 27 years old. Since then, The Doors have been the subject of a mystery fuelled by sensationalised rumours and empty conjecture.In this definitive account of Jim Morrison and The Doors, critically acclaimed rock writer Mick Wall unravels the myths surrounding the iconic band and its frontman, and captures the unique and unforgettable spirit of the sixties. A brilliantly penetrating and long-overdue biography, Love Becomes a Funeral Pyre questions the idolisation of Jim Morrison and considers the story of The Doors in all of its uncomfortable truth.
Love Becomes a Funeral Pyre: A Biography of The Doors
by Mick Wall'Explodes in to life from the opening paragraph' RECORD COLLECTORThink you know the story of Jim Morrison and The Doors? This revelatory and explosive biography from critically acclaimed rock journalist Mick Wall will make you think again.'The pick of the best guitar tomes: Wall's account pulls no punches, cataloguing each of the primal scenes - early performances, indecent exposure, Jim's sexuality, decline and death' GUITARISTIn 1971, Jim Morrison was found dead in a club toilet in Paris. He was 27 years old. Since then, The Doors have been the subject of a mystery fuelled by sensationalised rumours and empty conjecture.In this definitive account of Jim Morrison and The Doors, critically acclaimed rock writer Mick Wall unravels the myths surrounding the iconic band and its frontman, and captures the unique and unforgettable spirit of the sixties. A brilliantly penetrating and long-overdue biography, Love Becomes a Funeral Pyre questions the idolisation of Jim Morrison and considers the story of The Doors in all of its uncomfortable truth.
The Love Bomb: And Other Musical Pieces
by James FentonThree Libretti—Ranging In Setting From Ancient Jerusalem To Pre-Apocalyptic London—From An Acclaimed PoetThis volume of libretti marks new work—and new terrain—for James Fenton. Commissioned by companies in New York and England, these musical pieces make the most of the poet's poignant, witty, and characteristically lyrical verse. Whether evoking modern-day London on the edge of apocalypse in The Love Bomb, a timeless land beyond the moon in this version of Salman Rushdie's children's novel Haroun and the Sea of Stories, or ancient Jerusalem in his stirring oratorio The Fall of Jerusalem, which was composed to mark the millennium, Fenton's lucid storytelling and stylish wordplay bring these pieces vividly to life—with equal power in performance or on the page.Haroun and the Sea of Stories was commissioned by the New York City Opera and had its premiere at Lincoln Center in September 2003."[James Fenton] writes as no one else dares to--with clarity, wit, and the simplest of rhymes."--Voice Literary Supplement
Love Brought Me Back: A Journey of Loss and Gain
by Natalie Cole David RitzIN THIS LUMINOUS MEMOIR, LEGENDARY SINGER AND ACTRESS NATALIE COLE TELLS A REMARKABLE STORY OF LIFE-THREATENING ILLNESS AND RECOVERY, AND THE STORY OF A DEATH THAT BROUGHT NEW LIFE. In 2009 Natalie Cole was on dialysis, her kidneys failing. Without a kidney transplant, her future was uncertain. Throughout Natalie's illness one of her biggest supporters was her beloved sister Cooke. But then Cooke herself became ill, with cancer. Astonishingly, as Cooke lay dying in a hospital, Natalie received a call that a kidney was available, but the surgery had to be performed immediately. Natalie couldn't leave her sister's side--but neither could she refuse the kidney that would save her own life. This is a story of sisters, Natalie and Cooke, but also of the sisters who made the transplant possible, Patty and Jessica. It was Jessica's death that gave new life to Natalie, even as Natalie experienced the devastating loss of Cooke. Patty, too, suffered her own terrible loss, but when she met Natalie, she found that her sister's spirit still lived. Through the gift of life, Natalie and Patty became sisters in spirit. Love Brought Me Back is a story of loss and recovery, sorrow and joy, success and despair--and, finally, success again. It will touch you as few memoirs ever have.
Love Child: A Memoir of Family Lost and Found
by Allegra HustonWhen Allegra Huston was four years old, her mother was killed in a car crash. Soon afterward, she was introduced to an intimidating man wreathed in cigar smoke -- the legendary film director John Huston -- with the words, "This is your father." So began an extraordinary odyssey: from the magical Huston estate in Ireland to the Long Island suburbs to a hidden paradise in Mexico -- and, at the side of her older sister, Anjelica, into the hilltop retreats of Jack Nicholson, Ryan O'Neal, and Marlon Brando. Allegra's is the penetrating gaze of an outsider never quite sure if she belongs in this rarefied world and of a motherless child trying to make sense of her famous, fragmented family.
Love & Death
by Ian Halperin Max WallaceA stunning and groundbreaking investigation into the death of one of the great rock icons of our times -- revealing new evidence that points to a terrible conclusion. On Friday, April 8, 1994, a body was discovered in a room above a garage in Seattle. For the attending authorities, it was an open-and-shut case of suicide. What no one knew then, however, and which is only being revealed here for the very first time, is that the person found dead that day -- Kurt Cobain, the superstar frontman of Nirvana -- was murdered. In early April 1994, Cobain went missing for days, or so it seemed; in fact, some people knew where he was, and one of them was Courtney Love. Now a star in Hollywood and rock music, in early 1994 she was preparing to release her major label debut with her band, Hole, and what she knew then, though few others did, was that Cobain was planning to divorce her. Love & Death paints a critical portrait of Courtney Love; it also reveals for the first time the case tapes made by Love's own P.I., Tom Grant, a man on a mission to find the truth about Kurt Cobain's demise; and introduces us to a number of characters who feature in various theories about plots to kill Cobain. In addition, Cobain's grandfather goes public, charging that his grandson was murdered. Drawing on new forensic evidence and police reports obtained under the Freedom of Information Act, the book explodes the myths that have long convinced the world that Cobain took his own life, and reveals that the official scenario was scientifically impossible. Against a background of at least sixty-eight copycat suicides since 1994, award-winning investigative journalists Max Wallace and Ian Halperin have conducted a ten-year crusade for the truth, and in Love & Death they are finally able to present a chilling and convincing case that each and every one of these suicides was preventable -- and in doing so, they call for this case to be reopened and properly investigated.